Act IV: Scene I
MARIA.May I come in, dear father?
RIBERA (putting down his book and looking at her affectionately).Child, you ask?
MARIA (advancing).You study late. I came to bid good-night.
RIBERA.Poor child, thou must be weary. Thou art paleStill from thy swoon.
MARIA (with a forced laugh).I had forgotten it.Nay, I am well again.
RIBERA.But I forget it not,Neither forgive myself. Well, it is past,Enough! When the Prince left I sent for thee;Thou wast still sleeping?
MARIA (with confusion).Yes, I was outworn.What didst thou wish of me?
RIBERA.Merely to tell theeDon John leaves Naples. He expressed regretMost courteously that thou wast suffering.He had fain ordered us his parting thanksFor our kind welcome--so he deigned to say.To-morrow he may steal a moment's graceTo see us both once more; but this is doubtful,So he entrusted his farewells to me.
MARIA.May peace go with him.
RIBERA.We are alone--Are we not, darling? Thanks for the calm contentWherewith thou biddest him farewell, to nestleOnce more in mine embrace. Not long, I feel,May these old horny eyes be blest with sightOf thy full-flowering grace, these wrinkled lipsBe pressed against thy brow. I am no moreWhat I have been; at times both hand and brainRefuse their task. Myself will follow soon--The better part of me already dead.So the worm claims us by slow torture, child.Thou'lt bear with me, if as to-day I wrongThy gentle spirit?
MARIA.Father, no more, no more!You break my heart.
RIBERA.Mine angel-child, weep notSo bitterly. I thought not thus to move thee.Still thou art overwrought. I would have askedAt last a promise of thee. I am selfish,But I would sleep less startingly o'nights,And bear a calmer soul by day, were I secureThat thou wilt bide with me until the end.To-night I will not press thee. Thou art weary;Thy nerves have scarce regained their tension yet;But from thy deep emotion I can see'T will cost thee less than I have feared. To-morrowWe will talk of this again.
MARIA.To-morrow!
RIBERA.Now,Good-night. 'T is time thou shouldst be sleeping.
MARIA.Father,I cannot leave thee! Every word of thineGnaws like a burning coal my sore, soft heart.What! thou shalt suffer, and thine own MariaWill leave thee daughterless, uncomforted?What! thou shalt weep, and other eyes than mineShall see the Spagnoletto's spirit broken?
RIBERA.There, there, poor child! Look up, cling not so wildlyAbout my neck. Thou art too finely touched,If thus the faint foreshadow of a griefCan overcome thee. Listen? What was that?
MARIA (starts up, shudders violently, and, all at once, mastersher emotion).Why, I heard nothing, father.
RIBERA.Yes, a soundOf footsteps, and a stifled call.
MARIA.Dear father,Surely 't was naught. Your ears deceive you.The wind is rising, and you heard the leavesRustling together.
RIBERA.Nay, I will look forth.
RIBERA (calling).Hist, answer! Who goes there? (a pause.) No sound. Thou'rt right,Maria; I see naught; our garden liesVacant and still, save for the swaying branchesOf bush and tree. 'T is a wild, threatening night.A sultry breeze is blowing, and the skyHangs black above Vesuvius. Yonder cloudHath lightnings in it. Ah, a blinding boltDims the volcano's pillared fire. Enough.Hark, how the thunder rolls! My child, you trembleLike the blown leaves without.
MARIA.I am oppressedBy the same stormy influence. Thou knowestI dread the thunder.
RIBERA.Thou, who art safely housed,Why shouldst thou dread it? Try to sleep, my darling;Forget the terror of the tempest; mornWill break again in sunshine.
MARIA.Father, sayYou love me and you trust me once again,Before I bid good-night.
RIBERA.If it will calm thee,I love thee and I trust thee. Thou art to meMy genius--thou, the breathing image stillOf thy saint-mother, whom the angels guard.Even as thou standest now, vested in white,With glowing eyes and pale, unsmiling face,I see her as she stood the day her heartWent forth from home and kin to bless the strangerWho craved her father's alms.
MARIA.Thanks, thanks. Good-night.God bless us through these wild, dark hours.
RIBERA.Good-night.
Words in this poem 20
- affectionately adv.
- With affection; lovingly; fondly; tenderly; kindly.
- wast
- The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
- didst
- , the 2d pers. sing. imp. of Do.
- fain v. t.
- To be glad ; to wish or desire.
- wherewith adv.
- With which; -- used relatively.
- nestle v. i.
- To make and occupy a nest; to nest. [AS. nestlian.]
- bitterly adv.
- In a bitter manner.
- overwrought p. p.
- Wrought upon excessively; overworked; overexcited.
- startingly adv.
- By sudden fits or starts; spasmodically.
- calmer n.
- One who, or that which, makes calm.
- bide v. i.
- To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- shalt
- 2d per. sing. of Shall.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- foreshadow v. t.
- To shadow or typi
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- pillared a.
- Supported or ornamented by pillars; resembling a pillar, or pillars.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- went n.
- Course; way; path; journey; direction.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act IV: Scene I is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Act IV: Scene I, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-iv-scene-i.html, id L19145.
Form and metre
Act IV: Scene I is 131 lines in 27 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 8 -A------A ribera · theeA · regret · suffering · thanks · say · grace · doubtful · meA
- 10 ---AA--------- ribera · alone · content · nestleA · feelA · sight · lips · more · brain · soon · dead · child · wrong · spirit
- 12 --A-------A-- ribera · not · theeA · asked · selfish · o'nights · secure · end · weary · yet · seeA · morrow · again
- 15 A-B-A-BB mariaA · father · thineB · heart · mariaA · uncomforted · mineB · brokenB
- 21 -ABBA------ calling · rightA · liesB · branchesB · nightA · sky · cloud · bolt · enough · tremble · without
- 22 -AA- maria · oppressedA · knowestA · thunder
- 25 -AA------- ribera · theeA · meA · still · guard · white · face · heart · stranger · alms
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| MARIA. | 3 | ˘/˘ |
| May I come in, dear father? | 7 | ·····/˘ |
| RIBERA (putting down his book and looking at her affectionately). | 16 | ˘/˘/˘····/˘··˘/˘ |
| Child, you ask? | 3 | ··· |
| MARIA (advancing). | 6 | ˘/˘˘/˘ |
| You study late. I came to bid good-night. | 10 | ·/˘······· |
| RIBERA. | 3 | ˘/˘ |
| Poor child, thou must be weary. Thou art pale | 10 | ·····/˘··· |
| Still from thy swoon. | 4 | ···· |
| MARIA (with a forced laugh). | 7 | ˘/˘···· |
| I had forgotten it. | 6 | ··˘/˘· |
| Nay, I am well again. | 6 | ····˘/ |
| RIBERA. | 3 | ˘/˘ |
| But I forget it not, | 6 | ··˘/·· |
| Neither forgive myself. Well, it is past, | 10 | /˘˘/·/···· |
| Enough! When the Prince left I sent for thee; | 10 | ˘/········ |
| Thou wast still sleeping? | 5 | ···/˘ |
| MARIA (with confusion). | 7 | ˘/˘·˘/˘ |
| Yes, I was outworn. | 5 | ····· |
| What didst thou wish of me? | 6 | ······ |
| RIBERA. | 3 | ˘/˘ |
| Merely to tell thee | 5 | /˘··· |
| Don John leaves Naples. He expressed regret | 10 | ···/˘·˘/˘/ |
| Most courteously that thou wast suffering. | 11 | ·/˘˘˘···/˘˘ |
| He had fain ordered us his parting thanks | 10 | ···/˘··/˘· |
| For our kind welcome--so he deigned to say. | 10 | ·/·/˘····· |
| To-morrow he may steal a moment's grace | 10 | ·/˘····/˘· |
| To see us both once more; but this is doubtful, | 11 | ·········/˘ |
| So he entrusted his farewells to me. | 10 | ··˘/˘··/·· |
| MARIA. | 3 | ˘/˘ |
| May peace go with him. | 5 | ····· |
| RIBERA. | 3 | ˘/˘ |
| We are alone-- | 4 | ··˘/ |
| Are we not, darling? Thanks for the calm content | 11 | ···/˘····/˘ |
| Wherewith thou biddest him farewell, to nestle | 11 | ˘/·/˘··/·/˘ |
| Once more in mine embrace. Not long, I feel, | 10 | ····˘/···· |
| May these old horny eyes be blest with sight | 10 | ···/˘····· |
| Of thy full-flowering grace, these wrinkled lips | 10 | ···/˘··/˘· |
| Be pressed against thy brow. I am no more | 10 | ·········· |
| What I have been; at times both hand and brain | 10 | ·········· |
| Refuse their task. Myself will follow soon-- | 10 | ˘/···/·/˘· |
| The better part of me already dead. | 10 | ·/˘···˘/˘· |
| So the worm claims us by slow torture, child. | 10 | ·······/˘· |
| Thou'lt bear with me, if as to-day I wrong | 10 | ·········· |
| Thy gentle spirit? | 5 | ·/˘/˘ |
| MARIA. | 3 | ˘/˘ |
| Father, no more, no more! | 6 | /˘···· |
| You break my heart. | 4 | ···· |
| RIBERA. | 3 | ˘/˘ |
| Mine angel-child, weep not | 6 | ·/˘··· |
| So bitterly. I thought not thus to move thee. | 10 | ·/˘······· |
| Still thou art overwrought. I would have asked | 10 | ····˘/···· |
| At last a promise of thee. I am selfish, | 11 | ···/˘····/˘ |
| But I would sleep less startingly o'nights, | 10 | ·····/˘˘·· |
| And bear a calmer soul by day, were I secure | 12 | ···/˘·····˘/ |
| That thou wilt bide with me until the end. | 10 | ·········· |
| To-night I will not press thee. Thou art weary; | 11 | ·········/˘ |
| Thy nerves have scarce regained their tension yet; | 10 | ····˘/·/˘· |
| But from thy deep emotion I can see | 10 | ····˘/˘··· |
| 'T will cost thee less than I have feared. To-morrow | 12 | ··········/˘ |
| We will talk of this again. | 7 | ·····˘/ |
| MARIA. | 3 | ˘/˘ |
| To-morrow! | 3 | ·/˘ |
| RIBERA. | 3 | ˘/˘ |
| Now, | 1 | · |
| Good-night. 'T is time thou shouldst be sleeping. | 10 | ········/˘ |
| MARIA. | 3 | ˘/˘ |
| Father, | 2 | /˘ |
| I cannot leave thee! Every word of thine | 10 | ·/˘··/˘··· |
| Gnaws like a burning coal my sore, soft heart. | 10 | ···/˘····· |
| What! thou shalt suffer, and thine own Maria | 11 | ···/˘···˘/˘ |
| Will leave thee daughterless, uncomforted? | 10 | ·········· |
| What! thou shalt weep, and other eyes than mine | 10 | ·····/˘··· |
| Shall see the Spagnoletto's spirit broken? | 11 | ·······/˘/˘ |
| RIBERA. | 3 | ˘/˘ |
| There, there, poor child! Look up, cling not so wildly | 11 | ·········/˘ |
| About my neck. Thou art too finely touched, | 10 | ·······/˘· |
| If thus the faint foreshadow of a grief | 10 | ····˘/˘··· |
| Can overcome thee. Listen? What was that? | 10 | ·/˘··/˘··· |
| MARIA (starts up, shudders violently, and, all at once, masters | 15 | ˘/˘··/˘/˘····/˘ |
| her emotion). | 4 | ·˘/˘ |
| Why, I heard nothing, father. | 7 | ···/˘/˘ |
| RIBERA. | 3 | ˘/˘ |
| Yes, a sound | 3 | ··· |
| Of footsteps, and a stifled call. | 9 | ·/···/˘˘· |
| MARIA. | 3 | ˘/˘ |
| Dear father, | 3 | ·/˘ |
| Surely 't was naught. Your ears deceive you. | 10 | /˘·····˘/· |
| The wind is rising, and you heard the leaves | 10 | ···/˘····· |
| Rustling together. | 5 | /˘˘/˘ |
| RIBERA. | 3 | ˘/˘ |
| Nay, I will look forth. | 5 | ····· |
| RIBERA (calling). | 5 | ˘/˘/˘ |
| Hist, answer! Who goes there? (a pause.) No sound. Thou'rt right, | 12 | ·/˘········· |
| Maria; I see naught; our garden lies | 10 | ˘/˘···//˘· |
| Vacant and still, save for the swaying branches | 11 | /˘·····/˘/˘ |
| Of bush and tree. 'T is a wild, threatening night. | 11 | ········/˘· |
| A sultry breeze is blowing, and the sky | 10 | ·/˘··/˘··· |
| Hangs black above Vesuvius. Yonder cloud | 10 | ····˘/˘/˘· |
| Hath lightnings in it. Ah, a blinding bolt | 10 | ·/˘····/˘· |
| Dims the volcano's pillared fire. Enough. | 10 | ··˘/˘/˘/˘/ |
| Hark, how the thunder rolls! My child, you tremble | 11 | ···/˘····/˘ |
| Like the blown leaves without. | 6 | ······ |
| MARIA. | 3 | ˘/˘ |
| I am oppressed | 4 | ··˘/ |
| By the same stormy influence. Thou knowest | 11 | ···/˘/˘˘·/˘ |
| I dread the thunder. | 5 | ···/˘ |
| RIBERA. | 3 | ˘/˘ |
| Thou, who art safely housed, | 6 | ···/˘· |
| Why shouldst thou dread it? Try to sleep, my darling; | 11 | ·········/˘ |
| Forget the terror of the tempest; morn | 10 | ˘/·/˘··/˘· |
| Will break again in sunshine. | 7 | ··˘/·/· |
| MARIA. | 3 | ˘/˘ |
| Father, say | 3 | /˘· |
| You love me and you trust me once again, | 10 | ········˘/ |
| Before I bid good-night. | 6 | ······ |
| RIBERA. | 3 | ˘/˘ |
| If it will calm thee, | 5 | ····· |
| I love thee and I trust thee. Thou art to me | 11 | ··········· |
| My genius--thou, the breathing image still | 10 | ·/˘··/˘/˘· |
| Of thy saint-mother, whom the angels guard. | 10 | ···/˘··/˘· |
| Even as thou standest now, vested in white, | 10 | /··/˘·/˘·· |
| With glowing eyes and pale, unsmiling face, | 10 | ·/˘···˘/˘· |
| I see her as she stood the day her heart | 10 | ·········· |
| Went forth from home and kin to bless the stranger | 11 | ·········/˘ |
| Who craved her father's alms. | 6 | ···/˘· |
| MARIA. | 3 | ˘/˘ |
| Thanks, thanks. Good-night. | 4 | ···· |
| God bless us through these wild, dark hours. | 9 | ·······/˘ |
| RIBERA. | 3 | ˘/˘ |
| Good-night. | 2 | ·· |
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