Act III: Scene III
DON JOHN.In any less than she, so swift a passion,So unreserved, so reckless, had repelled.In her 't is godlike. Our mutual loveWas born full-grown, as we gazed each on each.Nay, 't was not born, but like a thing eternal,It WAS ere we had consciousness thereof;No growth of slow development, but perfectFrom the beginning, neither doomed to end.Her garden breathes her own warm, southern beauty,Glowing with dewy and voluptuous bloom.Here I am happy--happy to dream and waitIn rich security of bliss. I knowHow brief an interval divides us now.She hastes to meet me with no less impatienceThan mine to clasp her in my arms, to pressHeart unto heart, and see the love withinThe unfathomable depths of her great eyes.She comes. Maria!
MARIA.My lord! you have been waiting?
DON JOHN.Darling, not long; 't was but my restless loveThat drove me here before the promised hour.So were I well content to wait through agesUpon the threshold of a joy like this,Knowing the gates of heaven might ope to meAt any moment.
MARIA.Your love is less than mine,For I have counted every tedious minuteSince our last meeting.
DON JOHN.I had rather speakLess than the truth to have you chide me thus;Yet if you enter in the lists with me,Faith match with faith, and loyal heart with heart,I warrant you, the jealous god of love,Who spies us from yon pomegranate bush,Would crown me victor.
MARIA.Why should we compete?Who could decide betwixt two equal truths,Two perfect faiths?
DON JOHN.The worship of my lifeWill be slight payment for your boundless trust.Look we nor forth nor back, are we not happy?Heaven smiles above our heads with all her stars.The envious day forced us apart, the wingOf obscure night protects and shelters us.Now like a pure, night-blooming flower, puts forthThe perfect blossom of our love. Oh, leanThy royal head upon my breast; assure meThat this unheard-of bliss is no fond dream.Cling to me, darling, till thy love's dear burdenTake root about my heart-strings.
MARIA (after a pause).Did you not hearA sound, a cry? Oh, God! was it my father?
DON JOHN.Naught save the beating of our hearts I heard.Be calm, my love; the very air is hushed.Listen, the tinkle of the fountain yonder,
The sleepy stir of leaves, the querulous pipeOf some far bird--no more.
MARIA.I heard, I heard!A rude voice called me. Wherefore did it comeTo snatch me from that dream of restful love?Tell me you will--I have lost all for you!
DON JOHN.To-morrow you will laugh at fears like these.You have lost naught--you have but won my love.Lose not your faith in that--your shield and weapon.
MARIA.I tremble still in every limb. Good-night,I must be gone. To-morrow when you come,Be wary with my father; he is fierceIn love and hatred. Listen and look, my lord.If one dared say to me but yester-mornThat I would meet at night a stranger youthIn mine own garden, talk with him of love,And hint a thought against the Spagnoletto,I had smitten with this bauble such a one.Kiss me, my Juan, once again. Good-night.
Words in this poem
- unreserved a.
- Not reserved; not kept back; not withheld in part; unrestrained.
- drove n.
- A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- envious a.
- Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- querulous a.
- Given to quarreling; quarrelsome. land. [L. querulus and querulosus, fr. queri to complain. Cf. Cry, v., Quarrel a brawl, Quarrelous.]
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- restful a.
- Being at rest; quiet.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- bauble n.
- A trifling piece of finery; a gewgaw; that which is gay and showy without real value; a cheap, showy plaything. [Cf. OF. baubel a child's plaything, F. babiole, It. babbola, LL. baubellum gem, jewel, L. babulus,a baburrus, foolish.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act III: Scene III is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Act III: Scene III, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-iii-scene-iii.html, id L19143.
Form and metre
Act III: Scene III is 86 lines in 13 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA-B--B------------ johnA · passionA · repelled · loveB · each · eternal · thereofB · perfect · end · beauty · bloom · wait · know · now · impatience · press · within · eyes · maria
- 7 --------A--A- john · life · trust · happy · stars · wing · us · forth · leanA · me · dream · burdenA · strings
- 12 A--A johnA · these · love · weaponA
- 13 -A--------A maria · nightA · come · fierce · lord · morn · youth · love · spagnoletto · one · nightA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| DON JOHN. | 2 | ·· |
| In any less than she, so swift a passion, | 11 | ·/˘······/˘ |
| So unreserved, so reckless, had repelled. | 10 | ·····/˘·˘/ |
| In her 't is godlike. Our mutual love | 10 | ····/˘//˘· |
| Was born full-grown, as we gazed each on each. | 10 | ·········· |
| Nay, 't was not born, but like a thing eternal, | 12 | ·········˘/˘ |
| It WAS ere we had consciousness thereof; | 10 | ·····/˘˘·· |
| No growth of slow development, but perfect | 10 | ····˘/˘·˘/ |
| From the beginning, neither doomed to end. | 10 | ··˘/˘/˘··· |
| Her garden breathes her own warm, southern beauty, | 11 | ·/˘····/˘/˘ |
| Glowing with dewy and voluptuous bloom. | 10 | /˘·/˘·˘/˘· |
| Here I am happy--happy to dream and wait | 11 | ···/˘/˘···· |
| In rich security of bliss. I know | 10 | ··˘/˘˘···· |
| How brief an interval divides us now. | 10 | ···/˘˘˘/·· |
| She hastes to meet me with no less impatience | 11 | ········˘/˘ |
| Than mine to clasp her in my arms, to press | 10 | ·········· |
| Heart unto heart, and see the love within | 10 | ·········· |
| The unfathomable depths of her great eyes. | 10 | ·˘/˘˘····· |
| She comes. Maria! | 5 | ··˘/˘ |
| MARIA. | 3 | ˘/˘ |
| My lord! you have been waiting? | 7 | ·····/˘ |
| DON JOHN. | 2 | ·· |
| Darling, not long; 't was but my restless love | 11 | /˘······/˘· |
| That drove me here before the promised hour. | 11 | ·······/˘/˘ |
| So were I well content to wait through ages | 11 | ····˘/···/˘ |
| Upon the threshold of a joy like this, | 10 | ···/······ |
| Knowing the gates of heaven might ope to me | 10 | /···/˘···· |
| At any moment. | 5 | ·/˘/˘ |
| MARIA. | 3 | ˘/˘ |
| Your love is less than mine, | 6 | ······ |
| For I have counted every tedious minute | 11 | ···/˘/˘/˘/˘ |
| Since our last meeting. | 6 | ·/˘·/˘ |
| DON JOHN. | 2 | ·· |
| I had rather speak | 5 | ··/˘· |
| Less than the truth to have you chide me thus; | 10 | ·········· |
| Yet if you enter in the lists with me, | 10 | ···/˘····· |
| Faith match with faith, and loyal heart with heart, | 10 | ·····/˘··· |
| I warrant you, the jealous god of love, | 10 | ·/˘··/˘··· |
| Who spies us from yon pomegranate bush, | 8 | ·····/˘· |
| Would crown me victor. | 5 | ···/˘ |
| MARIA. | 3 | ˘/˘ |
| Why should we compete? | 5 | ···˘/ |
| Who could decide betwixt two equal truths, | 10 | ··˘/˘/·/˘· |
| Two perfect faiths? | 4 | ·˘/· |
| DON JOHN. | 2 | ·· |
| The worship of my life | 6 | ·/˘··· |
| Will be slight payment for your boundless trust. | 10 | ···/˘··/˘· |
| Look we nor forth nor back, are we not happy? | 11 | ·········/˘ |
| Heaven smiles above our heads with all her stars. | 10 | /···/····· |
| The envious day forced us apart, the wing | 10 | ·/˘···˘/·· |
| Of obscure night protects and shelters us. | 10 | ·˘/·˘/·/˘· |
| Now like a pure, night-blooming flower, puts forth | 10 | ·····/˘/·· |
| The perfect blossom of our love. Oh, lean | 10 | ·/·/˘·/··· |
| Thy royal head upon my breast; assure me | 11 | ·/˘·····˘/· |
| That this unheard-of bliss is no fond dream. | 10 | ··˘/······ |
| Cling to me, darling, till thy love's dear burden | 11 | ···/˘····/˘ |
| Take root about my heart-strings. | 7 | ······· |
| MARIA (after a pause). | 7 | ˘/˘···· |
| Did you not hear | 4 | ···· |
| A sound, a cry? Oh, God! was it my father? | 11 | ·········/˘ |
| DON JOHN. | 2 | ·· |
| Naught save the beating of our hearts I heard. | 10 | ···/˘·/··· |
| Be calm, my love; the very air is hushed. | 10 | ·····/˘··· |
| Listen, the tinkle of the fountain yonder, | 11 | /˘·/˘··/˘/˘ |
| The sleepy stir of leaves, the querulous pipe | 10 | ·/˘····/˘· |
| Of some far bird--no more. | 6 | ······ |
| MARIA. | 3 | ˘/˘ |
| I heard, I heard! | 4 | ···· |
| A rude voice called me. Wherefore did it come | 10 | ·····/˘··· |
| To snatch me from that dream of restful love? | 10 | ·······/˘· |
| Tell me you will--I have lost all for you! | 10 | ·········· |
| DON JOHN. | 2 | ·· |
| To-morrow you will laugh at fears like these. | 10 | ·/˘······· |
| You have lost naught--you have but won my love. | 10 | ·········· |
| Lose not your faith in that--your shield and weapon. | 11 | ·········/˘ |
| MARIA. | 3 | ˘/˘ |
| I tremble still in every limb. Good-night, | 10 | ·/˘··/˘··· |
| I must be gone. To-morrow when you come, | 10 | ·····/˘··· |
| Be wary with my father; he is fierce | 10 | ·/˘··/˘··· |
| In love and hatred. Listen and look, my lord. | 11 | ···/˘/˘···· |
| If one dared say to me but yester-morn | 10 | ·······/˘· |
| That I would meet at night a stranger youth | 10 | ·······/˘· |
| In mine own garden, talk with him of love, | 10 | ···/˘····· |
| And hint a thought against the Spagnoletto, | 11 | ··········· |
| I had smitten with this bauble such a one. | 11 | ··/˘··/˘··· |
| Kiss me, my Juan, once again. Good-night. | 10 | ······˘/·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.