Act I: Scene I
MARIA.Father!(RIBERA, absorbed in his work, makes no reply; she puts by herembroidery, goes toward him and kisses him gently. He starts,looks up at her, and returns her caress).
RIBERA.My child!
MARIA.Already you forget,Oh, heedless father! Did you not promise meTo lay aside your brush to-day at noon,And tell me the great secret?
RIBERA.Ah, 't is true,I am to blame. But it is morning yet;My child, wait still a little.
MARIA.'T is morning yet!Nay, it was noon one mortal hour ago.All patience I have sat till you should turnAnd beckon me. The rosy angels breatheUpon the canvas; I might sit till night,And, if I spake not, you would never glanceFrom their celestial faces. Dear my father,Your brow is moist, and yet your hands are ice;Your very eyes are tired--pray, rest awhile.The Spagnoletto need no longer toilAs in the streets of Rome for beggars' fare;Now princes bide his pleasure.
RIBERA (throws aside his brush and palette).Ah, Maria,Thou speak'st in season. Let me ne'er forgetThose days of degradation, when I starvedBefore the gates of palaces. The germsStirred then within me of the perfect fruitsWherewith my hands have since enriched God's world.Vengeance I vowed for every moment's sting--Vengeance on wealth, rank, station, fortune, genius.See, while I paint, all else escapes my sense,Save this bright throng of phantasies that pressUpon my brain, each claiming from my handIts immortality. But thou, my child,Remind'st me of mine oath, my sacred pride,The eternal hatred lodged within my breast.Philip of Spain shall wait. I will not deignTo add to-day the final touch of lifeUnto this masterpiece.
MARIA.So! that is well.Put by the envious brush that separatesFather from daughter. Now you are all mine own.And now--your secret.
RIBERA.Mine? 'T is none of mine;'T is thine, Maria. John of AustriaDesires our presence at his ball to-night.
MARIA.Prince John?
RIBERA.Ay, girl, Prince John. I looked to seeA haughty joy dance sparkling in thine eyesAnd burn upon thy cheek. But what is this?Timid and pale, thou droop'st thy head abashedAs a poor flower-girl whom a lord accosts.
MARIA.Forgive me. Sure, 't is you Don John desiresThe prince of artists--
RIBERA.Art! Prate not of art!Think'st thou I move an artist 'midst his guests?As such I commune with a loftier race;Angels and spirits are my ministers.These do I part aside to grace his halls;A Spanish gentleman--and so, his peer.
MARIA.Father, I am not well; my head throbs fast,Unwonted languor weighs upon my frame.
RIBERA.Anger me not, Maria. 'T is my will,Thou shalt obey. Hell, what these women be!No obstacle would daunt them in the questOf that which, freely given, they reject.Hold! Haply just occasion bids thee seemUnlike thyself. Speak fearlessly child;Confide to me thy knowledge, thy surmise.
MARIA (hurriedly).No, father, you were right. I have no cause;Punish me--nay, forgive, and I obey.
RIBERA.There spake my child; kiss me and be forgiven.Sometimes I doubt thou playest upon my loveWillfully, knowing me as soft as clay,Whom the world knows of marble. In such moods,I see my spirit mirror's first, and thenFrom thy large eyes thy sainted mother's soulUnclouded shine.
MARIA.Can I be like to her?I only knew her faded, white, and grave,And so she still floats vaguely through my dreams,With eyes like your own angels', and a browWorthy an aureole.
RIBERA.An earthly crown,My princess, might more fitly rest on thine.Annicca hath her colors, blue-black hair,And pale, brown flesh, and gray, untroubled eyes;Yet thou more often bring'st her to mind,For all the tawny gold of thy thick locks,Thy rare white face, and brilliant Spanish orbs.Thine is her lisping trick of voice, her laugh,The blithest music still this side of heaven;Thine her free, springing gait, though therewithalA swaying, languid motion all thine own,Recalls Valencia more than Italy.Like and unlike thou art to her, as stillMy memory loves to hold her, as she firstBeamed like the star of morning on my life.Hot, faint, and footsore, I had paced since dawnThe sun-baked streets of Naples, seeking work,Not alms, despite the beggar that I looked.Now 't was nigh vespers, and my suit had metWith curt refusal, sharp rebuff, and gibes.Praised be the saints! for every drop of gallIn that day's brimming cup, I have upheldA poisoned beaker to another's lips.Many a one hath the Ribera taughtTo fare a vagabond through alien streets;A god unrecognized 'midst churls and clowns,With kindled soul aflame, and body faintOr lack of bread. Domenichino knows,And Gessi, Guido, Annibal Caracci--
MARIA.Dear father, calm yourself. You had begunTo tell me how you saw my mother first.
RIBERA.True, I forgot it not. Why, I AM calm;The old man now can well be grave and cold,Or laugh at his own youth's indignities,Past a long lifetime back. 'T was vespers' hour,Or nigh it, when I reached her father's door.Kind was his greeting, the first cordial wordsI heard in Naples; but I took small heedOf speech or toe, for all my sense was raptIn wonder at the angel by his sideWho smiled upon me. Large, clear eyes that heldThe very soul of sunlight in their depths;Low, pure, pale brow, with masses of black hairFlung loosely back, and rippling unconfinedIn shadowy magnificence belowThe slim gold girdle o'er the snow-soft gown.Vested and draped about her throat and waist and wrists,A stately lily ere the dew of mornHath passed away--such was thy mother, child.
MARIA.Would I were like her! But what said she, father?How did she plead for you?
RIBERA.Ah, cunning child,I see thy tricks; thou humorest my age,Knowing how much I love to tell this tale,Though thou hast heard it half a hundred times.
MARIA.I find it sweet to hear as you to tell,Believe me, father.
RIBERA.'T was to pleasure her,Signor Cortese gave me all I lackedTo prove my unfamed skill. A savage pride,Matched oddly with my rags, the haughtinessWherewith I claimed rather than begged my tools,And my quaint aspect, oft she told me since,Won at a glance her faith. Before I left,She guessed my need, and served me meat and wineWith her own flower-white hands. The parting graceI craved was granted, that my work might beThe portrait of herself. Thou knowest the rest.
MARIA.Why did she leave us, father? Oh, how oftI yearn to see her face, to hear her voice,Hushed in an endless silence! Strange that she,Whose rich love beggared our return, should bearSuch separation! Though engirdled nowBy heavenly hosts of saints and seraphim,I cannot fancy it. What! shall her child,Whose lightest sigh reechoed in her heart,Have need of her and cry to her in vain?
RIBERA.Now, for God's sake, Maria, speak not thus;Let me not see such tears upon thy cheek.Not unto us it has been given to guessThe peace of disembodied souls like hers.The vanishing glimpses that my fancies catchThrough heaven's half-opened gates, exalt even me,Poor sinner that I am. And what are these,The painted shadows that make all my lifeA glory, to the splendor of that light?For thee, my child, has not my doting loveSufficed, at least in part, to fill the breachOf that tremendous void? What dost thou lack?What help, what counsel, what most dear caress?What dost thou covet? What least whim remainsUngratified, because not yet expressed?
MARIA.None, none, dear father! Pardon me! Thy love,Generous and wise as tender, shames my powerTo merit or repay. Fie o my lips!Look if they be not blistered. Let them smoothWith contrite kisses the last frown away.We must be young to-night--no wrinkles then!Genius must show immortal as she is.
RIBERA.Thou wilt unman me with thy pretty ways.I had forgot the ball. Yea, I grow old;This scanty morning's work has wearied me.Once I had thought it play to dream all dayBefore my canvas and then dance till dawn,And now must I give o'er and rest at noon.
LUCA.Signor Lorenzo.
LORENZO.Master, I bring my sketch.
RIBERA.Humph! the design is not so ill-conceived;I note some progress; but your drawing's bad--Yes, bad, sir. Mark you how this leg hangs limp,As though devoid of life; these hands seem clenched,Not loosely clasped, as you intended them.Thus should it stand--a single line will mend.And here, what's this? Why, 't is a sloven's work.You dance too many nights away, young gallant.You shirk close labor as do all your mates.You think to win with service frivolous,Snatched 'twixt your cups, or set between two kisses,The favor of the mistress of the world.
LORENZO.Your pardon, master, but you do me wrong.Mayhap I lack the gift. Alas, I fear it!But not the patience, not the energyOf earnest, indefatigable toil,That help to make the artist.
RIBERA.'S death! He daresBelie me, and deny the testimonyOf his own handiwork, whose every lineBetrays a sluggard soul, an indolent will,A brain that's bred to idleness. So be it!Master Lorenzo tells the SpagnolettoHis own defects and qualities! 'T were bestHe find another teacher competentTo guide so apt, so diligent a scholar.
MARIA.Dear father, what hath given thee offence?Cast but another glance upon the sketch;Surely it hath some grace, some charm, some promise.
RIBERA.Daughter, stand by! I know these insolent slipsOf young nobility; they lack the stuffThat makes us artists. What! to answer me!When next I drop a hint as to his colors,The lengthening or the shortening of a stroke,He'll bandy words with me about his error,To prove himself the master.
LORENZO.If my defectBe an hereditary grain i' the blood,Even as you say, I must abide by it;But if patrician habits more than birthBeget such faults, then may I dare to hope.Not mine, I knew, I felt, to clear new paths,To win new kingdoms; yet were I contentWith such achievement as a strenuous will,A firm endeavor, unfaltering love,And an unwearying spirit might attain.Cast me not lightly back. Banish me notFrom this, my home of hope, of inspiration!
MARIA.What, my ungentle father! Will you hear,And leave this worthy signor's suit unanswered?
RIBERA.Well, he may bide. Sir, I will speak with youAnon upon this work. I judged in haste.Yea, it hath merit. I am weary now;To-morrow I shall be in fitter moodTo give you certain hints.
RIBERA.Should I o'ersleepMine hour, Maria, thou must awaken me;But come what may, I will be fresh to-night,To triumph in thy triumph.
MARIA (alone).Could I have told,Then when he bade me? Nay, what is to tell?He had flouted me for prizing at such heightHomage so slight from John of Austria, even.A glance exchanged, a smile, a fallen flowerDropped from my hair, and pressed against his lips.The Prince! my father gloats upon that name.Were he no more than gentleman, I thinkI should be glad. I cannot tell to-dayIf I be sad or gay. Now could I weepWarm, longing tears; anon, a fire of joyLeaps in my heart and dances through my veins.Why should I nurse such idle thoughts? TonightWe are to meet again. Will he remember?--Nay, how should he forget? His heart is young;His eyes do mirror loyalty. Oh, day!Quicken thy dull, slow round of tedious hours!God make me beautiful this happy night!My father's sleeping saint rebukes my thought.Strange he has left his work, against his wont,Revealed before completed. I will drawThe curtain.Beautiful, oh, beautiful!The far, bright, opened heavens--the dark earth,Where the tranced pilgrim lies, with eyelids sealed,His calm face flushed with comfortable sleep,His weary limbs relaxed, his heavy headPillowed upon the stone. Oh, blessed dreamThat visits his rapt sense, of airy forms,Mounting, descending on the shining ladder,With messages of peace. I will be trueUnto my lineage divine, and breatheThe passion of just pride that overfillsHIS soul inspired.
LORENZO.Oh, celestial vision!What brush may reproduce those magic tints,Those lines ethereal?--
MARIA (turns suddenly).Is it not marvellous,Signor Lorenzo? I would draw the curtain,But, gazing, I forgot.You are the first,After the master and myself, to lookUpon this wonder.
LORENZO (with enthusiasm, looking for he first time at the picture).Ah, what an answer thisFor envious minds that would restrict his powerTo writhing limbs and shrivelled flesh! Repose,Beauty, and large simplicity are here.Yes, that is art! Before such work I standAnd feel myself a dwarf.
MARIA.There, you are wrong.My father even, who knows his proper worth,Before his best achievements I have seenIn like dejection; 't is the curse of genius.Oft have I heard the master grace your nameWith flattering addition.
LORENZO.'T is your goodness,And not the echo of his praise, that speaks.My work was worthless--'t was your generous voiceAlone secured the master's second glance.
MARIA.Nay, signor, frankly, he esteems your talent.Because you are of well-assured meansAnd gentle birth, he will be rude to you.Not without base is the deep grudge he owesTo riches and prosperity.
LORENZO.Signora,Why do I bear such harsh, injurious termsAs he affronts me with? Why must I seemIn mine own eyes a craven? Spiritless,Dishonorably patient? 'T is not his fame,His power, his gift, his venerable yearsThat bind me here his willing slave. Maria,'T is thou, 't is thou alone! 'T is that I love thee,And exile hence is death!At thy dear feetI lay my life with its most loyal service,The subject of thy pleasure.
MARIA (tenderly).You are too humble.
LORENZO.Too humble! Do you seek mine utter ruin,With words whose very tone is a caress?I say all. I love you!--you have known it.Why should I tell you? Yet, to-day you seemOther than you have been. A milder lightBeams from your eyes--a gentler grace is thronedUpon your brow--your words fall soft as dewTo melt my fixed resolve.
MARIA.You find me, signor,In an unguarded mood. I would be trueTo you; and to myself; yet, know no answer.Anon, I will be calm; pray you withdraw.
LORENZO.Till when? Remember what mad hopes and fearsMeantime will riot in my brain.
MARIA.To-morrow--Farewell, farewell.
LORENZO (kisses her hand).Farewell.
MARIA.A faithful heart,A name untainted, a fair home--yea, theseAre what I need. Oh, lily soul in heaven,Who wast on earth my mother, guide thy child!
ANNICCA.What, sister! lost in dreams by daylight? Fie!Who is the monarch of thy thoughts?
MARIA (starting).Annicca!My thoughts are bounden to no master yet;They fly from earth to heaven in a breath.Now are they all of earth. Hast heard the tidings?
ANNICCA.Yea--of the Prince's ball? We go together.Braid in thy hair our mother's pearls, and wearThe amulet ingemmed with eastern stones;'T will bring good fortune.
MARIA.Tell me, ere we go,What manner of man is John of Austria?
ANNICCA.Scarce man at all--a madcap, charming boy;Well-favored--you have seen him--exquisiteIn courtly compliment, of simple manners;You may not hear a merrier laugh than hisFrom any boatman on the bay; well-versedIn all such arts as most become his station;Light in the dance as winged-foot Mercury,Eloquent on the zither, and a masterOf rapier and--
MARIA.A puppet could be madeTo answer in all points your praise of him.Hath he no substance as of a man?
ANNICCA.Why, sister,What may that be to us?
MARIA.He is our Prince.
ANNICCA.The promise of his youth is to outstripThe hero of Lepanto; bright and boldAs fire, he is the very soul, the starOf Spanish chivalry; his last achievementSeems still the flower of his accomplishments.Musician, soldier, courtier, yea, and artist."He had been a painter, were he not a prince,"Says Messer Zurbaran. The Calderona,His actress-mother, hath bequeathed to himHer spirit with her beauty, and the powerTo win and hold men's hearts.
MARIA.I knew it, sister!His eye hath a command in it; his browSeems garlanded with laurel.
ANNICCA.What is this?You kindle with his praise, your whole heart glowsIn light and color on your face, your wordsTake wing and fly as bold as reckless birds.What! can so rash a thought, a dream so wild,So hopeless an ambition, tempt your soul?
MARIA.Pray you, what thought, what dream, and what ambition?I knew not I had uttered any such.
ANNICCA.Nor have you in your speech; your eyes now veiled,Where the light leaped to hear me voice his fame,Your blushes and your pallor have betrayedThat which should lie uncounted fathom deep--The secret of a woman's foolish heart.
MARIA.And there it lies, my sibyl sister, still!Your plummet hath not reached it. Yes, 't is loveFlaunts his triumphant colors in my cheek,And quickens my lame speech--but not for him,Not for the Prince--so may I vaunt his worthWith a free soul.
ANNICCA.Say on.
MARIA.A gentleman,Favored of earth and heaven, true and loving,Hath cast his heart at my imperial feet;And if to-morrow find me as to-day,I will e'en stoop and raise it to mine own.
ANNICCA.Signor Vitruvio?
MARIA.Not he, indeed!Did not I say favored of earth and heaven?That should mean other gifts than bags of gold,Or a straight-featured mask. Nor will it beAny you name, though you should name him right.Must it not lie--how many fathom deep--The secret of a woman's foolish heart?
ANNICCA.Kiss me, Maria. You are still a child.You cannot vex me, wilful as you be.Your choice, I fear not, doubtless 't will prove wise,Despite your wild wit, for your heart is pure,And you will pause with sure deliberate judgmentBefore you leave our father.
MARIA.Does love stealSo gently o'er our soul? What if he comeA cloud, a fire, a whirlwind, to o'erbearThe feeble barriers wherewith we oppose him,And blind our eyes and wrest from us our reason?Fear not, Annicca, for in no such guiseHe visits my calm breast; but yet you speakSomewhat too sagely. Did such cautious wisdomGuide your own fancy?
ANNICCA.Jest no more, Maria.Since I became a wife, is much made clear,Which a brief year ago was dark and vague.Tommaso loves me--we are happierThen I had dreamed; yet matching now with then,I see his love is not that large, rich passionOur father bore us.
MARIA.You regret your home?
ANNICCA.No, no! I have no wish and no regret.I speak for you. His is a sovereign soul,And all his passions loom in huger shapeThan lesser men's. He brooks no rivalryWith his own offspring, and toward me his loveHath ebbed, I mark, to a more even flow,While deeper, stronger, sets the powerful currentToward you alone. Consider this, Maria,Nor wantonly discrown that sacred headOf your young love to wreathe some curled boy's brow.
MARIA.Think you his wish were that I should not wed?
ANNICCA.Nay, that I say not, for his pride aspiresTo see you nobly mated.
MARIA (after a pause).Him will I wedWhose name is ancient, fair, and honorable,As the Ribera's is illustrious--Him who no less than I will venerateThat white, divine old head. In art his pupil,In love his son; tender as I to watch,And to delay the slow extinguishingOf that great light.
ANNICCA.There spake his darling child!
MARIA.What is't o'clock? If he should sleep too late--He bade me rouse him--
ANNICCA.Haste to seek him, then.'T is hard on sunset, and he looks for theeWith his first waking motion. Till to-night.
Words in this poem 88
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- beckon v. t.
- To make a significant sign to; hence, to summon, as by a motion of the hand.
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- bide v. i.
- To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
- palette n.
- A thin, oval or square board, or tablet, with a thumb hole at one end for holding it, on which a painter lays and mixes his pigments. [See Pallet a thin board.]
- wherewith adv.
- With which; -- used relatively.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- deign v. t.
- To esteem worthy; to consider worth notice; -- opposed to disdain. [OE. deinen, deignen, OF. degner, deigner, daigner, F. daigner, fr. L. dignari to deem worthy, deign, fr. dignus worthy; akin to decere to be fitting. See Decent]
- masterpiece n.
- Anything done or made with extraordinary skill; a capital performance; a chef-d'oeuvre; a supreme achievement.
- envious a.
- Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- artist n.
- One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
- commune n.
- The commonalty; the common people. [F., fr. commun. See Common.]
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
- shalt
- 2d per. sing. of Shall.
- daunt v. t.
- To overcome; to conquer. [OF. danter, F. dompter to tame, subdue, fr. L. domitare, v. intens. of domare to tame. See Tame.]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- sainted a.
- Consecrated; sacred; holy; pious.
- aureole n.
- A celestial crown or accidental glory added to the bliss of heaven, as a reward to those (as virgins, martyrs, preachers, etc.) who have overcome the world, the flesh, and the devil. [F. auréole, fr. L. aureola, (fem adj.) of gold (sc. corona crown), dim. of aureus. See Aureate, Oriole.]
- princess n.
- A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
- therewithal adv.
- Over and above; besides; moreover. Daniel.
- valencia n.
- A kind of woven fabric for waistcoats, having the weft of wool and the warp of silk or cotton. [Perhaps fr. Valence in France.]
- beamed a.
- Furnished with beams, as the head of a stag.
- rebuff n.
- Repercussion, or beating back; a quick and sudden resistance. [It. ribuffo, akin to ribuffare to repulse; pref. ri- (L. re-) + buffo puff. Cf. Buff to strike, Buffet a blow.]
- brimming a.
- Full to the brim; overflowing.
- beaker n.
- A large drinking cup, with a wide mouth, supported on a foot or standard. [OE. biker; akin to Icel. bikarr, Sw. bägare, Dan. baeger, G. becher, It. bicchiere; -- all fr. LL. bicarium, prob. fr. Gr. wine jar, or perh. L. bacar wine vess]
- aflame adv.
- Inflames; glowing with light or passion; ablaze. G. Eliot. [Pref. a- + flame.]
- lifetime n.
- The time that life continues.
- rapt n.
- An ecstasy; a trance. Bp. Morton. [From F. rapt abduction, rape, L. raptus, fr. rapere to seize and carry off, to transport; or fr. E. rapt, a. See Rapt, a., and Rapid.]
- magnificence n.
- The act of doing what magnificent; the state or quality of being magnificent. Acts xix. 27. [F. magnificence, L. magnificentia. See Magnific.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- signor n.
- Sir; Mr; -- a title of address or respect among the Italians. [It. See Seignior.]
- oddly adv.
- In an odd manner; unevently.
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- yearn v. t.
- To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
- seraphim n.
- The Hebrew plural of Seraph. Cf. Cherubim.
- sinner n.
- One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
- doting a.
- That dotes; silly; excessively fond.
- tremendous a.
- Fitted to excite fear or terror; such as may astonish or terrify by its magnitude, force, or violence; terrible; dreadful; as, a tremendous wind; a tremendous shower; a tremendous shock or fall. [L. tremendus that is to be trembled at, fearful, fr. tremere to tremble. See Tremble.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- contrite a.
- Thoroughly bruised or broken. [L. contritus bruised, p. p. of contrere to grind, bruise; con- + terere to rub, grind: cf. F. contrit See Trite.]
- unman v. t.
- To deprive of the distinctive qualities of a human being, as reason, or the like. South. [1st pref. un- + man.]
- humph interj.
- An exclamation denoting surprise, or contempt, doubt, etc. [Of imitative origin.]
- mayhap adv.
- Perhaps; peradventure. [Prov. or Dialectic]
- belie v. t.
- To show to be false; to convict of, or charge with, falsehood. [OE. bilien, bili, AS. beleógan; pref. be- + leógan to lie. See Lie, n.]
- handiwork n.
- Work done by the hands; hence, any work done personally. [OE. handiwerc, AS. handgeweorc; hand hand + geweorc work; prefix ge- + weorc. See Work.]
- sluggard n.
- A person habitually lazy, idle, and inactive; a drone. [Slug + -ard.]
- indolent a.
- Free from toil, pain, or trouble. [Pref. in- not + L. dolens, -entis, p. pr. of dolere to feel pain: cf. F. indolent. See Dolorous.]
- offence n.
- The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
- bandy n.
- A carriage or cart used in India, esp. one drawn by bullocks. [Telugu bandi.]
- patrician a.
- Of or pertaining to the Roman patres (fathers) or senators, or patricians. [L. patricius, fr. patres fathers or senators, pl. of pater: cf. F. patricien. See Paternal.]
- strenuous a.
- Eagerly pressing or urgent; zealous; ardent; earnest; bold; valiant; intrepid; as, a strenuous advocate for national rights; a strenuous reformer; a strenuous defender of his country.
- ungentle a.
- Not gentle; lacking good breeding or delicacy; harsh.
- unanswered a.
- Not answered; not replied; as, an unanswered letter.
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- fitter n.
- A little piece; a flitter; a flinder.
- bade
- A form of the pat tense of Bid.
- prizing n.
- The application of a lever to move any weighty body, as a cask, anchor, cannon, car, etc. See Prize, n., 5. [See 2d Prize.]
- tonight adv.
- On this present or coming night. [Prep. to+night]
- pillowed a.
- Provided with a pillow or pillows; having the head resting on, or as on, a pillow.
- dejection n.
- A casting down; depression. Hallywell. [L. dejectio a casting down: cf. F. déjection.]
- frankly adv.
- In a frank manner; freely.
- signora n.
- Madam; Mrs; -- a title of address or respect among the Italians. [It.]
- craven v. t.
- To make recreant, weak, spiritless, or cowardly.
- tenderly adv.
- In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
- wast
- The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- bounden a.
- Bound; fastened by bonds. [Old. p. p. of bind.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- madcap a.
- Inclined to wild sports; delighting in rash, absurd, or dangerous amusements.
- courtly a.
- Relating or belonging to a court. [From Court.]
- boatman n.
- A man who manages a boat; a rower of a boat.
- rapier n.
- A straight sword, with a narrow and finely pointed blade, used only for thrusting. Rapier fish (Zoöl.), the swordfish. Grew. [F. rapière, perhaps for raspière, and ultimately of German origin, akin to E. rasp, v.]
- outstrip v. t.
- To go faster than; to outrun; to advance beyond; to leave behing.
- courtier n.
- One who is in attendance at the court of a prince; one who has an appointment at court. [From Court.]
- veiled a.
- Covered by, or as by, a veil; hidden.
- pallor n.
- Paleness; want of color; pallidity; as, pallor of the complexion. Jer. Taylor. [L., fr. pallere to be or look pale. See Pale, a.]
- sibyl n.
- A woman supposed to be endowed with a spirit of prophecy.
- plummet n.
- A piece of lead attached to a line, used in sounding the depth of water. [OE. plommet, OF. plommet, fr. plom, plum, lead, F. plomb. See Plumb.]
- doubtless a.
- Free from fear or suspicion.
- sagely adv.
- In a sage manner; wisely.
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- wantonly adv.
- In a wanton manner; without regularity or restraint; loosely; sportively; gayly; playfully; recklessly; lasciviously.
- discrown v. t.
- To deprive of a crown.
- nobly adv.
- Of noble extraction; as, nobly born or descended.
- venerate v. t.
- To regard with reverential respect; to honor with mingled respect and awe; to reverence; to revere; as, we venerate parents and elders. [L. veneratus, p. p. of venerari to venerate; akin to Venus Venus, Skr. van to like, to wish, and E. winsome. See Winsome.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act I: Scene I is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Act I: Scene I, in The Spagnoletto (1876), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-spagnoletto/act-i-scene-i.html, id L19136.
Form and metre
Act I: Scene I is 556 lines in 83 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 3 -A--A maria · forgetA · me · noon · secretA
- 6 A-A-----B-B------- paletteA · maria · forgetA · starved · germs · fruits · world · sting · geniusB · sense · pressB · hand · child · pride · breast · deign · life · masterpiece
- 16 -A---A-- ribera · forgivenA · love · clay · moods · thenA · soul · shine
- 18 ---------ABA---------B-----CCC ribera · crown · thine · hair · eyes · mind · locks · orbs · laugh · heavenA · therewithalB · ownA · italy · still · first · life · dawn · work · looked · met · gibes · gallB · upheld · lips · taught · streets · clowns · faintC · knowsC · caracciC
- 26 ---AB--B-----A-- ribera · thus · cheek · guessA · hersB · catch · me · theseB · life · light · love · breach · lack · caressA · remains · expressed
- 36 ----------A-A lorenzo · defect · blood · it · birth · hope · paths · content · will · love · attainA · not · inspirationA
- 40 A---A------------------------------ aloneA · told · tell · height · evenA · flower · lips · name · think · day · weep · joy · veins · tonight · remember · young · day · hours · night · thought · wont · draw · curtain · beautiful · earth · sealed · sleep · head · dream · forms · ladder · true · breathe · overfills · inspired
- 44 ---A--A maria · wrong · worth · seenA · genius · name · additionA
- 45 -A-A- lorenzo · goodnessA · speaks · voiceA · glance
- 59 ---AA----- annicca · boy · exquisite · mannersA · hisA · versed · station · mercury · master · and
- 65 ---AA-- annicca · this · glows · wordsA · birdsA · wild · soul
- 70 -A---A maria · gentlemanA · loving · feet · day · ownA
- 74 ----A---A- maria · steal · come · o'erbear · himA · reason · guise · speak · wisdomA · fancy
- 75 -----AA- annicca · maria · clear · vague · happier · thenA · passionA · us
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| MARIA. | 3 | ˘/˘ |
| Father! | 2 | /˘ |
| (RIBERA, absorbed in his work, makes no reply; she puts by her | 16 | ˘/˘˘/·····˘/···· |
| embroidery, goes toward him and kisses him gently. He starts, | 15 | ˘/˘·····/˘·/˘·· |
| looks up at her, and returns her caress). | 10 | ·····˘/·˘/ |
| RIBERA. | 3 | ˘/˘ |
| My child! | 2 | ·· |
| MARIA. | 3 | ˘/˘ |
| Already you forget, | 6 | ˘/˘·˘/ |
| Oh, heedless father! Did you not promise me | 11 | ·/˘/˘···/˘· |
| To lay aside your brush to-day at noon, | 10 | ··˘/······ |
| And tell me the great secret? | 7 | ·····/˘ |
| RIBERA. | 3 | ˘/˘ |
| Ah, 't is true, | 4 | ···· |
| I am to blame. But it is morning yet; | 10 | ·······/˘· |
| My child, wait still a little. | 7 | ·····/˘ |
| MARIA. | 3 | ˘/˘ |
| 'T is morning yet! | 5 | ··/˘· |
| Nay, it was noon one mortal hour ago. | 10 | ·····/˘/˘/ |
| All patience I have sat till you should turn | 10 | ·/˘······· |
| And beckon me. The rosy angels breathe | 10 | ·/˘··/˘/˘· |
| Upon the canvas; I might sit till night, | 10 | ···/˘····· |
| And, if I spake not, you would never glance | 10 | ·······/˘· |
| From their celestial faces. Dear my father, | 11 | ··˘/˘/˘··/˘ |
| Your brow is moist, and yet your hands are ice; | 10 | ·········· |
| Your very eyes are tired--pray, rest awhile. | 10 | ·/˘··/··˘/ |
| The Spagnoletto need no longer toil | 10 | ·······/˘· |
| As in the streets of Rome for beggars' fare; | 10 | ·······/˘· |
| Now princes bide his pleasure. | 7 | ·/˘··/˘ |
| RIBERA (throws aside his brush and palette). | 11 | ˘/˘·˘/···/˘ |
| Ah, Maria, | 4 | ·˘/˘ |
| Thou speak'st in season. Let me ne'er forget | 10 | ···/˘···˘/ |
| Those days of degradation, when I starved | 10 | ····˘/˘··· |
| Before the gates of palaces. The germs | 10 | ·····/˘˘·· |
| Stirred then within me of the perfect fruits | 10 | ·······˘/· |
| Wherewith my hands have since enriched God's world. | 10 | ˘/····˘/·· |
| Vengeance I vowed for every moment's sting-- | 10 | /˘···/˘/˘· |
| Vengeance on wealth, rank, station, fortune, genius. | 11 | /˘···/˘/˘/˘ |
| See, while I paint, all else escapes my sense, | 10 | ······˘/·· |
| Save this bright throng of phantasies that press | 9 | ········· |
| Upon my brain, each claiming from my hand | 10 | ·····/˘··· |
| Its immortality. But thou, my child, | 10 | ··˘/˘˘···· |
| Remind'st me of mine oath, my sacred pride, | 10 | ·······/˘· |
| The eternal hatred lodged within my breast. | 11 | ·˘/˘/˘····· |
| Philip of Spain shall wait. I will not deign | 10 | /˘········ |
| To add to-day the final touch of life | 10 | ·····/˘··· |
| Unto this masterpiece. | 6 | ···/˘· |
| MARIA. | 3 | ˘/˘ |
| So! that is well. | 4 | ···· |
| Put by the envious brush that separates | 10 | ···/˘··/˘· |
| Father from daughter. Now you are all mine own. | 11 | /˘·/˘······ |
| And now--your secret. | 5 | ···/˘ |
| RIBERA. | 3 | ˘/˘ |
| Mine? 'T is none of mine; | 6 | ······ |
| 'T is thine, Maria. John of Austria | 11 | ···˘/˘··/˘˘ |
| Desires our presence at his ball to-night. | 10 | ˘///˘····· |
| MARIA. | 3 | ˘/˘ |
| Prince John? | 2 | ·· |
| RIBERA. | 3 | ˘/˘ |
| Ay, girl, Prince John. I looked to see | 9 | ······˘·· |
| A haughty joy dance sparkling in thine eyes | 10 | ·/˘··/˘··· |
| And burn upon thy cheek. But what is this? | 10 | ·········· |
| Timid and pale, thou droop'st thy head abashed | 10 | /˘······˘/ |
| As a poor flower-girl whom a lord accosts. | 10 | ···/····˘/ |
| MARIA. | 3 | ˘/˘ |
| Forgive me. Sure, 't is you Don John desires | 11 | ˘/·······˘/ |
| The prince of artists-- | 5 | ···/˘ |
| RIBERA. | 3 | ˘/˘ |
| Art! Prate not of art! | 5 | ····· |
| Think'st thou I move an artist 'midst his guests? | 10 | ·····/˘··· |
| As such I commune with a loftier race; | 10 | ···/˘··/˘· |
| Angels and spirits are my ministers. | 10 | /˘·/˘··/˘˘ |
| These do I part aside to grace his halls; | 10 | ····˘/···· |
| A Spanish gentleman--and so, his peer. | 10 | ·/˘/˘˘···· |
| MARIA. | 3 | ˘/˘ |
| Father, I am not well; my head throbs fast, | 10 | /˘········ |
| Unwonted languor weighs upon my frame. | 10 | ˘/˘/˘····· |
| RIBERA. | 3 | ˘/˘ |
| Anger me not, Maria. 'T is my will, | 11 | /˘··˘/˘···· |
| Thou shalt obey. Hell, what these women be! | 10 | ··˘/···/˘· |
| No obstacle would daunt them in the quest | 10 | ·/˘˘······ |
| Of that which, freely given, they reject. | 10 | ···/˘/˘·˘/ |
| Hold! Haply just occasion bids thee seem | 10 | ·/˘·˘/˘··· |
| Unlike thyself. Speak fearlessly child; | 9 | ˘/˘/····· |
| Confide to me thy knowledge, thy surmise. | 10 | ˘/···/˘·˘/ |
| MARIA (hurriedly). | 6 | ˘/˘/˘˘ |
| No, father, you were right. I have no cause; | 10 | ·/˘······· |
| Punish me--nay, forgive, and I obey. | 10 | /˘··˘/··˘/ |
| RIBERA. | 3 | ˘/˘ |
| There spake my child; kiss me and be forgiven. | 11 | ········˘/˘ |
| Sometimes I doubt thou playest upon my love | 11 | ˘/···/˘···· |
| Willfully, knowing me as soft as clay, | 10 | /˘˘/˘····· |
| Whom the world knows of marble. In such moods, | 10 | ·····/˘··· |
| I see my spirit mirror's first, and then | 10 | ···/˘/˘··· |
| From thy large eyes thy sainted mother's soul | 10 | ·····/˘/˘· |
| Unclouded shine. | 4 | ···· |
| MARIA. | 3 | ˘/˘ |
| Can I be like to her? | 6 | ······ |
| I only knew her faded, white, and grave, | 10 | ·/˘··/˘··· |
| And so she still floats vaguely through my dreams, | 10 | ·····/˘··· |
| With eyes like your own angels', and a brow | 10 | ·····/˘··· |
| Worthy an aureole. | 6 | /˘·/˘˘ |
| RIBERA. | 3 | ˘/˘ |
| An earthly crown, | 4 | ·/˘· |
| My princess, might more fitly rest on thine. | 10 | ·/˘··/˘··· |
| Annicca hath her colors, blue-black hair, | 10 | ·····/˘··· |
| And pale, brown flesh, and gray, untroubled eyes; | 10 | ······˘/˘· |
| Yet thou more often bring'st her to mind, | 9 | ···/˘···· |
| For all the tawny gold of thy thick locks, | 10 | ···/˘····· |
| Thy rare white face, and brilliant Spanish orbs. | 10 | ·····/˘/˘· |
| Thine is her lisping trick of voice, her laugh, | 10 | ···/˘····· |
| The blithest music still this side of heaven; | 11 | ·/˘/˘····/˘ |
| Thine her free, springing gait, though therewithal | 11 | ···/˘······ |
| A swaying, languid motion all thine own, | 10 | ·/˘/˘/˘··· |
| Recalls Valencia more than Italy. | 11 | ˘/˘/˘˘··/˘˘ |
| Like and unlike thou art to her, as still | 10 | ··˘/······ |
| My memory loves to hold her, as she first | 10 | ·/˘······· |
| Beamed like the star of morning on my life. | 10 | ·····/˘··· |
| Hot, faint, and footsore, I had paced since dawn | 10 | ···/˘····· |
| The sun-baked streets of Naples, seeking work, | 10 | ·····/˘/˘· |
| Not alms, despite the beggar that I looked. | 10 | ··˘/·/˘··· |
| Now 't was nigh vespers, and my suit had met | 11 | ····/˘····· |
| With curt refusal, sharp rebuff, and gibes. | 10 | ··˘/˘·˘/·· |
| Praised be the saints! for every drop of gall | 10 | ·····/˘··· |
| In that day's brimming cup, I have upheld | 10 | ···/˘···˘/ |
| A poisoned beaker to another's lips. | 10 | ·/˘/˘·˘/˘· |
| Many a one hath the Ribera taught | 10 | /˘····˘/˘· |
| To fare a vagabond through alien streets; | 10 | ···/˘·/˘˘· |
| A god unrecognized 'midst churls and clowns, | 10 | ··˘/˘····· |
| With kindled soul aflame, and body faint | 10 | ·/˘·˘/·/˘· |
| Or lack of bread. Domenichino knows, | 10 | ·········· |
| And Gessi, Guido, Annibal Caracci-- | 11 | ···/˘···˘/˘ |
| MARIA. | 3 | ˘/˘ |
| Dear father, calm yourself. You had begun | 10 | ·/˘·˘/··˘/ |
| To tell me how you saw my mother first. | 10 | ·······/˘· |
| RIBERA. | 3 | ˘/˘ |
| True, I forgot it not. Why, I AM calm; | 10 | ··˘/······ |
| The old man now can well be grave and cold, | 10 | ·········· |
| Or laugh at his own youth's indignities, | 10 | ······˘/˘˘ |
| Past a long lifetime back. 'T was vespers' hour, | 11 | ···/····/˘/ |
| Or nigh it, when I reached her father's door. | 10 | ·······/˘· |
| Kind was his greeting, the first cordial words | 10 | ···/˘··/˘· |
| I heard in Naples; but I took small heed | 10 | ···/˘····· |
| Of speech or toe, for all my sense was rapt | 10 | ·········· |
| In wonder at the angel by his side | 10 | ·/˘··/˘··· |
| Who smiled upon me. Large, clear eyes that held | 10 | ·········· |
| The very soul of sunlight in their depths; | 10 | ·/˘··/···· |
| Low, pure, pale brow, with masses of black hair | 10 | ·····/˘··· |
| Flung loosely back, and rippling unconfined | 10 | ·/˘··/˘·˘/ |
| In shadowy magnificence below | 10 | ·/˘˘˘/˘˘·· |
| The slim gold girdle o'er the snow-soft gown. | 10 | ···/˘····· |
| Vested and draped about her throat and waist and wrists, | 12 | /˘·········· |
| A stately lily ere the dew of morn | 10 | ·/˘/˘····· |
| Hath passed away--such was thy mother, child. | 10 | ··˘/···/˘· |
| MARIA. | 3 | ˘/˘ |
| Would I were like her! But what said she, father? | 11 | ·········/˘ |
| How did she plead for you? | 6 | ······ |
| RIBERA. | 3 | ˘/˘ |
| Ah, cunning child, | 4 | ·/˘· |
| I see thy tricks; thou humorest my age, | 10 | ·····/˘˘·· |
| Knowing how much I love to tell this tale, | 10 | /˘········ |
| Though thou hast heard it half a hundred times. | 10 | ·······/˘· |
| MARIA. | 3 | ˘/˘ |
| I find it sweet to hear as you to tell, | 10 | ·········· |
| Believe me, father. | 5 | ˘/·/˘ |
| RIBERA. | 3 | ˘/˘ |
| 'T was to pleasure her, | 6 | ···/˘· |
| Signor Cortese gave me all I lacked | 10 | /˘˘/˘····· |
| To prove my unfamed skill. A savage pride, | 10 | ·······/˘· |
| Matched oddly with my rags, the haughtiness | 10 | ·/˘····/˘˘ |
| Wherewith I claimed rather than begged my tools, | 10 | ˘/··/˘···· |
| And my quaint aspect, oft she told me since, | 10 | ···/······ |
| Won at a glance her faith. Before I left, | 10 | ·········· |
| She guessed my need, and served me meat and wine | 10 | ·········· |
| With her own flower-white hands. The parting grace | 10 | ···/···/˘· |
| I craved was granted, that my work might be | 10 | ···/˘····· |
| The portrait of herself. Thou knowest the rest. | 11 | ·/˘·˘/·/˘·· |
| MARIA. | 3 | ˘/˘ |
| Why did she leave us, father? Oh, how oft | 10 | ·····/˘··· |
| I yearn to see her face, to hear her voice, | 10 | ·········· |
| Hushed in an endless silence! Strange that she, | 10 | ···/˘/˘··· |
| Whose rich love beggared our return, should bear | 10 | ···/˘/˘/·· |
| Such separation! Though engirdled now | 10 | ··˘/˘···˘· |
| By heavenly hosts of saints and seraphim, | 11 | ·/˘˘····/˘˘ |
| I cannot fancy it. What! shall her child, | 10 | ·/˘/˘····· |
| Whose lightest sigh reechoed in her heart, | 9 | ·/˘··˘··· |
| Have need of her and cry to her in vain? | 10 | ·········· |
| RIBERA. | 3 | ˘/˘ |
| Now, for God's sake, Maria, speak not thus; | 10 | ····˘/˘··· |
| Let me not see such tears upon thy cheek. | 10 | ·········· |
| Not unto us it has been given to guess | 10 | ·······/·· |
| The peace of disembodied souls like hers. | 10 | ···˘˘/˘··· |
| The vanishing glimpses that my fancies catch | 10 | ·/˘/˘··/˘· |
| Through heaven's half-opened gates, exalt even me, | 11 | ·/˘·/˘·˘//· |
| Poor sinner that I am. And what are these, | 10 | ·/˘······· |
| The painted shadows that make all my life | 10 | ·/˘/······ |
| A glory, to the splendor of that light? | 10 | ·/˘··/˘··· |
| For thee, my child, has not my doting love | 10 | ·······/˘· |
| Sufficed, at least in part, to fill the breach | 10 | ˘/········ |
| Of that tremendous void? What dost thou lack? | 10 | ··˘/˘····· |
| What help, what counsel, what most dear caress? | 10 | ···/˘···˘/ |
| What dost thou covet? What least whim remains | 10 | ···/˘···˘/ |
| Ungratified, because not yet expressed? | 10 | ·······˘/˘ |
| MARIA. | 3 | ˘/˘ |
| None, none, dear father! Pardon me! Thy love, | 10 | ···/˘/˘··· |
| Generous and wise as tender, shames my power | 10 | /˘···/˘··/ |
| To merit or repay. Fie o my lips! | 10 | ·/˘·˘/···· |
| Look if they be not blistered. Let them smooth | 10 | ·····/˘··· |
| With contrite kisses the last frown away. | 10 | ·˘//˘···˘/ |
| We must be young to-night--no wrinkles then! | 10 | ·······/˘· |
| Genius must show immortal as she is. | 10 | /˘··˘/˘··· |
| RIBERA. | 3 | ˘/˘ |
| Thou wilt unman me with thy pretty ways. | 10 | ··˘/···/˘· |
| I had forgot the ball. Yea, I grow old; | 10 | ··˘/······ |
| This scanty morning's work has wearied me. | 10 | ·/˘/˘··/˘· |
| Once I had thought it play to dream all day | 10 | ·········· |
| Before my canvas and then dance till dawn, | 10 | ···/˘····· |
| And now must I give o'er and rest at noon. | 10 | ·········· |
| LUCA. | 2 | /˘ |
| Signor Lorenzo. | 5 | /˘˘/˘ |
| LORENZO. | 3 | ˘/˘ |
| Master, I bring my sketch. | 6 | /˘···· |
| RIBERA. | 3 | ˘/˘ |
| Humph! the design is not so ill-conceived; | 10 | ··˘/····˘/ |
| I note some progress; but your drawing's bad-- | 10 | ···/···/˘· |
| Yes, bad, sir. Mark you how this leg hangs limp, | 10 | ·········· |
| As though devoid of life; these hands seem clenched, | 10 | ··˘/······ |
| Not loosely clasped, as you intended them. | 10 | ·/˘···˘/˘· |
| Thus should it stand--a single line will mend. | 10 | ·····/˘··· |
| And here, what's this? Why, 't is a sloven's work. | 11 | ··········· |
| You dance too many nights away, young gallant. | 11 | ···/˘·˘/·/˘ |
| You shirk close labor as do all your mates. | 10 | ···/˘····· |
| You think to win with service frivolous, | 10 | ·····/˘/˘˘ |
| Snatched 'twixt your cups, or set between two kisses, | 11 | ·········/˘ |
| The favor of the mistress of the world. | 10 | ·/˘··/˘··· |
| LORENZO. | 3 | ˘/˘ |
| Your pardon, master, but you do me wrong. | 10 | ·/˘/˘····· |
| Mayhap I lack the gift. Alas, I fear it! | 11 | /˘····˘/··· |
| But not the patience, not the energy | 10 | ···/˘··/˘˘ |
| Of earnest, indefatigable toil, | 10 | ·/˘·˘/˘˘˘· |
| That help to make the artist. | 7 | ·····/˘ |
| RIBERA. | 3 | ˘/˘ |
| 'S death! He dares | 4 | ···· |
| Belie me, and deny the testimony | 11 | ˘/··˘/·/˘·˘ |
| Of his own handiwork, whose every line | 10 | ···/˘··/˘· |
| Betrays a sluggard soul, an indolent will, | 10 | ˘/·/˘··/˘· |
| A brain that's bred to idleness. So be it! | 10 | ·····/˘··· |
| Master Lorenzo tells the Spagnoletto | 11 | /˘˘/˘······ |
| His own defects and qualities! 'T were best | 10 | ··˘/·/˘··· |
| He find another teacher competent | 10 | ··˘/˘/˘/˘˘ |
| To guide so apt, so diligent a scholar. | 11 | ·····/˘˘·/˘ |
| MARIA. | 3 | ˘/˘ |
| Dear father, what hath given thee offence? | 10 | ·/˘··/˘·˘/ |
| Cast but another glance upon the sketch; | 10 | ··˘/˘····· |
| Surely it hath some grace, some charm, some promise. | 11 | /˘·······/˘ |
| RIBERA. | 3 | ˘/˘ |
| Daughter, stand by! I know these insolent slips | 10 | /˘·····/˘· |
| Of young nobility; they lack the stuff | 10 | ··˘/˘˘···· |
| That makes us artists. What! to answer me! | 10 | ···/˘··/˘· |
| When next I drop a hint as to his colors, | 11 | ·········/˘ |
| The lengthening or the shortening of a stroke, | 10 | ·/˘··/˘··· |
| He'll bandy words with me about his error, | 11 | ·/˘······/˘ |
| To prove himself the master. | 7 | ··˘/·/˘ |
| LORENZO. | 3 | ˘/˘ |
| If my defect | 4 | ··/˘ |
| Be an hereditary grain i' the blood, | 11 | ··˘/˘·˘···· |
| Even as you say, I must abide by it; | 10 | /·····˘/·· |
| But if patrician habits more than birth | 10 | ··˘/˘/˘··· |
| Beget such faults, then may I dare to hope. | 10 | ˘/········ |
| Not mine, I knew, I felt, to clear new paths, | 10 | ·········· |
| To win new kingdoms; yet were I content | 10 | ···/˘···˘/ |
| With such achievement as a strenuous will, | 10 | ··˘/˘··/˘· |
| A firm endeavor, unfaltering love, | 10 | ··˘/˘····· |
| And an unwearying spirit might attain. | 10 | ·····/˘·˘/ |
| Cast me not lightly back. Banish me not | 10 | ···/˘·/˘·· |
| From this, my home of hope, of inspiration! | 11 | ········˘/˘ |
| MARIA. | 3 | ˘/˘ |
| What, my ungentle father! Will you hear, | 10 | ··˘/˘/˘··· |
| And leave this worthy signor's suit unanswered? | 11 | ···/˘/˘··/˘ |
| RIBERA. | 3 | ˘/˘ |
| Well, he may bide. Sir, I will speak with you | 10 | ·········· |
| Anon upon this work. I judged in haste. | 10 | ˘/········ |
| Yea, it hath merit. I am weary now; | 10 | ···/˘··/˘· |
| To-morrow I shall be in fitter mood | 10 | ·/˘····/˘· |
| To give you certain hints. | 6 | ···/˘· |
| RIBERA. | 3 | ˘/˘ |
| Should I o'ersleep | 4 | ···· |
| Mine hour, Maria, thou must awaken me; | 11 | ·/˘/˘··˘/˘· |
| But come what may, I will be fresh to-night, | 10 | ·········· |
| To triumph in thy triumph. | 7 | ·/˘··/˘ |
| MARIA (alone). | 5 | ˘/˘˘/ |
| Could I have told, | 4 | ···· |
| Then when he bade me? Nay, what is to tell? | 10 | ·········· |
| He had flouted me for prizing at such height | 11 | ··/˘··/˘··· |
| Homage so slight from John of Austria, even. | 10 | /˘·····/˘/ |
| A glance exchanged, a smile, a fallen flower | 11 | ··˘/···/˘/˘ |
| Dropped from my hair, and pressed against his lips. | 10 | ·········· |
| The Prince! my father gloats upon that name. | 10 | ···/˘····· |
| Were he no more than gentleman, I think | 10 | ·····/˘˘·· |
| I should be glad. I cannot tell to-day | 10 | ·····/˘··· |
| If I be sad or gay. Now could I weep | 10 | ·········· |
| Warm, longing tears; anon, a fire of joy | 10 | ·/˘·˘/·/·· |
| Leaps in my heart and dances through my veins. | 10 | ·····/˘··· |
| Why should I nurse such idle thoughts? Tonight | 10 | ·····/˘·˘/ |
| We are to meet again. Will he remember?-- | 11 | ····˘/··˘/˘ |
| Nay, how should he forget? His heart is young; | 10 | ····˘/···· |
| His eyes do mirror loyalty. Oh, day! | 10 | ···/˘/˘˘·· |
| Quicken thy dull, slow round of tedious hours! | 11 | /˘·····/˘/˘ |
| God make me beautiful this happy night! | 10 | ···/˘˘·/˘· |
| My father's sleeping saint rebukes my thought. | 10 | ·/˘/˘·˘/·· |
| Strange he has left his work, against his wont, | 10 | ·········· |
| Revealed before completed. I will draw | 10 | ˘/··˘/˘··· |
| The curtain. | 3 | ·/˘ |
| Beautiful, oh, beautiful! | 7 | /˘˘·/˘˘ |
| The far, bright, opened heavens--the dark earth, | 10 | ···/˘/˘··· |
| Where the tranced pilgrim lies, with eyelids sealed, | 10 | ···/˘··/·· |
| His calm face flushed with comfortable sleep, | 10 | ·····/˘˘˘· |
| His weary limbs relaxed, his heavy head | 10 | ·/˘·˘/·/˘· |
| Pillowed upon the stone. Oh, blessed dream | 10 | /˘˘······· |
| That visits his rapt sense, of airy forms, | 10 | ·/˘····/˘· |
| Mounting, descending on the shining ladder, | 11 | /˘˘/˘··/˘/˘ |
| With messages of peace. I will be true | 10 | ·/˘˘······ |
| Unto my lineage divine, and breathe | 10 | ···/˘˘˘/·· |
| The passion of just pride that overfills | 10 | ·/˘····/˘· |
| HIS soul inspired. | 5 | ··˘/˘ |
| LORENZO. | 3 | ˘/˘ |
| Oh, celestial vision! | 6 | ·˘/˘/˘ |
| What brush may reproduce those magic tints, | 10 | ····˘/·/˘· |
| Those lines ethereal?-- | 6 | ··˘/˘˘ |
| MARIA (turns suddenly). | 7 | ˘/˘·/˘˘ |
| Is it not marvellous, | 6 | ······ |
| Signor Lorenzo? I would draw the curtain, | 11 | /˘˘/˘····/˘ |
| But, gazing, I forgot. | 6 | ·/˘·˘/ |
| You are the first, | 4 | ···· |
| After the master and myself, to look | 10 | ···/˘··/·· |
| Upon this wonder. | 5 | ···/˘ |
| LORENZO (with enthusiasm, looking for he first time at the picture). | 19 | ˘/˘·˘/˘·˘/˘······/˘ |
| Ah, what an answer this | 6 | ···/˘· |
| For envious minds that would restrict his power | 10 | ·/˘···˘/·/ |
| To writhing limbs and shrivelled flesh! Repose, | 10 | ·/˘··/˘·˘/ |
| Beauty, and large simplicity are here. | 10 | /˘··˘/˘˘·· |
| Yes, that is art! Before such work I stand | 10 | ·········· |
| And feel myself a dwarf. | 6 | ···/·· |
| MARIA. | 3 | ˘/˘ |
| There, you are wrong. | 4 | ···· |
| My father even, who knows his proper worth, | 10 | ·/˘/···/˘· |
| Before his best achievements I have seen | 10 | ····˘/˘··· |
| In like dejection; 't is the curse of genius. | 12 | ··˘/˘·····/˘ |
| Oft have I heard the master grace your name | 10 | ·····/˘··· |
| With flattering addition. | 7 | ·/˘˘˘/˘ |
| LORENZO. | 3 | ˘/˘ |
| 'T is your goodness, | 5 | ···/˘ |
| And not the echo of his praise, that speaks. | 10 | ···/˘····· |
| My work was worthless--'t was your generous voice | 11 | ···/˘···/˘· |
| Alone secured the master's second glance. | 10 | ˘/˘/·/˘/˘· |
| MARIA. | 3 | ˘/˘ |
| Nay, signor, frankly, he esteems your talent. | 11 | ·/˘/˘·˘/·/˘ |
| Because you are of well-assured means | 10 | ······˘/˘· |
| And gentle birth, he will be rude to you. | 10 | ·/˘······· |
| Not without base is the deep grudge he owes | 10 | ·········· |
| To riches and prosperity. | 8 | ·/˘·˘/˘˘ |
| LORENZO. | 3 | ˘/˘ |
| Signora, | 3 | ˘/˘ |
| Why do I bear such harsh, injurious terms | 10 | ······˘/˘· |
| As he affronts me with? Why must I seem | 10 | ··˘/······ |
| In mine own eyes a craven? Spiritless, | 10 | ·····/˘/˘˘ |
| Dishonorably patient? 'T is not his fame, | 12 | ·····/˘····· |
| His power, his gift, his venerable years | 10 | ·/···/˘˘˘· |
| That bind me here his willing slave. Maria, | 11 | ·····/˘·˘/˘ |
| 'T is thou, 't is thou alone! 'T is that I love thee, | 14 | ······˘/······ |
| And exile hence is death! | 6 | ·/···· |
| At thy dear feet | 4 | ···· |
| I lay my life with its most loyal service, | 11 | ·······/˘/˘ |
| The subject of thy pleasure. | 7 | ·/˘··/˘ |
| MARIA (tenderly). | 6 | ˘/˘/˘˘ |
| You are too humble. | 5 | ···/˘ |
| LORENZO. | 3 | ˘/˘ |
| Too humble! Do you seek mine utter ruin, | 11 | ·/˘····/˘/˘ |
| With words whose very tone is a caress? | 10 | ···/˘···˘/ |
| I say all. I love you!--you have known it. | 10 | ·········· |
| Why should I tell you? Yet, to-day you seem | 10 | ·········· |
| Other than you have been. A milder light | 10 | /˘·····/˘· |
| Beams from your eyes--a gentler grace is throned | 10 | ·····/˘··· |
| Upon your brow--your words fall soft as dew | 10 | ·········· |
| To melt my fixed resolve. | 6 | ····˘/ |
| MARIA. | 3 | ˘/˘ |
| You find me, signor, | 5 | ···/˘ |
| In an unguarded mood. I would be true | 10 | ··˘/˘····· |
| To you; and to myself; yet, know no answer. | 11 | ·····/···/˘ |
| Anon, I will be calm; pray you withdraw. | 10 | ˘/······˘/ |
| LORENZO. | 3 | ˘/˘ |
| Till when? Remember what mad hopes and fears | 10 | ··˘/˘····· |
| Meantime will riot in my brain. | 8 | /··/˘··· |
| MARIA. | 3 | ˘/˘ |
| To-morrow-- | 3 | ·/˘ |
| Farewell, farewell. | 4 | ·/·/ |
| LORENZO (kisses her hand). | 7 | ˘/˘/˘·· |
| Farewell. | 2 | ·/ |
| MARIA. | 3 | ˘/˘ |
| A faithful heart, | 4 | ·/˘· |
The first 400 of 556 lines; the reader marks them all.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.