On the Proposal to Erect a Monument in England to Lord Byron
The grass of fifty Aprils hath waved greenAbove the spent heart, the Olympian head,The hands crost idly, the shut eyes unseen,Unseeing, the locked lips whose song hath fled;Yet mystic-lived, like some rich, tropic flower,His fame puts forth fresh blossoms hour by hour;Wide spread the laden branches dropping dewOn the low, laureled brow misunderstood,That bent not, neither bowed, until subduedBy the last foe who crowned while he o'erthrew.
Fair was the Easter Sabbath morn when firstMen heard he had not wakened to its light:The end had come, and time had done its worst,For the black cloud had fallen of endless night.Then in the town, as Greek accosted Greek,'T was not the wonted festal words to speak,"Christ is arisen," but "Our chief is gone,"With such wan aspect and grief-smitten headAs when the awful cry of "Pan is dead!"Filled echoing hill and valley with its moan.
"I am more fit for death than the world deems,"So spake he as life's light was growing dim,And turned to sleep as unto soothing dreams.What terrors could its darkness hold for him,Familiar with all anguish, but with fearStill unacquainted? On his martial bierThey laid a sword, a helmet, and a crown--Meed of the warrior, but not these amongHis voiceless lyre, whose silent chords unstrungShall wait--how long?--for touches like his own.
An alien country mourned him as her son,And hailed him hero: his sole, fitting tombWere Theseus' temple or the Parthenon,Fondly she deemed. His brethren bare him home,Their exiled glory, past the guarded gateWhere England's Abbey shelters England's great.Afar he rests whose very name hath shedNew lustre on her with the song he sings.So Shakespeare rests who scorned to lie with kings,Sleeping at peace midst the unhonored dead.
And fifty years suffice to overgrowWith gentle memories the foul weeds of hateThat shamed his grave. The world begins to knowHer loss, and view with other eyes his fate.Even as the cunning workman brings to passThe sculptor's thought from out the unwieldy massOf shapeless marble, so Time lops awayThe stony crust of falsehood that concealedHis just proportions, and, at last revealed,The statue issues to the light of day,
Most beautiful, most human. Let them flingThe first stone who are tempted even as he,And have not swerved. When did that rare soul singThe victim's shame, the tyrant's eulogy,The great belittle, or exalt the small,Or grudge his gift, his blood, to disenthrallThe slaves of tyranny or ignorance?Stung by fierce tongues himself, whose rightful fameHath he reviled? Upon what noble nameDid the winged arrows of the barbed wit glance?
The years' thick, clinging curtains backward pull,And show him as he is, crowned with bright beams,"Beauteous, and yet not all as beautifulAs he hath been or might be; Sorrow seemsHalf of his immortality."* He needsNo monument whose name and song and deedsAre graven in all foreign hearts; but sheHis mother, England, slow and last to wake,Needs raise the votive shaft for her fame's sake:Hers is the shame if such forgotten be!May, 1875.
Words in this poem 22
- unseen a.
- Not seen or discovered.
- laureled a.
- Crowned with laurel, or with a laurel wreath; laureate.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- accosted a.
- Supported on both sides by other charges; also, side by side.
- wonted a.
- Accustomed; customary; usual.
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- bier n.
- A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
- meed v. t.
- To reward; to repay. Waytt.
- voiceless a.
- Having no voice, utterance, or vote; silent; mute; dumb.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- fondly adv.
- Foolishly. Verstegan (1673).
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- suffice v. i.
- To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
- overgrow v. t.
- To grow over; to cover with growth or herbage, esp. that which is rank.
- belittle v. t.
- To make little or less in a moral sense; to speak of in a depreciatory or contemptuous way. T. Jefferson.
- disenthrall v. t.
- To release from thralldom or slavery; to give freedom to; to disinthrall. [See Enthrall.]
- rightful a.
- Righteous; upright; just; good; -- said of persons.
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- graven p. p.
- Carved. Graven image, an idol; an object of worship carved from wood, stone, etc.
- votive a.
- Given by vow, or in fulfillment of a vow; consecrated by a vow; devoted; as, votive offerings; a votive tablet. [L. votivus, fr. votum a vow: cf. F. votif. See Vow.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
On the Proposal to Erect a Monument in England to Lord Byron is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, On the Proposal to Erect a Monument in England to Lord Byron, in Poems, Volume I (1867–1887), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-poems/on-the-proposal-to-erect-a-monument-in-england-to-lord-byron.html, id L01896.
Form and metre
On the Proposal to Erect a Monument in England to Lord Byron is 71 lines in 7 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 5 lines end on an unstressed syllable, a feminine ending. 41% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCCD--D greenA · headB · unseenA · fledB · flowerC · hourC · dewD · misunderstood · subdued · o'erthrewD
- 2 ABABCC-DD- firstA · lightB · worstA · nightB · greekC · speakC · gone · headD · deadD · moan
- 3 ABABCC-DD- deemsA · dimB · dreamsA · himB · fearC · bierC · crown · amongD · unstrungD · own
- 4 ----AABCCB son · tomb · parthenon · home · gateA · greatA · shedB · singsC · kingsC · deadB
- 5 ABABCCDEED overgrowA · hateB · knowA · fateB · passC · massC · awayD · concealedE · revealedE · dayD
- 6 A-A-BBCDDC flingA · he · singA · eulogy · smallB · disenthrallB · ignoranceC · fameD · nameD · glanceC
- 7 ABABCCDEED- pullA · beamsB · beautifulA · seemsB · needsC · deedsC · sheD · wakeE · sakeE · beD · —
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The grass of fifty Aprils hath waved green | 10 | ···/˘/˘··· |
| Above the spent heart, the Olympian head, | 10 | ······˘/˘· |
| The hands crost idly, the shut eyes unseen, | 10 | ···/˘···˘/ |
| Unseeing, the locked lips whose song hath fled; | 10 | ····˘····· |
| Yet mystic-lived, like some rich, tropic flower, | 11 | ·/˘····/˘/˘ |
| His fame puts forth fresh blossoms hour by hour; | 11 | ·····/˘/·/˘ |
| Wide spread the laden branches dropping dew | 10 | ···/˘/˘/˘· |
| On the low, laureled brow misunderstood, | 10 | ···/˘··˘˘/ |
| That bent not, neither bowed, until subdued | 10 | ···/˘···˘/ |
| By the last foe who crowned while he o'erthrew. | 10 | ·········· |
| Fair was the Easter Sabbath morn when first | 10 | ···/˘/˘··· |
| Men heard he had not wakened to its light: | 10 | ·····/˘··· |
| The end had come, and time had done its worst, | 10 | ·········· |
| For the black cloud had fallen of endless night. | 11 | ·····/˘·/˘· |
| Then in the town, as Greek accosted Greek, | 10 | ······˘/˘· |
| 'T was not the wonted festal words to speak, | 11 | ····/˘/˘··· |
| "Christ is arisen," but "Our chief is gone," | 10 | ··˘/˘·/··· |
| With such wan aspect and grief-smitten head | 10 | ···/···/˘· |
| As when the awful cry of "Pan is dead!" | 10 | ···/˘····· |
| Filled echoing hill and valley with its moan. | 10 | ·/˘··/˘··· |
| "I am more fit for death than the world deems," | 10 | ·········· |
| So spake he as life's light was growing dim, | 10 | ·······/˘· |
| And turned to sleep as unto soothing dreams. | 10 | ·······/˘· |
| What terrors could its darkness hold for him, | 10 | ·/˘··/˘··· |
| Familiar with all anguish, but with fear | 10 | ˘/˘··/˘··· |
| Still unacquainted? On his martial bier | 10 | ·······/˘· |
| They laid a sword, a helmet, and a crown-- | 10 | ·····/˘··· |
| Meed of the warrior, but not these among | 10 | ···/˘····· |
| His voiceless lyre, whose silent chords unstrung | 10 | ·/˘··/˘··· |
| Shall wait--how long?--for touches like his own. | 10 | ·····/˘··· |
| An alien country mourned him as her son, | 10 | ·/˘/˘····· |
| And hailed him hero: his sole, fitting tomb | 10 | ···/˘··/˘· |
| Were Theseus' temple or the Parthenon, | 10 | ···/˘··/˘· |
| Fondly she deemed. His brethren bare him home, | 10 | /˘···/˘··· |
| Their exiled glory, past the guarded gate | 10 | ·/·/˘··/˘· |
| Where England's Abbey shelters England's great. | 10 | ·/˘/˘/˘/˘· |
| Afar he rests whose very name hath shed | 10 | ˘/···/˘··· |
| New lustre on her with the song he sings. | 10 | ·/˘······· |
| So Shakespeare rests who scorned to lie with kings, | 10 | ·/········ |
| Sleeping at peace midst the unhonored dead. | 10 | /˘········ |
| And fifty years suffice to overgrow | 10 | ·/˘·˘/···· |
| With gentle memories the foul weeds of hate | 10 | ·/˘/˘····· |
| That shamed his grave. The world begins to know | 10 | ······˘/·· |
| Her loss, and view with other eyes his fate. | 10 | ·····/˘··· |
| Even as the cunning workman brings to pass | 10 | /··/˘/˘··· |
| The sculptor's thought from out the unwieldy mass | 11 | ·/˘····˘/˘· |
| Of shapeless marble, so Time lops away | 10 | ·/˘/˘···˘/ |
| The stony crust of falsehood that concealed | 10 | ·/˘··/··˘/ |
| His just proportions, and, at last revealed, | 10 | ··˘/˘···˘/ |
| The statue issues to the light of day, | 10 | ·/·/˘····· |
| Most beautiful, most human. Let them fling | 10 | ·/˘˘·/˘··· |
| The first stone who are tempted even as he, | 10 | ·····/˘/·· |
| And have not swerved. When did that rare soul sing | 10 | ·········· |
| The victim's shame, the tyrant's eulogy, | 10 | ·/˘··/˘/˘˘ |
| The great belittle, or exalt the small, | 10 | ··˘/˘·˘/·· |
| Or grudge his gift, his blood, to disenthrall | 10 | ·········· |
| The slaves of tyranny or ignorance? | 10 | ···/˘˘·/˘˘ |
| Stung by fierce tongues himself, whose rightful fame | 10 | ····˘/·/˘· |
| Hath he reviled? Upon what noble name | 10 | ··˘/···/˘· |
| Did the winged arrows of the barbed wit glance? | 10 | ···/˘····· |
| The years' thick, clinging curtains backward pull, | 10 | ···/˘/˘/˘· |
| And show him as he is, crowned with bright beams, | 10 | ·········· |
| "Beauteous, and yet not all as beautiful | 11 | /˘˘·····/˘˘ |
| As he hath been or might be; Sorrow seems | 10 | ·······/˘· |
| Half of his immortality."* He needs | 10 | ····˘/˘˘·· |
| No monument whose name and song and deeds | 10 | ·/˘˘······ |
| Are graven in all foreign hearts; but she | 10 | ·/˘··/˘··· |
| His mother, England, slow and last to wake, | 10 | ·/˘/˘····· |
| Needs raise the votive shaft for her fame's sake: | 10 | ···/˘····· |
| Hers is the shame if such forgotten be! | 10 | ······˘/˘· |
| May, 1875. | 1 | · |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.