Matins

Emma Lazarus (1849–1887) · 1867–1887

iambic trimeter · 72 lines · from Poems, Volume I

Gray earth, gray mist, gray sky:Through vapors hurrying by,Larger than wont, on highFloats the horned, yellow moon.Chill airs are faintly stirred,And far away is heard,Of some fresh-awakened bird,The querulous, shrill tune.

The dark mist hides the faceOf the dim land: no traceOf rock or river's placeIn the thick air is drawn;But dripping grass smells sweet,And rustling branches meet,And sounding water greetThe slow, sure, sacred dawn.

Past is the long black night,With its keen lightnings white,Thunder and floods: new lightThe glimmering low east streaks.The dense clouds part: betweenTheir jagged rents are seenPale reaches blue and green,As the mirk curtain breaks.

Above the shadowy world,Still more and more unfurled,The gathered mists upcurledLike phantoms melt and pass.In clear-obscure revealed,Brown wood, gray stream, dark field:Fresh, healthy odors yieldWet furrows, flowers, and grass.

The sudden, splendid gleamOf one thin, golden beamShoots from the feathered rimOf yon hill crowned with woods.Down its embowered side,As living waters slide,So the great morning tideFollows in sunny floods.

From bush and hedge and treeJoy, unrestrained and free,Breaks forth in melody,Twitter and chirp and song:Alive the festal airWith gauze-winged creatures fair,That flicker everywhere,Dart, poise, and flash along.

The shining mists are gone,Slight films of gold swift-blownBefore the strong, bright sunOr the deep-colored sky:A world of life and glowSparkles and basks below,Where the soft meads a-row,Hoary with dew-fall, lie.

Does not the morn break thus,Swift, bright, victorious,With new skies cleared for us,Over the soul storm-tost?Her night was long and deep,Strange visions vexed her sleep,Strange sorrows bade her weep:Her faith in dawn was lost.

No halt, no rest for her,The immortal wandererFrom sphere to higher sphere,Toward the pure source of day.The new light shames her fears,Her faithlessness, her tears,As the new sun appearsTo light her godlike way.

Words in this poem

querulous a.
Given to quarreling; quarrelsome. land. [L. querulus and querulosus, fr. queri to complain. Cf. Cry, v., Quarrel a brawl, Quarrelous.]
dripping n.
A falling in drops, or the sound so made.
mirk a.
Dark; gloomy; murky. Spenser. Mrs. Browning. [See Murky.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
twitter n.
One who twits, or reproaches; an upbraider. [From Twit.]
festal a.
Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
flicker v. i.
To flutter; to flap the wings without flying. [OE. flikeren, flekeren, to flutter, AS. flicerian, flicorian, cf. D. flikkeren to sparkle. Flacker.]
hoary a.
White or whitish."The hoary willows."
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
bade
A form of the pat tense of Bid.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Matins is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Emma Lazarus, Matins, in Poems, Volume I (1867–1887), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-poems/matins.html, id L01885.

Form and metre

Matins is 72 lines in 9 stanzas of 8 lines each. The commonest rhyme scheme is AAABCCCB, in 4 of the 9 stanzas; the rest vary or could not be confirmed. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 89%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 6.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAABCCCB skyA · byA · highA · moonB · stirredC · heardC · birdC · tuneB
  2. 2 AAABCCCB faceA · traceA · placeA · drawnB · sweetC · meetC · greetC · dawnB
  3. 3 AAA-BBB- nightA · whiteA · lightA · streaks · betweenB · seenB · greenB · breaks
  4. 4 AAABCCCB worldA · unfurledA · upcurledA · passB · revealedC · fieldC · yieldC · grassB
  5. 5 AA--BBB- gleamA · beamA · rim · woods · sideB · slideB · tideB · floods
  6. 6 AA-BCCCB treeA · freeA · melody · songB · airC · fairC · everywhereC · alongB
  7. 7 ---ABBBA gone · blown · sun · skyA · glowB · belowB · rowB · lieA
  8. 8 AAABCCCB thusA · victoriousA · usA · tostB · deepC · sleepC · weepC · lostB
  9. 9 ---ABBBA her · wanderer · sphere · dayA · fearsB · tearsB · appearsB · wayA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
Gray earth, gray mist, gray sky:6······
Through vapors hurrying by,7·/˘/˘˘·
Larger than wont, on high6/˘····
Floats the horned, yellow moon.6···/˘·
Chill airs are faintly stirred,6···/˘·
And far away is heard,6··˘/··
Of some fresh-awakened bird,7···˘/˘·
The querulous, shrill tune.6·/˘˘··
The dark mist hides the face6······
Of the dim land: no trace6······
Of rock or river's place6···/˘·
In the thick air is drawn;6······
But dripping grass smells sweet,6·/˘···
And rustling branches meet,6·/˘/˘·
And sounding water greet6·/˘/˘·
The slow, sure, sacred dawn.6···/˘·
Past is the long black night,6······
With its keen lightnings white,6···/˘·
Thunder and floods: new light6/˘····
The glimmering low east streaks.7·/˘˘···
The dense clouds part: between6······
Their jagged rents are seen5·····
Pale reaches blue and green,6·/˘···
As the mirk curtain breaks.6···/˘·
Above the shadowy world,7···/˘˘·
Still more and more unfurled,6····˘/
The gathered mists upcurled6·/˘···
Like phantoms melt and pass.6·/˘···
In clear-obscure revealed,6··˘/˘/
Brown wood, gray stream, dark field:6······
Fresh, healthy odors yield6·/˘/˘·
Wet furrows, flowers, and grass.7·/˘/˘··
The sudden, splendid gleam6·/˘/˘·
Of one thin, golden beam6···/˘·
Shoots from the feathered rim6···/˘·
Of yon hill crowned with woods.6······
Down its embowered side,6······
As living waters slide,6·/˘/˘·
So the great morning tide6···/˘·
Follows in sunny floods.6/˘·/˘·
From bush and hedge and tree6······
Joy, unrestrained and free,6··˘/··
Breaks forth in melody,6···/˘˘
Twitter and chirp and song:6/˘····
Alive the festal air6˘/·/˘·
With gauze-winged creatures fair,6···/˘·
That flicker everywhere,6·/˘/˘·
Dart, poise, and flash along.6····˘/
The shining mists are gone,6·/˘···
Slight films of gold swift-blown6······
Before the strong, bright sun6······
Or the deep-colored sky:6···/˘·
A world of life and glow6······
Sparkles and basks below,6/˘····
Where the soft meads a-row,6······
Hoary with dew-fall, lie.6/˘····
Does not the morn break thus,6······
Swift, bright, victorious,6··˘/˘˘
With new skies cleared for us,6······
Over the soul storm-tost?6······
Her night was long and deep,6······
Strange visions vexed her sleep,6·/˘···
Strange sorrows bade her weep:6·/˘···
Her faith in dawn was lost.6······
No halt, no rest for her,6······
The immortal wanderer7·˘/˘/˘˘
From sphere to higher sphere,6···/˘·
Toward the pure source of day.7·······
The new light shames her fears,6······
Her faithlessness, her tears,6······
As the new sun appears6····˘/
To light her godlike way.6···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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