Fog
Light silken curtain, colorless and soft,Dreamlike before me floating! what abidesBehind thy pearly veil'sOpaque, mysterious woof?
Where sleek red kine, and dappled, crunch day-longThick, luscious blades and purple clover-heads,Nigh me I still can markCool fields of beaded grass.
No more; for on the rim of the globed worldI seem to stand and stare at nothingness.But songs of unseen birdsAnd tranquil roll of waves
Bring sweet assurance of continuous lifeBeyond this silvery cloud. Fantastic dreams,Of tissue subtler stillThan the wreathed fog, arise,
And cheat my brain with airy vanishingsAnd mystic glories of the world beyond.A whole enchanted townThy baffling folds conceal--
An Orient town, with slender-steepled mosques,Turret from turret springing, dome from dome,Fretted with burning stones,And trellised with red gold.
Through spacious streets, where running waters flow,Sun-screened by fruit-trees and the broad-leaved palm,Past the gay-decked bazaars,Walk turbaned, dark-eyed men.
Hark! you can hear the many murmuring tongues,While loud the merchants vaunt their gorgeous wares.The sultry air is spicedWith fragrance of rich gums,
And through the lattice high in yon dead wall,See where, unveiled, an arch, young, dimpled face,Flushed like a musky peach,Peers down upon the mart!
From her dark, ringleted and bird-poised headShe hath cast back the milk-white silken veil:'Midst the blank blackness thereShe blossoms like a rose.
Beckons she not with those bright, full-orbed eyes,And open arms that like twin moonbeams gleam?Behold her smile on meWith honeyed, scarlet lips!
Divine Scheherazade! I am thine.I come! I come!--Hark! from some far-off mosqueThe shrill muezzin callsThe hour of silent prayer,
And from the lattice he hath scared my love.The lattice vanisheth itself--the street,The mart, the Orient town;Only through still, soft air
That cry is yet prolonged. I wake to hearThe distant fog-horn peal: before mine eyesStands the white wall of mist,Blending with vaporous skies.
Elusive gossamer, imperviousEven to the mighty sun-god's keen red shafts!With what a jealous artThy secret thou dost guard!
Well do I know deep in thine inmost folds,Within an opal hollow, there abidesThe lady of the mist,The Undine of the air--
A slender, winged, ethereal, lily form,Dove-eyed, with fair, free-floating, pearl-wreathed hair,In waving raiment swathedOf changing, irised hues.
Where her feet, rosy as a shell, have grazedThe freshened grass, a richer emerald glows:Into each flower-cupHer cool dews she distills.
She knows the tops of jagged mountain-peaks,She knows the green soft hollows of their sides,And unafraid she floatsO'er the vast-circled seas.
She loves to bask within the moon's wan beams,Lying, night-long upon the moist, dark earth,And leave her seeded pearlsWith morning on the grass.
Ah! that athwart these dim, gray outer courtsOf her fantastic palace I might pass,And reach the inmost shrineOf her chaste solitude,
And feel her cool and dewy fingers pressMy mortal-fevered brow, while in my heartShe poured with tender loveHer healing Lethe-balm!
See! the close curtain moves, the spell dissolves!Slowly it lifts: the dazzling sunshine streamsUpon a newborn worldAnd laughing summer seas.
Swift, snowy-breasted sandbirds twittering glanceThrough crystal air. On the horizon's marge,Like a huge purple wraith,The dusky fog retreats.
Words in this poem 25
- dappled a.
- Marked with spots of different shades of color; spotted; variegated; as, a dapple horse.
- crunch v. i.
- To chew with force and noise; to craunch. [Prob. of imitative origin; or cf. D. schransen to eat heartily, or E. scrunch.]
- luscious a.
- Sweet; delicious; very grateful to the taste; toothsome; excessively sweet or rich. [Prob. for lustious, fr. lusty, or perh. a corruption of luxurious. Cf. Lush, Lusty.]
- unseen a.
- Not seen or discovered.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- trellised a.
- Having a trellis or trellises.
- turbaned a.
- Wearing a turban.
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- mart v. t.
- To buy or sell in, or as in, a mart.
- orbed a.
- Having the form of an orb; round.
- honeyed a.
- Covered with honey.
- muezzin n.
- A Mohammedan crier of the hour of prayer. [Written also mouezzin, mueddin, and muwazzin.] [Ar.]
- peal v. i.
- To appeal. Spencer.
- blending n.
- The act of mingling.
- elusive a.
- Tending to elude; using arts or deception to escape; adroitly escaping or evading; eluding the grasp; fallacious.
- gossamer n.
- A fine, filmy substance, like cobwebs, floating in the air, in calm, clear weather, especially in autumn. It is seen in stubble fields and on furze or low bushes, and is formed by small spiders. [OE. gossomer, gossummer, gosesomer, perh. for goose summer, from its downy appearance, or perh. for God's summer, cf. G. mariengarr gossamer, properly Mary's ya]
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- undine n.
- One of a class of fabled female water spirits who might receive a human soul by intermarrying with a mortal. [G. undine, or F. ondin, ondine, from L. unda a wave, water.]
- irised a.
- Having colors like those of the rainbow; iridescent. Holmes. [See Iris.]
- bask v. i.
- To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- snowy a.
- White like snow.
- twittering n.
- The act of one who, or that which, twitters.
- marge n.
- Border; margin; edge; verge. [F. marge. See Margin.]
- wraith n.
- An apparition of a person in his exact likeness, seen before death, or a little after; hence, an apparition; a specter; a vision; an unreal image. [Scot. wraith, warth; probably originally, a guardian angel, from Icel. vörthr a warden, guardian, akin to E. ward. See Ward a guard.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Fog is in the public domain. This text is taken from The Poems of Emma Lazarus, Volume 1, Project Gutenberg ebook #3295; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Emma Lazarus, Fog, in Poems, Volume I (1867–1887), text of Project Gutenberg ebook #3295, Laurel, https://laurelpoetry.com/poem/lazarus-poems/fog.html, id L01903.
Form and metre
Fog is 96 lines in 24 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 14 -A-A hear · eyesA · mist · skiesA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Light silken curtain, colorless and soft, | 10 | ·/˘/˘/˘˘·· |
| Dreamlike before me floating! what abides | 10 | /····/˘·˘/ |
| Behind thy pearly veil's | 6 | ···/˘· |
| Opaque, mysterious woof? | 7 | ˘/˘/˘˘· |
| Where sleek red kine, and dappled, crunch day-long | 10 | ······˘··· |
| Thick, luscious blades and purple clover-heads, | 10 | ·/˘··/˘/˘· |
| Nigh me I still can mark | 6 | ······ |
| Cool fields of beaded grass. | 6 | ···/˘· |
| No more; for on the rim of the globed world | 10 | ·········· |
| I seem to stand and stare at nothingness. | 10 | ·······/˘˘ |
| But songs of unseen birds | 6 | ···˘/· |
| And tranquil roll of waves | 6 | ·/˘··· |
| Bring sweet assurance of continuous life | 10 | ··˘/˘·˘/˘· |
| Beyond this silvery cloud. Fantastic dreams, | 10 | ···/˘·˘/˘· |
| Of tissue subtler still | 7 | ·/˘/˘˘· |
| Than the wreathed fog, arise, | 6 | ····˘/ |
| And cheat my brain with airy vanishings | 10 | ·····/˘/˘˘ |
| And mystic glories of the world beyond. | 10 | ·/˘/˘····· |
| A whole enchanted town | 6 | ··˘/˘· |
| Thy baffling folds conceal-- | 7 | ·/˘˘·˘/ |
| An Orient town, with slender-steepled mosques, | 11 | ·/˘···/˘/˘· |
| Turret from turret springing, dome from dome, | 10 | /˘·/˘/˘··· |
| Fretted with burning stones, | 6 | /˘·/˘· |
| And trellised with red gold. | 6 | ·/˘··· |
| Through spacious streets, where running waters flow, | 10 | ·/˘··/˘/˘· |
| Sun-screened by fruit-trees and the broad-leaved palm, | 10 | ·········· |
| Past the gay-decked bazaars, | 6 | ····˘/ |
| Walk turbaned, dark-eyed men. | 6 | ·/˘··· |
| Hark! you can hear the many murmuring tongues, | 10 | ·····//˘˘· |
| While loud the merchants vaunt their gorgeous wares. | 10 | ···/˘··/˘· |
| The sultry air is spiced | 6 | ·/˘··· |
| With fragrance of rich gums, | 6 | ·/˘··· |
| And through the lattice high in yon dead wall, | 10 | ···/˘····· |
| See where, unveiled, an arch, young, dimpled face, | 10 | ··˘/···/˘· |
| Flushed like a musky peach, | 6 | ···/˘· |
| Peers down upon the mart! | 6 | ······ |
| From her dark, ringleted and bird-poised head | 10 | ·········· |
| She hath cast back the milk-white silken veil: | 10 | ·······/˘· |
| 'Midst the blank blackness there | 6 | ···/˘· |
| She blossoms like a rose. | 6 | ·/˘··· |
| Beckons she not with those bright, full-orbed eyes, | 10 | /˘········ |
| And open arms that like twin moonbeams gleam? | 10 | ·/˘····/·· |
| Behold her smile on me | 6 | ˘/···· |
| With honeyed, scarlet lips! | 6 | ·/˘/˘· |
| Divine Scheherazade! I am thine. | 9 | ˘/······· |
| I come! I come!--Hark! from some far-off mosque | 10 | ·········· |
| The shrill muezzin calls | 6 | ··˘/˘· |
| The hour of silent prayer, | 7 | ·/˘·/˘· |
| And from the lattice he hath scared my love. | 10 | ···/˘····· |
| The lattice vanisheth itself--the street, | 10 | ·/˘/˘˘˘/·· |
| The mart, the Orient town; | 7 | ···/˘·· |
| Only through still, soft air | 6 | /˘···· |
| That cry is yet prolonged. I wake to hear | 10 | ····˘/···· |
| The distant fog-horn peal: before mine eyes | 10 | ·/˘······· |
| Stands the white wall of mist, | 6 | ······ |
| Blending with vaporous skies. | 7 | /˘·/˘˘· |
| Elusive gossamer, impervious | 10 | ˘/˘/˘˘˘/˘˘ |
| Even to the mighty sun-god's keen red shafts! | 10 | /··/˘····· |
| With what a jealous art | 6 | ···/˘· |
| Thy secret thou dost guard! | 6 | ·/˘··· |
| Well do I know deep in thine inmost folds, | 10 | ·······/˘· |
| Within an opal hollow, there abides | 10 | ···/˘/˘·˘/ |
| The lady of the mist, | 6 | ·/˘··· |
| The Undine of the air-- | 6 | ·/···· |
| A slender, winged, ethereal, lily form, | 10 | ·/˘·˘/˘/˘· |
| Dove-eyed, with fair, free-floating, pearl-wreathed hair, | 10 | ·····/˘··· |
| In waving raiment swathed | 6 | ·/˘/˘· |
| Of changing, irised hues. | 6 | ·/˘/˘· |
| Where her feet, rosy as a shell, have grazed | 10 | ···/˘····· |
| The freshened grass, a richer emerald glows: | 10 | ·/˘··/˘/˘· |
| Into each flower-cup | 6 | ···/˘· |
| Her cool dews she distills. | 6 | ····˘/ |
| She knows the tops of jagged mountain-peaks, | 10 | ······˘/˘· |
| She knows the green soft hollows of their sides, | 10 | ·····/˘··· |
| And unafraid she floats | 6 | ··˘/·· |
| O'er the vast-circled seas. | 6 | ···/˘· |
| She loves to bask within the moon's wan beams, | 10 | ·········· |
| Lying, night-long upon the moist, dark earth, | 10 | /˘········ |
| And leave her seeded pearls | 6 | ···/˘· |
| With morning on the grass. | 6 | ·/˘··· |
| Ah! that athwart these dim, gray outer courts | 10 | ··˘/···/˘· |
| Of her fantastic palace I might pass, | 10 | ··˘/˘/˘··· |
| And reach the inmost shrine | 6 | ···/˘· |
| Of her chaste solitude, | 6 | ···/˘· |
| And feel her cool and dewy fingers press | 10 | ·····/˘/˘· |
| My mortal-fevered brow, while in my heart | 10 | ·/˘/˘····· |
| She poured with tender love | 6 | ···/˘· |
| Her healing Lethe-balm! | 6 | ·/˘/˘· |
| See! the close curtain moves, the spell dissolves! | 10 | ···/˘···˘/ |
| Slowly it lifts: the dazzling sunshine streams | 10 | /˘···/˘/·· |
| Upon a newborn world | 6 | ···/˘· |
| And laughing summer seas. | 6 | ·/˘/˘· |
| Swift, snowy-breasted sandbirds twittering glance | 11 | ·/˘/˘··/˘˘· |
| Through crystal air. On the horizon's marge, | 10 | ·/˘···˘/˘· |
| Like a huge purple wraith, | 6 | ···/˘· |
| The dusky fog retreats. | 6 | ·/˘·˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.