The Song of the Chattahoochee
Out of the hills of Habersham,Down the valleys of Hall,I hurry amain to reach the plain,Run the rapid and leap the fall,Split at the rock and together again,Accept my bed, or narrow or wide,And flee from folly on every sideWith a lover's pain to attain the plainFar from the hills of Habersham,Far from the valleys of Hall.
All down the hills of Habersham,All through the valleys of Hall,The rushes cried `Abide, abide,'The willful waterweeds held me thrall,The laving laurel turned my tide,The ferns and the fondling grass said `Stay,'The dewberry dipped for to work delay,And the little reeds sighed `Abide, abide,Here in the hills of Habersham,Here in the valleys of Hall.'
High o'er the hills of Habersham,Veiling the valleys of Hall,The hickory told me manifoldFair tales of shade, the poplar tallWrought me her shadowy self to hold,The chestnut, the oak, the walnut, the pine,Overleaning, with flickering meaning and sign,Said, `Pass not, so cold, these manifoldDeep shades of the hills of Habersham,These glades in the valleys of Hall.'
And oft in the hills of Habersham,And oft in the valleys of Hall,The white quartz shone, and the smooth brook-stoneDid bar me of passage with friendly brawl,And many a luminous jewel lone-- Crystals clear or a-cloud with mist,Ruby, garnet and amethyst --Made lures with the lights of streaming stoneIn the clefts of the hills of Habersham,In the beds of the valleys of Hall.
But oh, not the hills of Habersham,And oh, not the valleys of HallAvail: I am fain for to water the plain.Downward the voices of Duty call --Downward, to toil and be mixed with the main,The dry fields burn, and the mills are to turn,And a myriad flowers mortally yearn,And the lordly main from beyond the plainCalls o'er the hills of Habersham,Calls through the valleys of Hall.
Words in this poem
- amain adv.
- With might; with full force; vigorously; violently; exceedingly. [Pref. a- + main. See 2d Main, n.]
- veiling n.
- A veil; a thin covering; also, material for making veils.
- lone n.
- A lane. See Loanin.
- amethyst
- A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
- streaming a.
- Sending forth streams.
- fain v. t.
- To be glad ; to wish or desire.
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- mortally adv.
- In a mortal manner; so as to cause death; as, mortally wounded.
- yearn v. t.
- To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Song of the Chattahoochee is in the public domain. This text is taken from The Poems of Sidney Lanier, Project Gutenberg ebook #579; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sidney Lanier, The Song of the Chattahoochee, in Poems (1884), text of Project Gutenberg ebook #579, Laurel, https://laurelpoetry.com/poem/lanier-poems/the-song-of-the-chattahoochee.html, id L07610.
Form and metre
The Song of the Chattahoochee is 50 lines in 5 stanzas of 10 lines each. Every stanza rhymes ABCBCDDCAB. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 74%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 8.8 syllables. 1 line ends on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABCBCDDCAB habershamA · hallB · plainC · fallB · againC · wideD · sideD · plainC · habershamA · hallB
- 2 ABCBCDDCAB habershamA · hallB · abideC · thrallB · tideC · `stayD · delayD · abideC · habershamA · hallB
- 3 ABCBCDDCAB habershamA · hallB · manifoldC · tallB · holdC · pineD · signD · manifoldC · habershamA · hallB
- 4 ABCBCDDCAB habershamA · hallB · stoneC · brawlB · loneC · mistD · amethystD · stoneC · habershamA · hallB
- 5 ABCBCDDCAB habershamA · hallB · plainC · callB · mainC · turnD · yearnD · plainC · habershamA · hallB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Out of the hills of Habersham, | 8 | ········ |
| Down the valleys of Hall, | 6 | ··/˘·· |
| I hurry amain to reach the plain, | 9 | ·/˘˘/···· |
| Run the rapid and leap the fall, | 8 | ··/˘···· |
| Split at the rock and together again, | 10 | ·····˘/˘˘/ |
| Accept my bed, or narrow or wide, | 9 | ˘/···/˘·· |
| And flee from folly on every side | 10 | ···/˘·/˘˘· |
| With a lover's pain to attain the plain | 10 | ··/˘··˘/·· |
| Far from the hills of Habersham, | 8 | ········ |
| Far from the valleys of Hall. | 7 | ···/˘·· |
| All down the hills of Habersham, | 8 | ········ |
| All through the valleys of Hall, | 7 | ···/˘·· |
| The rushes cried `Abide, abide,' | 8 | ·/˘·˘/˘/ |
| The willful waterweeds held me thrall, | 9 | ·/˘······ |
| The laving laurel turned my tide, | 9 | ···/˘·˘·· |
| The ferns and the fondling grass said `Stay,' | 10 | ····/˘˘··· |
| The dewberry dipped for to work delay, | 10 | ·/·˘····˘/ |
| And the little reeds sighed `Abide, abide, | 10 | ··/˘··˘/˘/ |
| Here in the hills of Habersham, | 8 | ········ |
| Here in the valleys of Hall.' | 7 | ···/˘·· |
| High o'er the hills of Habersham, | 8 | ········ |
| Veiling the valleys of Hall, | 7 | /˘·/˘·· |
| The hickory told me manifold | 9 | ·/˘˘··/˘· |
| Fair tales of shade, the poplar tall | 8 | ·····/˘· |
| Wrought me her shadowy self to hold, | 9 | ···/˘˘··· |
| The chestnut, the oak, the walnut, the pine, | 10 | ·/····/··· |
| Overleaning, with flickering meaning and sign, | 11 | ·····/˘/˘·· |
| Said, `Pass not, so cold, these manifold | 9 | ······/˘· |
| Deep shades of the hills of Habersham, | 9 | ········· |
| These glades in the valleys of Hall.' | 8 | ····/˘·· |
| And oft in the hills of Habersham, | 9 | ········· |
| And oft in the valleys of Hall, | 8 | ····/˘·· |
| The white quartz shone, and the smooth brook-stone | 9 | ········· |
| Did bar me of passage with friendly brawl, | 10 | ····/˘·/˘· |
| And many a luminous jewel lone | 10 | ·/˘·/˘˘/˘· |
| -- Crystals clear or a-cloud with mist, | 8 | /˘······ |
| Ruby, garnet and amethyst -- | 8 | /˘/˘·/˘˘ |
| Made lures with the lights of streaming stone | 9 | ······/˘· |
| In the clefts of the hills of Habersham, | 10 | ·········· |
| In the beds of the valleys of Hall. | 9 | ·····/˘·· |
| But oh, not the hills of Habersham, | 9 | ········· |
| And oh, not the valleys of Hall | 8 | ····/˘·· |
| Avail: I am fain for to water the plain. | 11 | ˘/·····/˘·· |
| Downward the voices of Duty call -- | 9 | /˘·/˘·/˘· |
| Downward, to toil and be mixed with the main, | 10 | /˘········ |
| The dry fields burn, and the mills are to turn, | 10 | ·········· |
| And a myriad flowers mortally yearn, | 10 | ··/˘˘//˘˘· |
| And the lordly main from beyond the plain | 10 | ··/˘······ |
| Calls o'er the hills of Habersham, | 8 | ········ |
| Calls through the valleys of Hall. | 7 | ···/˘·· |
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