Fiesole Idyl
Here, where precipitate Spring, with one light boundInto hot Summer's lusty arms, expires,And where go forth at morn, at eve, at night,Soft airs that want the lute to play with 'em,And softer sighs that know not what they want,Aside a wall, beneath an orange-tree,Whose tallest flowers could tell the lowlier onesOf sights in Fiesole right up above,While I was gazing a few paces offAt what they seem'd to show me with their nods,Their frequent whispers and their pointing shoots,A gentle maid came down the garden-stepsAnd gathered the pure treasure in her lap.I heard the branches rustle, and stept forthTo drive the ox away, or mule, or goat,Such I believed it must be. How could ILet beast o'erpower them? When hath wind or rainBorne hard upon weak plant that wanted me,And I (however they might bluster round)Walkt off? 'Twere most ungrateful: for sweet scentsAre the swift vehicles of still sweeter thoughts,And nurse and pillow the dull memoryThat would let drop without them her best stores.They bring me tales of youth and tones of love,And 'tis and ever was my wish and wayTo let all flowers live freely, and all die(Whene'er their Genius bids their souls depart)Among their kindred in their native place.I never pluck the rose; the violet's headHath shaken with my breath upon its bankAnd not reproacht me; the ever-sacred cupOf the pure lily hath between my handsFelt safe, unsoil'd, nor lost one grain of gold.I saw the light that made the glossy leavesMore glossy; the fair arm, the fairer cheekWarmed by the eye intent on its pursuit;I saw the foot that, although half-erectFrom its grey slipper, could not lift her upTo what she wanted: I held down a branchAnd gather'd her some blossoms; since their hourWas come, and bees had wounded them, and fliesOf harder wing were working their way thro'And scattering them in fragments under-foot.So crisp were some, they rattled unevolved,Others, ere broken off, fell into shells,For such appear the petals when detacht,Unbending, brittle, lucid, white like snow,And like snow not seen thro', by eye or sun:Yet every one her gown received from meWas fairer than the first. I thought not so,But so she praised them to reward my care.I said, 'You find the largest.''This indeed,'Cried she, 'is large and sweet.' She held one forth,Whether for me to look at or to stakeShe knew not, nor did I; but taking itWould best have solved (and this she felt) her doubt.I dared not touch it; for it seemed a partOf her own self; fresh, full, the most matureOf blossoms, yet a blossom; with a touchTo fall, and yet unfallen. She drew backThe boon she tender'd, and then, finding notThe ribbon at her waist to fix it in,Dropt it, as loath to drop it, on the rest.
Words in this poem
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- rustle v. i.
- To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
- ungrateful a.
- Not grateful; not thankful for favors; making no returns, or making ill return for kindness, attention, etc.; ingrateful. South.
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
- unbending a.
- Not bending; not suffering flexure; not yielding to pressure; stiff; -- applied to material things. [In senses 1, 2, and 3, pref. un- not + bending; in sense 4, properly p. pr. unbend.]
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
- loath a.
- Hateful; odious; disliked. [OE. looth, loth, AS. la hostile, odious; akin to OS. l, G. leid, Icel. lei, Sw. led, G. leiden to suffer, OHG. lidan to suffer, go, cf. AS. li to go, Goth. leip]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Fiesole Idyl is in the public domain. This text is taken from Imaginary Conversations and Poems: A Selection, Project Gutenberg ebook #21628; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Walter Savage Landor, Fiesole Idyl, in Imaginary Conversations and Poems (1795–1863), text of Project Gutenberg ebook #21628, Laurel, https://laurelpoetry.com/poem/landor-poems/fiesole-idyl.html, id L12192.
Form and metre
Fiesole Idyl is 64 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 2 lines end on an unstressed syllable, a feminine ending. 47% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---------------A-A----------------------------B--B-------------- bound · expires · night · em · want · tree · ones · above · off · nods · shoots · steps · lap · forth · goat · iA · rain · meA · round · scents · thoughts · memory · stores · love · way · die · depart · place · head · bank · cup · hands · gold · leaves · cheek · pursuit · erect · up · branch · hour · flies · thro · foot · unevolved · shells · detacht · snowB · sun · me · soB · care · largest · indeed · forth · stake · it · doubt · part · mature · touch · back · not · in · rest
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Here, where precipitate Spring, with one light bound | 11 | ··˘/˘······ |
| Into hot Summer's lusty arms, expires, | 11 | ···/˘/˘·˘/˘ |
| And where go forth at morn, at eve, at night, | 10 | ·········· |
| Soft airs that want the lute to play with 'em, | 10 | ·········· |
| And softer sighs that know not what they want, | 10 | ·/˘······· |
| Aside a wall, beneath an orange-tree, | 10 | ˘/·····/˘· |
| Whose tallest flowers could tell the lowlier ones | 10 | ·/˘/······ |
| Of sights in Fiesole right up above, | 10 | ·········· |
| While I was gazing a few paces off | 10 | ···/˘··/˘· |
| At what they seem'd to show me with their nods, | 10 | ·········· |
| Their frequent whispers and their pointing shoots, | 10 | ·/˘/˘··/˘· |
| A gentle maid came down the garden-steps | 10 | ·/˘····/˘· |
| And gathered the pure treasure in her lap. | 10 | ·/˘··/˘··· |
| I heard the branches rustle, and stept forth | 10 | ···/˘/˘··· |
| To drive the ox away, or mule, or goat, | 10 | ····˘/···· |
| Such I believed it must be. How could I | 10 | ··˘/······ |
| Let beast o'erpower them? When hath wind or rain | 11 | ··········· |
| Borne hard upon weak plant that wanted me, | 10 | ·······/˘· |
| And I (however they might bluster round) | 10 | ···/˘··/˘· |
| Walkt off? 'Twere most ungrateful: for sweet scents | 10 | ····˘/˘··· |
| Are the swift vehicles of still sweeter thoughts, | 10 | ···/˘··/˘· |
| And nurse and pillow the dull memory | 10 | ···/˘··/˘˘ |
| That would let drop without them her best stores. | 10 | ·········· |
| They bring me tales of youth and tones of love, | 10 | ·········· |
| And 'tis and ever was my wish and way | 10 | ···/˘····· |
| To let all flowers live freely, and all die | 10 | ···/·/˘··· |
| (Whene'er their Genius bids their souls depart) | 11 | ····/˘···˘/ |
| Among their kindred in their native place. | 10 | ···/˘··/˘· |
| I never pluck the rose; the violet's head | 10 | ·/····/˘˘· |
| Hath shaken with my breath upon its bank | 10 | ·/˘······· |
| And not reproacht me; the ever-sacred cup | 10 | ······//˘· |
| Of the pure lily hath between my hands | 10 | ···/˘····· |
| Felt safe, unsoil'd, nor lost one grain of gold. | 10 | ·········· |
| I saw the light that made the glossy leaves | 10 | ·······/˘· |
| More glossy; the fair arm, the fairer cheek | 10 | ·/˘····/˘· |
| Warmed by the eye intent on its pursuit; | 10 | ····˘/··˘/ |
| I saw the foot that, although half-erect | 10 | ········˘/ |
| From its grey slipper, could not lift her up | 10 | ···/˘····· |
| To what she wanted: I held down a branch | 10 | ···/˘····· |
| And gather'd her some blossoms; since their hour | 11 | ·/˘··/˘··/˘ |
| Was come, and bees had wounded them, and flies | 10 | ·····/˘··· |
| Of harder wing were working their way thro' | 10 | ·/˘··/˘··· |
| And scattering them in fragments under-foot. | 10 | ·/˘··/˘··· |
| So crisp were some, they rattled unevolved, | 10 | ·····/˘··· |
| Others, ere broken off, fell into shells, | 10 | /˘·/˘····· |
| For such appear the petals when detacht, | 10 | ··˘/·/˘··· |
| Unbending, brittle, lucid, white like snow, | 10 | ·/˘/˘/˘··· |
| And like snow not seen thro', by eye or sun: | 10 | ·········· |
| Yet every one her gown received from me | 10 | ·/˘···˘/·· |
| Was fairer than the first. I thought not so, | 10 | ·/˘······· |
| But so she praised them to reward my care. | 10 | ······˘/·· |
| I said, 'You find the largest.' | 7 | ·····/˘ |
| 'This indeed,' | 3 | ·˘/ |
| Cried she, 'is large and sweet.' She held one forth, | 10 | ·········· |
| Whether for me to look at or to stake | 10 | ·········· |
| She knew not, nor did I; but taking it | 10 | ·······/˘· |
| Would best have solved (and this she felt) her doubt. | 10 | ·········· |
| I dared not touch it; for it seemed a part | 10 | ·········· |
| Of her own self; fresh, full, the most mature | 10 | ········˘/ |
| Of blossoms, yet a blossom; with a touch | 10 | ·/˘··/˘··· |
| To fall, and yet unfallen. She drew back | 10 | ·········· |
| The boon she tender'd, and then, finding not | 10 | ···/˘··/˘· |
| The ribbon at her waist to fix it in, | 10 | ·/˘······· |
| Dropt it, as loath to drop it, on the rest. | 10 | ·········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.