The Meadow

Archibald Lampman (1861–1899) · 1895

iambic pentameter · ABABCDDC · 80 lines · from Lyrics of Earth

Here when the cloudless April days begin,And the quaint crows flock thicker day by day,Filling the forests with a pleasant din,And the soiled snow creeps secretly away,Comes the small busy sparrow, primed with glee,First preacher in the naked wilderness,Piping an end to all the long distressFrom every fence and every leafless tree.

Now with soft slight and viewless artificeWinter's iron work is wondrously undone;In all the little hollows cored with iceThe clear brown pools stand simmering in the sun,Frail lucid worlds, upon whose tremulous floorsAll day the wandering water-bugs at will,Shy mariners whose oars are never still,Voyage and dream about the heightening shores.

The bluebird, peeping from the gnarlèd thorn,Prattles upon his frolic flute, or flings,In bounding flight across the golden morn,An azure gleam from off his splendid wings.Here the slim-pinioned swallows sweep and passDown to the far-off river; the black crowWith wise and wary visage to and froSettles and stalks about the withered grass.

Here, when the murmurous May-day is half gone,The watchful lark before my feet takes flight,And wheeling to some lonelier field far on,Drops with obstreperous cry; and here at night,When the first star precedes the great red moon,The shore-lark tinkles from the darkening field,Somewhere, we know not, in the dusk concealed,His little creakling and continuous tune.

Here, too, the robins, lusty as of old,Hunt the waste grass for forage, or prolongFrom every quarter of these fields the bold,Blithe phrases of their never-finished song.The white-throat's distant descant with slow stressNote after note upon the noonday falls,Filling the leisured air at intervalsWith his own mood of piercing pensiveness.

How often from this windy upland perch,Mine eyes have seen the forest break in bloom,The rose-red maple and the golden birch,The dusty yellow of the elms, the gloomOf the tall poplar hung with tasseled black;Ah, I have watched, till eye and ear and brainGrew full of dreams as they, the moted plain,The sun-steeped wood, the marsh-land at its back,

The valley where the river wheels and fills,Yon city glimmering in its smoky shroud,And out at the last misty rim the hillsBlue and far off and mounded like a cloud,And here the noisy rutted road that goesDown the slope yonder, flanked on either sideWith the smooth-furrowed fields flung black and wide,Patched with pale water sleeping in the rows.

So as I watched the crowded leaves expand,The bloom break sheath, the summer's strength uprear,In earth's great mother's heart already plannedThe heaped and burgeoned plenty of the year,Even as she from out her wintry cellMy spirit also sprang to life anew,And day by day as the spring's bounty grew,Its conquering joy possessed me like a spell.

In reverie by day and midnight dreamI sought these upland fields and walked apart,Musing on Nature, till my thought did seemTo read the very secrets of her heart;In mooded moments earnest and sublimeI stored the themes of many a future song,Whose substance should be Nature's, clear and strong,Bound in a casket of majestic rhyme.

Brave bud-like plans that never reached the fruit,Like hers our mother's who with every hour,Easily replenished from the sleepless root,Covers her bosom with fresh bud and flower;Yet I was happy as young lovers be,Who in the season of their passion's birthDeem that they have their utmost worship's worth,If love be near them, just to hear and see.

Words in this poem 27
cloudless a.
Without a cloud; clear; bright.
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
glee n.
Music; minstrelsy; entertainment.
piping a.
Playing on a musical pipe. [From Pipe, v.]
viewless a.
Not perceivable by the eye; invisible; unseen.
undone a.
Not done or performed; neglected. [Pref. un- not + done.]
bluebird n.
A small song bird (Sialia sialis), very common in the United States, and, in the north, one of the earliest to arrive in spring.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
murmurous a.
Attended with murmurs; exciting murmurs or complaint; murmuring. [Cf. L. murmuriosus, OF. murmuros.]
wheeling n.
The act of conveying anything, or traveling, on wheels, or in a wheeled vehicle.
obstreperous a.
Attended by, or making, a loud and tumultuous noise; clamorous; noisy; vociferous. [L. obstreperus, from obstrepere to make a noise at; ob (see Ob-) + strepere to make a noise.]
somewhere adv.
In some place unknown or not specified; in one place or another.
blithe a.
Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
descant v. i.
To sing a variation or accomplishment. [From descant; n.; or directly fr. OF. descanter, deschanter; L. dis- + cantare to sing.]
noonday n.
Midday; twelve o'clock in the day; noon.
leisured a.
Having leisure.
pensiveness n.
The state of being pensive; serious thoughtfulness; seriousness. Hooker.
moted a.
Filled with motes, or fine floating dust; as, the air.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
uprear v. t.
To raise; to erect.
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
bounty n.
Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
reverie n.
A loose or irregular train of thought occurring in musing or mediation; deep musing; daydream. [F. réverie, fr. rêver to dream, rave, be light-headed. Cf. Rave.]
casket v. t.
To put into, or preserve in, a casket.
sleepless a.
Having no sleep; wakeful.
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Meadow is in the public domain. This text is taken from Lyrics of Earth, Project Gutenberg ebook #12664; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Archibald Lampman, The Meadow, in Lyrics of Earth (1895), text of Project Gutenberg ebook #12664, Laurel, https://laurelpoetry.com/poem/lampman-lyrics/the-meadow.html, id L11094.

Form and metre

The Meadow is 80 lines in 10 stanzas of 8 lines each. Every stanza rhymes ABABCDDC. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 4 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDDC beginA · dayB · dinA · awayB · gleeC · wildernessD · distressD · treeC
  2. 2 ABABCDDC artificeA · undoneB · iceA · sunB · floorsC · willD · stillD · shoresC
  3. 3 ABABCDDC thornA · flingsB · mornA · wingsB · passC · crowD · froD · grassC
  4. 4 ABABCDDC goneA · flightB · onA · nightB · moonC · fieldD · concealedD · tuneC
  5. 5 ABABCDDC oldA · prolongB · boldA · songB · stressC · fallsD · intervalsD · pensivenessC
  6. 6 ABABCDDC perchA · bloomB · birchA · gloomB · blackC · brainD · plainD · backC
  7. 7 ABABCDDC fillsA · shroudB · hillsA · cloudB · goesC · sideD · wideD · rowsC
  8. 8 ABABCDDC expandA · uprearB · plannedA · yearB · cellC · anewD · grewD · spellC
  9. 9 ABABCDDC dreamA · apartB · seemA · heartB · sublimeC · songD · strongD · rhymeC
  10. 10 ABABCDDC fruitA · hourB · rootA · flowerB · beC · birthD · worthD · seeC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Here when the cloudless April days begin,10···/˘/˘·˘/
And the quaint crows flock thicker day by day,10·····/˘···
Filling the forests with a pleasant din,10/˘·/˘··/˘·
And the soiled snow creeps secretly away,9·····/˘˘/
Comes the small busy sparrow, primed with glee,10···/˘/˘···
First preacher in the naked wilderness,9·/˘··/˘/˘
Piping an end to all the long distress10/˘······˘/
From every fence and every leafless tree.10·/˘··/˘/˘·
Now with soft slight and viewless artifice9·····/˘/˘
Winter's iron work is wondrously undone;10/˘/·····˘/
In all the little hollows cored with ice10···/˘/˘···
The clear brown pools stand simmering in the sun,10·····/˘···
Frail lucid worlds, upon whose tremulous floors10·/˘····/˘·
All day the wandering water-bugs at will,10···/˘/˘···
Shy mariners whose oars are never still,8·/˘···/·
Voyage and dream about the heightening shores.10/˘·····/˘·
The bluebird, peeping from the gnarlèd thorn,9·/·/˘····
Prattles upon his frolic flute, or flings,10/˘···/˘···
In bounding flight across the golden morn,10·/˘·˘/·/˘·
An azure gleam from off his splendid wings.10·/˘····/˘·
Here the slim-pinioned swallows sweep and pass10···/˘/˘···
Down to the far-off river; the black crow10·····/˘···
With wise and wary visage to and fro10···/˘/˘···
Settles and stalks about the withered grass.10/˘·····/˘·
Here, when the murmurous May-day is half gone,11···/˘˘·····
The watchful lark before my feet takes flight,10·/˘·······
And wheeling to some lonelier field far on,11·/˘········
Drops with obstreperous cry; and here at night,10··˘/˘·····
When the first star precedes the great red moon,10····˘/····
The shore-lark tinkles from the darkening field,10···/˘··/˘·
Somewhere, we know not, in the dusk concealed,10/·······˘/
His little creakling and continuous tune.10·/˘···˘/˘·
Here, too, the robins, lusty as of old,10···/˘/˘···
Hunt the waste grass for forage, or prolong10·····/˘·˘/
From every quarter of these fields the bold,10·/˘/˘·····
Blithe phrases of their never-finished song.9·/˘··//˘·
The white-throat's distant descant with slow stress10···/˘/˘···
Note after note upon the noonday falls,10·······/˘·
Filling the leisured air at intervals9/˘·/˘··/˘
With his own mood of piercing pensiveness.10·····/˘/˘˘
How often from this windy upland perch,10·/˘··/˘/˘·
Mine eyes have seen the forest break in bloom,10·····/˘···
The rose-red maple and the golden birch,10···/˘··/˘·
The dusty yellow of the elms, the gloom10·/˘/˘·····
Of the tall poplar hung with tasseled black;10···/˘··/˘·
Ah, I have watched, till eye and ear and brain10··········
Grew full of dreams as they, the moted plain,10·······/˘·
The sun-steeped wood, the marsh-land at its back,10··········
The valley where the river wheels and fills,10·/˘··/˘···
Yon city glimmering in its smoky shroud,10·/˘/˘··/˘·
And out at the last misty rim the hills10·····/˘···
Blue and far off and mounded like a cloud,10·····/˘···
And here the noisy rutted road that goes10···/˘/˘···
Down the slope yonder, flanked on either side10···/˘··/˘·
With the smooth-furrowed fields flung black and wide,10···/˘·····
Patched with pale water sleeping in the rows.10···/˘/˘···
So as I watched the crowded leaves expand,10·····/˘·˘/
The bloom break sheath, the summer's strength uprear,10·····/˘·˘/
In earth's great mother's heart already planned10···/˘·˘/˘·
The heaped and burgeoned plenty of the year,10···/˘/˘···
Even as she from out her wintry cell9/·····/˘·
My spirit also sprang to life anew,9·//˘···˘/
And day by day as the spring's bounty grew,10·······/˘·
Its conquering joy possessed me like a spell.10·/˘·˘/····
In reverie by day and midnight dream9·/˘···/··
I sought these upland fields and walked apart,10···/˘···˘/
Musing on Nature, till my thought did seem10/˘·/˘·····
To read the very secrets of her heart;10···/˘/˘···
In mooded moments earnest and sublime10·/˘/˘/˘·˘/
I stored the themes of many a future song,10·····/·/˘·
Whose substance should be Nature's, clear and strong,10·/˘··/˘···
Bound in a casket of majestic rhyme.10···/˘·˘/˘·
Brave bud-like plans that never reached the fruit,9·····/···
Like hers our mother's who with every hour,10··//˘··/˘/
Easily replenished from the sleepless root,10/˘˘/˘··/˘·
Covers her bosom with fresh bud and flower;10/˘·/˘····/
Yet I was happy as young lovers be,10···/˘··/˘·
Who in the season of their passion's birth10···/˘··/˘·
Deem that they have their utmost worship's worth,10·····/·/˘·
If love be near them, just to hear and see.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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