September
Now hath the summer reached her golden close,And, lost amid her corn-fields, bright of soul,Scarcely perceives from her divine reposeHow near, how swift, the inevitable goal:Still, still, she smiles, though from her careless feetThe bounty and the fruitful strength are gone,And through the soft long wondering days goes onThe silent sere decadence sad and sweet.
The kingbird and the pensive thrush are fled,Children of light, too fearful of the gloom;The sun falls low, the secret word is said,The mouldering woods grow silent as the tomb;Even the fields have lost their sovereign grace,The cone-flower and the marguerite; and no more,Across the river's shadow-haunted floor,The paths of skimming swallows interlace.
Already in the outland wildernessThe forests echo with unwonted dins;In clamorous gangs the gathering woodmen pressNorthward, and the stern winter's toil begins.Around the long low shanties, whose rough linesBreak the sealed dreams of many an unnamed lake,Already in the frost-clear morns awakeThe crash and thunder of the falling pines.
Where the tilled earth, with all its fields set free,Naked and yellow from the harvest lies,By many a loft and busy granary,The hum and tumult of the thrashers rise;There the tanned farmers labor without slack,Till twilight deepens round the spouting mill,Feeding the loosened sheaves, or with fierce will,Pitching waist-deep upon the dusty stack.
Still a brief while, ere the old year quite pass,Our wandering steps and wistful eyes shall greetThe leaf, the water, the beloved grass;Still from these haunts and this accustomed seatI see the wood-wrapt city, swept with light,The blue long-shadowed distance, and, between,The dotted farm-lands with their parcelled green,The dark pine forest and the watchful height.
I see the broad rough meadow stretched awayInto the crystal sunshine, wastes of sod,Acres of withered vervain, purple-gray,Branches of aster, groves of goldenrod;And yonder, toward the sunlit summit, strewnWith shadowy boulders, crowned and swathed with weed,Stand ranks of silken thistles, blown to seed,Long silver fleeces shining like the noon.
In far-off russet corn-fields, where the dryGray shocks stand peaked and withering, half concealedIn the rough earth, the orange pumpkins lie,Full-ribbed; and in the windless pasture-fieldThe sleek red horses o'er the sun-warmed groundStand pensively about in companies,While all around them from the motionless treesThe long clean shadows sleep without a sound.
Under cool elm-trees floats the distant stream,Moveless as air; and o'er the vast warm earthThe fathomless daylight seems to stand and dream,A liquid cool elixir--all its girthBound with faint haze, a frail transparency,Whose lucid purple barely veils and fillsThe utmost valleys and the thin last hills,Nor mars one whit their perfect clarity.
Thus without grief the golden days go by,So soft we scarcely notice how they wend,And like a smile half happy, or a sigh,The summer passes to her quiet end;And soon, too soon, around the cumbered eavesSly frosts shall take the creepers by surprise,And through the wind-touched reddening woods shall riseOctober with the rain of ruined leaves.
Words in this poem 24
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- bounty n.
- Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
- sere n.
- Claw; talon. Chapman. [F. serre.]
- decadence n.
- A falling away; decay; deterioration; declension. [LL. decadentia; L. de- + cadere to fall: cf. F. décadence. See Decay.]
- marguerite n.
- The daisy (Bellis perennis). The name is often applied also to the ox-eye daisy and to the China aster. [F., a pearl, a daisy. See Margarite.]
- skimming n.
- The act of one who skims.
- outland a.
- Foreign; outlandish. Strutt. [Out + land. See Outlandish.]
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
- northward a.
- Toward the north; nearer to the north than to the east or west point. [AS. noredhweard.]
- wistful a.
- Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- sunlit a.
- Lighted by the sun.
- peaked a.
- Pointed; ending in a point; as, a peaked roof.
- withering a.
- Tending to wither; causing to shrink or fade.
- windless a.
- Having no wind; calm.
- pensively adv.
- In a pensive manner.
- moveless a.
- Motionless; fixed.
- fathomless a.
- Incapable of being fathomed; immeasurable; that can not be sounded.
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- whit n.
- The smallest part or particle imaginable; a bit; a jot; an iota; -- generally used in an adverbial phrase in a negative sentence. [OE. wight, wiht, AS. wiht a creature, a thing. See Wight, and cf. Aught, Naught.]
- clarity n.
- Clearness; brightness; splendor. [L. claritas, fr. clarus clear: cf. F. clarté.]
- wend n.
- A large extent of ground; a perambulation; a circuit.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
September is in the public domain. This text is taken from Lyrics of Earth, Project Gutenberg ebook #12664; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Archibald Lampman, September, in Lyrics of Earth (1895), text of Project Gutenberg ebook #12664, Laurel, https://laurelpoetry.com/poem/lampman-lyrics/september.html, id L11106.
Form and metre
September is 72 lines in 9 stanzas of 8 lines each. The rhyme scheme is ABABCDDC, complete in 7 of its 9 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 5 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDDC closeA · soulB · reposeA · goalB · feetC · goneD · onD · sweetC
- 2 ABABCDDC fledA · gloomB · saidA · tombB · graceC · moreD · floorD · interlaceC
- 3 ABABCDDC wildernessA · dinsB · pressA · beginsB · linesC · lakeD · awakeD · pinesC
- 4 -A-ABCCB free · liesA · granary · riseA · slackB · millC · willC · stackB
- 5 ABABCDDC passA · greetB · grassA · seatB · lightC · betweenD · greenD · heightC
- 6 ABABCDDC awayA · sodB · grayA · goldenrodB · strewnC · weedD · seedD · noonC
- 7 ABABCDDC dryA · concealedB · lieA · fieldB · groundC · companiesD · treesD · soundC
- 8 ABAB-CC- streamA · earthB · dreamA · girthB · transparency · fillsC · hillsC · clarity
- 9 ABABCDDC byA · wendB · sighA · endB · eavesC · surpriseD · riseD · leavesC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now hath the summer reached her golden close, | 10 | ···/˘··/˘· |
| And, lost amid her corn-fields, bright of soul, | 10 | ··˘/······ |
| Scarcely perceives from her divine repose | 10 | /˘˘/··˘/˘/ |
| How near, how swift, the inevitable goal: | 9 | ·····˘/˘· |
| Still, still, she smiles, though from her careless feet | 10 | ·······/˘· |
| The bounty and the fruitful strength are gone, | 10 | ·/˘··/˘··· |
| And through the soft long wondering days goes on | 10 | ·····/˘··· |
| The silent sere decadence sad and sweet. | 9 | ·/˘·/˘··· |
| The kingbird and the pensive thrush are fled, | 10 | ·/···/˘··· |
| Children of light, too fearful of the gloom; | 10 | /˘···/˘··· |
| The sun falls low, the secret word is said, | 10 | ·····/˘··· |
| The mouldering woods grow silent as the tomb; | 10 | ·/˘··/˘··· |
| Even the fields have lost their sovereign grace, | 9 | /·····/˘· |
| The cone-flower and the marguerite; and no more, | 11 | ··/···˘/··· |
| Across the river's shadow-haunted floor, | 10 | ˘/·/˘/·/˘· |
| The paths of skimming swallows interlace. | 10 | ···/˘/˘·˘/ |
| Already in the outland wilderness | 9 | ˘/˘··/·/˘ |
| The forests echo with unwonted dins; | 10 | ·/˘/˘·˘/˘· |
| In clamorous gangs the gathering woodmen press | 11 | ·/˘˘··/˘··· |
| Northward, and the stern winter's toil begins. | 10 | /˘···/˘·˘/ |
| Around the long low shanties, whose rough lines | 10 | ·····/˘··· |
| Break the sealed dreams of many an unnamed lake, | 10 | ·····/·˘/· |
| Already in the frost-clear morns awake | 10 | ˘/˘·····˘/ |
| The crash and thunder of the falling pines. | 10 | ···/˘··/˘· |
| Where the tilled earth, with all its fields set free, | 10 | ·········· |
| Naked and yellow from the harvest lies, | 10 | /˘·/˘··/˘· |
| By many a loft and busy granary, | 10 | ·/···/˘/˘˘ |
| The hum and tumult of the thrashers rise; | 10 | ···/˘··/˘· |
| There the tanned farmers labor without slack, | 10 | ···/˘/˘··· |
| Till twilight deepens round the spouting mill, | 10 | ·/·/˘··/˘· |
| Feeding the loosened sheaves, or with fierce will, | 10 | /˘·/˘····· |
| Pitching waist-deep upon the dusty stack. | 10 | /˘·····/˘· |
| Still a brief while, ere the old year quite pass, | 10 | ·········· |
| Our wandering steps and wistful eyes shall greet | 10 | //˘··/˘··· |
| The leaf, the water, the beloved grass; | 9 | ···/˘·˘/· |
| Still from these haunts and this accustomed seat | 10 | ······˘/˘· |
| I see the wood-wrapt city, swept with light, | 10 | ·····/˘··· |
| The blue long-shadowed distance, and, between, | 10 | ···/˘/˘··· |
| The dotted farm-lands with their parcelled green, | 10 | ·/˘····˘/· |
| The dark pine forest and the watchful height. | 10 | ···/˘··/˘· |
| I see the broad rough meadow stretched away | 10 | ·····/··˘/ |
| Into the crystal sunshine, wastes of sod, | 10 | ···/˘/···· |
| Acres of withered vervain, purple-gray, | 10 | /˘·/˘/˘/˘· |
| Branches of aster, groves of goldenrod; | 10 | /˘·/˘··/˘· |
| And yonder, toward the sunlit summit, strewn | 11 | ·/˘···/·/˘· |
| With shadowy boulders, crowned and swathed with weed, | 10 | ·/˘/˘····· |
| Stand ranks of silken thistles, blown to seed, | 10 | ···/˘/˘··· |
| Long silver fleeces shining like the noon. | 10 | ·/˘/˘/˘··· |
| In far-off russet corn-fields, where the dry | 10 | ···/˘····· |
| Gray shocks stand peaked and withering, half concealed | 10 | ·····/˘·˘/ |
| In the rough earth, the orange pumpkins lie, | 10 | ·····/˘/˘· |
| Full-ribbed; and in the windless pasture-field | 10 | ·····/˘/˘· |
| The sleek red horses o'er the sun-warmed ground | 10 | ···/˘····· |
| Stand pensively about in companies, | 9 | ·/˘˘···/˘ |
| While all around them from the motionless trees | 10 | ·······/˘· |
| The long clean shadows sleep without a sound. | 10 | ···/······ |
| Under cool elm-trees floats the distant stream, | 10 | ·······/˘· |
| Moveless as air; and o'er the vast warm earth | 11 | ··········· |
| The fathomless daylight seems to stand and dream, | 11 | ·/˘˘/······ |
| A liquid cool elixir--all its girth | 10 | ·/˘·˘/˘··· |
| Bound with faint haze, a frail transparency, | 9 | ······˘/˘ |
| Whose lucid purple barely veils and fills | 10 | ·/˘/˘/˘··· |
| The utmost valleys and the thin last hills, | 10 | ·/·/˘····· |
| Nor mars one whit their perfect clarity. | 9 | ·····/·/˘ |
| Thus without grief the golden days go by, | 10 | ·····/˘··· |
| So soft we scarcely notice how they wend, | 10 | ···/˘/˘··· |
| And like a smile half happy, or a sigh, | 10 | ·····/˘··· |
| The summer passes to her quiet end; | 9 | ·/˘/˘··/· |
| And soon, too soon, around the cumbered eaves | 10 | ·······/˘· |
| Sly frosts shall take the creepers by surprise, | 10 | ········˘/ |
| And through the wind-touched reddening woods shall rise | 10 | ·····/˘··· |
| October with the rain of ruined leaves. | 10 | ˘/˘····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.