Occasioned by a Situation in a Romance
Mary, the moon is sleeping on thy grave,And on the turf thy lover sad is kneeling,The big tear in his eye.--Mary, awake,From thy dark house arise, and bless his sightOn the pale moonbeam gliding. Soft, and low.Pour on the silver ear of night thy tale,Thy whisper'd tale of comfort and of love,To soothe thy Edward's lorn, distracted soul,And cheer his breaking heart.--Come, as thou didst,When o'er the barren moors the night wind howl'd,And the deep thunders shook the ebon throneOf the startled night!--O! then, as lone reclining,I listen'd sadly to the dismal storm,Thou on the lambent lightnings wild careeringDidst strike my moody eye;--dead pale thou wert,Yet passing lovely.--Thou didst smile upon me,And oh! thy voice it rose so musical,Betwixt the hollow pauses of the storm,That at the sound the winds forgot to rave,And the stern demon of the tempest, charm'd,Sunk on his rocking throne to still repose,Lock'd in the arms of silence.
Spirit of her!My only love! O! now again arise,And let once more thine aëry accents fallSoft on my listening ear. The night is calm,The gloomy willows wave in sinking cadenceWith the stream that sweeps below. Divinely swellingOn the still air, the distant waterfallMingles its melody;--and, high above,The pensive empress of the solemn night,Fitful, emerging from the rapid clouds,Shows her chaste face in the meridian sky.No wicked elves upon the Warlock-knollDare now assemble at their mystic revels.It is a night when, from their primrose beds,The gentle ghosts of injured innocentsAre known to rise and wander on the breeze,Or take their stand by the oppressor's couch,And strike grim terror to his guilty soul.The spirit of my love might now awake,And hold its custom'd converse.
Mary, lo!Thy Edward kneels upon thy verdant grave,And calls upon thy name. The breeze that blowsOn his wan cheek will soon sweep over himIn solemn music a funereal dirge,Wild and most sorrowful. His cheek is pale,The worm that prey'd upon thy youthful bloomIt canker'd green on his. Now lost he stands,The ghost of what he was, and the cold dew,Which bathes his aching temples, gives sure omenOf speedy dissolution. Mary, soonThy love will lay his pallid cheek to thine,And sweetly will he sleep with thee in death.
Words in this poem 15
- moonbeam n.
- A ray of light from the moon.
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- lorn a.
- Lost; undone; ruined. [Strong p. p. of Lose. See Lose, Forlorn.]
- didst
- , the 2d pers. sing. imp. of Do.
- shook v. t.
- To pack, as staves, in a shook.
- ebon a.
- Consisting of ebony.
- lone n.
- A lane. See Loanin.
- sadly adv.
- Wearily; heavily; firmly.
- dismal a.
- Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
- lambent a.
- Playing on the surface; touching lightly; gliding over. [L. lambens, -enlis, p. pr. of lambere to lick; akin to lap. See Lap to drink by licking.]
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- dirge n.
- A piece of music of a mournful character, to accompany funeral rites; a funeral hymn. [Contraction of Lat. dirige, direct thou (imperative of dirigere), the first word of a funeral hymn (Lat. transl. of Psalm v. 8) beginning, "Dirige, Domine, in c]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- aching a.
- That aches; continuously painful. See Ache.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Occasioned by a Situation in a Romance is in the public domain. This text is taken from The Poetical Works of Henry Kirk White : With a Memoir by Sir Harris Nicolas, Project Gutenberg ebook #7149; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Kirke White, Occasioned by a Situation in a Romance, in The Poetical Works of Henry Kirke White (1803–1806), text of Project Gutenberg ebook #7149, Laurel, https://laurelpoetry.com/poem/kirke-white-poems/occasioned-by-a-situation-in-a-romance.html, id L10057.
Form and metre
Occasioned by a Situation in a Romance is 55 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 11 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-----------B----BA--- graveA · kneeling · awake · sight · low · tale · love · soul · didst · howl'd · throne · reclining · stormB · careering · wert · me · musical · stormB · raveA · charm'd · repose · silence
- 2 --A---A----B-----B-- her · arise · fallA · calm · cadence · swelling · waterfallA · above · night · clouds · sky · knollB · revels · beds · innocents · breeze · couch · soulB · awake · converse
- 3 ---------AAA- lo · grave · blows · him · dirge · pale · bloom · stands · dew · omenA · soonA · thineA · death
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Mary, the moon is sleeping on thy grave, | 10 | /˘···/˘··· |
| And on the turf thy lover sad is kneeling, | 11 | ·····/˘··/˘ |
| The big tear in his eye.--Mary, awake, | 10 | ······/˘˘/ |
| From thy dark house arise, and bless his sight | 10 | ····˘/···· |
| On the pale moonbeam gliding. Soft, and low. | 10 | ···/·/˘··· |
| Pour on the silver ear of night thy tale, | 10 | ···/˘····· |
| Thy whisper'd tale of comfort and of love, | 10 | ·/˘··/˘··· |
| To soothe thy Edward's lorn, distracted soul, | 10 | ···/˘·˘/˘· |
| And cheer his breaking heart.--Come, as thou didst, | 10 | ···/˘····· |
| When o'er the barren moors the night wind howl'd, | 10 | ···/˘····· |
| And the deep thunders shook the ebon throne | 10 | ···/˘··/˘· |
| Of the startled night!--O! then, as lone reclining, | 12 | ··/˘·····˘/˘ |
| I listen'd sadly to the dismal storm, | 10 | ·/˘/˘··/˘· |
| Thou on the lambent lightnings wild careering | 11 | ···/˘/˘·˘/˘ |
| Didst strike my moody eye;--dead pale thou wert, | 10 | ···/˘····· |
| Yet passing lovely.--Thou didst smile upon me, | 11 | ·/˘/˘······ |
| And oh! thy voice it rose so musical, | 10 | ·······/˘˘ |
| Betwixt the hollow pauses of the storm, | 10 | ˘/·/˘/˘··· |
| That at the sound the winds forgot to rave, | 10 | ······˘/·· |
| And the stern demon of the tempest, charm'd, | 10 | ···/˘··/˘· |
| Sunk on his rocking throne to still repose, | 10 | ···/˘···˘/ |
| Lock'd in the arms of silence. | 7 | ·····/˘ |
| Spirit of her! | 4 | /˘·· |
| My only love! O! now again arise, | 10 | ·/˘···˘/˘/ |
| And let once more thine aëry accents fall | 10 | ·····/˘/˘· |
| Soft on my listening ear. The night is calm, | 10 | ···/˘····· |
| The gloomy willows wave in sinking cadence | 11 | ·/˘/···/˘/˘ |
| With the stream that sweeps below. Divinely swelling | 12 | ·······˘/˘/˘ |
| On the still air, the distant waterfall | 10 | ·····/˘/˘· |
| Mingles its melody;--and, high above, | 10 | /˘·/˘˘···· |
| The pensive empress of the solemn night, | 10 | ·/˘/˘··/˘· |
| Fitful, emerging from the rapid clouds, | 10 | /˘˘/˘··/˘· |
| Shows her chaste face in the meridian sky. | 10 | ······˘/˘· |
| No wicked elves upon the Warlock-knoll | 10 | ·/˘····/˘· |
| Dare now assemble at their mystic revels. | 11 | ··˘/˘··/˘/˘ |
| It is a night when, from their primrose beds, | 10 | ·······/·· |
| The gentle ghosts of injured innocents | 10 | ·/˘··/˘/˘˘ |
| Are known to rise and wander on the breeze, | 10 | ·····/˘··· |
| Or take their stand by the oppressor's couch, | 10 | ······˘/˘· |
| And strike grim terror to his guilty soul. | 10 | ···/˘··/˘· |
| The spirit of my love might now awake, | 10 | ·/˘·····˘/ |
| And hold its custom'd converse. | 7 | ·····/˘ |
| Mary, lo! | 3 | /˘· |
| Thy Edward kneels upon thy verdant grave, | 10 | ·/˘····/˘· |
| And calls upon thy name. The breeze that blows | 10 | ·········· |
| On his wan cheek will soon sweep over him | 10 | ·········· |
| In solemn music a funereal dirge, | 11 | ·/˘/˘·˘/˘˘· |
| Wild and most sorrowful. His cheek is pale, | 10 | ···/˘˘···· |
| The worm that prey'd upon thy youthful bloom | 10 | ·······/˘· |
| It canker'd green on his. Now lost he stands, | 10 | ·········· |
| The ghost of what he was, and the cold dew, | 10 | ·········· |
| Which bathes his aching temples, gives sure omen | 11 | ···/˘/˘··/˘ |
| Of speedy dissolution. Mary, soon | 10 | ·/˘·˘/˘/˘· |
| Thy love will lay his pallid cheek to thine, | 10 | ·····/˘··· |
| And sweetly will he sleep with thee in death. | 10 | ·/˘······· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.