Lines

Henry Kirke White (1785–1806) · 1803–1806

iambic pentameter · unrhymed · 63 lines · from The Poetical Works of Henry Kirke White

Yes, my stray steps have wander'd, wander'd farFrom thee, and long, heart-soothing Poesy!And many a flower, which in the passing timeMy heart hath register'd, nipp'd by the chillOf undeserved neglect, hath shrunk and died.Heart-soothing Poesy! Though thou hast ceasedTo hover o'er the many-voiced stringsOf my long silent lyre, yet thou canst stillCall the warm tear from its thrice hallow'd cell,And with recalled images of blissWarm my reluctant heart. Yes, I would throw,Once more would throw a quick and hurried handO'er the responding chords. It hath not ceased--It cannot, will not cease; the heavenly warmthPlays round my heart, and mantles o'er my cheek;Still, though unbidden, plays. Fair Poesy!The summer and the spring, the wind and rain,Sunshine and storm, with various interchange,Have mark'd full many a day, and week, and month.Since by dark wood, or hamlet far retired,Spell-struck, with thee I loiter'd. Sorceress!I cannot burst thy bonds. It is but liftThy blue eyes to that deep-bespangled vault,Wreathe thy enchanted tresses round thine arm,And mutter some obscure and charmed rhyme,And I could follow thee, on thy night's work,Up to the regions of thrice chasten'd fire,Or, in the caverns of the ocean flood,Thrid the light mazes of thy volant foot.Yet other duties call me, and mine earMust turn away from the high minstrelsyOf thy soul-trancing harp, unwillinglyMust turn away; there are severer strains(And surely they are sweet as ever smoteThe ear of spirit, from this mortal coilReleased and disembodied), there are strainsForbid to all, save those whom solemn thought,Through the probation of revolving years,And mighty converse with the spirit of truth,Have purged and purified. To these my soulAspireth; and to this sublimer endI gird myself, and climb the toilsome steepWith patient expectation. Yea, sometimesForetaste of bliss rewards me; and sometimesSpirits unseen upon my footsteps wait,And minister strange music, which doth seemNow near, now distant, now on high, now low,Then swelling from all sides, with bliss complete,And full fruition filling all the soul.Surely such ministry, though rare, may sootheThe steep ascent, and cheat the lassitudeOf toil; and but that my fond heartReverts to day-dreams of the summer gone,When by clear fountain, or embower'd brake,I lay a listless muser, prizing, farAbove all other lore, the poet's theme;But for such recollections I could braceMy stubborn spirit for the arduous pathOf science unregretting; eye afarPhilosophy upon her steepest height,And with bold step and resolute attemptPursue her to the innermost recess,Where throned in light she sits, the Queen of Truth.

Words in this poem 20
poesy n.
The art of composing poems; poetical skill or faculty; as, the heavenly gift of poesy. [F. poésie (cf. It. poesia), L. poesis, from Gr. Posy.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
voiced a.
Furnished with a voice; expressed by the voice.
unbidden a.
Not bidden; not commanded.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
thrid n.
Thread; continuous line.
volant a.
Passing through the air upon wings, or as if upon wings; flying; hence, passing from place to place; current. [L. volans, -antis, p. pr. of volare to fly: cf. F. volant.]
minstrelsy n.
The arts and occupation of minstrels; the singing and playing of a minstrel.
probation n.
The act of proving; also, that which proves anything; proof. [L. probatio, fr. probare to try, examine, prove: cf. F. probation. See Prove.]
foretaste n.
A taste beforehand; enjoyment in advance; anticipation.
unseen a.
Not seen or discovered.
fruition n.
Use or possession of anything, especially such as is accompanied with pleasure or satisfaction; pleasure derived from possession or use. [OF. fruition, L. fruitio, enjoyment, fr. L. frui, p. p. fruitus, to use or enjoy. See Fruit, n.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
lassitude n.
A condition of the body, or mind, when its voluntary functions are performed with difficulty, and only by a strong exertion of the will; languor; debility; weariness. [L. lassitudo, fr. lassus faint, weary; akin to E. late: cf. F. lassitude. See Late.]
listless a.
Having no desire or inclination; indifferent; heedless; spiritless. [OE. listles, lustles. See Lust.]
prizing n.
The application of a lever to move any weighty body, as a cask, anchor, cannon, car, etc. See Prize, n., 5. [See 2d Prize.]
arduous a.
Steep and lofty, in a literal sense; hard to climb. [L. arduus steep, high; akin to Ir. ard high, height.]
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Lines is in the public domain. This text is taken from The Poetical Works of Henry Kirk White : With a Memoir by Sir Harris Nicolas, Project Gutenberg ebook #7149; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Kirke White, Lines, in The Poetical Works of Henry Kirke White (1803–1806), text of Project Gutenberg ebook #7149, Laurel, https://laurelpoetry.com/poem/kirke-white-poems/lines.html, id L10085.

Form and metre

Lines is 63 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 7 lines end on an unstressed syllable, a feminine ending. 49% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ---A---A----------------------------------------------B---B---- far · poesy · time · chillA · died · ceased · strings · stillA · cell · bliss · throw · hand · ceased · warmth · cheek · poesy · rain · interchange · month · retired · sorceress · lift · vault · arm · rhyme · work · fire · flood · foot · ear · minstrelsy · unwillingly · strains · smote · coil · strains · thought · years · truth · soul · end · steep · sometimes · sometimes · wait · seem · low · complete · soul · soothe · lassitude · heart · gone · brake · farB · theme · brace · path · afarB · height · attempt · recess · truth
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Yes, my stray steps have wander'd, wander'd far10·····/˘/˘·
From thee, and long, heart-soothing Poesy!10·····/˘/˘˘
And many a flower, which in the passing time10·/·/···/˘·
My heart hath register'd, nipp'd by the chill10···/˘˘····
Of undeserved neglect, hath shrunk and died.10··˘/˘/····
Heart-soothing Poesy! Though thou hast ceased10·/˘/˘˘····
To hover o'er the many-voiced strings10·/˘··/˘·˘·
Of my long silent lyre, yet thou canst still10···/˘·····
Call the warm tear from its thrice hallow'd cell,10·······/˘·
And with recalled images of bliss10··˘/˘/˘˘··
Warm my reluctant heart. Yes, I would throw,10··˘/˘·····
Once more would throw a quick and hurried hand10·······/˘·
O'er the responding chords. It hath not ceased--10··˘/˘·····
It cannot, will not cease; the heavenly warmth10·/˘····/˘·
Plays round my heart, and mantles o'er my cheek;10·····/˘···
Still, though unbidden, plays. Fair Poesy!10·······/˘˘
The summer and the spring, the wind and rain,10·/˘·······
Sunshine and storm, with various interchange,10/····/˘·˘/
Have mark'd full many a day, and week, and month.10···/······
Since by dark wood, or hamlet far retired,10·····/˘·˘/
Spell-struck, with thee I loiter'd. Sorceress!10·······/˘˘
I cannot burst thy bonds. It is but lift10·/˘·······
Thy blue eyes to that deep-bespangled vault,10········˘·
Wreathe thy enchanted tresses round thine arm,10··˘/˘/˘···
And mutter some obscure and charmed rhyme,10·/˘·˘/··˘·
And I could follow thee, on thy night's work,10···/˘·····
Up to the regions of thrice chasten'd fire,11···/˘··/˘/˘
Or, in the caverns of the ocean flood,10···/˘··/˘·
Thrid the light mazes of thy volant foot.10···/˘··/˘·
Yet other duties call me, and mine ear10·/˘/˘·····
Must turn away from the high minstrelsy10··˘/···/˘˘
Of thy soul-trancing harp, unwillingly10···/˘·˘/˘˘
Must turn away; there are severer strains10··˘/······
(And surely they are sweet as ever smote10·/˘····/˘·
The ear of spirit, from this mortal coil10···/˘··/˘·
Released and disembodied), there are strains10˘/·˘˘/˘···
Forbid to all, save those whom solemn thought,10˘/·····/˘·
Through the probation of revolving years,10··˘/˘·˘/˘·
And mighty converse with the spirit of truth,10·/˘/˘··/··
Have purged and purified. To these my soul10···/˘·····
Aspireth; and to this sublimer end10˘/˘·······
I gird myself, and climb the toilsome steep10···/···/˘·
With patient expectation. Yea, sometimes10·/˘·˘/˘·˘/
Foretaste of bliss rewards me; and sometimes10˘/··˘/··˘/
Spirits unseen upon my footsteps wait,10/˘˘/···/··
And minister strange music, which doth seem10·/˘˘·/˘···
Now near, now distant, now on high, now low,10···/˘·····
Then swelling from all sides, with bliss complete,10·/˘·····˘/
And full fruition filling all the soul.10··˘/˘/˘···
Surely such ministry, though rare, may soothe10/˘·/˘˘····
The steep ascent, and cheat the lassitude10··˘/···/˘˘
Of toil; and but that my fond heart8········
Reverts to day-dreams of the summer gone,10˘/·····/˘·
When by clear fountain, or embower'd brake,10···/˘·····
I lay a listless muser, prizing, far10···/˘/˘/˘·
Above all other lore, the poet's theme;10···/˘··/˘·
But for such recollections I could brace10····˘/˘···
My stubborn spirit for the arduous path10·/˘/··/˘˘·
Of science unregretting; eye afar10·/˘·····˘/
Philosophy upon her steepest height,10˘/˘˘···/˘·
And with bold step and resolute attempt10·····/˘·˘/
Pursue her to the innermost recess,10˘/···/˘·˘/
Where throned in light she sits, the Queen of Truth.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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