The Song of the Banjo

Rudyard Kipling (1865–1936) · 1889–1896

iambic hexameter · 90 lines · from Verses 1889–1896

You couldn't pack a Broadwood half a mile --You mustn't leave a fiddle in the damp --You couldn't raft an organ up the Nile,And play it in an Equatorial swamp.I travel with the cooking-pots and pails --I'm sandwiched 'tween the coffee and the pork --And when the dusty column checks and tails,You should hear me spur the rear-guard to a walk!With my “Pilly-willy-winky-winky popp!”So I keep 'em moving forward till they drop;So I play 'em up to water and to bed.

In the silence of the camp before the fight,When it's good to make your will and say your prayer,You can hear my strumpty-tumpty overnightExplaining ten to one was always fair.I'm the Prophet of the Utterly Absurd,Of the Patently Impossible and Vain --And when the Thing that Couldn't has occurred,Give me time to change my leg and go again.With my “Tumpa-tumpa-tumpa-tum-pa tump!”In the desert where the dung-fed camp-smoke curledThere was never voice before us till I led our lonely chorus,I -- the war-drum of the White Man round the world!

By the bitter road the Younger Son must tread,Ere he win to hearth and saddle of his own, --'Mid the riot of the shearers at the shed,In the silence of the herder's hut alone --In the twilight, on a bucket upside down,Hear me babble what the weakest won't confess --I am Memory and Torment -- I am Town!I am all that ever went with evening dress!With my “Tunk-a tunka-tunka-tunka-tunk!”So I rowel 'em afresh towards the Devil and the Flesh,Till I bring my broken rankers home again.

In desire of many marvels over sea,Where the new-raised tropic city sweats and roars,I have sailed with Young Ulysses from the quayTill the anchor rumbled down on stranger shores.He is blooded to the open and the sky,He is taken in a snare that shall not fail,He shall hear me singing strongly, till he die,Like the shouting of a backstay in a gale.With my “Hya! Heeya! Heeya! Hullah! Haul!”Are you sick o' towns and men? You must sign and sail again,For it's “Johnny Bowlegs, pack your kit and trek!”

Through the gorge that gives the stars at noon-day clear --Up the pass that packs the scud beneath our wheel --Round the bluff that sinks her thousand fathom sheer --Down the valley with our guttering brakes asqueal:Where the trestle groans and quivers in the snow,Where the many-shedded levels loop and twine,So I lead my reckless children from belowTill we sing the Song of Roland to the pine.With my “Tinka-tinka-tinka-tinka-tink!”So we ride the iron stallions down to drink,Through the canyons to the waters of the West!

And the tunes that mean so much to you alone --Common tunes that make you choke and blow your nose,Vulgar tunes that bring the laugh that brings the groan --I can rip your very heartstrings out with those;With the feasting, and the folly, and the fun --And the lying, and the lusting, and the drink,And the merry play that drops you, when you're done,To the thoughts that burn like irons if you think.With my “Plunka-lunka-lunka-lunka-lunk!”Here's a trifle on account of pleasure past,Ere the wit that made you win gives you eyes to see your sinAnd the heavier repentance at the last!

Let the organ moan her sorrow to the roof --I have told the naked stars the Grief of Man!Let the trumpets snare the foeman to the proof --I have known Defeat, and mocked it as we ran!My bray ye may not alter nor mistakeWhen I stand to jeer the fatted Soul of Things,But the Song of Lost Endeavour that I make,Is it hidden in the twanging of the strings?With my “Ta-ra-rara-rara-ra-ra-rrrp!”But the word -- the word is mine, when the order moves the lineAnd the lean, locked ranks go roaring down to die.

Of the driven dust of speech I make a flameAnd a scourge of broken withes that men let fall:For the words that had no honour till I came --Lo! I raise them into honour over all!By the wisdom of the centuries I speak --To the tune of yestermorn I set the truth --I, the joy of life unquestioned -- I, the Greek --I, the everlasting Wonder Song of Youth!With my “Tinka-tinka-tinka-tinka-tink!”So I draw the world together link by link:Yea, from Delos up to Limerick and back!

Words in this poem 25
equatorial a.
Of or pertaining to the equator; as, equatorial climates; also, pertaining to an equatorial instrument. [Cf. F. équatorial.]
popp n.
A small, sharp, quick explosive sound or report; as, to go off with a pop. [Of imitative origin. Cf. Poop.]
overnight n.
The fore part of the night last past; the previous evening.
patently a.
Openly; evidently.
tump n.
A little hillock; a knoll. Ainsworth. [W. twmp, twm, a round mass or heap, a hillock.]
went n.
Course; way; path; journey; direction.
rowel n.
The little wheel of a spur, with sharp points. [OF. roele, rouele, properly, a little wheel, F. rouelle collop, slice, LL. rotella a little wheel, dim. of L. rota a wheel. See Roll, and cf. Rota.]
afresh adv.
Anew; again; once more; newly. [Pref. a- + fresh.]
quay n.
A mole, bank, or wharf, formed toward the sea, or at the side of a harbor, river, or other navigable water, for convenience in loading and unloading vessels. [F. quai. See Key quay.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
backstay n.
A rope or stay extending from the masthead to the side of a ship, slanting a little aft, to assist the shrouds in supporting the mast. [ Often used in the plural.] [Back, a. orn.+ stay.]
johnny n.
A familiar diminutive of John.
trek v. i.
To draw or haul a load, as oxen.
scud v. i.
To move swiftly; especially, to move as if driven forward by something. [Dan. skyde to shoot, shove, push, akin to skud shot, gunshot, a shoot, young bough, and to E. shoot. sq. root159. See Shoot.]
bluff a.
Having a broad, flattened front; as, the bluff bows of a ship. [Cf. OD. blaf flat, broad, blaffaert one with a broad face, also, a boaster; or G. verblüffen to confuse, LG. bluffen to frighten; to unknown origin.]
trumpets n.
A plant (Sarracenia flava) with long, hollow leaves.
foeman n.
An enemy in war. [AS. fhman.]
defeat v. t.
To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
bray v. t.
To pound, beat, rub, or grind small or fine. [OE. brayen, OF. breier, F. broyer to pound, grind, fr. OHG. brehhan to break. See Break.]
endeavour v. t.
To exert physical or intellectual strength for the attainment of; to use efforts to effect; to strive to achieve or reach; to try; to attempt. [OE. endevor; pref. en- + dever, devoir, duty, F. devoir: cf. F. se mettre en devoir de faire quelque chose to try to do a thing, to go about it. See Devoir, Deb]
scourge n.
A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
yestermorn n.
The morning of yesterday. Coleridge.
unquestioned a.
Not called in question; not doubted.
limerick n.
A nonsense poem of five anapestic lines, of which lines 1, 2, and 5 are of there feet, and rime, and lines 3 and 4 are of two feet, and rime; as --

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Song of the Banjo is in the public domain. This text is taken from Verses 1889-1896, Project Gutenberg ebook #323; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rudyard Kipling, The Song of the Banjo, in Verses 1889–1896 (1889–1896), text of Project Gutenberg ebook #323, Laurel, https://laurelpoetry.com/poem/kipling-verses/the-song-of-the-banjo.html, id L16818.

Form and metre

The Song of the Banjo is 90 lines in 8 stanzas. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.8 syllables. 1 line ends on an unstressed syllable, a feminine ending. 9% of the lines run on without a stop at the line end.

See other poems in iambic hexameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A-B-B-CC- mileA · damp · nileA · swamp · pailsB · pork · tailsB · walk · poppC · dropC · bed
  2. 2 ABABCDCD-E-E fightA · prayerB · overnightA · fairB · absurdC · vainD · occurredC · againD · tump · curledE · chorus · worldE
  3. 3 ABABCDCD--- treadA · ownB · shedA · aloneB · downC · confessD · townC · dressD · tunk · flesh · again
  4. 4 ABABCDCD--- seaA · roarsB · quayA · shoresB · skyC · failD · dieC · galeD · haul · again · trek
  5. 5 ABABCDCDEE- clearA · wheelB · sheerA · asquealB · snowC · twineD · belowC · pineD · tinkE · drinkE · west
  6. 6 ABABCDCD-E-E aloneA · noseB · groanA · thoseB · funC · drinkD · doneC · thinkD · lunk · pastE · sin · lastE
  7. 7 ABABCDCD--- roofA · manB · proofA · ranB · mistakeC · thingsD · makeC · stringsD · — · line · die
  8. 8 ABABCDCDEE- flameA · fallB · cameA · allB · speakC · truthD · greekC · youthD · tinkE · linkE · back
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.

LineSyl.Stress
You couldn't pack a Broadwood half a mile --10·/˘·······
You mustn't leave a fiddle in the damp --10·/˘··/˘···
You couldn't raft an organ up the Nile,10·/˘··/˘···
And play it in an Equatorial swamp.10······˘/˘·
I travel with the cooking-pots and pails --10·/˘··/˘···
I'm sandwiched 'tween the coffee and the pork --10·/···/˘···
And when the dusty column checks and tails,10···/˘/˘···
You should hear me spur the rear-guard to a walk!11···········
With my “Pilly-willy-winky-winky popp!”11····/˘·····
So I keep 'em moving forward till they drop;11····/˘/˘···
So I play 'em up to water and to bed.11······/˘···
In the silence of the camp before the fight,11··/˘·······
When it's good to make your will and say your prayer,11···········
You can hear my strumpty-tumpty overnight11········/˘/
Explaining ten to one was always fair.10˘/˘····/··
I'm the Prophet of the Utterly Absurd,10··/˘··/˘˘/
Of the Patently Impossible and Vain --9··/˘˘/˘··
And when the Thing that Couldn't has occurred,10·····/˘·˘/
Give me time to change my leg and go again.11·········˘/
With my “Tumpa-tumpa-tumpa-tum-pa tump!”11···········
In the desert where the dung-fed camp-smoke curled11··/˘·······
There was never voice before us till I led our lonely chorus,15··/·······//˘/˘
I -- the war-drum of the White Man round the world!11···········
By the bitter road the Younger Son must tread,11··/˘··/˘···
Ere he win to hearth and saddle of his own, --11······/˘···
'Mid the riot of the shearers at the shed,10··/··/˘···
In the silence of the herder's hut alone --11··/˘··/˘·˘/
In the twilight, on a bucket upside down,11··/···/˘//·
Hear me babble what the weakest won't confess --11··/˘··/˘·˘/
I am Memory and Torment -- I am Town!10··/˘·˘/···
I am all that ever went with evening dress!10····/··/˘·
With my “Tunk-a tunka-tunka-tunka-tunk!”11···········
So I rowel 'em afresh towards the Devil and the Flesh,13··/˘·˘/··/···
Till I bring my broken rankers home again.11····/˘/˘·˘/
In desire of many marvels over sea,9·˘/·//˘··
Where the new-raised tropic city sweats and roars,11····/˘/˘···
I have sailed with Young Ulysses from the quay11·····˘/˘···
Till the anchor rumbled down on stranger shores.11··/˘/˘··/˘·
He is blooded to the open and the sky,11··/˘··/˘···
He is taken in a snare that shall not fail,11··/˘·······
He shall hear me singing strongly, till he die,11····/˘/˘···
Like the shouting of a backstay in a gale.11··/˘··/˘···
With my “Hya! Heeya! Heeya! Hullah! Haul!”8········
Are you sick o' towns and men? You must sign and sail again,14············˘/
For it's “Johnny Bowlegs, pack your kit and trek!”11··/˘·······
Through the gorge that gives the stars at noon-day clear --11···········
Up the pass that packs the scud beneath our wheel --11·········/·
Round the bluff that sinks her thousand fathom sheer --11······/˘/˘·
Down the valley with our guttering brakes asqueal:11··/˘·//˘···
Where the trestle groans and quivers in the snow,11··/˘··/˘···
Where the many-shedded levels loop and twine,10··//˘/˘···
So I lead my reckless children from below11····/˘/˘···
Till we sing the Song of Roland to the pine.11······/˘···
With my “Tinka-tinka-tinka-tinka-tink!”11···········
So we ride the iron stallions down to drink,10····//˘···
Through the canyons to the waters of the West!11··/˘··/˘···
And the tunes that mean so much to you alone --11·········˘/
Common tunes that make you choke and blow your nose,11/˘·········
Vulgar tunes that bring the laugh that brings the groan --11/˘·········
I can rip your very heartstrings out with those;11····/˘·····
With the feasting, and the folly, and the fun --11··/˘··/˘···
And the lying, and the lusting, and the drink,11··/˘··/˘···
And the merry play that drops you, when you're done,11··/˘·······
To the thoughts that burn like irons if you think.10······/···
With my “Plunka-lunka-lunka-lunka-lunk!”11···········
Here's a trifle on account of pleasure past,11··/˘·˘/·/˘·
Ere the wit that made you win gives you eyes to see your sin14··············
And the heavier repentance at the last!10··/˘˘/˘···
Let the organ moan her sorrow to the roof --11··/˘··/˘···
I have told the naked stars the Grief of Man!11····/˘·····
Let the trumpets snare the foeman to the proof --11··/˘··/˘···
I have known Defeat, and mocked it as we ran!11···˘/······
My bray ye may not alter nor mistake10·····/˘·˘/
When I stand to jeer the fatted Soul of Things,11······/˘···
But the Song of Lost Endeavour that I make,11·····˘/˘···
Is it hidden in the twanging of the strings?11··/˘··/˘···
With my “Ta-ra-rara-rara-ra-ra-rrrp!”11····/˘/˘···
But the word -- the word is mine, when the order moves the line14·········/˘···
And the lean, locked ranks go roaring down to die.11······/˘···
Of the driven dust of speech I make a flame10··/·······
And a scourge of broken withes that men let fall:11····/˘·····
For the words that had no honour till I came --11······/˘···
Lo! I raise them into honour over all!10······/˘··
By the wisdom of the centuries I speak --10··/˘··/˘··
To the tune of yestermorn I set the truth --11···········
I, the joy of life unquestioned -- I, the Greek --11·····˘/˘···
I, the everlasting Wonder Song of Youth!11···˘/˘/˘···
With my “Tinka-tinka-tinka-tinka-tink!”11···········
So I draw the world together link by link:11·····˘/˘···
Yea, from Delos up to Limerick and back!10··/˘··/˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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