Route Marchin'

Rudyard Kipling (1865–1936) · 1889–1896

iambic heptameter · rhyming couplets · 45 lines · from Verses 1889–1896

We're marchin' on relief over Injia's sunny plains,A little front o' Christmas-time an' just be'ind the Rains;Ho! get away you bullock-man, you've 'eard the bugle blowed,There's a regiment a-comin' down the Grand Trunk Road;With its best foot firstAnd the road a-sliding past,An' every bloomin' campin'-ground exactly like the last;While the Big Drum says,With 'is “rowdy-dowdy-dow!” --“Kiko kissywarsti don't you hamsher argy jow?“*

Oh, there's them Injian temples to admire when you see,There's the peacock round the corner an' the monkey up the tree,An' there's that rummy silver grass a-wavin' in the wind,An' the old Grand Trunk a-trailin' like a rifle-sling be'ind.While it's best foot first, . . .

At half-past five's Revelly, an' our tents they down must come,Like a lot of button mushrooms when you pick 'em up at 'ome.But it's over in a minute, an' at six the column starts,While the women and the kiddies sit an' shiver in the carts.An' it's best foot first, . . .

Oh, then it's open order, an' we lights our pipes an' sings,An' we talks about our rations an' a lot of other things,An' we thinks o' friends in England, an' we wonders what they're at,An' 'ow they would admire for to hear us sling the bat.*An' it's best foot first, . . .

It's none so bad o' Sunday, when you're lyin' at your ease,To watch the kites a-wheelin' round them feather-'eaded trees,For although there ain't no women, yet there ain't no barrick-yards,So the orficers goes shootin' an' the men they plays at cards.Till it's best foot first, . . .

So 'ark an' 'eed, you rookies, which is always grumblin' sore,There's worser things than marchin' from Umballa to Cawnpore;An' if your 'eels are blistered an' they feels to 'urt like 'ell,You drop some tallow in your socks an' that will make 'em well.For it's best foot first, . . .

We're marchin' on relief over Injia's coral strand,Eight 'undred fightin' Englishmen, the Colonel, and the Band;Ho! get away you bullock-man, you've 'eard the bugle blowed,There's a regiment a-comin' down the Grand Trunk Road;With its best foot firstAnd the road a-sliding past,An' every bloomin' campin'-ground exactly like the last;While the Big Drum says,With 'is “rowdy-dowdy-dow!” --“Kiko kissywarsti don't you hamsher argy jow?”

Words in this poem

sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
bullock n.
A young bull, or any male of the ox kind. [AS. bulluc a young bull. See Bull.]
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
rummy a.
Of or pertaining to rum; characteristic of rum; as a rummy flavor.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Route Marchin' is in the public domain. This text is taken from Verses 1889-1896, Project Gutenberg ebook #323; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Rudyard Kipling, Route Marchin', in Verses 1889–1896 (1889–1896), text of Project Gutenberg ebook #323, Laurel, https://laurelpoetry.com/poem/kipling-verses/route-marchin.html, id L16758.

Form and metre

Route Marchin' is 45 lines in 7 verse paragraphs. It is in rhyming couplets, 53% of the lines. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 87%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 11.4 syllables. 9% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB-CC--- plainsA · rainsA · blowedB · roadB · first · pastC · lastC · says · dow · jow
  2. 2 AABB- seeA · treeA · windB · be'indB · first
  3. 3 --AA- come · ome · startsA · cartsA · first
  4. 4 AABB- singsA · thingsA · atB · batB · first
  5. 5 AABB- easeA · treesA · yardsB · cardsB · first
  6. 6 --AA- sore · cawnpore · ellA · wellA · first
  7. 7 AABB-CC--- strandA · bandA · blowedB · roadB · first · pastC · lastC · says · dow · jow
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
We're marchin' on relief over Injia's sunny plains,12····˘/···/˘·
A little front o' Christmas-time an' just be'ind the Rains;13·/˘··/˘······
Ho! get away you bullock-man, you've 'eard the bugle blowed,14··˘/·/˘····/˘·
There's a regiment a-comin' down the Grand Trunk Road;12··/˘·/˘·····
With its best foot first5·····
And the road a-sliding past,7····/˘·
An' every bloomin' campin'-ground exactly like the last;14·/˘·····˘/˘···
While the Big Drum says,5·····
With 'is “rowdy-dowdy-dow!” --7··/˘/˘·
“Kiko kissywarsti don't you hamsher argy jow?“*13········/˘···
Oh, there's them Injian temples to admire when you see,13·····/˘·˘/···
There's the peacock round the corner an' the monkey up the tree,15··/···/˘··/˘···
An' there's that rummy silver grass a-wavin' in the wind,14···/˘/˘·······
An' the old Grand Trunk a-trailin' like a rifle-sling be'ind.14··········/˘··
While it's best foot first, . . .5·····
At half-past five's Revelly, an' our tents they down must come,14········/·····
Like a lot of button mushrooms when you pick 'em up at 'ome.15····/˘/˘·······
But it's over in a minute, an' at six the column starts,14·····/˘····/˘·
While the women and the kiddies sit an' shiver in the carts.15··/˘··/˘··/˘···
An' it's best foot first, . . .5·····
Oh, then it's open order, an' we lights our pipes an' sings,14···/˘/˘···/···
An' we talks about our rations an' a lot of other things,15·····//˘····/˘·
An' we thinks o' friends in England, an' we wonders what they're at,15······/˘··/˘···
An' 'ow they would admire for to hear us sling the bat.*13····˘/·······
An' it's best foot first, . . .5·····
It's none so bad o' Sunday, when you're lyin' at your ease,13·····/·······
To watch the kites a-wheelin' round them feather-'eaded trees,14·········/˘/˘·
For although there ain't no women, yet there ain't no barrick-yards,15······/˘····/˘·
So the orficers goes shootin' an' the men they plays at cards.15······/˘·······
Till it's best foot first, . . .5·····
So 'ark an' 'eed, you rookies, which is always grumblin' sore,14·····/˘··/····
There's worser things than marchin' from Umballa to Cawnpore;14·/˘···········
An' if your 'eels are blistered an' they feels to 'urt like 'ell,14·····/˘·······
You drop some tallow in your socks an' that will make 'em well.14···/˘·········
For it's best foot first, . . .5·····
We're marchin' on relief over Injia's coral strand,12····˘/···/˘·
Eight 'undred fightin' Englishmen, the Colonel, and the Band;14·/˘/˘·/˘·/˘···
Ho! get away you bullock-man, you've 'eard the bugle blowed,14··˘/·/˘····/˘·
There's a regiment a-comin' down the Grand Trunk Road;12··/˘·/˘·····
With its best foot first5·····
And the road a-sliding past,7····/˘·
An' every bloomin' campin'-ground exactly like the last;14·/˘·····˘/˘···
While the Big Drum says,5·····
With 'is “rowdy-dowdy-dow!” --7··/˘/˘·
“Kiko kissywarsti don't you hamsher argy jow?”13········/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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