The Married Man (Reservist of the Line)
The bachelor ’e fights for oneAs joyful as can be;But the married man don’t call it fun,Because ’e fights for three--For ’Im an’ ’Er an’ It(An’ Two an’ One makes Three)’E wants to finish ’is little bit,An’ ’e wants to go ’ome to ’is tea!
The bachelor pokes up ’is ’eadTo see if you are gone;But the married man lies down instead,An’ waits till the sights come on.For ’Im an’ ’Er an’ a hit(Direct or ricochee)’E wants to finish ’is little bit,An’ ’e wants to go ’ome to ’is tea.
The bachelor will miss you clearTo fight another day;But the married man, ’e says ’No fear!’’E wants you out of the wayOf ’Im an’ ’Er an’ It(An’ ’is road to ’is farm or the sea),’E wants to finish ’is little bit,An’ ’e wants to go ’ome to ’is tea.
The bachelor ’e fights ’is fightAn’ stretches out an’ snores;But the married man sits up all night--For ’e don’t like out o’ doors:’E’ll strain an’ listen an’ peerAn’ give the first alarm--For the sake o’ the breathin’ ’e’s used to ’earAn’ the ’ead on the thick of ’is arm.
The bachelor may risk ’is ’ideTo ’elp you when you’re downed;But the married man will wait besideTill the ambulance comes round.’E’ll take your ’ome addressAn’ all you’ve time to say,Or if ’e sees there’s ’ope, ’e’ll pressYour art’ry ’alf the day--
For ’Im an’ ’Er an’ It(An’ One from Three leaves Two),For ’e knows you wanted to finish your bit,An’ ’e knows ’oo’s wantin’ you.Yes, ’Im an’ ’Er an’ It(Our ’oly One in Three),We’re all of us anxious to finish our bit,An’ we want to get ’ome to our tea!
Yes, It an’ ’Er an’ ’Im,Which often makes me thinkThe married man must sink or swimAn’--’e can’t afford to sink!Oh ’Im an’ It an’ ’ErSince Adam an’ Eve began,So I’d rather fight with the bachelerAn’ be nursed by the married man!
About this text
The Married Man (Reservist of the Line) is in the public domain. This text is taken from The Five Nations, Volume II, Project Gutenberg ebook #60261; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Rudyard Kipling, The Married Man (Reservist of the Line), in The Five Nations, Volume II (1903), text of Project Gutenberg ebook #60261, Laurel, https://laurelpoetry.com/poem/kipling-five-nations-2/the-married-man-reservist-of-the-line.html, id L20267.
Form and metre
The Married Man (Reservist of the Line) is 56 lines in 7 stanzas of 8 lines each. The commonest rhyme scheme is ABABCDCD, in 3 of the 7 stanzas; the rest vary or could not be confirmed. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 78%).
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCBCB oneA · beB · funA · threeB · itC · threeB · bitC · teaB
- 2 ABABC-C- eadA · goneB · insteadA · onB · hitC · ricochee · bitC · tea
- 3 ABABCDCD clearA · dayB · fearA · wayB · itC · seaD · bitC · teaD
- 4 ABABCDCD fightA · snoresB · nightA · doorsB · peerC · alarmD · earC · armD
- 5 ABABCDCD ideA · downedB · besideA · roundB · addressC · sayD · pressC · dayD
- 6 ABABACAC itA · twoB · bitA · youB · itA · threeC · bitA · teaC
- 7 ABAB-C-C imA · thinkB · swimA · sinkB · er · beganC · bacheler · manC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The bachelor ’e fights for one | 8 | ·/˘˘···· |
| As joyful as can be; | 6 | ·/˘··· |
| But the married man don’t call it fun, | 9 | ··/˘····· |
| Because ’e fights for three-- | 6 | ······ |
| For ’Im an’ ’Er an’ It | 6 | ······ |
| (An’ Two an’ One makes Three) | 6 | ······ |
| ’E wants to finish ’is little bit, | 9 | ···/˘·/˘· |
| An’ ’e wants to go ’ome to ’is tea! | 9 | ········· |
| The bachelor pokes up ’is ’ead | 8 | ·/˘˘···· |
| To see if you are gone; | 6 | ······ |
| But the married man lies down instead, | 9 | ··/˘···˘/ |
| An’ waits till the sights come on. | 7 | ······· |
| For ’Im an’ ’Er an’ a hit | 7 | ······· |
| (Direct or ricochee) | 6 | ˘/···· |
| ’E wants to finish ’is little bit, | 9 | ···/˘·/˘· |
| An’ ’e wants to go ’ome to ’is tea. | 9 | ········· |
| The bachelor will miss you clear | 8 | ·/˘˘···· |
| To fight another day; | 6 | ··˘/˘· |
| But the married man, ’e says ’No fear!’ | 9 | ··/˘····· |
| ’E wants you out of the way | 7 | ······· |
| Of ’Im an’ ’Er an’ It | 6 | ······ |
| (An’ ’is road to ’is farm or the sea), | 9 | ········· |
| ’E wants to finish ’is little bit, | 9 | ···/˘·/˘· |
| An’ ’e wants to go ’ome to ’is tea. | 9 | ········· |
| The bachelor ’e fights ’is fight | 8 | ·/˘˘···· |
| An’ stretches out an’ snores; | 6 | ·/˘··· |
| But the married man sits up all night-- | 9 | ··/˘····· |
| For ’e don’t like out o’ doors: | 7 | ······· |
| ’E’ll strain an’ listen an’ peer | 7 | ···/˘·· |
| An’ give the first alarm-- | 6 | ····˘/ |
| For the sake o’ the breathin’ ’e’s used to ’ear | 11 | ··········· |
| An’ the ’ead on the thick of ’is arm. | 9 | ········· |
| The bachelor may risk ’is ’ide | 8 | ·/˘˘···· |
| To ’elp you when you’re downed; | 7 | ······˘ |
| But the married man will wait beside | 9 | ··/˘···˘/ |
| Till the ambulance comes round. | 7 | ··/˘˘·· |
| ’E’ll take your ’ome address | 6 | ····/· |
| An’ all you’ve time to say, | 6 | ······ |
| Or if ’e sees there’s ’ope, ’e’ll press | 8 | ········ |
| Your art’ry ’alf the day-- | 6 | ······ |
| For ’Im an’ ’Er an’ It | 6 | ······ |
| (An’ One from Three leaves Two), | 6 | ······ |
| For ’e knows you wanted to finish your bit, | 11 | ····/˘·/˘·· |
| An’ ’e knows ’oo’s wantin’ you. | 7 | ······· |
| Yes, ’Im an’ ’Er an’ It | 6 | ······ |
| (Our ’oly One in Three), | 7 | /˘····· |
| We’re all of us anxious to finish our bit, | 11 | ····/˘·/˘/· |
| An’ we want to get ’ome to our tea! | 9 | ·······/· |
| Yes, It an’ ’Er an’ ’Im, | 6 | ······ |
| Which often makes me think | 6 | ·/˘··· |
| The married man must sink or swim | 8 | ·/˘····· |
| An’--’e can’t afford to sink! | 7 | ···˘/·· |
| Oh ’Im an’ It an’ ’Er | 6 | ······ |
| Since Adam an’ Eve began, | 7 | ·/˘··˘/ |
| So I’d rather fight with the bacheler | 10 | ··/˘······ |
| An’ be nursed by the married man! | 8 | ·····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.