Cruisers
As our mother the Frigate, bepainted and fine,Made play for her bully the Ship of the Line;So we, her bold daughters by iron and fire,Accost and decoy to our masters’ desire.
Now pray you consider what toils we endure,Night-walking wet sea-lanes, a guard and a lure;Since half of our trade is that same pretty sortAs mettlesome wenches do practise in port.
For this is our office: to spy and make room,As hiding yet guiding the foe to their doom;Surrounding, confounding, to bait and betrayAnd tempt them to battle the seas’ width away.
The pot-bellied merchant foreboding no wrongWith headlight and sidelight he lieth along,Till, lightless and lightfoot and lurking, leap weTo force him discover his business by sea.
And when we have wakened the lust of a foe,To draw him by flight toward our bullies we go,Till, ’ware of strange smoke stealing nearer, he flies--Or our bullies close in for to make him good prize.
So, when we have spied on the path of their host,One flieth to carry that word to the coast;And, lest by false doubling they turn and go free,One lieth behind them to follow and see.
Anon we return, being gathered again,Across the sad valleys all drabbled with rain--Across the grey ridges all crispèd and curled--To join the long dance round the curve of the world.
The bitter salt spindrift: the sun-glare likewise:The moon-track a-quiver bewilders our eyes,Where, linking and lifting, our sisters we hail’Twixt wrench of cross-surges or plunge of head-gale.
As maidens awaiting the bride to come forthMake play with light jestings and wit of no worth,So, widdershins circling the bride-bed of death,Each fleereth her neighbour and signeth and saith:--
‘What see ye? Their signals, or levin afar?‘What hear ye? God’s thunder, or guns of our war?‘What mark ye? Their smoke, or the cloud-rack outblown?‘What chase ye? Their lights, or the Daystar low down?’
So, times past all number deceived by false shows,Deceiving we cumber the road of our foes,For this is our virtue: to track and betray;Preparing great battles a sea’s width away.
Now peace is at end and our peoples take heart,For the laws are clean gone that restrainèd our art;Up and down the near headlands and against the far windWe are loosed (O be swift!) to the work of our kind!
Words in this poem
- mettlesome a.
- Full of spirit; possessing constitutional ardor; fiery; as, a mettlesome horse.
- headlight n.
- A light, with a powerful reflector, placed at the head of a locomotive, or in front of it, to throw light on the track at night, or in going through a dark tunnel.
- lightless a.
- Destitute of light; dark.
- discover v. i.
- To discover or show one's self.
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- wrench n.
- Trick; deceit; fraud; stratagem. [OE. wrench deceit, AS. wrenc deceit, a twisting; akin to G. rank intrigue, crookedness, renken to bend, twist, and E. wring. Wring, and cf. Ranch, v. t.]
- neighbour v. i.
- To dwell in the vicinity; to be a neighbor, or in the neighborhood; to be near.
- saith
- 3d pers. sing. pres. of Say.
- levin n.
- Lightning. Spenser. Levin brand, a thunderbolt. [Etymol. uncertain. Cf. Leven.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- outblown a.
- Inflated with wind.
- cumber n.
- Trouble; embarrassment; distress. [Cf. encombre hindrance, impediment. See Cuber,v.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Cruisers is in the public domain. This text is taken from The Five Nations, Volume I, Project Gutenberg ebook #60260; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Rudyard Kipling, Cruisers, in The Five Nations, Volume I (1903), text of Project Gutenberg ebook #60260, Laurel, https://laurelpoetry.com/poem/kipling-five-nations-1/cruisers.html, id L20225.
Form and metre
Cruisers is 48 lines in 12 stanzas of 4 lines each. The rhyme scheme is AABB, complete in 10 of its 12 stanzas. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 84%).
See other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB fineA · lineA · fireB · desireB
- 2 AABB endureA · lureA · sortB · portB
- 3 AABB roomA · doomA · betrayB · awayB
- 4 AABB wrongA · alongA · weB · seaB
- 5 AABB foeA · goA · fliesB · prizeB
- 6 AABB hostA · coastA · freeB · seeB
- 7 AABB againA · rainA · curledB · worldB
- 8 AABB likewiseA · eyesA · hailB · galeB
- 9 -AAA forth · worthA · deathA · saithA
- 10 --AA afar · war · outblownA · downA
- 11 AABB showsA · foesA · betrayB · awayB
- 12 AABB heartA · artA · windB · kindB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| As our mother the Frigate, bepainted and fine, | 12 | ·//˘·/˘····· |
| Made play for her bully the Ship of the Line; | 11 | ····/˘····· |
| So we, her bold daughters by iron and fire, | 12 | ····/˘·/˘·/˘ |
| Accost and decoy to our masters’ desire. | 12 | ˘/·˘/·//˘˘/˘ |
| Now pray you consider what toils we endure, | 11 | ···˘/˘···˘/ |
| Night-walking wet sea-lanes, a guard and a lure; | 11 | ·/˘········ |
| Since half of our trade is that same pretty sort | 11 | ···/····/˘· |
| As mettlesome wenches do practise in port. | 11 | ·/˘˘/˘·/˘·· |
| For this is our office: to spy and make room, | 11 | ···//˘····· |
| As hiding yet guiding the foe to their doom; | 11 | ·/˘·/˘····· |
| Surrounding, confounding, to bait and betray | 11 | ˘/˘˘/˘···˘/ |
| And tempt them to battle the seas’ width away. | 11 | ····/˘···˘/ |
| The pot-bellied merchant foreboding no wrong | 11 | ··/˘/˘˘/˘·· |
| With headlight and sidelight he lieth along, | 11 | ·/·······˘/ |
| Till, lightless and lightfoot and lurking, leap we | 11 | ·/˘·/··/˘·· |
| To force him discover his business by sea. | 11 | ···˘/˘·/˘·· |
| And when we have wakened the lust of a foe, | 11 | ····/˘····· |
| To draw him by flight toward our bullies we go, | 12 | ·······//˘·· |
| Till, ’ware of strange smoke stealing nearer, he flies-- | 11 | ·····/˘/˘·· |
| Or our bullies close in for to make him good prize. | 12 | ·//˘········ |
| So, when we have spied on the path of their host, | 11 | ··········· |
| One flieth to carry that word to the coast; | 10 | ···/˘····· |
| And, lest by false doubling they turn and go free, | 11 | ····/˘····· |
| One lieth behind them to follow and see. | 10 | ······/˘·· |
| Anon we return, being gathered again, | 11 | ˘/·˘//˘/˘˘/ |
| Across the sad valleys all drabbled with rain-- | 11 | ˘/··/˘·/˘·· |
| Across the grey ridges all crispèd and curled-- | 11 | ˘/··/˘····˘ |
| To join the long dance round the curve of the world. | 11 | ··········· |
| The bitter salt spindrift: the sun-glare likewise: | 11 | ·/˘·/˘···/· |
| The moon-track a-quiver bewilders our eyes, | 11 | ····/˘˘/˘/· |
| Where, linking and lifting, our sisters we hail | 11 | ·/˘·/˘//˘·· |
| ’Twixt wrench of cross-surges or plunge of head-gale. | 11 | ····/˘····· |
| As maidens awaiting the bride to come forth | 11 | ·/˘˘/˘····· |
| Make play with light jestings and wit of no worth, | 11 | ··········· |
| So, widdershins circling the bride-bed of death, | 11 | ····/˘····· |
| Each fleereth her neighbour and signeth and saith:-- | 11 | ·/˘·/˘·/˘·· |
| ‘What see ye? Their signals, or levin afar? | 11 | ····/˘·˘/˘/ |
| ‘What hear ye? God’s thunder, or guns of our war? | 11 | ····/˘···/· |
| ‘What mark ye? Their smoke, or the cloud-rack outblown? | 11 | ·········/˘ |
| ‘What chase ye? Their lights, or the Daystar low down?’ | 11 | ·······/˘·· |
| So, times past all number deceived by false shows, | 11 | ····/˘˘/··· |
| Deceiving we cumber the road of our foes, | 11 | ˘/˘·/˘···/· |
| For this is our virtue: to track and betray; | 11 | ···//˘···˘/ |
| Preparing great battles a sea’s width away. | 11 | ˘/˘·/˘···˘/ |
| Now peace is at end and our peoples take heart, | 11 | ······//˘·· |
| For the laws are clean gone that restrainèd our art; | 11 | ·········/· |
| Up and down the near headlands and against the far wind | 13 | ············· |
| We are loosed (O be swift!) to the work of our kind! | 12 | ··········/· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.