On the Birth-day of Queen Katherine
While yet it was the Empire of the Night,And Stars still check'r'd Darkness with their Light,From Temples round the cheerful Bells did ring,But with the Peales a churlish Storm did sing.I slumbr'd; and the Heavens like things did show,Like things which I had seen and heard below.Playing on Harps Angels did singing fly,But through a cloudy and a troubl'd Sky,Some fixt a Throne, and Royal Robes display'd,And then a Massie Cross upon it laid.I wept: and earnestly implor'd to know,Why Royal Ensigns were disposed so.An Angel said, The Emblem thou hast seen,Denotes the Birth-Day of a Saint and Queen.Ah, Glorious Minister, I then reply'd,Goodness and Bliss together do resideIn Heaven and thee, why then on Earth belowThese two combin'd so rarely do we know?He said, Heaven so decrees: and such a Sable MorneWas that, in which the Son of God was borne.Then Mortal wipe thine Eyes, and cease to rave,God darkn'd Heaven, when He the World did save.
TOMy Lord Colrane,
In Answer to his Complemental Verses sent me under the Name of
Long my dull Muse in heavy slumbers lay,Indulging Sloth, and to soft Ease gave way,Her Fill of Rest resolving to enjoy,Or fancying little worthy her employ.When Noble Cleanors obliging StrainsHer, the neglected Lyre to tune, constrains.Confus'd at first, she rais'd her drowsie Head,Ponder'd a while, then pleas'd, forsook her Bed.Survey'd each Line with Fancy richly fraught,Re-read, and then revolv'd them in her Thought.
And can it be? She said, and can it be?That 'mong the Great Ones I a Poet see?The Great Ones? who their Ill-spent time devide,'Twixt dang'rous Politicks, and formal Pride,Destructive Vice, expensive Vanity,In worse Ways yet, if Worse there any be:Leave to Inferiours the despised Arts,Let their Retainers be the Men of Parts.But here with Wonder and with Joy I find,I'th' Noble Born, a no less Noble Mind;One, who on Ancestors, does not relyFor Fame, in Merit, as in Title, high!
The Severe Godess thus approv'd the Laies:Yet too much pleas'd, alas, with her own Praise.But to vain Pride, My Muse, cease to give place,Virgils immortal Numbers once did graceA Smother'd Gnat: by high Applause is shown,If undeserv'd, the Praisers worth alone:Nor that you should believ't, is't always meant,'Tis often for Instruction only sent,To praise men to Amendment, and display,By its Perfection, where their Weakness lay.This Use of these Applauding Numbers makeThem for Example, not Encomium, take.
Words in this poem
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- sable n.
- A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
- morne a.
- Of or pertaining to the morn; morning.
- complemental a.
- Supplying, or tending to supply, a deficiency; fully completing.
- fraught n.
- A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
- encomium n.
- Warm or high praise; panegyric; strong commendation. [NL., fr. Gr. Comedy.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
On the Birth-day of Queen Katherine is in the public domain. This text is taken from Poems (1686), Project Gutenberg ebook #41076; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Anne Killigrew, On the Birth-day of Queen Katherine, in Poems (1686) (1686), text of Project Gutenberg ebook #41076, Laurel, https://laurelpoetry.com/poem/killigrew-poems/on-the-birth-day-of-queen-katherine.html, id L09201.
Form and metre
On the Birth-day of Queen Katherine is 59 lines in 6 verse paragraphs. It is in rhyming couplets, 88% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 2 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEECCFF--CCGGHH nightA · lightA · ringB · singB · showC · belowC · flyD · skyD · display'dE · laidE · knowC · soC · seenF · queenF · reply'd · reside · belowC · knowC · morneG · borneG · raveH · saveH
- 4 AABBCCDDEE layA · wayA · enjoyB · employB · strainsC · constrainsC · headD · bedD · fraughtE · thoughtE
- 5 AABB-ACCDDEE beA · seeA · devideB · prideB · vanity · beA · artsC · partsC · findD · mindD · relyE · highE
- 6 AABBCCDDEEFF laiesA · praiseA · placeB · graceB · shownC · aloneC · meantD · sentD · displayE · layE · makeF · takeF
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| While yet it was the Empire of the Night, | 10 | ·····/˘··· |
| And Stars still check'r'd Darkness with their Light, | 9 | ····/˘··· |
| From Temples round the cheerful Bells did ring, | 10 | ·/˘··/˘··· |
| But with the Peales a churlish Storm did sing. | 10 | ·····/˘··· |
| I slumbr'd; and the Heavens like things did show, | 10 | ····/˘···· |
| Like things which I had seen and heard below. | 10 | ·········· |
| Playing on Harps Angels did singing fly, | 10 | /˘··/˘·/˘· |
| But through a cloudy and a troubl'd Sky, | 10 | ···/˘··/˘· |
| Some fixt a Throne, and Royal Robes display'd, | 10 | ·····/˘·˘/ |
| And then a Massie Cross upon it laid. | 10 | ···/˘····· |
| I wept: and earnestly implor'd to know, | 10 | ···/˘˘˘/·· |
| Why Royal Ensigns were disposed so. | 10 | ·/˘/˘·˘/˘· |
| An Angel said, The Emblem thou hast seen, | 10 | ·/˘··/˘··· |
| Denotes the Birth-Day of a Saint and Queen. | 10 | ˘/········ |
| Ah, Glorious Minister, I then reply'd, | 10 | ·/˘/˘˘···· |
| Goodness and Bliss together do reside | 10 | /˘··˘/˘·˘/ |
| In Heaven and thee, why then on Earth below | 10 | ·/········ |
| These two combin'd so rarely do we know? | 10 | ··˘/·/˘··· |
| He said, Heaven so decrees: and such a Sable Morne | 13 | ··/·˘/···/˘/˘ |
| Was that, in which the Son of God was borne. | 10 | ·········· |
| Then Mortal wipe thine Eyes, and cease to rave, | 10 | ·/˘······· |
| God darkn'd Heaven, when He the World did save. | 10 | ··/˘······ |
| TO | 1 | · |
| My Lord Colrane, | 4 | ···· |
| In Answer to his Complemental Verses sent me under the Name of | 18 | ·/˘······/˘······· |
| Long my dull Muse in heavy slumbers lay, | 10 | ·····/˘/˘· |
| Indulging Sloth, and to soft Ease gave way, | 10 | ˘/˘······· |
| Her Fill of Rest resolving to enjoy, | 10 | ····˘/˘·˘/ |
| Or fancying little worthy her employ. | 10 | ·/˘/˘/˘·˘/ |
| When Noble Cleanors obliging Strains | 9 | ·/˘··˘/˘· |
| Her, the neglected Lyre to tune, constrains. | 10 | ··˘/˘···˘/ |
| Confus'd at first, she rais'd her drowsie Head, | 10 | ˘/········ |
| Ponder'd a while, then pleas'd, forsook her Bed. | 10 | /˘····˘/·· |
| Survey'd each Line with Fancy richly fraught, | 10 | ˘/···/˘/˘· |
| Re-read, and then revolv'd them in her Thought. | 10 | ····˘/···· |
| And can it be? She said, and can it be? | 10 | ·········· |
| That 'mong the Great Ones I a Poet see? | 10 | ·······/˘· |
| The Great Ones? who their Ill-spent time devide, | 10 | ·········· |
| 'Twixt dang'rous Politicks, and formal Pride, | 10 | ·······/˘· |
| Destructive Vice, expensive Vanity, | 10 | ˘/˘·˘/˘/˘˘ |
| In worse Ways yet, if Worse there any be: | 10 | ·······/˘· |
| Leave to Inferiours the despised Arts, | 10 | ··˘/˘˘·˘/· |
| Let their Retainers be the Men of Parts. | 10 | ··˘/˘····· |
| But here with Wonder and with Joy I find, | 10 | ···/˘····· |
| I'th' Noble Born, a no less Noble Mind; | 10 | ·/˘····/˘· |
| One, who on Ancestors, does not rely | 10 | ···/·˘··˘/ |
| For Fame, in Merit, as in Title, high! | 10 | ···/˘··/˘· |
| The Severe Godess thus approv'd the Laies: | 10 | ·˘/···˘/·· |
| Yet too much pleas'd, alas, with her own Praise. | 10 | ····˘/···· |
| But to vain Pride, My Muse, cease to give place, | 10 | ·········· |
| Virgils immortal Numbers once did grace | 10 | /˘˘/˘/˘··· |
| A Smother'd Gnat: by high Applause is shown, | 10 | ·/˘···˘/·· |
| If undeserv'd, the Praisers worth alone: | 10 | ··˘/····˘/ |
| Nor that you should believ't, is't always meant, | 10 | ·······/·· |
| 'Tis often for Instruction only sent, | 10 | ·/˘·˘/˘/˘· |
| To praise men to Amendment, and display, | 10 | ····˘/˘·˘/ |
| By its Perfection, where their Weakness lay. | 10 | ··˘/˘··/˘· |
| This Use of these Applauding Numbers make | 10 | ····˘/˘/˘· |
| Them for Example, not Encomium, take. | 11 | ··˘/˘·˘/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.