Epitaph on the Countess of Pembroke
UNDERNEATH this sable hearseLies the subject of all verse,Sidney’s sister, Pembroke’s mother:Death! ere thou hast slain another,Learned, and fair, and good as she,Time shall throw a dart at thee.
TO draw no envy, Shakspeare, on thy name,Am I thus ample to thy book and fame;While I confess thy writings to be such,As neither man, nor muse can praise too much.’Tis true, and all men’s suffrage. But these waysWere not the paths I meant unto thy praise;For silliest ignorance on these may light,Which, when it sounds at best, but echoes right;Or blind affection, which doth ne’er advanceThe truth, but gropes, and urgeth all by chance;Or crafty malice might pretend this praise,And think to ruin, where it seemed to raise.These are, as some infamous bawd, or whore,Should praise a matron; what would hurt her more?But thou art proof against them, and, indeed,Above the ill-fortune of them, or the need.I, therefore, will begin: Soul of the age!The applause! delight! and wonder of our stage!My Shakspeare rise! I will not lodge thee byChaucer, or Spenser, or bid Beaumont lieA little further off, to make thee room:Thou art a monument without a tomb,And art alive still, while thy book doth liveAnd we have wits to read, and praise to give.That I not mix thee so, my brain excuses,I mean with great, but disproportioned Muses;For if I thought my judgment were of years,I should commit thee surely with thy peers,And tell how far thou didst our Lily outshine,Or sporting Kyd, or Marlow’s mighty line.And though thou hadst small Latin and less Greek,From thence to honour thee, I will not seekFor names: but call forth thundering Eschylus,Euripides, and Sophocles to us,Pacuvius, Accius, him of Cordoua dead,To live again, to hear thy buskin tread,And shake a stage; or, when thy socks were on,Leave thee alone for the comparisonOf all that insolent Greece, or haughty RomeSent forth, or since did from their ashes come.Triumph, my Britain, thou hast one to show,To whom all scenes of Europe homage owe.He was not of an age, but for all time!And all the Muses still were in their prime,When, like Apollo, he came forth to warmOur ears, or like a Mercury to charm!Nature herself was proud of his designs,And joyed to wear the dressing of his lines!Which were so richly spun, and woven so fit,As, since, she will vouchsafe no other wit.The merry Greek, tart Aristophanes,Neat Terence, witty Plautus, now not please;But antiquated and deserted lie,As they were not of nature’s family.Yet must I not give nature all; thy art,My gentle Shakspeare, must enjoy a part.For though the poet’s matter nature be,His heart doth give the fashion: and, that heWho casts to write a living line, must sweat,(Such as thine are) and strike the second heatUpon the Muse’s anvil; turn the same,And himself with it, that he thinks to frame;Or for the laurel, he may gain a scorn;For a good poet’s made, as well as born.And such wert thou! Look how the father’s faceLives in his issue, even so the raceOf Shakspeare’s mind and manners brightly shinesIn his well-turnèd, and true filèd lines;In each of which he seems to shake a lance,As brandished at the eyes of ignorance.Sweet Swan of Avon! what a sight it wereTo see thee in our water yet appear,And make those flights upon the banks of Thames,That so did take Eliza, and our James!But stay, I see thee in the hemisphereAdvanced, and made a constellation there!Shine forth, thou star of poets, and with rage,Or influence, chide, or cheer the drooping stage,Which, since thy flight from hence, hath mourned like night,And despairs day, but for thy volume’s light.
Words in this poem
- sable n.
- A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- bawd n.
- A person who keeps a house of prostitution, or procures women for a lewd purpose; a procurer or procuress; a lewd person; -- usually applied to a woman. [OE. baude, OF. balt, baut, baude, bold, merry, perh. fr. OHG. bald bold; or fr. Celtic, cf. W. baw dirt. Cf. Bold, Bawdry.]
- whore n.
- A woman who practices unlawful sexual commerce with men, especially one who prostitutes her body for hire; a prostitute; a harlot. Wyclif. [OE. hore, AS. h; akin to D. hoer, hoere, G. hure, OHG. huora, huorra, Icel. h, Dan. hore, Sw. hora, Goth. h an adulterer, AS. h adultery, OHG. huor, and probabl]
- didst
- , the 2d pers. sing. imp. of Do.
- outshine v. i.
- To shine forth.
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- thundering a.
- Emitting thunder.
- buskin n.
- A strong, protecting covering for the foot, coming some distance up the leg. [Prob. from OF. brossequin, or D. broosken. See Brodekin.]
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- vouchsafe v. t.
- To condescend to grant; to concede; to bestow. [Vouch + safe, that is, to vouch or answer for safety.]
- witty a.
- Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Epitaph on the Countess of Pembroke is in the public domain. This text is taken from Discoveries Made Upon Men and Matter and Some Poems, Project Gutenberg ebook #5134; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Ben Jonson, Epitaph on the Countess of Pembroke, in Discoveries Made Upon Men and Matter and Some Poems (1616), text of Project Gutenberg ebook #5134, Laurel, https://laurelpoetry.com/poem/jonson-poems/epitaph-on-the-countess-of-pembroke.html, id L23805.
Form and metre
Epitaph on the Countess of Pembroke is 86 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC hearseA · verseA · motherB · anotherB · sheC · theeC
- 2 AABBCCDDEEFFGGHHIIJJKK----LLMMNN--OOPPQQRRSS--TTUUVVW-XXWW--YYZZaabbcc-d--ddeeff nameA · fameA · suchB · muchB · waysC · praiseC · lightD · rightD · advanceE · chanceE · praiseF · raiseF · whoreG · moreG · indeedH · needH · ageI · stageI · byJ · lieJ · roomK · tombK · live · give · excuses · muses · yearsL · peersL · outshineM · lineM · greekN · seekN · eschylus · us · deadO · treadO · onP · comparisonP · romeQ · comeQ · showR · oweR · timeS · primeS · warm · charm · designsT · linesT · fitU · witU · aristophanesV · pleaseV · lieW · family · artX · partX · beW · heW · sweat · heat · sameY · frameY · scornZ · bornZ · facea · racea · shinesb · linesb · lancec · ignorancec · were · appeard · thames · james · hemisphered · thered · ragee · stagee · nightf · lightf
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| UNDERNEATH this sable hearse | 7 | ·˘/·/˘· |
| Lies the subject of all verse, | 7 | ··˘/··· |
| Sidney’s sister, Pembroke’s mother: | 8 | /˘/˘/·/˘ |
| Death! ere thou hast slain another, | 8 | ·····˘/˘ |
| Learned, and fair, and good as she, | 7 | ······· |
| Time shall throw a dart at thee. | 7 | ······· |
| TO draw no envy, Shakspeare, on thy name, | 10 | ···/˘····· |
| Am I thus ample to thy book and fame; | 10 | ···/˘····· |
| While I confess thy writings to be such, | 10 | ··˘/·/˘··· |
| As neither man, nor muse can praise too much. | 10 | ·/˘······· |
| ’Tis true, and all men’s suffrage. But these ways | 10 | ·····/˘··· |
| Were not the paths I meant unto thy praise; | 10 | ·········· |
| For silliest ignorance on these may light, | 10 | ·/˘/˘˘···· |
| Which, when it sounds at best, but echoes right; | 10 | ·······/˘· |
| Or blind affection, which doth ne’er advance | 10 | ··˘/˘···˘/ |
| The truth, but gropes, and urgeth all by chance; | 10 | ·········· |
| Or crafty malice might pretend this praise, | 10 | ·/˘/˘·˘/·· |
| And think to ruin, where it seemed to raise. | 10 | ···/˘····· |
| These are, as some infamous bawd, or whore, | 10 | ····/˘˘··· |
| Should praise a matron; what would hurt her more? | 10 | ···/˘····· |
| But thou art proof against them, and, indeed, | 10 | ········˘/ |
| Above the ill-fortune of them, or the need. | 11 | ····/˘····· |
| I, therefore, will begin: Soul of the age! | 10 | ····˘/···· |
| The applause! delight! and wonder of our stage! | 11 | ·˘/˘/·/˘·/· |
| My Shakspeare rise! I will not lodge thee by | 10 | ·········· |
| Chaucer, or Spenser, or bid Beaumont lie | 10 | /˘·/˘··/˘· |
| A little further off, to make thee room: | 10 | ·/˘/˘····· |
| Thou art a monument without a tomb, | 10 | ···/˘˘···· |
| And art alive still, while thy book doth live | 10 | ··˘/······ |
| And we have wits to read, and praise to give. | 10 | ·········· |
| That I not mix thee so, my brain excuses, | 11 | ········˘/˘ |
| I mean with great, but disproportioned Muses; | 11 | ·········/˘ |
| For if I thought my judgment were of years, | 10 | ·····/˘··· |
| I should commit thee surely with thy peers, | 10 | ··˘/·/˘··· |
| And tell how far thou didst our Lily outshine, | 11 | ······//˘/· |
| Or sporting Kyd, or Marlow’s mighty line. | 10 | ·/˘··/˘/˘· |
| And though thou hadst small Latin and less Greek, | 10 | ·····/˘··· |
| From thence to honour thee, I will not seek | 10 | ···/˘····· |
| For names: but call forth thundering Eschylus, | 10 | ·····/˘··· |
| Euripides, and Sophocles to us, | 9 | ····/˘˘·· |
| Pacuvius, Accius, him of Cordoua dead, | 10 | ·········· |
| To live again, to hear thy buskin tread, | 10 | ··˘/···/˘· |
| And shake a stage; or, when thy socks were on, | 10 | ·········· |
| Leave thee alone for the comparison | 10 | ··˘/··˘/˘˘ |
| Of all that insolent Greece, or haughty Rome | 10 | ···/˘··/˘· |
| Sent forth, or since did from their ashes come. | 10 | ·······/˘· |
| Triumph, my Britain, thou hast one to show, | 10 | /˘·/˘····· |
| To whom all scenes of Europe homage owe. | 10 | ·····/˘/˘· |
| He was not of an age, but for all time! | 10 | ·········· |
| And all the Muses still were in their prime, | 10 | ···/˘····· |
| When, like Apollo, he came forth to warm | 10 | ··˘/˘····· |
| Our ears, or like a Mercury to charm! | 10 | /····/˘˘·· |
| Nature herself was proud of his designs, | 10 | /˘˘/····˘/ |
| And joyed to wear the dressing of his lines! | 10 | ·····/˘··· |
| Which were so richly spun, and woven so fit, | 11 | ···/˘··/˘·· |
| As, since, she will vouchsafe no other wit. | 10 | ····˘/·/˘· |
| The merry Greek, tart Aristophanes, | 10 | ·/˘···˘/˘˘ |
| Neat Terence, witty Plautus, now not please; | 10 | ·/˘/˘····· |
| But antiquated and deserted lie, | 10 | ·/˘·˘·˘/˘· |
| As they were not of nature’s family. | 10 | ·····/˘/˘˘ |
| Yet must I not give nature all; thy art, | 10 | ·····/˘··· |
| My gentle Shakspeare, must enjoy a part. | 10 | ·/˘···˘/·· |
| For though the poet’s matter nature be, | 10 | ···/˘/˘/˘· |
| His heart doth give the fashion: and, that he | 10 | ·····/˘··· |
| Who casts to write a living line, must sweat, | 10 | ·····/˘··· |
| (Such as thine are) and strike the second heat | 10 | ·······/˘· |
| Upon the Muse’s anvil; turn the same, | 10 | ···/˘/˘··· |
| And himself with it, that he thinks to frame; | 10 | ·˘/······· |
| Or for the laurel, he may gain a scorn; | 10 | ···/˘····· |
| For a good poet’s made, as well as born. | 10 | ···/˘····· |
| And such wert thou! Look how the father’s face | 10 | ·······/˘· |
| Lives in his issue, even so the race | 10 | ···/˘/˘··· |
| Of Shakspeare’s mind and manners brightly shines | 10 | ·····/˘/˘· |
| In his well-turnèd, and true filèd lines; | 8 | ········ |
| In each of which he seems to shake a lance, | 10 | ·········· |
| As brandished at the eyes of ignorance. | 10 | ·/˘····/˘˘ |
| Sweet Swan of Avon! what a sight it were | 10 | ···/˘····· |
| To see thee in our water yet appear, | 10 | ····//˘·˘/ |
| And make those flights upon the banks of Thames, | 10 | ·········· |
| That so did take Eliza, and our James! | 10 | ····˘/˘·/· |
| But stay, I see thee in the hemisphere | 10 | ·······/˘· |
| Advanced, and made a constellation there! | 10 | ˘/····˘/˘· |
| Shine forth, thou star of poets, and with rage, | 10 | ·····/˘··· |
| Or influence, chide, or cheer the drooping stage, | 10 | ·/˘····/˘· |
| Which, since thy flight from hence, hath mourned like night, | 10 | ·········· |
| And despairs day, but for thy volume’s light. | 10 | ·˘/····/˘· |
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