Prologue Spoken by Mr. Garrick at the Opening of the Theatre-Royal, Drury Lane, 1747

Samuel Johnson (1709–1784) · 1825

iambic pentameter · heroic couplets · 62 lines · from Poems

When learning's triumph o'er her barb'rous foesFirst rear'd the stage, immortal Shakespeare rose;Each change of many-colour'd life he drew,Exhausted worlds, and then imagin'd new:Existence saw him spurn her bounded reign,And panting time toil'd after him in vain:His pow'rful strokes presiding truth impress'd,And unresisted passion storm'd the breast.Then Jonson came, instructed from the schoolTo please in method, and invent by rule;His studious patience and laborious art,By regular approach, assail'd the heart:Cold approbation gave the ling'ring bays;For those, who durst not censure, scarce could praise:A mortal born, he met the gen'ral doom,But left, like Egypt's kings, a lasting tomb.The wits of Charles found easier ways to fame,Nor wish'd for Jonson's art, or Shakespeare's flame:Themselves they studied, as they felt, they writ;Intrigue was plot, obscenity was wit;Vice always found a sympathetick friend;They pleas'd their age, and did not aim to mend.Yet bards, like these, aspir'd to lasting praise,And proudly hop'd to pimp in future days.Their cause was gen'ral, their supports were strong;Their slaves were willing, and their reign was long:Till shame regain'd the post that sense betray'd,And virtue call'd oblivion to her aid.Then, crush'd by rules, and weaken'd, as refin'd,For years the pow'r of tragedy declin'd;From bard to bard the frigid caution crept,Till declamation roar'd, while passion slept;Yet still did virtue deign the stage to tread,Philosophy remain'd, though nature fled.But forced, at length, her ancient reign to quit,She saw great Faustus lay the ghost of wit;Exulting folly hail'd the joyful day,And pantomime and song confirm'd her sway.But who the coming changes can presage,And mark the future periods of the stage?Perhaps, if skill could distant times explore,New Behns, new Durfeys, yet remain in store;Perhaps, where Lear has ray'd, and Hamlet dy'd,On flying cars new sorcerers may ride:Perhaps, (for who can guess th' effects of chance?)Here Hunt may box, or Mahomet may dance.Hard is his lot that, here by fortune plac'd,Must watch the wild vicissitudes of taste;With ev'ry meteor of caprice must play,And chase the new-blown bubbles of the day.Ah! let not censure term our fate our choice,The stage but echoes back the publick voice;The drama's laws the drama's patrons give,For we that live to please, must please to live.Then prompt no more the follies you decry,As tyrants doom their tools of guilt to die;'Tis yours, this night, to bid the reign commenceOf rescued nature and reviving sense;To chase the charms of sound, the pomp of show,For useful mirth and salutary woe;Bid scenick virtue form the rising age,And truth diffuse her radiance from the stage.

Words in this poem

spurn v. t.
To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
unresisted a.
Not resisted; unopposed. Bentley.
invent v. t.
To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
approbation n.
Proof; attestation. [L. approbatio: cf. F. approbation. See Approve to prove.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
oblivion n.
The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
deign v. t.
To esteem worthy; to consider worth notice; -- opposed to disdain. [OE. deinen, deignen, OF. degner, deigner, daigner, F. daigner, fr. L. dignari to deem worthy, deign, fr. dignus worthy; akin to decere to be fitting. See Decent]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
explore v. t.
To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
lear v. t.
To learn. See Lere, to learn.
decry v. t.
To cry down; to censure as faulty, mean, or worthless; to clamor against; to blame clamorously; to discredit; to disparage. [F. décrier, OF. descrier; pref. des- (L. dis-) + crier to cry. See Cry, and cf. Descry.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Prologue Spoken by Mr. Garrick at the Opening of the Theatre-Royal, Drury Lane, 1747 is in the public domain. This text is taken from Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 (The Works of Samuel Johnson in Nine Volumes, 1825), Project Gutenberg ebook #10835; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Johnson, Prologue Spoken by Mr. Garrick at the Opening of the Theatre-Royal, Drury Lane, 1747, in Poems (1825), text of Project Gutenberg ebook #10835, Laurel, https://laurelpoetry.com/poem/johnson-poems/prologue-spoken-by-mr-garrick-at-the-opening-of-the-theatre.html, id L27129.

Form and metre

Prologue Spoken by Mr. Garrick at the Opening of the Theatre-Royal, Drury Lane, 1747 is 62 lines in a single stanza. It is in rhyming couplets: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 93%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaabbccddee foesA · roseA · drewB · newB · reignC · vainC · impress'dD · breastD · schoolE · ruleE · artF · heartF · baysG · praiseG · doomH · tombH · fameI · flameI · writJ · witJ · friendK · mendK · praiseL · daysL · strongM · longM · betray'dN · aidN · refin'dO · declin'dO · creptP · sleptP · treadQ · fledQ · quitR · witR · dayS · swayS · presageT · stageT · exploreU · storeU · dy'dV · rideV · chanceW · danceW · plac'dX · tasteX · playY · dayY · choiceZ · voiceZ · givea · livea · decryb · dieb · commencec · sensec · showd · woed · agee · stagee
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
When learning's triumph o'er her barb'rous foes10·/˘/˘·····
First rear'd the stage, immortal Shakespeare rose;10····˘/˘/··
Each change of many-colour'd life he drew,10···/˘/˘···
Exhausted worlds, and then imagin'd new:10˘/˘···˘/˘·
Existence saw him spurn her bounded reign,10˘/˘····/˘·
And panting time toil'd after him in vain:10·/˘·······
His pow'rful strokes presiding truth impress'd,10····˘/˘·˘/
And unresisted passion storm'd the breast.10·····/˘···
Then Jonson came, instructed from the school10·/˘·˘/˘···
To please in method, and invent by rule;10···/˘·˘/··
His studious patience and laborious art,10·/˘/˘·˘/˘·
By regular approach, assail'd the heart:10·/˘˘˘/˘/··
Cold approbation gave the ling'ring bays;10··˘/˘·····
For those, who durst not censure, scarce could praise:10·····/˘···
A mortal born, he met the gen'ral doom,10·/˘·······
But left, like Egypt's kings, a lasting tomb.10···/˘··/˘·
The wits of Charles found easier ways to fame,10·····/˘···
Nor wish'd for Jonson's art, or Shakespeare's flame:10···/˘··/··
Themselves they studied, as they felt, they writ;10˘/·/˘·····
Intrigue was plot, obscenity was wit;10˘/··˘/˘˘··
Vice always found a sympathetick friend;10·/········
They pleas'd their age, and did not aim to mend.10··········
Yet bards, like these, aspir'd to lasting praise,10····˘/·/˘·
And proudly hop'd to pimp in future days.10·/˘····/˘·
Their cause was gen'ral, their supports were strong;10······˘/··
Their slaves were willing, and their reign was long:10···/˘·····
Till shame regain'd the post that sense betray'd,10··˘/····˘/
And virtue call'd oblivion to her aid.10·/˘·˘/˘···
Then, crush'd by rules, and weaken'd, as refin'd,10·····/˘·˘/
For years the pow'r of tragedy declin'd;10·····/˘˘˘/
From bard to bard the frigid caution crept,10·····/˘/˘·
Till declamation roar'd, while passion slept;10·······/˘·
Yet still did virtue deign the stage to tread,10···/˘·····
Philosophy remain'd, though nature fled.10˘/˘˘˘/·/˘·
But forced, at length, her ancient reign to quit,10·····/˘···
She saw great Faustus lay the ghost of wit;10···/˘·····
Exulting folly hail'd the joyful day,10˘/˘/˘··/˘·
And pantomime and song confirm'd her sway.10·/˘···˘/··
But who the coming changes can presage,10···/˘/˘·/˘
And mark the future periods of the stage?10···/˘/˘···
Perhaps, if skill could distant times explore,10˘/···/˘·˘/
New Behns, new Durfeys, yet remain in store;10···/˘·˘/··
Perhaps, where Lear has ray'd, and Hamlet dy'd,10˘/·····/˘·
On flying cars new sorcerers may ride:10·/˘··/˘˘··
Perhaps, (for who can guess th' effects of chance?)10˘/····˘/··
Here Hunt may box, or Mahomet may dance.10··········
Hard is his lot that, here by fortune plac'd,10·······/˘·
Must watch the wild vicissitudes of taste;10····˘/˘˘··
With ev'ry meteor of caprice must play,10···/˘·˘/··
And chase the new-blown bubbles of the day.10·····/˘···
Ah! let not censure term our fate our choice,10···/˘·/·/·
The stage but echoes back the publick voice;10···/˘·····
The drama's laws the drama's patrons give,10·/˘··/˘/˘·
For we that live to please, must please to live.10··········
Then prompt no more the follies you decry,10·····/˘·˘/
As tyrants doom their tools of guilt to die;10·/˘·······
'Tis yours, this night, to bid the reign commence10········˘/
Of rescued nature and reviving sense;10·/˘/˘·˘/˘·
To chase the charms of sound, the pomp of show,10··········
For useful mirth and salutary woe;10·/˘··/˘·˘·
Bid scenick virtue form the rising age,10···/˘··/˘·
And truth diffuse her radiance from the stage.10··˘/·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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