Upon a Drawing

Lionel Johnson (1867–1902) · 1895

iambic pentameter · 44 lines · from Poems

Not in the crystal air of a Greek glen,Not in the houses of imperial Rome,Lived he, who wore this beauty among men:No classic city was his ancient home.What happy country claims his fair youth then,Her pride? and what his fortunate lineage?Here is no common man of every day,This man, whose full and gleaming eyes assuageNever their longing, be that what it may:Of dreamland only he is citizen,Beyond the flying of the last sea's foam.

Set him beneath the Athenian olive trees,To speak with Marathonians: or to taskThe wise serenity of Socrates;Asking, what other men dare never ask.Love of his country and his gods? Not theseThe master thoughts, that comfort his strange heart,When life grows difficult, and the lights dim:In him is no simplicity, but artIs all in all, for life and death, to him:And whoso looks upon that fair face, seesNo nature there: only a magic mask.

Or set this man beside the Roman lords,To vote upon the fate of Catiline;Or in a battle of stout Roman swords,Where strength and virtue were one thing divine:Or bind him to the cross with Punic cords.Think you, this unknown and mysterious manHad played the Roman, with that wistful smile,Those looks not moulded on a Roman plan,But full of witcheries and secret guile?Think you, those lips had framed true Roman words,Whose very curves have something Sibylline?

Thou wouldst but laugh, were one to question thee:Laugh with malign, bright eyes, and curious joy.Thou'rt fallen in love with thine own mystery!And yet thou art no Sibyl, but a boy.What wondrous land within the unvoyaged seaHaunts then thy thoughts, thy memories, thy dreams?Nay! be my friend; and share with me thy past:If haply I may catch enchaunting gleams,Catch marvellous music, while our friendship last:Tell me thy visions: though their true home beSome land, that was a legend in old Troy.

Words in this poem

classic a.
Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
dreamland n.
An unreal, delightful country such as in sometimes pictured in dreams; region of fancies; fairyland.
whoso pron.
Whosoever. Piers Plowman.
punic a.
Of or pertaining to the ancient Carthaginians. [L. Punicus pertaining to Carthage, or its inhabitants, fr. Poeni the Carthaginians.]
wistful a.
Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
sibylline a.
Pertaining to the sibyls; uttered, written, or composed by sibyls; like the productions of sibyls. Sibylline books. (a) (Rom. [L. sibyllinus.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
sibyl n.
A woman supposed to be endowed with a spirit of prophecy.
wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
haply adv.
By hap, chance, luck, or accident; perhaps; it may be.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Upon a Drawing is in the public domain. This text is taken from Poems, Project Gutenberg ebook #66520; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lionel Johnson, Upon a Drawing, in Poems (1895), text of Project Gutenberg ebook #66520, Laurel, https://laurelpoetry.com/poem/johnson-lionel-poems/upon-a-drawing.html, id L12482.

Form and metre

Upon a Drawing is 44 lines in 4 stanzas of 11 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABACDCD-B glenA · romeB · menA · homeB · thenA · lineageC · dayD · assuageC · mayD · citizen · foamB
  2. 2 ABABACDCDAB treesA · taskB · socratesA · askB · theseA · heartC · dimD · artC · himD · seesA · maskB
  3. 3 ABABACDCD-B lordsA · catilineB · swordsA · divineB · cordsA · manC · smileD · planC · guileD · words · sibyllineB
  4. 4 AB-BACDCDAB theeA · joyB · mystery · boyB · seaA · dreamsC · pastD · gleamsC · lastD · beA · troyB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Not in the crystal air of a Greek glen,10···/˘·····
Not in the houses of imperial Rome,10···/˘·˘/˘·
Lived he, who wore this beauty among men:10·····/˘···
No classic city was his ancient home.10·/˘/˘··/˘·
What happy country claims his fair youth then,10·/˘/˘·····
Her pride? and what his fortunate lineage?11·····/˘˘/˘˘
Here is no common man of every day,10···/˘··/˘·
This man, whose full and gleaming eyes assuage10·····/˘·˘/
Never their longing, be that what it may:10/˘·/˘·····
Of dreamland only he is citizen,10·/·/˘··/˘˘
Beyond the flying of the last sea's foam.10···/˘·····
Set him beneath the Athenian olive trees,11·····˘/˘/˘·
To speak with Marathonians: or to task10··········
The wise serenity of Socrates;10··˘/˘˘·/˘·
Asking, what other men dare never ask.10/˘·/˘··/˘·
Love of his country and his gods? Not these10···/˘·····
The master thoughts, that comfort his strange heart,10·/˘··/˘···
When life grows difficult, and the lights dim:10···/˘˘····
In him is no simplicity, but art10····˘/˘˘··
Is all in all, for life and death, to him:10··········
And whoso looks upon that fair face, sees10·/˘·······
No nature there: only a magic mask.10·/˘·/˘·/˘·
Or set this man beside the Roman lords,10····˘/·/˘·
To vote upon the fate of Catiline;10··········
Or in a battle of stout Roman swords,10···/˘··/˘·
Where strength and virtue were one thing divine:10···/˘···˘/
Or bind him to the cross with Punic cords.10·······/˘·
Think you, this unknown and mysterious man10···˘/·˘/˘·
Had played the Roman, with that wistful smile,10···/˘··/˘·
Those looks not moulded on a Roman plan,10···/˘··/˘·
But full of witcheries and secret guile?9······/˘·
Think you, those lips had framed true Roman words,10·······/˘·
Whose very curves have something Sibylline?10·/˘··/˘/˘˘
Thou wouldst but laugh, were one to question thee:10·······/˘·
Laugh with malign, bright eyes, and curious joy.10··˘/···/˘·
Thou'rt fallen in love with thine own mystery!11·/˘·····/˘˘
And yet thou art no Sibyl, but a boy.10·····/˘···
What wondrous land within the unvoyaged sea10·/˘·······
Haunts then thy thoughts, thy memories, thy dreams?10·····/˘˘··
Nay! be my friend; and share with me thy past:10··········
If haply I may catch enchaunting gleams,10·/˘·······
Catch marvellous music, while our friendship last:11····/˘·//˘·
Tell me thy visions: though their true home be10···/˘·····
Some land, that was a legend in old Troy.10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Lionel Johnson