Of the Contemplation of Death and Burial, to Counter Pride

Jacopone da Todi (c. 1230–1306), translated by Mrs. Theodore Beck · 1919

iambic pentameter · 82 lines · from The Lauds

WHEN thou art merry, and thy head is high,Think on the grave, O Man, where thou must lie.

Come here, thy sepulchre to contemplate,And think, thou too must share this heavy fate ;Like his in this dark ditch shall be thy state,Thou too must bear the grave's indignity.

—Now answer me, thou man entombed and dead,Thou who so swiftly from this world art sped ;Where are thy clothes, once gay with gold and red?I see thee here adorned full loathsomely.

—Nay, blame not, nor rebuke me, brother mine,My evil state may warn and profit thine ;My kindred stripped me of my raiment fine,And then with sackcloth did they cover me.

—Where is the head, with tresses once so fair?Who struggled with thee, and tore out thy hair?Was't scalding water left thy skull so bare?No need to brush or comb that nudity!

—This head of mine that was so blond and gay,Its curls are gone, its flesh is fall'n away ;How little did I think upon this day,When I was flaunting in my revelry!

—Where are the eyes that were so clear and bright?From out their sockets they are put to flight;The worms have gnawed them, and have quenched their light ;Worms do not fear thy pride and majesty.

—Mine eyes destroyed me with their trespassing,Enticing others, looking, languishing:And now, alas! I dwell in suffering,My form devoured, my soul in agony.

—Where is the nose thou hadst, that once could smell?What ailment dragged it from its bony shell?Thou canst not chase the worms therein that dwell,Abased are now thy pride and luxury.

—This nose that once was mine, so keen of scent,In search of fetidness a-wandering went;I thought not, when on lust my thoughts were bent,How false the world, how full of vanity!

—Where is the tongue that was so sharp and keen ?Upen thy mouth: no tongue can there be seen :Perchance 'twas cut away, perchance, I ween,Thy teeth have gnawed it thus corrosively!

—The tongue wherewith I talked is lost and gone ;Discord and wrath were dwellers thereupon ;To meat and drink it made its orison,I feasted careless, lapt in gluttony.

—Close now thy lips, to cover up thy teeth :Their grin of scorn from all men's sight to sheath;I fear to look upon these fangs of death,That crack and fall, fast-rooted though they be!

—How can I close my lips that are no more?I little thought to enter at this door ;What shall I do, alas! for on that shore,My soul and I must dwell in agony.

—Where are the arms that once were straight and strongTo threaten others, and to further wrong?Now scratch thy head, now flaunt amid the throng!Now toss thy curling locks in vanity!

—My vanity is lying in the tomb;My flesh decayed, my bones take little room ;Now all my glorying is turned to gloom,I dwell in fullness of all misery.

—Now stand upon thy feet, nor lie concealed:Buckle thine armour and take up thy shield ;No longer to this vile oppression yield,No longer bear this dolorous infamy.

—And am I loth to stand upon my feet :A man might deem it, hearing thee entreat!How crazed is he, that in his life so fleetProvides not for his own mortality.

—Now call thy kindred, bid them help thy need,And save thee from the worms that on thee feed ;Yet stay!—to snatch thy raiment will they speed,And rob thee of thy power and mastery.

—I cannot call them ; here I lie in chains ;Yet bid them come to see my bitter gains!Yea, show me to each mortal who refrainsFrom selling earth, to gain eternity.—

Now look on me, O man of worldly mind ;No longer in this world thy pleasures find ;For step by step, bethink thee, fool and blind!Thou wilt be bound and shackled cruelly!

Words in this poem 25
sepulchre n.
The place in which the dead body of a human being is interred, or a place set apart for that purpose; a grave; a tomb. [OE. sepulcre, OF. sepulcre, F. sépulcre, fr. L. sepulcrum, sepulchrum, fr. sepelire to bury.]
contemplate v. t.
To look at on all sides or in all its bearings; to view or consider with continued attention; to regard with deliberate care; to meditate on; to study. [L. contemplatus, p.p. of contemplari to contemplate; con- + templum a space for observation marked out by the augur. See Temple.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
sackcloth n.
Linen or cotton cloth such a sacks are made of; coarse cloth; anciently, a cloth or garment worn in mourning, distress, mortification, or penitence.
tore n.
The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
nudity n.
The quality or state of being nude; nakedness. [Cf. F. nudité .]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
ailment n.
Indisposition; morbid affection of the body; -- not applied ordinarily to acute diseases.
abased a.
Lowered; humbled.
fetidness n.
The quality or state of being fetid.
went n.
Course; way; path; journey; direction.
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
ween v. i.
To think; to imagine; to fancy. [OE. wenen, AS. w, fr. w hope, expectation, opinion; akin to D. waan, OFries. w, OS. & OHG. wan, G. wahn delusion, Icel. van hope, expectation, Goth. w, and D. w]
wherewith adv.
With which; -- used relatively.
thereupon adv.
Upon that or this; thereon.
orison n.
A prayer; a supplication. Chaucer. [OF. orison, oreson, oreison, F. oraison, fr. L. oratio speech, prayer. See Oration.]
gluttony n.
Excess in eating; extravagant indulgence of the appetite for food; voracity. [OE. glotonie, OF. glotonie, gloutonnie.]
grin n.
A snare; a gin. [AS. grin.]
flaunt n.
Anything displayed for show.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
armour n.
Defensive arms for the body; any clothing or covering worn to protect one's person in battle. [OE. armure, fr. F. armure, OF. armeure, fr. L. armatura. See Armature.]
dolorous a.
Full of grief; sad; sorrowful; doleful; dismal; as, a dolorous object; dolorous discourses. [L. dolorosus, from dolor: cf. F. douloureux. See Dolor.]
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
entreat v. t.
To treat, or conduct toward; to deal with; to use. [OE. entreten to treat, request, OF. entraiter to treat of; pref. en- (L. in) + traitier to treat. See Treat.]
mortality n.
The condition or quality of being mortal; subjection to death or to the necessity of dying. [L. mortalitas: cf. F. mortalité.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Of the Contemplation of Death and Burial, to Counter Pride is in the public domain. This text is taken from Jacopone da Todi, Poet and Mystic, 1228-1306: A Spiritual Biography, with a Selection from the Spiritual Songs, Internet Archive, the Mrs. Theodore Beck translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jacopone da Todi, Of the Contemplation of Death and Burial, to Counter Pride, in The Lauds (1919), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/jacopone-lauds/of-the-contemplation-of-death-and-burial-to-counter-pride.html, id L27086.

Form and metre

Of the Contemplation of Death and Burial, to Counter Pride is 82 lines in 21 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA highA · lieA
  2. 2 AAA- contemplateA · fateA · stateA · indignity
  3. 3 AAA- deadA · spedA · redA · loathsomely
  4. 4 AAA- mineA · thineA · fineA · me
  5. 5 AAA- fairA · hairA · bareA · nudity
  6. 6 AAA- gayA · awayA · dayA · revelry
  7. 7 AAA- brightA · flightA · lightA · majesty
  8. 9 AAA- smellA · shellA · dwellA · luxury
  9. 10 AAA- scentA · wentA · bentA · vanity
  10. 11 AAA- keenA · seenA · weenA · corrosively
  11. 13 AA-- teethA · sheathA · death · be
  12. 14 AAA- moreA · doorA · shoreA · agony
  13. 15 AAA- strongA · wrongA · throngA · vanity
  14. 16 AAA- tombA · roomA · gloomA · misery
  15. 17 AAA- concealedA · shieldA · yieldA · infamy
  16. 18 AAA- feetA · entreatA · fleetA · mortality
  17. 19 AAA- needA · feedA · speedA · mastery
  18. 20 AAA- chainsA · gainsA · refrainsA · eternity
  19. 21 AAA- mindA · findA · blindA · cruelly
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
WHEN thou art merry, and thy head is high,10···/˘·····
Think on the grave, O Man, where thou must lie.10··········
Come here, thy sepulchre to contemplate,9······/˘·
And think, thou too must share this heavy fate ;10·······/˘·
Like his in this dark ditch shall be thy state,10··········
Thou too must bear the grave's indignity.10······˘/˘˘
—Now answer me, thou man entombed and dead,10·/˘···˘/··
Thou who so swiftly from this world art sped ;10···/˘·····
Where are thy clothes, once gay with gold and red?10··········
I see thee here adorned full loathsomely.11····˘/·····
—Nay, blame not, nor rebuke me, brother mine,10····˘/·/˘·
My evil state may warn and profit thine ;10·/˘····/˘·
My kindred stripped me of my raiment fine,10·/˘····/˘·
And then with sackcloth did they cover me.10···/˘··/˘·
—Where is the head, with tresses once so fair?10·····/˘···
Who struggled with thee, and tore out thy hair?10·/˘·······
Was't scalding water left thy skull so bare?10·/˘/˘·····
No need to brush or comb that nudity!10·······/˘˘
—This head of mine that was so blond and gay,10··········
Its curls are gone, its flesh is fall'n away ;10········˘/
How little did I think upon this day,10·/˘·······
When I was flaunting in my revelry!10···/˘··/˘˘
—Where are the eyes that were so clear and bright?10··········
From out their sockets they are put to flight;10···/˘·····
The worms have gnawed them, and have quenched their light ;10··········
Worms do not fear thy pride and majesty.10·······/˘˘
—Mine eyes destroyed me with their trespassing,10··˘/···/˘˘
Enticing others, looking, languishing:10˘/˘/˘/˘/˘˘
And now, alas! I dwell in suffering,10··˘/···/˘˘
My form devoured, my soul in agony.11··˘/˘···/˘˘
—Where is the nose thou hadst, that once could smell?10··········
What ailment dragged it from its bony shell?10·/˘····/˘·
Thou canst not chase the worms therein that dwell,10··········
Abased are now thy pride and luxury.10˘/·····/˘˘
—This nose that once was mine, so keen of scent,10··········
In search of fetidness a-wandering went;10···/˘˘·/˘·
I thought not, when on lust my thoughts were bent,10··········
How false the world, how full of vanity!10·······/˘˘
—Where is the tongue that was so sharp and keen ?10··········
Upen thy mouth: no tongue can there be seen :10··········
Perchance 'twas cut away, perchance, I ween,10˘/··˘/˘/··
Thy teeth have gnawed it thus corrosively!11···········
—The tongue wherewith I talked is lost and gone ;10··˘/······
Discord and wrath were dwellers thereupon ;10/˘···/˘·˘/
To meat and drink it made its orison,10·······/˘˘
I feasted careless, lapt in gluttony.10·/˘/˘··/˘˘
—Close now thy lips, to cover up thy teeth :10·····/˘···
Their grin of scorn from all men's sight to sheath;10··········
I fear to look upon these fangs of death,10··········
That crack and fall, fast-rooted though they be!10·····/˘···
—How can I close my lips that are no more?10··········
I little thought to enter at this door ;10·/˘··/˘···
What shall I do, alas! for on that shore,10····˘/····
My soul and I must dwell in agony.10·······/˘˘
—Where are the arms that once were straight and strong10··········
To threaten others, and to further wrong?10·/˘/˘··/˘·
Now scratch thy head, now flaunt amid the throng!10······˘/··
Now toss thy curling locks in vanity!10···/˘··/˘˘
—My vanity is lying in the tomb;10·/˘˘·/˘···
My flesh decayed, my bones take little room ;10··˘/···/˘·
Now all my glorying is turned to gloom,10···/˘˘····
I dwell in fullness of all misery.10···/˘··/˘˘
—Now stand upon thy feet, nor lie concealed:10········˘/
Buckle thine armour and take up thy shield ;10/˘·/˘·····
No longer to this vile oppression yield,10·/˘···˘/˘·
No longer bear this dolorous infamy.11·/˘··/˘˘/˘˘
—And am I loth to stand upon my feet :10··········
A man might deem it, hearing thee entreat!10·····/˘·˘/
How crazed is he, that in his life so fleet10··········
Provides not for his own mortality.10˘/····˘/˘˘
—Now call thy kindred, bid them help thy need,10···/˘·····
And save thee from the worms that on thee feed ;10··········
Yet stay!—to snatch thy raiment will they speed,10·····/˘···
And rob thee of thy power and mastery.11·····/˘·/˘˘
—I cannot call them ; here I lie in chains ;10·/˘·······
Yet bid them come to see my bitter gains!10·······/˘·
Yea, show me to each mortal who refrains10·····/˘·˘/
From selling earth, to gain eternity.—10·/˘···˘/˘˘
Now look on me, O man of worldly mind ;10·······/˘·
No longer in this world thy pleasures find ;10·/˘····/˘·
For step by step, bethink thee, fool and blind!10····˘/····
Thou wilt be bound and shackled cruelly!10·····/˘˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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