38. Ukon

Various (about 1235), translated by William N. Porter · 1909

iambic trimeter · xaxaa · 5 lines · from A Hundred Verses from Old Japan

My broken heart I don't lament,To destiny I bow;But thou hast broken solemn oaths,—I pray the Gods may nowAbsolve thee from thy vow.

Words in this poem

hast
, 2d pers. sing. pres. of. Fave, contr. of havest.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

38. Ukon is in the public domain. This text is taken from A Hundred Verses from Old Japan (the Hyaku-nin-isshiu), Internet Archive, the William N. Porter translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Various, 38. Ukon, in A Hundred Verses from Old Japan (1909), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/hyakunin-isshu/38.html, id L28523.

Form and metre

38. Ukon is 5 lines in a single stanza. It rhymes xaxaa. This poem did not settle on a metre of its own; the book it comes from is in iambic trimeter.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 xaxaa lamentx · bowa · oathsx · nowa · vowa
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
My broken heart I don't lament,8·/˘···˘/
To destiny I bow;6·/˘˘··
But thou hast broken solemn oaths,—8···/˘/˘·
I pray the Gods may now6······
Absolve thee from thy vow.6˘/····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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