Under the Trees
There had been phantoms, pale-remembered shapesOf this and this occasion, sisterlyIn their resemblances, each effigyCrowned with the same bright hair above the nape'sWhite rounded firmness, and each body alertWith such swift loveliness, that very restSeemed a poised movement: ... phantoms that impressedBut a faint influence and could bless or hurtNo more than dreams. And these ghost things were she;For formless still, without identity,Not one she seemed, not clear, but many and dim.One face among the legions of the street,Indifferent mystery, she was for himSomething still uncreated, incomplete.
Bright windy sunshine and the shadow of cloudQuicken the heavy summer to new birthOf life and motion on the drowsing earth;The huge elms stir, till all the air is loudWith their awakening from the muffled sleepOf long hot days. And on the wavering lineThat marks the alternate ebb of shade and shine,Under the trees, a little group is deepIn laughing talk. The shadow as it flowsAcross them dims the lustre of a rose,Quenches the bright clear gold of hair, the greenOf a girl's dress, and life seems faint. The lightSwings back, and in the rose a fire is seen,Gold hair's aflame and green grows emerald bright.
She leans, and there is laughter in the faceShe turns towards him; and it seems a doorSuddenly opened on some desolate placeWith a burst of light and music. What beforeWas hidden shines in loveliness revealed.Now first he sees her beautiful, and knowsThat he must love her; and the doom is sealedOf all his happiness and all the woesThat shall be born of pregnant years hereafter.The swift poise of a head, a flutter of laughter--And love flows in on him, its vastness pentWithin his narrow life: the pain it brings,Boundless; for love is infinite discontentWith the poor lonely life of transient things.
Men see their god, an immanence divine,Smile through the curve of flesh or moulded clay,In bare ploughed lands that go sloping awayTo meet the sky in one clean exquisite line.Out of the short-seen dawns of ecstasyThey draw new beauty, whence new thoughts are bornAnd in their turn conceive, as grains of cornGerm and create new life and endlesslyShall live creating. Out of earthly seedsSprings the aerial flower. One spirit proceedsThrough change, the same in body and in soul--The spirit of life and love that triumphs stillIn its slow struggle towards some far-off goalThrough lust and death and the bitterness of will.
One spirit it is that stirs the fathomless deepOf human minds, that shakes the elms in storm,That sings in passionate music, or on warmStill evenings bosoms forth the tufted sleepOf thistle-seeds that wait a travelling wind.One spirit shapes the subtle rhythms of thoughtAnd the long thundering seas; the soul is wroughtOf one stuff with the body--matter and mindWoven together in so close a meshThat flowers may blossom into a song, that fleshMay strangely teach the loveliest holiest thingsTo watching spirits. Truth is brought to birthNot in some vacant heaven: its beauty springsFrom the dear bosom of material earth.
Words in this poem 16
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- formless a.
- Shapeless; without a determinate form; wanting regularity of shape.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- aflame adv.
- Inflames; glowing with light or passion; ablaze. G. Eliot. [Pref. a- + flame.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- hereafter adv.
- In time to come; in some future time or state. [AS. hræfter.]
- pent p. p.
- Penned or shut up; confined; -- often with up. [From Pen, v. t.]
- immanence n.
- The condition or quality of being immanent; inherence; an indwelling.
- endlessly adv.
- In an endless manner.
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- fathomless a.
- Incapable of being fathomed; immeasurable; that can not be sounded.
- thundering a.
- Emitting thunder.
- mesh n.
- The opening or space inclosed by the threads of a net between knot and knot, or the threads inclosing such a space; network; a net. [AS. masc, max, m; akin to D. maas, masche, OHG. masca, Icel. möskvi; cf. Lith. mazgas a knot, megsti to weave nets, to knot.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Under the Trees is in the public domain. This text is taken from The Defeat of Youth, and Other Poems, Project Gutenberg ebook #24364; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Aldous Huxley, Under the Trees, in The Defeat of Youth, and Other Poems (1918), text of Project Gutenberg ebook #24364, Laurel, https://laurelpoetry.com/poem/huxley-defeat-of-youth/under-the-trees.html, id L21996.
Form and metre
Under the Trees is 70 lines in 5 stanzas of 14 lines each. The commonest rhyme scheme is ABBACDDCEEFGFG, in 2 of the 5 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 82%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A--ABCCB--DEDE shapesA · sisterly · effigy · nape'sA · alertB · restC · impressedC · hurtB · she · identity · dimD · streetE · himD · incompleteE
- 2 ABBACDDCEEFGFG cloudA · birthB · earthB · loudA · sleepC · lineD · shineD · deepC · flowsE · roseE · greenF · lightG · seenF · brightG
- 3 ABABCDCDEEFGFG faceA · doorB · placeA · beforeB · revealedC · knowsD · sealedC · woesD · hereafterE · laughterE · pentF · bringsG · discontentF · thingsG
- 4 ABBA-CC-DDEFEF divineA · clayB · awayB · lineA · ecstasy · bornC · cornC · endlessly · seedsD · proceedsD · soulE · stillF · goalE · willF
- 5 ABBACDDCEEFGFG deepA · stormB · warmB · sleepA · windC · thoughtD · wroughtD · mindC · meshE · fleshE · thingsF · birthG · springsF · earthG
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| There had been phantoms, pale-remembered shapes | 10 | ···/˘·˘/˘· |
| Of this and this occasion, sisterly | 10 | ····˘/˘/˘˘ |
| In their resemblances, each effigy | 10 | ··˘/˘˘·/˘˘ |
| Crowned with the same bright hair above the nape's | 10 | ·········· |
| White rounded firmness, and each body alert | 11 | ·/˘/˘··/˘˘/ |
| With such swift loveliness, that very rest | 10 | ···/˘˘·/˘· |
| Seemed a poised movement: ... phantoms that impressed | 10 | ···/˘/˘·˘/ |
| But a faint influence and could bless or hurt | 10 | ···/˘····· |
| No more than dreams. And these ghost things were she; | 10 | ·········· |
| For formless still, without identity, | 10 | ·/˘···˘/˘˘ |
| Not one she seemed, not clear, but many and dim. | 10 | ·······/·· |
| One face among the legions of the street, | 10 | ·····/˘··· |
| Indifferent mystery, she was for him | 10 | ˘/˘/˘˘···· |
| Something still uncreated, incomplete. | 9 | /˘····˘˘/ |
| Bright windy sunshine and the shadow of cloud | 11 | ·/˘/···/··· |
| Quicken the heavy summer to new birth | 10 | /˘·/˘/˘··· |
| Of life and motion on the drowsing earth; | 10 | ···/˘····· |
| The huge elms stir, till all the air is loud | 10 | ·········· |
| With their awakening from the muffled sleep | 10 | ··˘/˘··/˘· |
| Of long hot days. And on the wavering line | 10 | ·······/˘· |
| That marks the alternate ebb of shade and shine, | 10 | ···/˘····· |
| Under the trees, a little group is deep | 10 | ·····/˘··· |
| In laughing talk. The shadow as it flows | 10 | ·/˘··/···· |
| Across them dims the lustre of a rose, | 10 | ˘/···/˘··· |
| Quenches the bright clear gold of hair, the green | 10 | /˘········ |
| Of a girl's dress, and life seems faint. The light | 10 | ·········· |
| Swings back, and in the rose a fire is seen, | 10 | ·······/·· |
| Gold hair's aflame and green grows emerald bright. | 10 | ··˘/···/˘· |
| She leans, and there is laughter in the face | 10 | ·····/˘··· |
| She turns towards him; and it seems a door | 10 | ·········· |
| Suddenly opened on some desolate place | 10 | /˘/˘··/˘·· |
| With a burst of light and music. What before | 11 | ······/˘··· |
| Was hidden shines in loveliness revealed. | 10 | ·/˘··/˘˘˘/ |
| Now first he sees her beautiful, and knows | 10 | ·····/˘˘·· |
| That he must love her; and the doom is sealed | 10 | ·········· |
| Of all his happiness and all the woes | 10 | ···/˘˘···· |
| That shall be born of pregnant years hereafter. | 11 | ·····/˘·˘/˘ |
| The swift poise of a head, a flutter of laughter-- | 12 | ·······/˘·/˘ |
| And love flows in on him, its vastness pent | 10 | ·······/˘· |
| Within his narrow life: the pain it brings, | 10 | ···/˘····· |
| Boundless; for love is infinite discontent | 10 | /˘···/˘˘˘/ |
| With the poor lonely life of transient things. | 10 | ···/˘··/˘· |
| Men see their god, an immanence divine, | 10 | ·····/˘˘˘/ |
| Smile through the curve of flesh or moulded clay, | 10 | ·······/˘· |
| In bare ploughed lands that go sloping away | 10 | ······/˘˘/ |
| To meet the sky in one clean exquisite line. | 10 | ·······/˘· |
| Out of the short-seen dawns of ecstasy | 10 | ·······/˘˘ |
| They draw new beauty, whence new thoughts are born | 10 | ···/˘····· |
| And in their turn conceive, as grains of corn | 10 | ····˘/···· |
| Germ and create new life and endlessly | 10 | ··˘/···/˘˘ |
| Shall live creating. Out of earthly seeds | 10 | ··˘/˘··/˘· |
| Springs the aerial flower. One spirit proceeds | 10 | ··/˘˘/·/˘/ |
| Through change, the same in body and in soul-- | 10 | ·····/˘··· |
| The spirit of life and love that triumphs still | 10 | ·/·····/˘· |
| In its slow struggle towards some far-off goal | 10 | ···/˘····· |
| Through lust and death and the bitterness of will. | 10 | ······/˘·· |
| One spirit it is that stirs the fathomless deep | 11 | ·/·····/˘˘· |
| Of human minds, that shakes the elms in storm, | 10 | ·/˘······· |
| That sings in passionate music, or on warm | 10 | ···/˘/˘··· |
| Still evenings bosoms forth the tufted sleep | 10 | ·/˘/˘··/˘· |
| Of thistle-seeds that wait a travelling wind. | 10 | ·/˘····/˘· |
| One spirit shapes the subtle rhythms of thought | 10 | ·/··/˘/˘·· |
| And the long thundering seas; the soul is wrought | 10 | ···/˘····· |
| Of one stuff with the body--matter and mind | 11 | ·····/˘/˘·· |
| Woven together in so close a mesh | 10 | /˘˘/˘····· |
| That flowers may blossom into a song, that flesh | 11 | ·/·/˘······ |
| May strangely teach the loveliest holiest things | 11 | ·/˘·····/˘· |
| To watching spirits. Truth is brought to birth | 10 | ·/˘/˘····· |
| Not in some vacant heaven: its beauty springs | 10 | ···/˘/·/˘· |
| From the dear bosom of material earth. | 10 | ···/˘·˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.