In the Little Room

Aldous Huxley (1894–1963) · 1918

iambic pentameter · 98 lines · from The Defeat of Youth, and Other Poems

London unfurls its incense-coloured duskBefore the panes, rich but a while agoWith the charred gold and the red ember-glowOf dying sunset. Houses quit the huskOf secrecy, which, through the day, returnsA blank to all enquiry: but at nightsThe cheerfulness of fire and lamp invitesThe darkness inward, curious of what burnsWith such a coloured life when all is dead--The daylight world outside, with overheadWhite clouds, and where we walk, the blazeOf wet and sunlit streets, shops and the streamOf glittering traffic--all that the nights erase,Colour and speed, surviving but in dream.

Outside the dusk, but in the little roomAll is alive with light, which brightly glintsOn curving cup or the stiff folds of chintz,Evoking its own whiteness. Shadows loom,Bulging and black, upon the walls, where hangRich coloured plates of beauties that appealLess to the sense of sight than to the feel,So moistly satin are their breasts. A pang,Almost of pain, runs through him when he seesHanging, a homeless marvel, next to these,The silken breastplate of a mandarin,Centuries dead, which he had given her.Exquisite miracle, when men could spinJay's wing and belly of the kingfisher!

In silence and as though expectantlyShe crouches at his feet, while he caressesHis light-drawn fingers with the touch of tressesSleeked round her head, close-banded lustrously,Save where at nape and temple the smooth brownSleaves out into a pale transparent mistOf hair and tangled light. So to exist,Poised 'twixt the deep of thought where spirits drownLife in a void impalpable nothingness,And, on the other side, the pain and stressOf clamorous action and the gnawing fireOf will, focal upon a point of earth--even thusTo sit, eternally without desireAnd yet self-known, were happiness for us.

She turns her head and in a flash of laughterLooks up at him: and helplessly he feelsThat life has circled with returning wheelsBack to a starting-point. Before and afterMerge in this instant, momently the same:For it was thus she leaned and laughing turnedWhen, manifest, the spirit of beauty burnedIn her young body with an inward flame,And first he knew and loved her. In full tideLife halts within him, suddenly stupefied.Sight blackness, lightning-struck; but blindly tenderHe draws her up to meet him, and she liesClose folded by his arms in glad surrender,Smiling, and with drooped head and half closed eyes.

"I give you all; would that I might give more."He sees the colour dawn across her cheeksAnd die again to white; marks as she speaksThe trembling of her lips, as though she boreSome sudden pain and hardly mastered it.Within his arms he feels her shuddering,Piteously trembling like some wild wood-thingCaught unawares. Compassion infiniteMounts up within him. Thus to hold and keepAnd comfort her distressed, lull her to sleepAnd gently kiss her brow and hair and eyesSeems love perfected--templed high and whiteAgainst the calm of golden autumn skies,And shining quenchlessly with vestal light.

But passion ambushed by the aerial shrineComes forth to dance, a hoofed obscenity,His satyr's dance, with laughter in his eye,And cruelty along the scarlet lineOf his bright smiling mouth. All uncontrolled,Love's rebel servant, he delights to beatThe maddening quick dry rhythm of goatish feetEven in the sanctuary, and makes boldTo mime himself the godhead of the place.He turns in terror from her trance-calmed face,From the white-lidded languor of her eyes,From lips that passion never shook before,But glad in the promise of her sacrifice:"I give you all; would that I might give more."

He is afraid, seeing her lie so still,So utterly his own; afraid lest sheShould open wide her eyes and let him seeThe passionate conquest of her virgin willShine there in triumph, starry-bright with tears.He thrusts her from him: face and hair and breast,Hands he had touched, lips that his lips had pressed,Seem things deadly to be desired. He fearsLest she should body forth in palpable shameThose dreams and longings that his blood, aflameThrough the hot dark of summer nights, had dreamedAnd longed. Must all his love, then, turn to this?Was lust the end of what so pure had seemed?He must escape, ah God! her touch, her kiss.

Words in this poem 20
coloured a.
Having color; tinged; dyed; painted; stained.
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
sunlit a.
Lighted by the sun.
surviving a.
Remaining alive; yet living or existing; as, surviving friends; surviving customs.
chintz n.
Cotton cloth, printed with flowers and other devices, in a number of different colors, and often glazed. [Hindi chint spotted cotton clooth, chinta spot.]
homeless a.
Destitute of a home. [AS.hamleas.]
eternally adv.
In an eternal manner.
circled a.
Having the form of a circle; round.
merge v. t.
To cause to be swallowed up; to immerse; to sink; to absorb. [L. mergere, mersum. Cf. Emerge, Immerse, Marrow.]
blindly adv.
Without sight, discernment, or understanding; without thought, investigation, knowledge, or purpose of one's own.
lull v. t.
To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
vestal a.
Of or pertaining to Vesta, the virgin goddess of the hearth; hence, pure; chaste. [L. Vestalis belonging to Vesta, vestal. See Vesta.]
rebel a.
Pertaining to rebels or rebellion; acting in revolt; rebellious; as, rebel troops. [F. rebelle, fr. L. rebellis. See Rebel, v. t.]
goatish a.
Characteristic of a goat; goatlike.
mime v. i.
To mimic. -- Mim"er, n.
shook v. t.
To pack, as staves, in a shook.
starry a.
Abounding with stars; adorned with stars.
aflame adv.
Inflames; glowing with light or passion; ablaze. G. Eliot. [Pref. a- + flame.]
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In the Little Room is in the public domain. This text is taken from The Defeat of Youth, and Other Poems, Project Gutenberg ebook #24364; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Aldous Huxley, In the Little Room, in The Defeat of Youth, and Other Poems (1918), text of Project Gutenberg ebook #24364, Laurel, https://laurelpoetry.com/poem/huxley-defeat-of-youth/in-the-little-room.html, id L22001.

Form and metre

In the Little Room is 98 lines in 7 stanzas of 14 lines each. The commonest rhyme scheme is ABBACDDCEEFGFG, in 3 of the 7 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBACDDCEE-F-F duskA · agoB · glowB · huskA · returnsC · nightsD · invitesD · burnsC · deadE · overheadE · blaze · streamF · erase · dreamF
  2. 2 A--ABCCBDDE-E- roomA · glints · chintz · loomA · hangB · appealC · feelC · pangB · seesD · theseD · mandarinE · her · spinE · kingfisher
  3. 3 -AA-BCCBDDEDED expectantly · caressesA · tressesA · lustrously · brownB · mistC · existC · drownB · nothingnessD · stressD · fireE · thusD · desireE · usD
  4. 4 ABBACDDCEEFGFG laughterA · feelsB · wheelsB · afterA · sameC · turnedD · burnedD · flameC · tideE · stupefiedE · tenderF · liesG · surrenderF · eyesG
  5. 5 ABBACDDCEEFGFG moreA · cheeksB · speaksB · boreA · itC · shudderingD · thingD · infiniteC · keepE · sleepE · eyesF · whiteG · skiesF · lightG
  6. 6 A--ABCCBDD-E-E shrineA · obscenity · eye · lineA · uncontrolledB · beatC · feetC · boldB · placeD · faceD · eyes · beforeE · sacrifice · moreE
  7. 7 ABBACDDCEEFGFG stillA · sheB · seeB · willA · tearsC · breastD · pressedD · fearsC · shameE · aflameE · dreamedF · thisG · seemedF · kissG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
London unfurls its incense-coloured dusk10/˘˘/·/·/˘·
Before the panes, rich but a while ago10········˘/
With the charred gold and the red ember-glow10·······/˘·
Of dying sunset. Houses quit the husk10·/˘/·/˘···
Of secrecy, which, through the day, returns10·/˘˘····˘/
A blank to all enquiry: but at nights10····˘/˘···
The cheerfulness of fire and lamp invites10·/˘˘·/··˘/
The darkness inward, curious of what burns10·/˘/˘/˘···
With such a coloured life when all is dead--10···/˘·····
The daylight world outside, with overhead10·/··//·/˘/
White clouds, and where we walk, the blaze8········
Of wet and sunlit streets, shops and the stream10···/······
Of glittering traffic--all that the nights erase,11·/˘/˘····˘/
Colour and speed, surviving but in dream.10/˘··˘/˘···
Outside the dusk, but in the little room10//·····/˘·
All is alive with light, which brightly glints10··˘/···/˘·
On curving cup or the stiff folds of chintz,10·/˘·······
Evoking its own whiteness. Shadows loom,10˘/˘··/˘/··
Bulging and black, upon the walls, where hang10/˘········
Rich coloured plates of beauties that appeal10·/˘··/˘·˘/
Less to the sense of sight than to the feel,10··········
So moistly satin are their breasts. A pang,10···/˘·····
Almost of pain, runs through him when he sees10/·········
Hanging, a homeless marvel, next to these,10/˘·/˘/˘···
The silken breastplate of a mandarin,10·/˘/···/˘˘
Centuries dead, which he had given her.10/˘˘····/˘·
Exquisite miracle, when men could spin10/˘˘/˘˘····
Jay's wing and belly of the kingfisher!10···/˘··/·˘
In silence and as though expectantly10·/˘·······
She crouches at his feet, while he caresses11·/˘·····˘/˘
His light-drawn fingers with the touch of tresses11···/˘····/˘
Sleeked round her head, close-banded lustrously,10·····/˘···
Save where at nape and temple the smooth brown10·····/˘···
Sleaves out into a pale transparent mist10······˘/˘·
Of hair and tangled light. So to exist,10···/˘···˘/
Poised 'twixt the deep of thought where spirits drown10·······/˘·
Life in a void impalpable nothingness,11····˘/˘˘/˘˘
And, on the other side, the pain and stress10···/˘·····
Of clamorous action and the gnawing fire11·/˘˘/˘··/˘/
Of will, focal upon a point of earth--even thus12··/˘······/·
To sit, eternally without desire11··˘/˘˘··˘/˘
And yet self-known, were happiness for us.10·····/˘˘··
She turns her head and in a flash of laughter11·········/˘
Looks up at him: and helplessly he feels10·····/˘˘··
That life has circled with returning wheels10···/˘·˘/˘·
Back to a starting-point. Before and after11···/˘······
Merge in this instant, momently the same:10···/˘/˘˘··
For it was thus she leaned and laughing turned10·······/˘·
When, manifest, the spirit of beauty burned10·/˘··/·/˘·
In her young body with an inward flame,10···/˘··/˘·
And first he knew and loved her. In full tide10··········
Life halts within him, suddenly stupefied.11·····/˘˘/˘˘
Sight blackness, lightning-struck; but blindly tender11·/˘/˘··/˘/˘
He draws her up to meet him, and she lies10··········
Close folded by his arms in glad surrender,11·/˘·····˘/˘
Smiling, and with drooped head and half closed eyes.10/˘········
"I give you all; would that I might give more."10··········
He sees the colour dawn across her cheeks10···/˘·˘/··
And die again to white; marks as she speaks10··˘/······
The trembling of her lips, as though she bore10·/˘·······
Some sudden pain and hardly mastered it.10·/˘··/˘/˘·
Within his arms he feels her shuddering,10·······/˘˘
Piteously trembling like some wild wood-thing10···/˘·····
Caught unawares. Compassion infinite10··˘/˘/˘/˘˘
Mounts up within him. Thus to hold and keep10··········
And comfort her distressed, lull her to sleep10·/˘·˘/····
And gently kiss her brow and hair and eyes10·/˘·······
Seems love perfected--templed high and white10··˘/˘/˘···
Against the calm of golden autumn skies,10·····/˘/˘·
And shining quenchlessly with vestal light.10·/˘····/˘·
But passion ambushed by the aerial shrine10·/˘/···/˘·
Comes forth to dance, a hoofed obscenity,10······˘/˘˘
His satyr's dance, with laughter in his eye,10·····/˘···
And cruelty along the scarlet line9·/˘˘/·/˘·
Of his bright smiling mouth. All uncontrolled,10···/˘···˘/
Love's rebel servant, he delights to beat10·/˘/˘·˘/··
The maddening quick dry rhythm of goatish feet11·/˘··/˘·/˘·
Even in the sanctuary, and makes bold10/··/˘·˘···
To mime himself the godhead of the place.10··˘/·/····
He turns in terror from her trance-calmed face,10···/˘·····
From the white-lidded languor of her eyes,10···/˘/˘···
From lips that passion never shook before,10···/˘/˘···
But glad in the promise of her sacrifice:11····/˘··/˘·
"I give you all; would that I might give more."10··········
He is afraid, seeing her lie so still,10··˘//˘····
So utterly his own; afraid lest she10·/˘˘··˘/··
Should open wide her eyes and let him see10·/˘·······
The passionate conquest of her virgin will10·/˘/˘··/˘·
Shine there in triumph, starry-bright with tears.10···/˘/˘···
He thrusts her from him: face and hair and breast,10··········
Hands he had touched, lips that his lips had pressed,10··········
Seem things deadly to be desired. He fears10··/˘··˘/··
Lest she should body forth in palpable shame10···/˘··/˘·
Those dreams and longings that his blood, aflame10···/˘···˘/
Through the hot dark of summer nights, had dreamed10·····/˘···
And longed. Must all his love, then, turn to this?10··········
Was lust the end of what so pure had seemed?10··········
He must escape, ah God! her touch, her kiss.10··˘/······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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