To Canaris, the Greek Patriot

Victor Hugo (1802–1885), translated by various hands · 1888

iambic pentameter · AABBCCDD · 58 lines · from Poems

O Canaris! O Canaris! the poet's songHas blameful left untold thy deeds too long!But when the tragic actor's part is done,When clamor ceases, and the fights are won,When heroes realize what Fate decreed,When chieftains mark no more which thousands bleed;When they have shone, as clouded or as bright,As fitful meteor in the heaven at night,And when the sycophant no more proclaimsTo gaping crowds the glory of their names,--'Tis then the mem'ries of warriors die,And fall--alas!--into obscurity,Until the poet, in whose verse aloneExists a world--can make their actions known,And in eternal epic measures, showThey are not yet forgotten here below.And yet by us neglected! glory gloomed,Thy name seems sealed apart, entombed,Although our shouts to pigmies rise--no criesTo mark thy presence echo to the skies;Farewell to Grecian heroes--silent is the lute,And sets your sun without one Memnon bruit?

There was a time men gave no peaceTo cheers for Athens, Bozzaris, Leonidas, and Greece!And Canaris' more-worshipped name was foundOn ev'ry lip, in ev'ry heart around.But now is changed the scene! On hist'ry's pageAre writ o'er thine deeds of another age,And thine are not remembered.--Greece, farewell!The world no more thine heroes' deeds will tell.

Not that this matters to a man like thee!To whom is left the dark blue open sea,Thy gallant bark, that o'er the water flies,And the bright planet guiding in clear skies;All these remain, with accident and strife,Hope, and the pleasures of a roving life,Boon Nature's fairest prospects--land and main--The noisy starting, glad return again;The pride of freeman on a bounding deckWhich mocks at dangers and despises wreck,And e'en if lightning-pinions cleave the sea,'Tis all replete with joyousness to thee!

Yes, these remain! blue sky and ocean blue,Thine eagles with one sweep beyond the view--The sun in golden beauty ever pure,The distance where rich warmth doth aye endure--Thy language so mellifluously bland,Mixed with sweet idioms from Italia's strand,As Baya's streams to Samos' waters glideAnd with them mingle in one placid tide.

Yes, these remain, and, Canaris! thy arms--The sculptured sabre, faithful in alarms--The broidered garb, the yataghan, the vestExpressive of thy rank, to thee still rest!And when thy vessel o'er the foaming soundIs proud past storied coasts to blithely bound,At once the point of beauty may restoreSmiles to thy lip, and smoothe thy brow once more.

Words in this poem 16
blameful a.
Faulty; meriting blame.
untold a.
Not told; not related; not revealed; as, untold secrets.
realize v. t.
To make real; to convert from the imaginary or fictitious into the actual; to bring into concrete existence; to accomplish; as, to realize a scheme or project. [Cf. F. réaliser.]
fitful a.
Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
memnon n.
A celebrated Egyptian statue near Thebes, said to have the property of emitting a harplike sound at sunrise.
bruit n.
Report; rumor; fame. [OE. bruit, brut, noise, bruit, F. bruit, fr. LL. brugitus; cf. L. rugire to roar; perh. influenced by the source of E. bray to make a harsh noise, Armor. brud b]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
replete a.
Filled again; completely filled; full; charged; abounding. [L. repletus, p. p. of replere to fill again, fill up; pref. re- re- + plere to fill, akin to plenus full: cf. F. replet corpulent. See Plenty, Replenish.]
placid a.
Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
sabre n.
A sword with a broad and heavy blade, thick at the back, and usually more or less curved like a scimiter; a cavalry sword. Saber fish, or Sabre fish (Zoöl.), the cutlass fish.
garb n.
External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
yataghan n.
A long knife, or short saber, common among Mohammedan nations, usually having a double curve, sometimes nearly straight. [Turk. yataghan.]
vest n.
An article of clothing covering the person; an outer garment; a vestment; a dress; a vesture; a robe. [L. vestis a garment, vesture; akin to Goth. wasti, and E. wear: cf. F. veste. See Wear to carry on the person, and cf. Divest, Invest, Travesty.]
storied a.
Told in a story. [From Story.]
blithely adv.
In a blithe manner.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Canaris, the Greek Patriot is in the public domain. This text is taken from Poems, Project Gutenberg ebook #8775, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Victor Hugo, To Canaris, the Greek Patriot, in Poems (1888), text of Project Gutenberg ebook #8775, Laurel, https://laurelpoetry.com/poem/hugo-poems/to-canaris-the-greek-patriot.html, id L26756.

Form and metre

To Canaris, the Greek Patriot is 58 lines in 5 stanzas. The rhyme scheme is AABBCCDD, complete in 3 of its 5 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE--FFGGHHIIJJ songA · longA · doneB · wonB · decreedC · bleedC · brightD · nightD · proclaimsE · namesE · die · obscurity · aloneF · knownF · showG · belowG · gloomedH · entombedH · criesI · skiesI · luteJ · bruitJ
  2. 2 AABBCCDD peaceA · greeceA · foundB · aroundB · pageC · ageC · farewellD · tellD
  3. 3 AABBCCDDEEAA theeA · seaA · fliesB · skiesB · strifeC · lifeC · mainD · againD · deckE · wreckE · seaA · theeA
  4. 4 AABBCCDD blueA · viewA · pureB · endureB · blandC · strandC · glideD · tideD
  5. 5 AABBCCDD armsA · alarmsA · vestB · restB · soundC · boundC · restoreD · moreD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
O Canaris! O Canaris! the poet's song12·········/˘·
Has blameful left untold thy deeds too long!10·/˘·˘/····
But when the tragic actor's part is done,10···/˘/˘···
When clamor ceases, and the fights are won,10·/˘/˘·····
When heroes realize what Fate decreed,9·/˘/···˘/
When chieftains mark no more which thousands bleed;10·/˘····/˘·
When they have shone, as clouded or as bright,10·····/˘···
As fitful meteor in the heaven at night,10·/˘/˘··/··
And when the sycophant no more proclaims10···/˘˘··˘/
To gaping crowds the glory of their names,--10·/˘··/˘···
'Tis then the mem'ries of warriors die,9·····/˘˘·
And fall--alas!--into obscurity,10··˘/··˘/˘˘
Until the poet, in whose verse alone10···/˘···˘/
Exists a world--can make their actions known,10˘/·····/˘·
And in eternal epic measures, show10··˘/˘/˘/˘·
They are not yet forgotten here below.10····˘/˘···
And yet by us neglected! glory gloomed,10····˘/˘/˘·
Thy name seems sealed apart, entombed,10····˘˘/˘/˘
Although our shouts to pigmies rise--no cries10··/··/˘···
To mark thy presence echo to the skies;10···/˘/˘···
Farewell to Grecian heroes--silent is the lute,12·/·/˘/˘/˘···
And sets your sun without one Memnon bruit?10·······/··
There was a time men gave no peace8········
To cheers for Athens, Bozzaris, Leonidas, and Greece!13···/˘········
And Canaris' more-worshipped name was found10·····/˘···
On ev'ry lip, in ev'ry heart around.10··········
But now is changed the scene! On hist'ry's page10··········
Are writ o'er thine deeds of another age,10······˘/˘·
And thine are not remembered.--Greece, farewell!10····˘/˘··/
The world no more thine heroes' deeds will tell.10·····/˘···
Not that this matters to a man like thee!10···/˘·····
To whom is left the dark blue open sea,10·······/˘·
Thy gallant bark, that o'er the water flies,10·/˘····/˘·
And the bright planet guiding in clear skies;10···/˘/˘···
All these remain, with accident and strife,10··˘/·/˘˘··
Hope, and the pleasures of a roving life,10···/˘··/˘·
Boon Nature's fairest prospects--land and main--10·/˘/˘/˘···
The noisy starting, glad return again;10·/˘/˘·˘/˘/
The pride of freeman on a bounding deck10···/˘··/˘·
Which mocks at dangers and despises wreck,10···/˘·˘/˘·
And e'en if lightning-pinions cleave the sea,10···/˘/˘···
'Tis all replete with joyousness to thee!9··˘/·····
Yes, these remain! blue sky and ocean blue,10··˘/···/˘·
Thine eagles with one sweep beyond the view--10·/˘·······
The sun in golden beauty ever pure,10···/˘/˘/˘·
The distance where rich warmth doth aye endure--10·/˘·····˘/
Thy language so mellifluously bland,9·/˘······
Mixed with sweet idioms from Italia's strand,10···/˘·˘/˘·
As Baya's streams to Samos' waters glide9····/˘/˘·
And with them mingle in one placid tide.10···/˘··/˘·
Yes, these remain, and, Canaris! thy arms--10··˘/······
The sculptured sabre, faithful in alarms--10·/˘/˘/˘·˘/
The broidered garb, the yataghan, the vest10·····/˘˘··
Expressive of thy rank, to thee still rest!10˘/˘·······
And when thy vessel o'er the foaming sound10···/˘··/˘·
Is proud past storied coasts to blithely bound,10···/˘··/˘·
At once the point of beauty may restore10·····/˘·˘/
Smiles to thy lip, and smoothe thy brow once more.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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