Regret
Yes, Happiness hath left me soon behind!Alas! we all pursue its steps! and whenWe've sunk to rest within its arms entwined,Like the Phoenician virgin, wake, and findOurselves alone again.
Then, through the distant future's boundless space,We seek the lost companion of our days:"Return, return!" we cry, and lo, apacePleasure appears! but not to fill the placeOf that we mourn always.
I, should unhallowed Pleasure woo me now,Will to the wanton sorc'ress say, "Begone!Respect the cypress on my mournful brow,Lost Happiness hath left regret--but thouLeavest remorse, alone."
Yet, haply lest I check the mounting fire,O friends, that in your revelry appears!With you I'll breathe the air which ye respire,And, smiling, hide my melancholy lyreWhen it is wet with tears.
Each in his secret heart perchance doth ownSome fond regret 'neath passing smiles concealed;--Sufferers alike together and aloneAre we; with many a grief to others known,How many unrevealed!
Alas! for natural tears and simple pains,For tender recollections, cherished long,For guileless griefs, which no compunction stains,We blush; as if we wore these earthly chainsOnly for sport and song!
Yes, my blest hours have fled without a trace:In vain I strove their parting to delay;Brightly they beamed, then left a cheerless space,Like an o'erclouded smile, that in the faceLightens, and fades away.
Words in this poem
- phoenician a.
- Of or pertaining to Phoenica.
- apace adv.
- With a quick pace; quick; fast; speedily. [Pref. a- + pace. OE. a pas at a walk, in which a is the article. See Pace.]
- unhallowed a.
- Not consecrated; hence, profane; unholy; impious; wicked. [Pref. un- not + hallowed.]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- respire v. i.
- To take breath again; hence, to take rest or refreshment. [L. respirare, respiratum; pref. re- re- + spirare to breathe: cf. F. respirer. See Spirit.]
- guileless a.
- Free from guile; artless.
- compunction n.
- A pricking; stimulation. [OF. compunction, F. componction, L. compunctio, fr. compungere, compunctum, to prick; com- + pungere to prick, sting. See Pungent.]
- beamed a.
- Furnished with beams, as the head of a stag.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Regret is in the public domain. This text is taken from Poems, Project Gutenberg ebook #8775, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Victor Hugo, Regret, in Poems (1888), text of Project Gutenberg ebook #8775, Laurel, https://laurelpoetry.com/poem/hugo-poems/regret.html, id L26705.
Form and metre
Regret is 35 lines in 7 stanzas of 5 lines each. Every stanza rhymes ABAAB. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAAB behindA · whenB · entwinedA · findA · againB
- 2 ABAAB spaceA · daysB · apaceA · placeA · alwaysB
- 3 ABAAB nowA · begoneB · browA · thouA · aloneB
- 4 ABAAB fireA · appearsB · respireA · lyreA · tearsB
- 5 ABAAB ownA · concealedB · aloneA · knownA · unrevealedB
- 6 ABAAB painsA · longB · stainsA · chainsA · songB
- 7 ABAAB traceA · delayB · spaceA · faceA · awayB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Yes, Happiness hath left me soon behind! | 10 | ·/˘˘······ |
| Alas! we all pursue its steps! and when | 10 | ˘/··˘/···· |
| We've sunk to rest within its arms entwined, | 10 | ········˘/ |
| Like the Phoenician virgin, wake, and find | 10 | ··˘/˘/˘··· |
| Ourselves alone again. | 7 | ˘˘/˘/˘/ |
| Then, through the distant future's boundless space, | 10 | ···/˘/˘/˘· |
| We seek the lost companion of our days: | 10 | ····˘/˘·/· |
| "Return, return!" we cry, and lo, apace | 10 | ˘/˘/····˘/ |
| Pleasure appears! but not to fill the place | 10 | /˘˘/······ |
| Of that we mourn always. | 6 | ····/· |
| I, should unhallowed Pleasure woo me now, | 10 | ··˘/˘/˘··· |
| Will to the wanton sorc'ress say, "Begone! | 10 | ···/˘···˘/ |
| Respect the cypress on my mournful brow, | 10 | ˘/·/˘··/˘· |
| Lost Happiness hath left regret--but thou | 10 | ·/˘˘··˘/·· |
| Leavest remorse, alone." | 6 | /˘˘/˘/ |
| Yet, haply lest I check the mounting fire, | 11 | ·/˘····/˘/˘ |
| O friends, that in your revelry appears! | 10 | ·····/˘˘˘/ |
| With you I'll breathe the air which ye respire, | 10 | ········˘/ |
| And, smiling, hide my melancholy lyre | 10 | ·/˘··/˘·˘· |
| When it is wet with tears. | 6 | ······ |
| Each in his secret heart perchance doth own | 10 | ···/˘·˘/·· |
| Some fond regret 'neath passing smiles concealed;-- | 10 | ··˘/·/˘·˘/ |
| Sufferers alike together and alone | 10 | /˘˘/˘/˘·˘/ |
| Are we; with many a grief to others known, | 10 | ···/···/˘· |
| How many unrevealed! | 6 | ·/˘··· |
| Alas! for natural tears and simple pains, | 10 | ˘/·/˘··/˘· |
| For tender recollections, cherished long, | 10 | ·/˘·˘/˘/˘· |
| For guileless griefs, which no compunction stains, | 10 | ·/˘···˘/˘· |
| We blush; as if we wore these earthly chains | 10 | ·······/˘· |
| Only for sport and song! | 6 | /˘···· |
| Yes, my blest hours have fled without a trace: | 10 | ···/······ |
| In vain I strove their parting to delay; | 10 | ·····/˘·˘/ |
| Brightly they beamed, then left a cheerless space, | 10 | /˘·····/˘· |
| Like an o'erclouded smile, that in the face | 10 | ·········· |
| Lightens, and fades away. | 6 | /˘··˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.