Prelude to "The Songs of Twilight"
How shall I note thee, line of troubled years,Which mark existence in our little span?One constant twilight in the heaven appears--One constant twilight in the mind of man!
Creed, hope, anticipation and despair,Are but a mingling, as of day and night;The globe, surrounded by deceptive air,Is all enveloped in the same half-light.
And voice is deadened by the evening breeze,The shepherd's song, or maiden's in her bower,Mix with the rustling of the neighboring trees,Within whose foliage is lulled the power.
Yet all unites! The winding path that leadsThro' fields where verdure meets the trav'ller's eye.The river's margin, blurred with wavy reeds,The muffled anthem, echoing to the sky!
The ivy smothering the armèd tower;The dying wind that mocks the pilot's ear;The lordly equipage at midnight hour,Draws into danger in a fog the peer;
The votaries of Satan or of Jove;The wretched mendicant absorbed in woe;The din of multitudes that onward move;The voice of conscience in the heart below;
The waves, which Thou, O Lord, alone canst still;Th' elastic air; the streamlet on its way;And all that man projects, or sovereigns will;Or things inanimate might seem to say;
The strain of gondolier slow streaming by;The lively barks that o'er the waters bound;The trees that shake their foliage to the sky;The wailing voice that fills the cots around;
And man, who studies with an aching heart--For now, when smiles are rarely deemed sincere,In vain the sceptic bids his doubts depart--Those doubts at length will arguments appear!
Hence, reader, know the subject of my song--A mystic age, resembling twilight gloom,Wherein we smile at birth, or bear along,With noiseless steps, a victim to the tomb!
Words in this poem
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- anthem v. t.
- To celebrate with anthems.
- jove n.
- The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
- conscience n.
- Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
- streamlet n.
- A small stream; a rivulet; a rill.
- gondolier n.
- A man who rows a gondola. [It. gondoliere: cf. F. gondolier.]
- streaming a.
- Sending forth streams.
- aching a.
- That aches; continuously painful. See Ache.
- sceptic
- etc. See Skeptic, Skeptical, Skepticism, etc.
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Prelude to "The Songs of Twilight" is in the public domain. This text is taken from Poems, Project Gutenberg ebook #8775, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Victor Hugo, Prelude to "The Songs of Twilight", in Poems (1888), text of Project Gutenberg ebook #8775, Laurel, https://laurelpoetry.com/poem/hugo-poems/prelude-to-the-songs-of-twilight.html, id L26744.
Form and metre
Prelude to "The Songs of Twilight" is 40 lines in 10 stanzas of 4 lines each. Every stanza rhymes ABAB. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB yearsA · spanB · appearsA · manB
- 2 ABAB despairA · nightB · airA · lightB
- 3 ABAB breezeA · bowerB · treesA · powerB
- 4 ABAB leadsA · eyeB · reedsA · skyB
- 5 ABAB towerA · earB · hourA · peerB
- 6 ABAB joveA · woeB · moveA · belowB
- 7 ABAB stillA · wayB · willA · sayB
- 8 ABAB byA · boundB · skyA · aroundB
- 9 ABAB heartA · sincereB · departA · appearB
- 10 ABAB songA · gloomB · alongA · tombB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| How shall I note thee, line of troubled years, | 10 | ·······/˘· |
| Which mark existence in our little span? | 10 | ··˘/˘·//˘· |
| One constant twilight in the heaven appears-- | 10 | ·/˘/···/˘/ |
| One constant twilight in the mind of man! | 10 | ·/˘/······ |
| Creed, hope, anticipation and despair, | 10 | ··˘·˘/˘·˘/ |
| Are but a mingling, as of day and night; | 10 | ···/˘····· |
| The globe, surrounded by deceptive air, | 10 | ··˘/˘·˘/˘· |
| Is all enveloped in the same half-light. | 10 | ··˘/˘····· |
| And voice is deadened by the evening breeze, | 10 | ···/˘··/˘· |
| The shepherd's song, or maiden's in her bower, | 11 | ·/˘··/˘··/˘ |
| Mix with the rustling of the neighboring trees, | 10 | ···/˘··/˘· |
| Within whose foliage is lulled the power. | 10 | ···/˘···/˘ |
| Yet all unites! The winding path that leads | 10 | ··˘/·/˘··· |
| Thro' fields where verdure meets the trav'ller's eye. | 10 | ···/˘····· |
| The river's margin, blurred with wavy reeds, | 10 | ·/˘/˘··/˘· |
| The muffled anthem, echoing to the sky! | 10 | ·/˘/˘/˘··· |
| The ivy smothering the armèd tower; | 10 | ·/˘/˘˘··/˘ |
| The dying wind that mocks the pilot's ear; | 10 | ·/˘····/˘· |
| The lordly equipage at midnight hour, | 11 | ·/˘/˘˘·/·/˘ |
| Draws into danger in a fog the peer; | 10 | ···/˘····· |
| The votaries of Satan or of Jove; | 9 | ····/˘··· |
| The wretched mendicant absorbed in woe; | 10 | ·/˘/˘˘˘/·· |
| The din of multitudes that onward move; | 10 | ···/˘··/˘· |
| The voice of conscience in the heart below; | 10 | ···/˘····· |
| The waves, which Thou, O Lord, alone canst still; | 10 | ······˘/·· |
| Th' elastic air; the streamlet on its way; | 10 | ˘/˘··/˘··· |
| And all that man projects, or sovereigns will; | 10 | ····˘/·/˘· |
| Or things inanimate might seem to say; | 10 | ··˘/˘˘···· |
| The strain of gondolier slow streaming by; | 10 | ····˘/·/˘· |
| The lively barks that o'er the waters bound; | 10 | ·/˘····/˘· |
| The trees that shake their foliage to the sky; | 10 | ·····/˘··· |
| The wailing voice that fills the cots around; | 10 | ·/˘······· |
| And man, who studies with an aching heart-- | 10 | ···/˘··/˘· |
| For now, when smiles are rarely deemed sincere, | 10 | ·····/˘·˘/ |
| In vain the sceptic bids his doubts depart-- | 10 | ········˘/ |
| Those doubts at length will arguments appear! | 10 | ·····/˘˘˘/ |
| Hence, reader, know the subject of my song-- | 10 | ·/˘··/˘··· |
| A mystic age, resembling twilight gloom, | 10 | ·/˘·˘/˘/·· |
| Wherein we smile at birth, or bear along, | 10 | ········˘/ |
| With noiseless steps, a victim to the tomb! | 10 | ·/˘··/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.