The Woodlark
TEEVO cheetio cheevio chee:O where, what can that be?Weedio-weedio: there again!So tiny a trickle of song-strain;And all round not to be foundFor brier, bough, furrow, or green groundBefore or behind or far or at handEither left either rightAnywhere in the sunlight.Well, after all! Ah but hark--'I am the little woodlark.To-day the sky is two and twoWith white strokes and strains of the blueRound a ring, around a ringAnd while I sail (must listen) I singThe skylark is my cousin and heIs known to men more than me. . . when the cry withinSays Go on then I go onTill the longing is less and the good gone
But down drop, if it says Stop,To the all-a-leaf of the treetopAnd after that off the boughI am so very, O so very gladThat I do think there is not to be had . . .The blue wheat-acre is underneathAnd the braided ear breaks out of the sheath,The ear in milk, lush the sash,And crush-silk poppies aflash,The blood-gush blade-gashFlame-rash rudredBud shelling or broad-shedTatter-tassel-tangled and dingle-a-dangledDandy-hung dainty head.And down ... the furrow drySunspurge and oxeyeAnd laced-leaved lovelyFoam-tuft fumitoryThrough the velvety wind V-wingedTo the nest's nook I balance and buoyWith a sweet joy of a sweet joy,Sweet, of a sweet, of a sweet joyOf a sweet--a sweet--sweet--joy.'
I AWOKE in the Midsummer not to call night, |in thewhite and the walk of the morning:The moon, dwindled and thinned to the fringe | of afinger-nail held to the candle,Or paring of paradisaical fruit, | lovely in waning butlustreless,Stepped from the stool, drew back from the barrow, | ofdark Maenefa the mountain;A cusp still clasped him, a fluke yet fanged him, | en-tangled him, not quit utterly.This was the prized, the desirable sight, | unsought, pre-sented so easily,Parted me leaf and leaf, divided me, | eyelid and eyelid ofslumber.
REPEAT that, repeat,Cuckoo, bird, and open ear wells, heart-springs, delight-fully sweet,With a ballad, with a ballad, a reboundOff trundled timber and scoops of the hillside ground,hollow hollow hollow ground:The whole landscape flushes on a sudden at a sound.
'The child is father to the man.'How can he be? The words are wild.Suck any sense from that who can:'The child is father to the man.'No; what the poet did write ran,'The man is father to the child.''The child is father to the man!'How can he be? The words are wild.
THE shepherd's brow fronting forked lightning, ownsThe horror and the havoc and the gloryOf it. Angels fall, they are towers, from heaven--a storyOf just, majestical, and giant groans.But man--we, scaffold of score brittle bones;Who breathe, from groundlong babyhood to hoaryAge gasp; whose breath is our memento mori--What bass is our viol for tragic tones?He! Hand to mouth he lives, and voids with shame;And, blazoned in however bold the name,Man Jack the man is, just; his mate a hussy.And I that die these deaths, that feed this flame,That ... in smooth spoons spy life's masque mirrored:tameMy tempests there, my fire and fever fussy.
MORTAL my mate, bearing my rock-a-heartWarm beat with cold beat company, shall IEarlier or you fail at our force, and lieThe ruins of, rifled, once a world of art?The telling time our task is; time's some part,Not all, but we were framed to fail and die--One spell and well that one. There, ah therebyIs comfort's carol of all or woe's worst smart.
Field-flown the departed day no morning bringsSaying 'This was yours' with her, but new one, worse.And then that last and shortest . . .
STRIKE, churl; hurl, cheerless wind, then; heltering hailMay's beauty massacre and wisped wild clouds growOut on the giant air; tell Summer No,Bid joy back, have at the harvest, keep Hope pale.
HARK, hearer, hear what I do; lend a thought now, make believeWe are leafwhelmed somewhere with the hoodOf some branchy bunchy bushybowered wood,Southern dene or Lancashire clough or Devon cleave,That leans along the loins of hills, where a candycoloured, wherea gluegold-brownMarbled river, boisterously beautiful, betweenRoots and rocks is danced and dandled, all in froth and water-blowballs, down.We are there, when we hear a shoutThat the hanging honeysuck, the dogeared hazels in the coverMakes dither, makes hoverAnd the riot of a routOf, it must be, boys from the townBathing: it is summer's sovereign good.
By there comes a listless stranger: beckoned by the noiseHe drops towards the river: unseenSees the bevy of them, how the boysWith dare and with downdolphinry and bellbright bodies hud-dling out,Are earthworld, airworld, waterworld thorough hurled, all byturn and turn about.
This garland of their gambols flashes in his breastInto such a sudden zestOf summertime joysThat he hies to a pool neighbouring; sees it is the bestThere; sweetest, freshest, shadowiest;Fairyland; silk-beech, scrolled ash, packed sycamore, wildwychelm, hornbeam fretty overstoodBy. Rafts and rafts of flake-leaves light, dealt so, painted on the air,Hang as still as hawk or hawkmoth, as the stars or as the angelsthere,Like the thing that never knew the earth, never off rootsRose. Here he feasts: lovely all is! No more: off with--down he dingsHis bleached both and woolwoven wear:Careless these in coloured wispAll lie tumbled-to; then with loop-locksForward falling, forehead frowning, lips crispOver finger-teasing task, his twiny bootsFast he opens, last he offwringsTill walk the world he can with bare his feetAnd come where lies a coffer, burly all of blocksBuilt of chancequarried, selfquained rocksAnd the water warbles over into, filleted with glassy grassyquicksilvery shives and shootsAnd with heavenfallen freshness down from moorland still brims,Dark or daylight on and on. Here he will then, here he willthe fleetFlinty kindcold element let break across his limbsLong. Where we leave him, froliclavish while he looks abouthim, laughs, swims.
Enough now; since the sacred matter that I meanI should be wronging longer leaving it to floatUpon this only gambolling and echoing-of-earth note--What is ... the delightful dene?Wedlock. What the water? Spousal love.Father, mother, brothers, sisters, friendsInto fairy trees, wild flowers, wood fernsRanked round the bower
Words in this poem 47
- brier n.
- A plant with a slender woody stem bearing stout prickles; especially, species of Rosa, Rubus, and Smilax. [OE. brere, brer, AS. brer, brær; cf. Ir. briar prickle, thorn, brier, pin, Gael. preas bush, brier, W. prys, prysg.]
- skylark n.
- A lark that mounts and sings as it files, especially the common species (Alauda arvensis) found in Europe and in some parts of Asia, and celebrated for its melodious song; -- called also sky laverock.
- lush a.
- Full of juice or succulence. [Prob. an abbrev. of lushious, fr. luscious.]
- shelling n.
- Groats; hulled oats. Simmonds.
- dainty n.
- Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
- laced a.
- Fastened with a lace or laces; decorated with narrow strips or braid. See Lace, v. t.
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- midsummer n.
- The middle of summer. Shak. Midsummer daisy (Bot.), the oxeye daisy. [AS. midsumor.]
- paradisaical a.
- Of or pertaining to, or resembling, paradise; paradisiacal.
- waning n.
- The act or process of waning, or decreasing.
- lustreless a.
- Destitute of luster; dim; dull.
- cusp n.
- A triangular protection from the intrados of an arch, or from an inner curve of tracery. [L. cuspis, -idis, point, pointed end.]
- fanged a.
- Having fangs or tusks; as, a fanged adder. Also used figuratively.
- havoc n.
- Wide and general destruction; devastation; waste. [W. hafog devastation, havoc; or, if this be itself fr. E. havoc, cf. OE. havot, or AS. hafoc hawk, which is a cruel or rapacious bird, or F. hai, voux! a cry to]
- majestical a.
- Majestic. Cowley.
- babyhood n.
- The state or period of infancy.
- hoary a.
- White or whitish."The hoary willows."
- gasp v. i.
- To open the mouth wide in catching the breath, or in laborious respiration; to labor for breath; to respire convulsively; to pant violently. [OE. gaspen, gaispen, to yawn, gasp, Icel. geispa to yawn; akin to Sw. gäspa, Dan. gispe to gasp.]
- memento n.
- A hint, suggestion, token, or memorial, to awaken memory; that which reminds or recalls to memory; a souvenir. [L., remember, be mindful, imper. of meminisse to remember. See Mention.]
- hussy n.
- A housewife or housekeeper. [Contr. fr. huswife.]
- masque n.
- A mask; a masquerade.
- fussy a.
- Making a fuss; disposed to make an unnecessary ado about trifles; overnice; fidgety.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- carol v. t.
- To praise or celebrate in song.
- flown a.
- Flushed, inflated.
- massacre n.
- The killing of a considerable number of human beings under circumstances of atrocity or cruelty, or contrary to the usages of civilized people; as, the massacre on St. Bartholomew's Day. [F., fr. LL. mazacrium; cf. Prov. G. metzgern, metzgen, to kill cattle, G. metzger a butcher, and LG. matsken to cut, hew, OHG. meizan to cut, Goth. máitan.]
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- branchy a.
- Full of branches; having wide-spreading branches; consisting of branches.
- bunchy a.
- Swelling out in bunches.
- clough n.
- A cleft in a hill; a ravine; a narrow valley. Nares. [OE. clough, cloghe, clou, clewch, AS. (assumed) cloh, akin to G. klinge ravine.]
- marbled a.
- Made of, or faced with, marble.
- boisterously adv.
- In a boisterous manner.
- hover n.
- A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
- listless a.
- Having no desire or inclination; indifferent; heedless; spiritless. [OE. listles, lustles. See Lust.]
- unseen a.
- Not seen or discovered.
- bevy n.
- A company; an assembly or collection of persons, especially of ladies. [Perhaps orig. a drinking company, fr. OF. bevée (cf. It. beva) a drink, beverage; then, perh., a company in general, esp. of ladies; and last applied by sportsm]
- zest n.
- A piece of orange or lemon peel, or the aromatic oil which may be squeezed from such peel, used to give flavor to liquor, etc. [F. zeste, probably fr. L. schistos split, cleft, divided, Gr. Schism.]
- neighbouring a.
- Living or being near; adjacent; as, the neighboring nations or countries.
- fairyland n.
- The imaginary land or abode of fairies.
- scrolled a.
- Formed like a scroll; contained in a scroll; adorned with scrolls; as, scrolled work.
- fretty a.
- Adorned with fretwork. [See 5th Fret.]
- bleached a.
- Whitened; make white.
- coloured a.
- Having color; tinged; dyed; painted; stained.
- wisp n.
- A small bundle, as of straw or other like substance. [OE. wisp, wips; probably akin to D. & G. wisch, Icel. visk, and perhaps to L. virga a twig, rod. Cf. Verge a rod, Whisk, n.]
- moorland n.
- Land consisting of a moor or moors. [AS. morland.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- spousal a.
- Of or pertaining to a spouse or marriage; nuptial; matrimonial; conjugal; bridal; as, spousal rites; spousal ornaments. [See Espousal, Sponsal, and Spouse.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Woodlark is in the public domain. This text is taken from Poems of Gerard Manley Hopkins Now First Published, Project Gutenberg ebook #22403; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Gerard Manley Hopkins, The Woodlark, in Poems (1918), text of Project Gutenberg ebook #22403, Laurel, https://laurelpoetry.com/poem/hopkins-poems/the-woodlark.html, id L04421.
Form and metre
The Woodlark is 162 lines in 13 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter. 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 27 lines end on an unstressed syllable, a feminine ending. 54% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC-DDEEFFGGAA-HH cheeA · beA · againB · strainB · foundC · groundC · hand · rightD · sunlightD · harkE · woodlarkE · twoF · blueF · ringG · singG · heA · meA · within · onH · goneH
- 2 ---AABBCCCDD-DEE----FFF stop · treetop · bough · gladA · hadA · underneathB · sheathB · sashC · aflashC · gashC · rudredD · shedD · dangled · headD · dryE · oxeyeE · lovely · fumitory · winged · buoy · joyF · joyF · joyF
- 3 A-A---BCC---B- theA · morning · aA · candle · but · lustreless · ofB · mountainC · enC · utterly · pre · easily · ofB · slumber
- 4 A-ABBBB repeatA · delight · sweetA · reboundB · groundB · groundB · soundB
- 5 ABAAABAB manA · wildB · canA · manA · ranA · childB · manA · wildB
- 6 ABBAABBACCDC-CD ownsA · gloryB · storyB · groansA · bonesA · hoaryB · moriB · tonesA · shameC · nameC · hussyD · flameC · mirrored · tameC · fussyD
- 7 ABBAABBA heartA · iB · lieB · artA · partA · dieB · therebyB · smartA
- 9 ABBA hailA · growB · noB · paleA
- 10 ABBA-C--CDEEDCB believeA · hoodB · woodB · cleaveA · where · brownC · between · water · downC · shoutD · coverE · hoverE · routD · townC · goodB
- 11 A-A-B-B noiseA · unseen · boysA · hud · outB · by · aboutB
- 12 AA-AA--B-BC-DBEFECDGFF-CH-GH-H breastA · zestA · joys · bestA · shadowiestA · wild · overstood · airB · angels · thereB · rootsC · with · dingsD · wearB · wispE · locksF · crispE · bootsC · offwringsD · feetG · blocksF · rocksF · grassy · shootsC · brimsH · will · fleetG · limbsH · about · swimsH
- 13 ABBA---- meanA · floatB · noteB · deneA · love · friends · ferns · bower
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| TEEVO cheetio cheevio chee: | 7 | ······· |
| O where, what can that be? | 6 | ······ |
| Weedio-weedio: there again! | 7 | ·····˘/ |
| So tiny a trickle of song-strain; | 9 | ·/˘·/˘··· |
| And all round not to be found | 7 | ······· |
| For brier, bough, furrow, or green ground | 9 | ·/˘·/˘··· |
| Before or behind or far or at hand | 10 | ·········· |
| Either left either right | 6 | /˘·/˘· |
| Anywhere in the sunlight. | 7 | /˘···/· |
| Well, after all! Ah but hark-- | 7 | ······· |
| 'I am the little woodlark. | 7 | ···/˘·· |
| To-day the sky is two and two | 8 | ········ |
| With white strokes and strains of the blue | 8 | ········ |
| Round a ring, around a ring | 7 | ······· |
| And while I sail (must listen) I sing | 9 | ·····/˘·· |
| The skylark is my cousin and he | 9 | ·/···/˘·· |
| Is known to men more than me | 7 | ······· |
| . . . when the cry within | 5 | ····· |
| Says Go on then I go on | 7 | ······· |
| Till the longing is less and the good gone | 10 | ··/˘······ |
| But down drop, if it says Stop, | 7 | ······· |
| To the all-a-leaf of the treetop | 9 | ·······/· |
| And after that off the bough | 7 | ······· |
| I am so very, O so very glad | 10 | ···/˘··/˘· |
| That I do think there is not to be had . . . | 10 | ·········· |
| The blue wheat-acre is underneath | 9 | ···/˘··˘/ |
| And the braided ear breaks out of the sheath, | 10 | ··/˘······ |
| The ear in milk, lush the sash, | 7 | ······· |
| And crush-silk poppies aflash, | 7 | ···/˘·· |
| The blood-gush blade-gash | 5 | ····· |
| Flame-rash rudred | 4 | ··/˘ |
| Bud shelling or broad-shed | 6 | ·/˘··· |
| Tatter-tassel-tangled and dingle-a-dangled | 12 | /˘/˘/˘·/˘·/˘ |
| Dandy-hung dainty head. | 6 | /˘·/˘· |
| And down ... the furrow dry | 6 | ···/˘· |
| Sunspurge and oxeye | 5 | ···/˘ |
| And laced-leaved lovely | 5 | ···/˘ |
| Foam-tuft fumitory | 6 | ··/˘˘˘ |
| Through the velvety wind V-winged | 9 | ··/˘˘···˘ |
| To the nest's nook I balance and buoy | 10 | ·····/˘·/˘ |
| With a sweet joy of a sweet joy, | 8 | ········ |
| Sweet, of a sweet, of a sweet joy | 8 | ········ |
| Of a sweet--a sweet--sweet--joy.' | 7 | ······· |
| I AWOKE in the Midsummer not to call night, |in the | 14 | ·˘/··//˘······ |
| white and the walk of the morning: | 8 | ······/˘ |
| The moon, dwindled and thinned to the fringe | of a | 11 | ··/˘······· |
| finger-nail held to the candle, | 8 | /˘····/˘ |
| Or paring of paradisaical fruit, | lovely in waning but | 16 | ·/˘·······/˘·/˘· |
| lustreless, | 3 | ··· |
| Stepped from the stool, drew back from the barrow, | of | 11 | ········/˘· |
| dark Maenefa the mountain; | 7 | ·····/˘ |
| A cusp still clasped him, a fluke yet fanged him, | en- | 11 | ··········· |
| tangled him, not quit utterly. | 9 | /˘˘···/˘˘ |
| This was the prized, the desirable sight, | unsought, pre- | 12 | ·····˘/˘···· |
| sented so easily, | 6 | /˘·/˘˘ |
| Parted me leaf and leaf, divided me, | eyelid and eyelid of | 16 | /˘····˘/˘·/··/·· |
| slumber. | 2 | /˘ |
| REPEAT that, repeat, | 5 | ˘/·˘/ |
| Cuckoo, bird, and open ear wells, heart-springs, delight- | 12 | /···/˘····˘/ |
| fully sweet, | 3 | /˘· |
| With a ballad, with a ballad, a rebound | 11 | ··/˘··/˘·˘/ |
| Off trundled timber and scoops of the hillside ground, | 12 | ·/˘/˘····/·· |
| hollow hollow hollow ground: | 7 | /˘/˘/˘· |
| The whole landscape flushes on a sudden at a sound. | 13 | ··/·/˘··/˘··· |
| 'The child is father to the man.' | 8 | ···/˘··· |
| How can he be? The words are wild. | 8 | ········ |
| Suck any sense from that who can: | 8 | ·/˘····· |
| 'The child is father to the man.' | 8 | ···/˘··· |
| No; what the poet did write ran, | 8 | ···/˘··· |
| 'The man is father to the child.' | 8 | ···/˘··· |
| 'The child is father to the man!' | 8 | ···/˘··· |
| How can he be? The words are wild. | 8 | ········ |
| THE shepherd's brow fronting forked lightning, owns | 10 | ·/˘·/˘·/˘· |
| The horror and the havoc and the glory | 11 | ·/˘··/˘··/˘ |
| Of it. Angels fall, they are towers, from heaven--a story | 13 | ··/˘···/·/·/˘ |
| Of just, majestical, and giant groans. | 10 | ··˘/˘˘·/˘· |
| But man--we, scaffold of score brittle bones; | 10 | ···/˘··/˘· |
| Who breathe, from groundlong babyhood to hoary | 11 | ·····/˘··/˘ |
| Age gasp; whose breath is our memento mori-- | 11 | ·····/˘/˘/˘ |
| What bass is our viol for tragic tones? | 10 | ···//˘·/˘· |
| He! Hand to mouth he lives, and voids with shame; | 10 | ·········· |
| And, blazoned in however bold the name, | 10 | ·····/˘··· |
| Man Jack the man is, just; his mate a hussy. | 11 | ·········/˘ |
| And I that die these deaths, that feed this flame, | 10 | ·········· |
| That ... in smooth spoons spy life's masque mirrored: | 10 | ·······/˘˘ |
| tame | 1 | · |
| My tempests there, my fire and fever fussy. | 11 | ·/˘··/·/˘/˘ |
| MORTAL my mate, bearing my rock-a-heart | 10 | /˘··/˘···· |
| Warm beat with cold beat company, shall I | 10 | ·····/˘˘·· |
| Earlier or you fail at our force, and lie | 10 | /˘····/··· |
| The ruins of, rifled, once a world of art? | 11 | ·/˘·/˘····· |
| The telling time our task is; time's some part, | 10 | ·/˘·/····· |
| Not all, but we were framed to fail and die-- | 10 | ·········· |
| One spell and well that one. There, ah thereby | 10 | ·········· |
| Is comfort's carol of all or woe's worst smart. | 11 | ·/˘/˘······ |
| Field-flown the departed day no morning brings | 11 | ···˘/˘··/˘· |
| Saying 'This was yours' with her, but new one, worse. | 11 | /˘········· |
| And then that last and shortest . . . | 7 | ·····/˘ |
| STRIKE, churl; hurl, cheerless wind, then; heltering hail | 10 | ···/˘··/˘· |
| May's beauty massacre and wisped wild clouds grow | 10 | ·/˘/˘····· |
| Out on the giant air; tell Summer No, | 10 | ···/˘··/˘· |
| Bid joy back, have at the harvest, keep Hope pale. | 11 | ······/˘··· |
| HARK, hearer, hear what I do; lend a thought now, make believe | 14 | ·/˘·········˘/ |
| We are leafwhelmed somewhere with the hood | 10 | ····˘/···· |
| Of some branchy bunchy bushybowered wood, | 11 | ··/˘/˘····· |
| Southern dene or Lancashire clough or Devon cleave, | 12 | /˘··/˘···/˘· |
| That leans along the loins of hills, where a candycoloured, where | 15 | ··˘/··········· |
| a gluegold-brown | 4 | ···· |
| Marbled river, boisterously beautiful, between | 12 | /˘/˘/˘˘˘/˘·· |
| Roots and rocks is danced and dandled, all in froth and water- | 13 | ···········/˘ |
| blowballs, down. | 3 | ··· |
| We are there, when we hear a shout | 8 | ········ |
| That the hanging honeysuck, the dogeared hazels in the cover | 16 | ··/˘····/˘/˘··/˘ |
| Makes dither, makes hover | 6 | ·/˘·/˘ |
| And the riot of a rout | 7 | ··/˘··· |
| Of, it must be, boys from the town | 8 | ········ |
| Bathing: it is summer's sovereign good. | 9 | /˘··/˘/˘· |
| By there comes a listless stranger: beckoned by the noise | 13 | ····/˘/˘/˘··· |
| He drops towards the river: unseen | 9 | ·····/˘˘/ |
| Sees the bevy of them, how the boys | 9 | ··/˘····· |
| With dare and with downdolphinry and bellbright bodies hud- | 14 | ···········/˘· |
| dling out, | 2 | ·· |
| Are earthworld, airworld, waterworld thorough hurled, all by | 13 | ·····/˘·/˘··· |
| turn and turn about. | 5 | ····· |
| This garland of their gambols flashes in his breast | 12 | ·/˘····/˘··· |
| Into such a sudden zest | 7 | ····/˘· |
| Of summertime joys | 5 | ·/˘·· |
| That he hies to a pool neighbouring; sees it is the best | 13 | ······/˘····· |
| There; sweetest, freshest, shadowiest; | 8 | ·/˘/˘··· |
| Fairyland; silk-beech, scrolled ash, packed sycamore, wild | 12 | /˘······/˘·· |
| wychelm, hornbeam fretty overstood | 9 | /˘/˘/˘··· |
| By. Rafts and rafts of flake-leaves light, dealt so, painted on the air, | 15 | ··········/˘··· |
| Hang as still as hawk or hawkmoth, as the stars or as the angels | 16 | ··············/˘ |
| there, | 1 | · |
| Like the thing that never knew the earth, never off roots | 11 | ····/···/·· |
| Rose. Here he feasts: lovely all is! No more: off with-- | 12 | ····/˘······ |
| down he dings | 3 | ··· |
| His bleached both and woolwoven wear: | 9 | ··˘······ |
| Careless these in coloured wisp | 7 | /˘··/˘· |
| All lie tumbled-to; then with loop-locks | 10 | ··/˘˘····· |
| Forward falling, forehead frowning, lips crisp | 10 | /˘/˘/˘/˘·· |
| Over finger-teasing task, his twiny boots | 10 | ·/˘/˘····· |
| Fast he opens, last he offwrings | 8 | ··/˘···· |
| Till walk the world he can with bare his feet | 10 | ·········· |
| And come where lies a coffer, burly all of blocks | 12 | ·····/˘/˘··· |
| Built of chancequarried, selfquained rocks | 9 | ·······˘· |
| And the water warbles over into, filleted with glassy grassy | 16 | ··/˘/˘···/˘·/˘/˘ |
| quicksilvery shives and shoots | 7 | ······· |
| And with heavenfallen freshness down from moorland still brims, | 14 | ······/˘··/··· |
| Dark or daylight on and on. Here he will then, here he will | 14 | ··/··········· |
| the fleet | 2 | ·· |
| Flinty kindcold element let break across his limbs | 12 | /˘··/˘··˘/·· |
| Long. Where we leave him, froliclavish while he looks about | 14 | ·············· |
| him, laughs, swims. | 3 | ··· |
| Enough now; since the sacred matter that I mean | 12 | ˘/···/˘/˘··· |
| I should be wronging longer leaving it to float | 12 | ···/˘/˘/˘··· |
| Upon this only gambolling and echoing-of-earth note-- | 14 | ···/˘····/˘··· |
| What is ... the delightful dene? | 7 | ···˘/˘· |
| Wedlock. What the water? Spousal love. | 9 | /···/˘/˘· |
| Father, mother, brothers, sisters, friends | 9 | /˘/˘/˘/˘· |
| Into fairy trees, wild flowers, wood ferns | 10 | ··/˘··/˘·· |
| Ranked round the bower | 5 | ···/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.