Zira: In Captivity
Love me a little, Lord, or let me go,I am so weary walking to and froThrough all your lonely halls that were so sweetDid they but echo to your coming feet.
When by the flowered scrolls of lace-like stoneOur women's windows--I am left alone,Across the yellow Desert, looking forth,I see the purple hills towards the north.
Behind those jagged Mountains' lilac crestOnce lay the captive bird's small rifled nest.There was my brother slain, my sister bound;His blood, her tears, drunk by the thirsty ground.
Then, while the burning village smoked on high,And desecrated all the peaceful sky,They took us captive, us, born frank and free,On fleet, strong camels through the sandy sea.
Yet, when we rested, night-times, on the sandBy the rare waters of this dreary land,Our captors, ere the camp was wrapped in sleep,Talked, and I listened, and forgot to weep.
"Is he not brave and fair?" they asked, "our King,Slender as one tall palm-tree by a spring;Erect, serene, with gravely brilliant eyes,As deeply dark as are these desert skies.
"Truly no bitter fate," they said, and smiled,"Awaits the beauty of this captured child!"Then something in my heart began to sing,And secretly I longed to see the King.
Sometimes the other maidens sat in tears,Sometimes, consoled, they jested at their fears,Musing what lovers Time to them would bring;But I was silent, thinking of the King.
Till, when the weary endless sands were passed,When, far to south, the city rose at last,All speech forsook me and my eyelids fell,Since I already loved my Lord so well.
Then the division: some were sent awayTo merchants in the city; some, they say,To summer palaces, beyond the walls.But me they took straight to the Sultan's halls.
Every morning I would wake and say"Ah, sisters, shall I see our Lord to-day?"The women robed me, perfumed me, and smiled;"When were his feet unfleet to pleasure, child?"
And tales they told me of his deeds in war,Of how his name was reverenced afar;And, crouching closer in the lamp's faint glow,They told me of his beauty, speaking low.
What need, what need? the women wasted art;I love you with every fibre of my heartAlready. My God! when did I not love you,In life, in death, when shall I not love you?
You never seek me. All day long I lieWatching the changes of the far-off skyBehind the lattice-work of carven stone.And all night long, alas! I lie alone.
But you come never. Ah, my Lord the King,How can you find it well to do this thing?Come once, come only: sometimes, as I lie,I doubt if I shall see you first, or die.
Ah, could I hear your footsteps at the doorHallow the lintel and caress the floor,Then I might drink your beauty, satisfied,Die of delight, ere you could reach my side.
Alas, you come not, Lord: life's flame burns low,Faint for a loveliness it may not know,Faint for your face, Oh, come--come soon to me--Lest, though you should not, Death should, set me free!
Words in this poem
- dreary a.
- Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
- gravely adv.
- In a grave manner.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- closer n.
- One who, or that which, closes; specifically, a boot closer. See under Boot.
- fibre n.
- One of the delicate, threadlike portions of which the tissues of plants and animals are in part constituted; as, the fiber of flax or of muscle. [F. fibre, L. fibra.]
- carven a.
- Wrought by carving; ornamented by carvings; carved.
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Zira: In Captivity is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Laurence Hope, Zira: In Captivity, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/zira-in-captivity.html, id L22576.
Form and metre
Zira: In Captivity is 68 lines in 17 stanzas of 4 lines each. The rhyme scheme is AABB, complete in 16 of its 17 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB goA · froA · sweetB · feetB
- 2 AABB stoneA · aloneA · forthB · northB
- 3 AABB crestA · nestA · boundB · groundB
- 4 AABB highA · skyA · freeB · seaB
- 5 AABB sandA · landA · sleepB · weepB
- 6 AABB kingA · springA · eyesB · skiesB
- 7 AABB smiledA · childA · singB · kingB
- 8 AABB tearsA · fearsA · bringB · kingB
- 9 AABB passedA · lastA · fellB · wellB
- 10 AABB awayA · sayA · wallsB · hallsB
- 11 AABB sayA · dayA · smiledB · childB
- 12 --AA war · afar · glowA · lowA
- 13 AABB artA · heartA · youB · youB
- 14 AABB lieA · skyA · stoneB · aloneB
- 15 AABB kingA · thingA · lieB · dieB
- 16 AABB doorA · floorA · satisfiedB · sideB
- 17 AABB lowA · knowA · meB · freeB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Love me a little, Lord, or let me go, | 10 | ···/˘····· |
| I am so weary walking to and fro | 10 | ···/˘/˘··· |
| Through all your lonely halls that were so sweet | 10 | ···/˘····· |
| Did they but echo to your coming feet. | 10 | ···/˘··/˘· |
| When by the flowered scrolls of lace-like stone | 10 | ···/˘····· |
| Our women's windows--I am left alone, | 10 | //˘/˘···˘/ |
| Across the yellow Desert, looking forth, | 10 | ˘/·/˘/˘/˘· |
| I see the purple hills towards the north. | 10 | ···/˘····· |
| Behind those jagged Mountains' lilac crest | 10 | ····˘/˘/·· |
| Once lay the captive bird's small rifled nest. | 10 | ···/˘··/˘· |
| There was my brother slain, my sister bound; | 10 | ···/˘··/˘· |
| His blood, her tears, drunk by the thirsty ground. | 10 | ·······/˘· |
| Then, while the burning village smoked on high, | 10 | ···/˘/˘··· |
| And desecrated all the peaceful sky, | 10 | ·˘˘/˘··/˘· |
| They took us captive, us, born frank and free, | 10 | ···/˘····· |
| On fleet, strong camels through the sandy sea. | 10 | ···/˘··/˘· |
| Yet, when we rested, night-times, on the sand | 10 | ···/˘····· |
| By the rare waters of this dreary land, | 10 | ···/˘··/˘· |
| Our captors, ere the camp was wrapped in sleep, | 10 | //˘······· |
| Talked, and I listened, and forgot to weep. | 10 | ···/˘·˘/·· |
| "Is he not brave and fair?" they asked, "our King, | 10 | ········/· |
| Slender as one tall palm-tree by a spring; | 10 | /˘········ |
| Erect, serene, with gravely brilliant eyes, | 10 | ˘/˘/·/˘/˘· |
| As deeply dark as are these desert skies. | 10 | ·/˘····/˘· |
| "Truly no bitter fate," they said, and smiled, | 10 | /˘·/˘····· |
| "Awaits the beauty of this captured child!" | 10 | ˘/·/˘··/˘· |
| Then something in my heart began to sing, | 10 | ·/˘···˘/·· |
| And secretly I longed to see the King. | 10 | ·/˘˘······ |
| Sometimes the other maidens sat in tears, | 10 | ˘/·/˘/˘··· |
| Sometimes, consoled, they jested at their fears, | 10 | ˘/˘/·/˘··· |
| Musing what lovers Time to them would bring; | 10 | /˘·/˘····· |
| But I was silent, thinking of the King. | 10 | ···/˘/˘··· |
| Till, when the weary endless sands were passed, | 10 | ···/˘/˘··· |
| When, far to south, the city rose at last, | 10 | ·····/˘··· |
| All speech forsook me and my eyelids fell, | 10 | ··˘/···/·· |
| Since I already loved my Lord so well. | 10 | ··˘/˘····· |
| Then the division: some were sent away | 10 | ··˘/˘···˘/ |
| To merchants in the city; some, they say, | 10 | ·/˘··/˘··· |
| To summer palaces, beyond the walls. | 10 | ·/˘/˘˘···· |
| But me they took straight to the Sultan's halls. | 10 | ·······/˘· |
| Every morning I would wake and say | 10 | /˘˘/˘····· |
| "Ah, sisters, shall I see our Lord to-day?" | 10 | ·/˘···/··· |
| The women robed me, perfumed me, and smiled; | 10 | ·/˘··˘/··· |
| "When were his feet unfleet to pleasure, child?" | 10 | ·······/˘· |
| And tales they told me of his deeds in war, | 10 | ·········· |
| Of how his name was reverenced afar; | 10 | ·····/˘˘˘/ |
| And, crouching closer in the lamp's faint glow, | 10 | ·/˘/˘····· |
| They told me of his beauty, speaking low. | 10 | ·····/˘/˘· |
| What need, what need? the women wasted art; | 10 | ·····/˘/˘· |
| I love you with every fibre of my heart | 10 | ····/˘/··· |
| Already. My God! when did I not love you, | 11 | ˘/˘········ |
| In life, in death, when shall I not love you? | 10 | ·········· |
| You never seek me. All day long I lie | 10 | ·/˘······· |
| Watching the changes of the far-off sky | 10 | /˘·/˘····· |
| Behind the lattice-work of carven stone. | 10 | ···/˘··/˘· |
| And all night long, alas! I lie alone. | 10 | ····˘/··˘/ |
| But you come never. Ah, my Lord the King, | 10 | ···/˘····· |
| How can you find it well to do this thing? | 10 | ·········· |
| Come once, come only: sometimes, as I lie, | 10 | ···/˘/···· |
| I doubt if I shall see you first, or die. | 10 | ·········· |
| Ah, could I hear your footsteps at the door | 10 | ·····/···· |
| Hallow the lintel and caress the floor, | 10 | /˘·/˘·˘/·· |
| Then I might drink your beauty, satisfied, | 10 | ·····/˘/˘· |
| Die of delight, ere you could reach my side. | 10 | ··˘/······ |
| Alas, you come not, Lord: life's flame burns low, | 10 | ˘/········ |
| Faint for a loveliness it may not know, | 10 | ···/˘˘···· |
| Faint for your face, Oh, come--come soon to me-- | 10 | ·········· |
| Lest, though you should not, Death should, set me free! | 10 | ·········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.