The Teak Forest

Laurence Hope (1865–1904) · 1901

iambic pentameter · heroic couplets · 100 lines · from India's Love Lyrics

Whether I loved you who shall say?Whether I drifted down your wayIn the endless River of Chance and Change,And you woke the strangeUnknown longings that have no names,But burn us all in their hidden flames,Who shall say?

Life is a strange and a wayward thing:We heard the bells of the Temples ring,The married children, in passing, sing.The month of marriage, the month of spring,Was full of the breath of sunburnt flowersThat bloom in a fiercer light than ours,And, under a sky more fiercely blue,I came to you!

You told me tales of your vivid lifeWhere death was cruel and danger rife--Of deep dark forests, of poisoned trees,Of pains and passions that scorch and freeze,Of southern noontides and eastern nights,Where love grew frantic with strange delights,While men were slaying and maidens danced,Till I, who listened, lay still, entranced.Then, swift as a swallow heading south,I kissed your mouth!

One night when the plains were bathed in bloodFrom sunset light in a crimson flood,We wandered under the young teak treesWhose branches whined in the light night breeze;You led me down to the water's brink,"The Spring where the Panthers come to drinkAt night; there is always water hereBe the season never so parched and sere."Have we souls of beasts in the forms of men?I fain would have tasted your life-blood then.

The night fell swiftly; this sudden landCan never lend us a twilight strand'Twixt the daylight shore and the ocean night,But takes--as it gives--at once, the light.We laid us down on the steep hillside,While far below us wild peacocks cried,And we sometimes heard, in the sunburnt grass,The stealthy steps of the Jungle pass.We listened; knew not whether they wentOn love or hunger the more intent.And under your kisses I hardly knewWhether I loved or hated you.

But your words were flame and your kisses fire,And who shall resist a strong desire?Not I, whose life is a broken boatOn a sea of passions, adrift, afloat.And, whether I came in love or hate,That I came to you was written by FateIn every hue of the blood-red sky,In every tone of the peacocks' cry.

While every gust of the Jungle nightWas fanning the flame you had set alight.For these things have power to stir the bloodAnd compel us all to their own chance mood.And to love or not we are no more freeThan a ripple to rise and leave the sea.

We are ever and always slaves of these,Of the suns that scorch and the winds that freeze,Of the faint sweet scents of the sultry air,Of the half heard howl from the far off lair.These chance things master us ever. CompelTo the heights of Heaven, the depths of Hell.

Whether I love you? You do not ask,Nor waste yourself on the thankless task.I give your kisses at least return,What matter whether they freeze or burn.I feel the strength of your fervent arms,What matter whether it heals or harms.

You are wise; you take what the Gods have sent.You ask no question, but rest contentSo I am with you to take your kiss,And perhaps I value you more for this.For this is Wisdom; to love, to live,To take what Fate, or the Gods, may give,To ask no question, to make no prayer,To kiss the lips and caress the hair,Speed passion's ebb as you greet its flow,--To have,--to hold,--and,--in time,--let go!

And this is our Wisdom: we rest togetherOn the great lone hills in the storm-filled weather,And watch the skies as they pale and burn,The golden stars in their orbits turn,While Love is with us, and Time and Peace,And life has nothing to give but these.But, whether you love me, who shall say,Or whether you, drifting down my wayIn the great sad River of Chance and Change,With your looks so weary and words so strange,Lit my soul from some hidden flameTo a passionate longing without a name,Who shall say?Not I, who am but a broken boat,Content for a while to drift afloatIn the little noontide of love's delightsBetween two Nights.

Words in this poem 19
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
wayward a.
Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
rife a.
Prevailing; prevalent; abounding. [AS. rif abundant, or Icel. rifr munificent; akin to OD. riff, rijve, abundant.]
scorch v. t.
To burn superficially; to parch, or shrivel, the surface of, by heat; to subject to so much heat as changes color and texture without consuming; as, to scorch linen. [OE. scorchen, probably akin to scorcnen; cf. Norw. skrokken shrunk up, skrekka, skrökka, to shrink, to become wrinkled up, dial. Sw. skråkkla to wrinkle (see Sh]
heading n.
The act or state of one who, or that which, heads; formation of a head.
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
sere n.
Claw; talon. Chapman. [F. serre.]
fain v. t.
To be glad ; to wish or desire.
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
jungle n.
A dense growth of brushwood, grasses, reeds, vines, etc.; an almost impenetrable thicket of trees, canes, and reedy vegetation, as in India, Africa, Australia, and Brazil. [Hind. jangal desert, forest, jungle; Skr. ja desert.]
went n.
Course; way; path; journey; direction.
adrift adv.
Floating at random; in a drifting condition; at the mercy of wind and waves. Also fig. [Pref. a- (for on) + drift.]
afloat adv.
Borne on the water; floating; on board ship. [Pref. a- + float.]
lair n.
A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
thankless a.
Not acknowledging favors; not expressing thankfulness; unthankful; ungrateful.
fervent a.
Hot; glowing; boiling; burning; as, a fervent summer. [F. fervent, L. fervens, -entis. p.pr. of fervere o the boiling hot, to boil, glow.]
caress n.
An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
lone n.
A lane. See Loanin.
noontide n.
The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Teak Forest is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Laurence Hope, The Teak Forest, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/the-teak-forest.html, id L22573.

Form and metre

The Teak Forest is 100 lines in 11 verse paragraphs. It is in rhyming couplets, 90% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 77%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCA sayA · wayA · changeB · strangeB · namesC · flamesC · sayA
  2. 2 AAAABBCC thingA · ringA · singA · springA · flowersB · oursB · blueC · youC
  3. 3 AABBCCDDEE lifeA · rifeA · treesB · freezeB · nightsC · delightsC · dancedD · entrancedD · southE · mouthE
  4. 4 AABBCCDDEE bloodA · floodA · treesB · breezeB · brinkC · drinkC · hereD · sereD · menE · thenE
  5. 5 AABBCCDDEEFF landA · strandA · nightB · lightB · hillsideC · criedC · grassD · passD · wentE · intentE · knewF · youF
  6. 6 AABBCCDD fireA · desireA · boatB · afloatB · hateC · fateC · skyD · cryD
  7. 7 AA--BB nightA · alightA · blood · mood · freeB · seaB
  8. 8 AABBCC theseA · freezeA · airB · lairB · compelC · hellC
  9. 9 AABBCC askA · taskA · returnB · burnB · armsC · harmsC
  10. 10 AABBCCDDEE sentA · contentA · kissB · thisB · liveC · giveC · prayerD · hairD · flowE · goE
  11. 11 AABB--CCDDEECFFGG togetherA · weatherA · burnB · turnB · peace · these · sayC · wayC · changeD · strangeD · flameE · nameE · sayC · boatF · afloatF · delightsG · nightsG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Whether I loved you who shall say?8········
Whether I drifted down your way8···/˘···
In the endless River of Chance and Change,10··/˘/˘····
And you woke the strange5·····
Unknown longings that have no names,8˘//˘····
But burn us all in their hidden flames,9······/˘·
Who shall say?3···
Life is a strange and a wayward thing:9······/˘·
We heard the bells of the Temples ring,9······/˘·
The married children, in passing, sing.9·/˘/˘·/˘·
The month of marriage, the month of spring,9···/˘····
Was full of the breath of sunburnt flowers9········/
That bloom in a fiercer light than ours,9····/˘··/
And, under a sky more fiercely blue,9······/˘·
I came to you!4····
You told me tales of your vivid life9······/˘·
Where death was cruel and danger rife--8···/·/˘·
Of deep dark forests, of poisoned trees,9···/˘·/˘·
Of pains and passions that scorch and freeze,9···/˘····
Of southern noontides and eastern nights,9·/˘···/˘·
Where love grew frantic with strange delights,9···/˘··˘/
While men were slaying and maidens danced,9···/˘·/˘·
Till I, who listened, lay still, entranced.9···/˘··˘/
Then, swift as a swallow heading south,9····/˘/˘·
I kissed your mouth!4····
One night when the plains were bathed in blood9·········
From sunset light in a crimson flood,9·/····/˘·
We wandered under the young teak trees9·/˘······
Whose branches whined in the light night breeze;9·/˘······
You led me down to the water's brink,9······/˘·
"The Spring where the Panthers come to drink9····/˘···
At night; there is always water here9····/·/˘·
Be the season never so parched and sere."9··/˘/····
Have we souls of beasts in the forms of men?10··········
I fain would have tasted your life-blood then.10····/˘····
The night fell swiftly; this sudden land9···/˘·/˘·
Can never lend us a twilight strand8·/···/··
'Twixt the daylight shore and the ocean night,9··/····/·
But takes--as it gives--at once, the light.9·········
We laid us down on the steep hillside,9·······/·
While far below us wild peacocks cried,9······/··
And we sometimes heard, in the sunburnt grass,10··˘/······
The stealthy steps of the Jungle pass.9·/˘···/˘·
We listened; knew not whether they went9·/˘······
On love or hunger the more intent.9···/˘··˘/
And under your kisses I hardly knew10····/˘·/˘·
Whether I loved or hated you.8·····/˘·
But your words were flame and your kisses fire,10·······/˘/
And who shall resist a strong desire?9···˘/··˘/
Not I, whose life is a broken boat9······/˘·
On a sea of passions, adrift, afloat.10····/˘˘/˘/
And, whether I came in love or hate,9·········
That I came to you was written by Fate10······/˘··
In every hue of the blood-red sky,9·/˘······
In every tone of the peacocks' cry.9·/˘···/··
While every gust of the Jungle night9·/˘···/˘·
Was fanning the flame you had set alight.10·/˘·····˘/
For these things have power to stir the blood9····/····
And compel us all to their own chance mood.10·˘/·······
And to love or not we are no more free10··········
Than a ripple to rise and leave the sea.10··/˘······
We are ever and always slaves of these,9··/·/····
Of the suns that scorch and the winds that freeze,10··········
Of the faint sweet scents of the sultry air,10·······/˘·
Of the half heard howl from the far off lair.10··········
These chance things master us ever. Compel9···/˘·/˘/
To the heights of Heaven, the depths of Hell.9····/····
Whether I love you? You do not ask,9·········
Nor waste yourself on the thankless task.9··/˘··/˘·
I give your kisses at least return,9···/˘··˘/
What matter whether they freeze or burn.9·/˘······
I feel the strength of your fervent arms,9······/˘·
What matter whether it heals or harms.9·/˘······
You are wise; you take what the Gods have sent.10··········
You ask no question, but rest content9···/˘··/˘
So I am with you to take your kiss,9·········
And perhaps I value you more for this.10·˘/·/˘····
For this is Wisdom; to love, to live,9···/˘····
To take what Fate, or the Gods, may give,9·········
To ask no question, to make no prayer,9···/˘····
To kiss the lips and caress the hair,9·····˘/··
Speed passion's ebb as you greet its flow,--9·/˘······
To have,--to hold,--and,--in time,--let go!9·········
And this is our Wisdom: we rest together11···//˘··˘/˘
On the great lone hills in the storm-filled weather,11·········/˘
And watch the skies as they pale and burn,9·········
The golden stars in their orbits turn,9·/˘···/˘·
While Love is with us, and Time and Peace,9·········
And life has nothing to give but these.9···/˘····
But, whether you love me, who shall say,9·········
Or whether you, drifting down my way9····/˘···
In the great sad River of Chance and Change,10····/˘····
With your looks so weary and words so strange,10····/˘····
Lit my soul from some hidden flame8·····/˘·
To a passionate longing without a name,10··/˘/˘····
Who shall say?3···
Not I, who am but a broken boat,9······/˘·
Content for a while to drift afloat9/˘·····˘/
In the little noontide of love's delights10··/˘/˘··˘/
Between two Nights.4····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Laurence Hope