Reverie of Mahomed Akram at the Tamarind Tank

Laurence Hope (1865–1904) · 1901

iambic pentameter · 109 lines · from India's Love Lyrics

The Desert is parched in the burning sunAnd the grass is scorched and white.But the sand is passed, and the march is done,We are camping here to-night.I sit in the shade of the Temple walls,While the cadenced water evenly falls,And a peacock out of the Jungle callsTo another, on yonder tomb.Above, half seen, in the lofty gloom,Strange works of a long dead people loom,Obscene and savage and half effaced--An elephant hunt, a musicians' feast--And curious matings of man and beast;What did they mean to the men who are long since dust?Whose fingers traced,In this arid waste,These rioting, twisted, figures of love and lust.

Strange, weird things that no man may say,Things Humanity hides away;--Secretly done,--Catch the light of the living day,Smile in the sun.Cruel things that man may not name,Naked here, without fear or shame,Laughed in the carven stone.

Deep in the Temple's innermost Shrine is set,Where the bats and shadows dwell,The worn and ancient Symbol of Life, at restIn its oval shell,By which the men, who, of old, the land possessed,Represented their Great Destroying Power.I cannot forgetThat, just as my life was touching its fullest flower,Love came and destroyed it all in a single hour,Therefore the dual Mystery suits me well.

Sitting alone,The tank's deep water is cool and sweet,Soothing and fresh to the wayworn feet,Dreaming, under the Tamarind shade,One silently thanks the men who madeSo green a place in this bitter landOf sunburnt sand.

The peacocks scream and the grey Doves coo,Little green, talkative Parrots woo,And small grey Squirrels, with fear askance,At alien me, in their furtive glance,Come shyly, with quivering fur, to seeThe stranger under their Tamarind tree.Daylight dies,The Camp fires redden like angry eyes,The Tents show white,In the glimmering light,Spirals of tremulous smoke arise, to the purple skies,And the hum of the Camp sounds like the sea,Drifting over the sand to me.Afar, in the Desert some wild voice singsTo a jangling zither with minor strings,And, under the stars growing keen above,I think of the thing that I love.

A beautiful thing, alert, serene,With passionate, dreaming, wistful eyes,Dark and deep as mysterious skies,Seen from a vessel at sea.Alas, you drifted away from me,And Time and Space have rushed in between,But they cannot undo the Thing-that-has-been,Though it never again may be.You were mine, from dusk until dawning light,For the perfect whole of that bygone nightYou belonged to me!

They say that Love is a light thing,A foolish thing and a slight thing,A ripe fruit, rotten at core;They speak in this futile fashionTo me, who am wracked with passion,Tormented beyond compassion,For ever and ever more.

They say that Possession lessens a lover's delight,As radiant mornings fade into afternoon.I held what I loved in my arms for many a night,Yet ever the morning lightened the sky too soon.

Beyond our tents the sands stretch level and far,Around this little oasis of Tamarind trees.A curious, Eastern fragrance fills the breezeFrom the ruinous Temple garden where roses are.

I dream of the rose-like perfume that fills your hair,Of times when my lips were free of your soft closed eyes,While down in the tank the waters ripple and riseAnd the flying foxes silently cleave the air.

The present is subtly welded into the past,My love of you with the purple Indian dusk,With its clinging scent of sandal incense and musk,And withering jasmin flowers.My eyes grow dim and my senses fail at last,While the lonely hoursFollow each other, silently, one by one,Till the night is almost done.

Then weary, and drunk with dreams, with my garments dampAnd heavy with dew, I wander towards the camp.Tired, with a brain in which fancy and fact are blent,I stumble across the ropes till I reach my tentAnd then to rest. To ensweeten my sleep with lies,To dream I lie in the light of your long lost eyes,My lips set free.To love and linger over your soft loose hair--To dream I lay your delicate beauty bareTo solace my fevered eyes.Ah,--if my life might end in a night like this--Drift into death from dreams of your granted kiss!

Words in this poem 26
camping n.
Lodging in a camp.
jungle n.
A dense growth of brushwood, grasses, reeds, vines, etc.; an almost impenetrable thicket of trees, canes, and reedy vegetation, as in India, Africa, Australia, and Brazil. [Hind. jangal desert, forest, jungle; Skr. ja desert.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
carven a.
Wrought by carving; ornamented by carvings; carved.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
dual a.
Expressing, or consisting of, the number two; belonging to two; as, the dual number of nouns, etc. , in Greek. [L. dualis, fr. duo two. See Two.]
wayworn a.
Wearied by traveling.
askance adv.
Sideways; obliquely; with a side glance; with disdain, envy, or suspicion. [Cf. D. schuin, schuins, sideways, schuiven to shove, schuinte slope. Cf. Asquint.]
furtive a.
Stolen; obtained or characterized by stealth; sly; secret; stealthy; as, a furtive look. Prior. [L. furtivus, fr. furtum theft, fr. fur thief, akin to ferre to bear: cf. F. furtif. See Fertile.]
shyly adv.
In a shy or timid manner; not familiarly; with reserve.
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
jangling a.
Producing discordant sounds.
wistful a.
Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
rushed a.
Abounding or covered with rushes.
bygone n.
Something gone by or past; a past event.
futile a.
Talkative; loquacious; tattling. [L. futilis that easily pours out, that easily lets loose, vain, worthless, from the root of fundere to pour out: cf. F. futile. See Fuse, v. t.]
afternoon n.
The part of the day which follows noon, between noon and evening.
oasis n.
A fertile or green spot in a waste or desert, esp. in a sandy desert.
subtly adv.
In a subtle manner; slyly; artfully; cunningly.
withering a.
Tending to wither; causing to shrink or fade.
blent p. p.
Blinded. Also (Chaucer), 3d sing. pres. Blindeth.
solace n.
Comfort in grief; alleviation of grief or anxiety; also, that which relieves in distress; that which cheers or consoles; relief. [OF. solas, ssoulaz, L. solacium, solatium, fr. solari to comfort, console. Cf. Console, v. t.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Reverie of Mahomed Akram at the Tamarind Tank is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Laurence Hope, Reverie of Mahomed Akram at the Tamarind Tank, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/reverie-of-mahomed-akram-at-the-tamarind-tank.html, id L22570.

Form and metre

Reverie of Mahomed Akram at the Tamarind Tank is 109 lines in 12 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCCCDDD-EEFGGF sunA · whiteB · doneA · nightB · wallsC · fallsC · callsC · tombD · gloomD · loomD · effaced · feastE · beastE · dustF · tracedG · wasteG · lustF
  2. 2 AABABCC- sayA · awayA · doneB · dayA · sunB · nameC · shameC · stone
  3. 3 ABCBCDADDB setA · dwellB · restC · shellB · possessedC · powerD · forgetA · flowerD · hourD · wellB
  4. 4 -AABBCC alone · sweetA · feetA · shadeB · madeB · landC · sandC
  5. 5 AABBCCDDEEDCCFFGG cooA · wooA · askanceB · glanceB · seeC · treeC · diesD · eyesD · whiteE · lightE · skiesD · seaC · meC · singsF · stringsF · aboveG · loveG
  6. 6 ABBCCA-CDDC sereneA · eyesB · skiesB · seaC · meC · betweenA · been · beC · lightD · nightD · meC
  7. 7 AABCCCB thingA · thingA · coreB · fashionC · passionC · compassionC · moreB
  8. 8 ABAB delightA · afternoonB · nightA · soonB
  9. 9 ABBA farA · treesB · breezeB · areA
  10. 10 ABBA hairA · eyesB · riseB · airA
  11. 11 ABBCACDD pastA · duskB · muskB · flowersC · lastA · hoursC · oneD · doneD
  12. 12 AABBCC-DDCEE dampA · campA · blentB · tentB · liesC · eyesC · free · hairD · bareD · eyesC · thisE · kissE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The Desert is parched in the burning sun10·/˘····/˘·
And the grass is scorched and white.8·····˘··
But the sand is passed, and the march is done,10··········
We are camping here to-night.7··/˘···
I sit in the shade of the Temple walls,10·······/˘·
While the cadenced water evenly falls,9··/˘/˘/˘·
And a peacock out of the Jungle calls10··/····/˘·
To another, on yonder tomb.8·˘/˘·/˘·
Above, half seen, in the lofty gloom,9······/˘·
Strange works of a long dead people loom,9······/˘·
Obscene and savage and half effaced--9˘/·/˘··˘/
An elephant hunt, a musicians' feast--9·/˘··˘/˘·
And curious matings of man and beast;9·/˘/˘····
What did they mean to the men who are long since dust?12············
Whose fingers traced,4·/˘·
In this arid waste,5··/˘·
These rioting, twisted, figures of love and lust.11·/˘/˘/˘····
Strange, weird things that no man may say,8········
Things Humanity hides away;--8·˘/˘˘·˘/
Secretly done,--4/˘˘·
Catch the light of the living day,8·····/˘·
Smile in the sun.4····
Cruel things that man may not name,8/˘······
Naked here, without fear or shame,8/˘······
Laughed in the carven stone.7·˘··/˘·
Deep in the Temple's innermost Shrine is set,11···/˘/˘····
Where the bats and shadows dwell,7····/··
The worn and ancient Symbol of Life, at rest11···/˘/˘····
In its oval shell,5··/˘·
By which the men, who, of old, the land possessed,11·········˘/
Represented their Great Destroying Power.10·˘/˘··˘/˘/
I cannot forget5·˘/˘/
That, just as my life was touching its fullest flower,12······/˘·/˘/
Love came and destroyed it all in a single hour,12···˘/····/˘/
Therefore the dual Mystery suits me well.10···/˘/˘···
Sitting alone,4/˘˘/
The tank's deep water is cool and sweet,9···/˘····
Soothing and fresh to the wayworn feet,9/˘····/˘·
Dreaming, under the Tamarind shade,9/˘···/˘˘·
One silently thanks the men who made8·/˘·····
So green a place in this bitter land9······/˘·
Of sunburnt sand.4····
The peacocks scream and the grey Doves coo,9·/·······
Little green, talkative Parrots woo,8/˘·/˘/˘·
And small grey Squirrels, with fear askance,9···/˘··˘/
At alien me, in their furtive glance,9·/˘···/˘·
Come shyly, with quivering fur, to see9·/˘·/˘···
The stranger under their Tamarind tree.10·/˘···/˘˘·
Daylight dies,3/··
The Camp fires redden like angry eyes,9··//˘·/˘·
The Tents show white,4····
In the glimmering light,6··/˘˘·
Spirals of tremulous smoke arise, to the purple skies,13/˘·/˘·˘/··/˘·
And the hum of the Camp sounds like the sea,10··········
Drifting over the sand to me.8/˘······
Afar, in the Desert some wild voice sings10˘/··˘/····
To a jangling zither with minor strings,9··/˘/˘·/·
And, under the stars growing keen above,9·····/···
I think of the thing that I love.8········
A beautiful thing, alert, serene,8·/˘·˘/˘/
With passionate, dreaming, wistful eyes,8·/˘/˘/˘·
Dark and deep as mysterious skies,8····˘/˘·
Seen from a vessel at sea.7···/˘··
Alas, you drifted away from me,9˘/·/˘˘/··
And Time and Space have rushed in between,9·········
But they cannot undo the Thing-that-has-been,11··˘/˘/·····
Though it never again may be.8··/˘˘/··
You were mine, from dusk until dawning light,10·······/˘·
For the perfect whole of that bygone night10··˘/···/··
You belonged to me!5·˘/··
They say that Love is a light thing,8········
A foolish thing and a slight thing,8·/˘·····
A ripe fruit, rotten at core;7···/˘··
They speak in this futile fashion8····/˘/˘
To me, who am wracked with passion,8······/˘
Tormented beyond compassion,8/·˘··˘/˘
For ever and ever more.7·/˘·/˘·
They say that Possession lessens a lover's delight,13···˘/˘/˘·/˘˘/
As radiant mornings fade into afternoon.11·/˘/˘····˘/
I held what I loved in my arms for many a night,12·········/··
Yet ever the morning lightened the sky too soon.11·/·/˘/˘····
Beyond our tents the sands stretch level and far,11··/····/˘··
Around this little oasis of Tamarind trees.13···/˘˘/˘·/˘˘·
A curious, Eastern fragrance fills the breeze10·/˘/˘/˘···
From the ruinous Temple garden where roses are.12··/˘/˘/˘·/˘·
I dream of the rose-like perfume that fills your hair,12······˘/····
Of times when my lips were free of your soft closed eyes,12············
While down in the tank the waters ripple and rise12······/˘/˘··
And the flying foxes silently cleave the air.11··/˘/˘/˘···
The present is subtly welded into the past,12·˘/·/˘/˘····
My love of you with the purple Indian dusk,11······/˘/˘·
With its clinging scent of sandal incense and musk,12··/˘··/˘/···
And withering jasmin flowers.8·/˘˘/˘/˘
My eyes grow dim and my senses fail at last,11······/˘···
While the lonely hours6··/˘/˘
Follow each other, silently, one by one,10/˘·/˘/˘···
Till the night is almost done.7····/··
Then weary, and drunk with dreams, with my garments damp12·/˘······/˘·
And heavy with dew, I wander towards the camp.11·/˘···/˘···
Tired, with a brain in which fancy and fact are blent,12/·····/˘····
I stumble across the ropes till I reach my tent12·/˘˘/·······
And then to rest. To ensweeten my sleep with lies,12············
To dream I lie in the light of your long lost eyes,12············
My lips set free.4····
To love and linger over your soft loose hair--10···/˘·····
To dream I lay your delicate beauty bare10·····/˘/˘·
To solace my fevered eyes.8·/˘·/˘˘·
Ah,--if my life might end in a night like this--11···········
Drift into death from dreams of your granted kiss!11········/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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