On the City Wall
Upon the City Ramparts, lit up by sunset gleam,The Blue eyes that conquer, meet the Darker eyes that dream.
The Dark eyes, so Eastern, and the Blue eyes from the West,The last alight with action, the first so full of rest.
Brown, that seem to hold the Past; its magic mystery,Blue, that catch the early light, of ages yet to be.
Meet and fall and meet again, then linger, look, and smile,Time and distance all forgotten, for a little while.
Happy on the city wall, in the warm spring weather,All the force of Nature's laws, drawing them together.
East and West so gaily blending, for a little space,All the sunshine seems to centre, round th' Enchanted place!
One rides down the dusty road, one watches from the wall,Azure eyes would fain return, and Amber eyes recall;
Would fain be on the ramparts, and resting heart to heart,But time o' love is overpast, East and West must part.
Blue eyes so clear and brilliant! Brown eyes so dark and deep!Those are dim, and ride away, these cry themselves to sleep.
"Oh, since Love is all so short, the sob so near the smile,Blue eyes that always conquer us, is it worth your while?"
There were Roses in the hedges, and Sunshine in the sky,Red Lilies in the sedges, where the water rippled by,A thousand Bulbuls singing, oh, how jubilant they were,And a thousand flowers flinging their sweetness on the air.
But you, who sat beside me, had a shadow in your eyes,Their sadness seemed to chide me, when I gave you scant replies;You asked "Did I remember?" and "When had I ceased to care?"In vain you fanned the ember, for the love flame was not there.
"And so, since you are tired of me, you ask me to forget,What is the use of caring, now that you no longer care?When Love is dead his Memory can only bring regret,But how can I forget you with the flowers in your hair?"
What use the scented Roses, or the azure of the sky?They are sweet when Love reposes, but then he had to die.What could I do in leaving you, but ask you to forget,--I suffered, too, in grieving you; I all but loved you yet.
But half love is a treason, that no lover can forgive,I had loved you for a season, I had no more to give.You saw my passion faltered, for I could but let you see,And it was not I that altered, but Fate that altered me.
And so, since I am tired of love, I ask you to forget,What is the use you caring, now that I no longer care?When Love is dead, his Memory can only bring regret;Forget me, oh, forget me, and my flower-scented hair!
Words in this poem
- gaily adv.
- Merrily; showily. See gaily. [From Gay.]
- blending n.
- The act of mingling.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- centre v. i.
- To be placed in a center; to be central.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- fain v. t.
- To be glad ; to wish or desire.
- jubilant a.
- Uttering songs of triumph; shouting with joy; triumphant; exulting. [L. jubilans, -antis, p. pr. of jubilare to shout for joy: cf. F. jubila. See Jubilate.]
- sadness n.
- Heaviness; firmness.
- ember n.
- A lighted coal, smoldering amid ashes; -- used chiefly in the plural, to signify mingled coals and ashes; the smoldering remains of a fire. [OE. emmeres, emeres, AS. ; akin to Icel. eimyrja, Dan. emmer, MHG. eimere; cf. Icel. eimr vapor, smoke.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
On the City Wall is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Laurence Hope, On the City Wall, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/on-the-city-wall.html, id L22630.
Form and metre
On the City Wall is 44 lines in 16 verse paragraphs. It is in rhyming couplets, 73% of the lines. The metre is fourteeners, measured from the stress the words themselves fix (confidence 85%).
See other poems in rhyming couplets, other poems in fourteeners.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA gleamA · dreamA
- 2 AA westA · restA
- 4 AA smileA · whileA
- 5 AA weatherA · togetherA
- 6 AA spaceA · placeA
- 7 AA wallA · recallA
- 8 AA heartA · partA
- 9 AA deepA · sleepA
- 10 AA smileA · whileA
- 11 AA-- skyA · byA · were · air
- 12 AABB eyesA · repliesA · careB · thereB
- 13 ABAB forgetA · careB · regretA · hairB
- 14 AABB skyA · dieA · forgetB · yetB
- 15 AABB forgiveA · giveA · seeB · meB
- 16 ABAB forgetA · careB · regretA · hairB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against fourteeners. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Upon the City Ramparts, lit up by sunset gleam, | 13 | ···/˘/····/·· |
| The Blue eyes that conquer, meet the Darker eyes that dream. | 13 | ····/˘··/˘··· |
| The Dark eyes, so Eastern, and the Blue eyes from the West, | 13 | ····/˘······· |
| The last alight with action, the first so full of rest. | 13 | ··˘/·/˘······ |
| Brown, that seem to hold the Past; its magic mystery, | 13 | ········/˘/˘˘ |
| Blue, that catch the early light, of ages yet to be. | 13 | ····/˘··/˘··· |
| Meet and fall and meet again, then linger, look, and smile, | 13 | ·····˘/·/˘··· |
| Time and distance all forgotten, for a little while. | 13 | ··/˘·˘/˘··/˘· |
| Happy on the city wall, in the warm spring weather, | 13 | /˘··/˘·····/˘ |
| All the force of Nature's laws, drawing them together. | 13 | ····/˘·/˘·˘/˘ |
| East and West so gaily blending, for a little space, | 13 | ····/˘/˘··/˘· |
| All the sunshine seems to centre, round th' Enchanted place! | 13 | ··/···/˘·˘/˘· |
| One rides down the dusty road, one watches from the wall, | 13 | ····/˘··/˘··· |
| Azure eyes would fain return, and Amber eyes recall; | 13 | /˘···˘/·/˘·˘/ |
| Would fain be on the ramparts, and resting heart to heart, | 13 | ·····/··/˘··· |
| But time o' love is overpast, East and West must part. | 13 | ············· |
| Blue eyes so clear and brilliant! Brown eyes so dark and deep! | 13 | ·····/˘······ |
| Those are dim, and ride away, these cry themselves to sleep. | 13 | ·····˘/··˘/·· |
| "Oh, since Love is all so short, the sob so near the smile, | 13 | ············· |
| Blue eyes that always conquer us, is it worth your while?" | 13 | ···/·/˘······ |
| There were Roses in the hedges, and Sunshine in the sky, | 14 | ··/˘··/˘·/···· |
| Red Lilies in the sedges, where the water rippled by, | 14 | ·/˘··/˘··/˘/˘· |
| A thousand Bulbuls singing, oh, how jubilant they were, | 14 | ·/˘··/˘··/˘˘·· |
| And a thousand flowers flinging their sweetness on the air. | 14 | ··/˘/˘/˘·/˘··· |
| But you, who sat beside me, had a shadow in your eyes, | 14 | ····˘/···/···· |
| Their sadness seemed to chide me, when I gave you scant replies; | 14 | ·/˘·········˘/ |
| You asked "Did I remember?" and "When had I ceased to care?" | 14 | ····˘/˘······· |
| In vain you fanned the ember, for the love flame was not there. | 14 | ·····/˘······· |
| "And so, since you are tired of me, you ask me to forget, | 14 | ·····/······˘/ |
| What is the use of caring, now that you no longer care? | 14 | ·····/˘····/˘· |
| When Love is dead his Memory can only bring regret, | 14 | ·····/˘˘·/˘·˘/ |
| But how can I forget you with the flowers in your hair?" | 14 | ····˘/···/˘··· |
| What use the scented Roses, or the azure of the sky? | 14 | ···/˘/˘··/˘··· |
| They are sweet when Love reposes, but then he had to die. | 14 | ·····/·˘······ |
| What could I do in leaving you, but ask you to forget,-- | 14 | ·····/˘·····˘/ |
| I suffered, too, in grieving you; I all but loved you yet. | 14 | ·/˘··/˘······· |
| But half love is a treason, that no lover can forgive, | 14 | ·····/˘··/˘·˘/ |
| I had loved you for a season, I had no more to give. | 14 | ······/˘······ |
| You saw my passion faltered, for I could but let you see, | 14 | ···/˘/˘······· |
| And it was not I that altered, but Fate that altered me. | 14 | ······/˘···/˘· |
| And so, since I am tired of love, I ask you to forget, | 14 | ·····/······˘/ |
| What is the use you caring, now that I no longer care? | 14 | ·····/˘····/˘· |
| When Love is dead, his Memory can only bring regret; | 14 | ·····/˘˘·/˘·˘/ |
| Forget me, oh, forget me, and my flower-scented hair! | 14 | ˘/··˘/···/˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.