Ojira, to Her Lover
I am waiting in the desert, looking out towards the sunset,And counting every moment till we meet.I am waiting by the marshes and I tremble and I listenTill the soft sands thrill beneath your coming feet.
Till I see you, tall and slender, standing clear against the skylineA graceful shade across the lingering red,While your hair the breezes ruffle, turns to silver in the twilight,And makes a fair faint aureole round your head.
Far away towards the sunset I can see a narrow river,That unwinds itself in red tranquillity;I can hear its rippled meeting, and the gurgle of its greeting,As it mingles with the loved and long sought sea.
In the purple sky above me showing dark against the starlight,Long wavering flights of homeward birds fly low,They cry each one to the other, and their weird and wistful calling,Makes most melancholy music as they go.
Oh, my dearest hasten, hasten! It is lonely here. AlreadyHave I heard the jackals' first assembling cry,And among the purple shadows of the mangroves and the marshesFitful echoes of their footfalls passing by.
Ah, come soon! my arms are empty, and so weary for your beauty,I am thirsty for the music of your voice.Come to make the marshes joyous with the sweetness of your presence,Let your nearing feet bid all the sands rejoice!
My hands, my lips are feverish with the longing and the waitingAnd no softness of the twilight soothes their heat,Till I see your radiant eyes, shining stars beneath the starlight,Till I kiss the slender coolness of your feet.
Ah, loveliest, most reluctant, when you lay yourself beside meAll the planets reel around me--fade away,And the sands grow dim, uncertain,--I stretch out my hands towards youWhile I try to speak but know not what I say!
I am faint with love and longing, and my burning eyes are gazingWhere the furtive Jackals wage their famished strife,Oh, your shadow on the mangroves! and your step upon the sandhills,--This is the loveliest evening of my Life!
Words in this poem
- aureole n.
- A celestial crown or accidental glory added to the bliss of heaven, as a reward to those (as virgins, martyrs, preachers, etc.) who have overcome the world, the flesh, and the devil. [F. auréole, fr. L. aureola, (fem adj.) of gold (sc. corona crown), dim. of aureus. See Aureate, Oriole.]
- gurgle v. i.
- To run or flow in a broken, irregular, noisy current, as water from a bottle, or a small stream among pebbles or stones. [Cf. It. gorgogliare to gargle, bubble up, fr. L. gurgulio gullet. Cf. Gargle, Gorge.]
- starlight n.
- The light given by the stars.
- homeward a.
- Being in the direction of home; as, the homeward way.
- wistful a.
- Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- furtive a.
- Stolen; obtained or characterized by stealth; sly; secret; stealthy; as, a furtive look. Prior. [L. furtivus, fr. furtum theft, fr. fur thief, akin to ferre to bear: cf. F. furtif. See Fertile.]
- wage v. i.
- To bind one's self; to engage.
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Ojira, to Her Lover is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Laurence Hope, Ojira, to Her Lover, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/ojira-to-her-lover.html, id L22591.
Form and metre
Ojira, to Her Lover is 36 lines in 9 stanzas of 4 lines each. The metre is trochaic octameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in trochaic octameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A sunset · meetA · listen · feetA
- 2 -A-A skyline · redA · twilight · headA
- 4 -A-A starlight · lowA · calling · goA
- 5 -A-A already · cryA · marshes · byA
- 6 -A-A beauty · voiceA · presence · rejoiceA
- 7 -A-A waiting · heatA · starlight · feetA
- 8 -A-A me · awayA · you · sayA
- 9 -A-A gazing · strifeA · sandhills · lifeA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic octameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I am waiting in the desert, looking out towards the sunset, | 15 | ··/˘··/˘/˘···/· |
| And counting every moment till we meet. | 10 | ·/˘/˘/˘··· |
| I am waiting by the marshes and I tremble and I listen | 16 | ··/˘··/˘··/˘··/˘ |
| Till the soft sands thrill beneath your coming feet. | 11 | ········/˘· |
| Till I see you, tall and slender, standing clear against the skyline | 16 | ······/˘/˘····/· |
| A graceful shade across the lingering red, | 10 | ·/˘·˘/·/˘· |
| While your hair the breezes ruffle, turns to silver in the twilight, | 16 | ····/˘/˘··/˘··/· |
| And makes a fair faint aureole round your head. | 10 | ·····/˘··· |
| Far away towards the sunset I can see a narrow river, | 15 | ·˘/··/·····/˘/˘ |
| That unwinds itself in red tranquillity; | 11 | ·˘/˘/··˘/˘˘ |
| I can hear its rippled meeting, and the gurgle of its greeting, | 16 | ····/˘/˘··/˘··/˘ |
| As it mingles with the loved and long sought sea. | 11 | ··/˘······· |
| In the purple sky above me showing dark against the starlight, | 16 | ··/˘····/˘····/· |
| Long wavering flights of homeward birds fly low, | 10 | ·/˘··/˘··· |
| They cry each one to the other, and their weird and wistful calling, | 16 | ······/˘····/˘/˘ |
| Makes most melancholy music as they go. | 11 | ··/˘·˘/˘··· |
| Oh, my dearest hasten, hasten! It is lonely here. Already | 16 | ··/˘/˘/˘··/˘·˘/˘ |
| Have I heard the jackals' first assembling cry, | 11 | ·······˘/˘· |
| And among the purple shadows of the mangroves and the marshes | 16 | ····/˘/···/···/˘ |
| Fitful echoes of their footfalls passing by. | 11 | /˘/˘··/·/˘· |
| Ah, come soon! my arms are empty, and so weary for your beauty, | 16 | ······/˘··/˘··/˘ |
| I am thirsty for the music of your voice. | 11 | ··/˘··/˘··· |
| Come to make the marshes joyous with the sweetness of your presence, | 16 | ····/˘/˘··/˘··/˘ |
| Let your nearing feet bid all the sands rejoice! | 11 | ··/˘·····˘/ |
| My hands, my lips are feverish with the longing and the waiting | 15 | ·····/˘··/˘··/˘ |
| And no softness of the twilight soothes their heat, | 11 | ··/˘··/···· |
| Till I see your radiant eyes, shining stars beneath the starlight, | 15 | ····/˘·/˘····/· |
| Till I kiss the slender coolness of your feet. | 11 | ····/˘/˘··· |
| Ah, loveliest, most reluctant, when you lay yourself beside me | 16 | ·····˘/˘···˘/˘/· |
| All the planets reel around me--fade away, | 11 | ··/˘·····˘/ |
| And the sands grow dim, uncertain,--I stretch out my hands towards you | 15 | ·····˘/˘······· |
| While I try to speak but know not what I say! | 11 | ··········· |
| I am faint with love and longing, and my burning eyes are gazing | 16 | ······/˘··/˘··/˘ |
| Where the furtive Jackals wage their famished strife, | 11 | ··/˘/˘····· |
| Oh, your shadow on the mangroves! and your step upon the sandhills,-- | 16 | ··/···/·······/· |
| This is the loveliest evening of my Life! | 11 | ······/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.