Afridi Love

Laurence Hope (1865–1904) · 1901

iambic pentameter · 72 lines · from India's Love Lyrics

Since, Oh, Beloved, you are not even faithfulTo me, who loved you so, for one short night,For one brief space of darkness, though my absenceDid but endure until the dawning light;

Since all your beauty--which was mine--you squanderedOn that which now lies dead across your door;See here this knife, made keen and bright to kill you.You shall not see the sun rise any more.

Lie still! Lie still! In all the empty villageWho is there left to hear or heed your cry?All are gone to labour in the valley,Who will return before your time to die?

No use to struggle; when I found you sleeping,I took your hands and bound them to your side,And both these slender feet, too apt at straying,Down to the cot on which you lie are tied.

Lie still, Beloved; that dead thing lying yonder,I hated and I killed, but love is sweet,And you are more than sweet to me, who love you,Who decked my eyes with dust from off your feet.

Give me your lips; Ah, lovely and disloyalGive me yourself again; before you goDown through the darkness of the Great, Blind Portal,All of life's best and basest you must know.

Erstwhile Beloved, you were so young and fragileI held you gently, as one holds a flower:But now, God knows, what use to still be tenderTo one whose life is done within an hour?

I hurt? What then? Death will not hurt you, dearest,As you hurt me, for just a single night,You call me cruel, who laid my life in ruinsTo gain one little moment of delight.

Look up, look out, across the open doorwayThe sunlight streams. The distant hills are blue.Look at the pale, pink peach trees in our garden,Sweet fruit will come of them;--but not for you.

The fair, far snow, upon those jagged mountainsThat gnaw against the hard blue Afghan skyWill soon descend, set free by summer sunshine.You will not see those torrents sweeping by.

The world is not for you. From this day forward,You must lie still alone; who would not lieAlone for one night only, though returningI was, when earliest dawn should break the sky.

There lies my lute, and many strings are broken,Some one was playing it, and some one toreThe silken tassels round my Hookah woven;Some one who plays, and smokes, and loves, no more!

Some one who took last night his fill of pleasure,As I took mine at dawn! The knife went homeStraight through his heart! God only knows my raptureBathing my chill hands in the warm red foam.

And so I pain you? This is only loving,Wait till I kill you! Ah, this soft, curled hair!Surely the fault was mine, to love and leave youEven a single night, you are so fair.

Cold steel is very cooling to the fervourOf over passionate ones, Beloved, like you.Nay, turn your lips to mine. Not quite unlovelyThey are as yet, as yet, though quite untrue.

What will your brother say, to-night returningWith laden camels homewards to the hills,Finding you dead, and me asleep beside you,Will he awake me first before he kills?

For I shall sleep. Here on the cot beside youWhen you, my Heart's Delight, are cold in death.When your young heart and restless lips are silent,Grown chilly, even beneath my burning breath.

When I have slowly drawn my knife across you,Taking my pleasure as I see you swoon,I shall sleep sound, worn out by love's last fervour,And then, God grant your kinsmen kill me soon!

Words in this poem

shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
erstwhile adv.
Till then or now; heretofore; formerly.
doorway n.
The passage of a door; entrance way into a house or a room.
afghan a.
Of or pertaining to Afghanistan.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
tore n.
The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
hookah n.
A pipe with a long, flexible stem, so arranged that the smoke is cooled by being made to pass through water. [Per. or Ar. huqqa a round box or casket, a bottle through which the fumes pass when smoking tobacco.]
went n.
Course; way; path; journey; direction.
cooling a.
Adapted to cool and refresh; allaying heat.
fervour n.
Heat; excessive warmth. [OF. fervor, fervour, F. ferveur, L. fervor, fr. fervere. See Fervent.]
unlovely a.
Not lovely; not amiable; possessing qualities that excite dislike; disagreeable; displeasing; unpleasant.
homewards adv.
Toward home; in the direction of one's house, town, or country. [AS. hamweard.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Afridi Love is in the public domain. This text is taken from India's Love Lyrics, Project Gutenberg ebook #8197; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Laurence Hope, Afridi Love, in India's Love Lyrics (1901), text of Project Gutenberg ebook #8197, Laurel, https://laurelpoetry.com/poem/hope-india/afridi-love.html, id L22589.

Form and metre

Afridi Love is 72 lines in 18 stanzas of 4 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A faithful · nightA · absence · lightA
  2. 2 -A-A squandered · doorA · you · moreA
  3. 3 -A-A village · cryA · valley · dieA
  4. 4 -A-A sleeping · sideA · straying · tiedA
  5. 5 -A-A yonder · sweetA · you · feetA
  6. 6 -A-A disloyal · goA · portal · knowA
  7. 7 -A-A fragile · flowerA · tender · hourA
  8. 8 -A-A dearest · nightA · ruins · delightA
  9. 9 -A-A doorway · blueA · garden · youA
  10. 10 -A-A mountains · skyA · sunshine · byA
  11. 11 -A-A forward · lieA · returning · skyA
  12. 12 -A-A broken · toreA · woven · moreA
  13. 13 -A-A pleasure · homeA · rapture · foamA
  14. 14 -A-A loving · hairA · you · fairA
  15. 15 -A-A fervour · youA · unlovely · untrueA
  16. 16 -A-A returning · hillsA · you · killsA
  17. 17 -A-A you · deathA · silent · breathA
  18. 18 -A-A you · swoonA · fervour · soonA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Since, Oh, Beloved, you are not even faithful11··˘/···/˘/˘
To me, who loved you so, for one short night,11····˘······
For one brief space of darkness, though my absence11·····/˘··/˘
Did but endure until the dawning light;10··˘/···/˘·
Since all your beauty--which was mine--you squandered11···/˘····/˘
On that which now lies dead across your door;10······˘/··
See here this knife, made keen and bright to kill you.11···········
You shall not see the sun rise any more.10·······/˘·
Lie still! Lie still! In all the empty village11·······/˘/˘
Who is there left to hear or heed your cry?10··········
All are gone to labour in the valley,10····/···/˘
Who will return before your time to die?10··˘/······
No use to struggle; when I found you sleeping,11···/˘····/˘
I took your hands and bound them to your side,10··········
And both these slender feet, too apt at straying,11···/˘····/˘
Down to the cot on which you lie are tied.10··········
Lie still, Beloved; that dead thing lying yonder,11··˘/···/˘/˘
I hated and I killed, but love is sweet,11·/˘···˘····
And you are more than sweet to me, who love you,11···········
Who decked my eyes with dust from off your feet.11··˘········
Give me your lips; Ah, lovely and disloyal11·····/˘·˘/˘
Give me yourself again; before you go10··˘/˘/····
Down through the darkness of the Great, Blind Portal,11···/˘····/˘
All of life's best and basest you must know.10··········
Erstwhile Beloved, you were so young and fragile11/·˘/·····/˘
I held you gently, as one holds a flower:11···/˘····/˘
But now, God knows, what use to still be tender11·········/˘
To one whose life is done within an hour?11·········/˘
I hurt? What then? Death will not hurt you, dearest,11·········/˘
As you hurt me, for just a single night,10·······/˘·
You call me cruel, who laid my life in ruins12···/˘·····/˘
To gain one little moment of delight.10···/˘/˘·˘/
Look up, look out, across the open doorway11····˘/·/˘/·
The sunlight streams. The distant hills are blue.10·/···/˘···
Look at the pale, pink peach trees in our garden,12········/˘/˘
Sweet fruit will come of them;--but not for you.10··········
The fair, far snow, upon those jagged mountains11········˘/˘
That gnaw against the hard blue Afghan sky10·······/··
Will soon descend, set free by summer sunshine.11··˘/···/˘/·
You will not see those torrents sweeping by.10·····/˘/˘·
The world is not for you. From this day forward,11·········/˘
You must lie still alone; who would not lie10····˘/····
Alone for one night only, though returning11˘/···/˘·˘/˘
I was, when earliest dawn should break the sky.11···/˘˘·····
There lies my lute, and many strings are broken,11·····/˘··/˘
Some one was playing it, and some one tore10···/˘·····
The silken tassels round my Hookah woven;11·/˘/˘··/˘/˘
Some one who plays, and smokes, and loves, no more!10··········
Some one who took last night his fill of pleasure,11·········/˘
As I took mine at dawn! The knife went home10··········
Straight through his heart! God only knows my rapture11·····/˘··/˘
Bathing my chill hands in the warm red foam.10/˘········
And so I pain you? This is only loving,11·······/˘/˘
Wait till I kill you! Ah, this soft, curled hair!11·········˘·
Surely the fault was mine, to love and leave you11/˘·········
Even a single night, you are so fair.10/˘·/˘·····
Cold steel is very cooling to the fervour11···/˘/˘··/˘
Of over passionate ones, Beloved, like you.11···/˘˘·˘/··
Nay, turn your lips to mine. Not quite unlovely11········˘/˘
They are as yet, as yet, though quite untrue.10········˘/
What will your brother say, to-night returning11···/˘···˘/˘
With laden camels homewards to the hills,10·/˘/˘/˘···
Finding you dead, and me asleep beside you,11/˘····˘/˘/·
Will he awake me first before he kills?10··˘/······
For I shall sleep. Here on the cot beside you11········˘/·
When you, my Heart's Delight, are cold in death.10····˘/····
When your young heart and restless lips are silent,11·····/˘··/˘
Grown chilly, even beneath my burning breath.11·/˘/˘···/˘·
When I have slowly drawn my knife across you,11···/˘···˘/·
Taking my pleasure as I see you swoon,10/˘·/˘·····
I shall sleep sound, worn out by love's last fervour,11·········/˘
And then, God grant your kinsmen kill me soon!10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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