A Singular Exhibition at Somerset House
On that first Saturday in May,When Lords and Ladies, great and grand,Repair to see what each R.A.Has done since last they sought the Strand,In red, brown, yellow, green, or blue,In short, what's called the private view,--Amongst the guests--the deuce knows howShe got in there without a row--There came a large and vulgar dame,With arms deep red, and face the same,Showing in temper not a Saint;No one could guess for why she came,Unless perchance to "scour the Paint."
From wall to wall she forced her way,Elbowed Lord Durham--poked Lord Grey--Stamped Stafford's toes to make him move,And Devonshire's Duke received a shove;The great Lord Chancellor felt her nudge,She made the Vice, his Honor, budge,And gave a pinch to Park, the judge.As for the ladies in this stir,The highest rank gave way to her.
From number one and number two,She searched the pictures through and through,On benches stood, to inspect the high ones,And squatted down to see the shy ones.
And as she went from part to part,A deeper red each cheek became,Her very eyes lit up in flame,That made each looker-on exclaim,"Really an ardent love of art!"Alas! amidst her inquisition,Fate brought her to a sad condition;She might have run against Lord Milton,And still have stared at deeds in oil.But ah! her picture-joy to spoil,She came full butt on Mr. Hilton.
The Keeper mute, with staring eyes,Like a lay-figure for surprise,At last this stammered out, "How now?Woman--where, woman, is your ticket,That ought to have let you through our wicket?"Says woman, "Where is David's Cow?"Said Mr. H---- with expedition,"There's no Cow in the Exhibition.""No Cow!"--but here her tongue in verity,Set off with steam and rail celerity--
"No Cow! there ain't no Cow, then the more's the shame and pity,Hang you, and the R.A.'s, and all the Hanging Committee!No Cow--but hold your tongue--for you needn't talk to me--You can't talk up the Cow, you can't, to where it ought to be--I haven't seen a picture high or low, or anyhow,Or in any of the rooms, to be compared with David's Cow!You may talk of your Landseers, and of your Coopers and your Wards,Why, hanging is too good for them, and yet here they are on cords!They're only fit for window frames, and shutters and street doors,David will paint 'em any day at Red Lions or Blue Boars,--Why, Morland was a fool to him,--at a little pig or sow--It's really hard it ain't hung up,--I could cry about the Cow!But I know well what it is, and why--they're jealous of David's fame,But to vent it on the Cow, poor thing, is a cruelty and a shame,--Do you think it might hang by and by, if you cannot hang it now?David has made a party up, to come and see his CowIf it only hung three days a week, for an example to the learners--Why can't it hang up, turn about, with that picture of Mr. Turner's?Or do you think from Mr. Etty you need apprehend a row,If now and then you cut him down to hang up David's Cow!I can't think where their tastes have been, to not have such a creature,Although I say, that should not say, it was prettier than nature!It must be hung--and shall be hung--for, Mr. H----, I vowI daren't take home the catalogue, unless it's got the Cow!As we only want it to be seen, I should not so much care,If it was only round the stone man's neck, a coming up the stair.Or down there in the marble room where all the figures stand,Where one of them three Graces might just hold it in her hand--Or maybe Baily's Charity the favor would allow,It would really be a charity to hang up David's Cow.We haven't nowhere else to go if you don't hang it here,The Water Color place allows no oilman to appear--And the British Gallery sticks to Dutch, Teniers and Gerard Douw,And the Suffolk Gallery will not do--it's not a Suffolk Cow:I wish you'd seen him painting her, he hardly took his mealsTill she was painted on the board, correct from head to heels:His heart and soul was in his Cow, and almost made him shabby,He hardly whipped the boys at all,--or helped to nurse the babby,And when he had her all complete and painted over red,He got so grand, I really thought him going off his head.Now hang it, Mr. Hilton, do just hang it anyhow,Poor David, he will hang himself, unless you hang his Cow.And if it's inconvenient and drawn too big by half--David shan't send next year except a very little calf!"
Words in this poem 17
- saturday n.
- The seventh or last day of the week; the day following Friday and preceding Sunday. [OE. Saterday, AS. Sæterdæg, Sæterndæg, Sæternesdæg, literally, Saturn's day, fr. L. Saturnus Saturn + AS. dæg day; cf. L. dies Saturni.]
- amongst prep.
- Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
- dame n.
- A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
- durham n.
- One or a breed of short-horned cattle, originating in the county of Durham, England. The Durham cattle are noted for their beef-producing quality.
- duke n.
- A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
- nudge v. t.
- To touch gently, as with the elbow, in order to call attention or convey intimation. [Cf. Prov. G. knütschen to squeeze, pinch, E. Knock.]
- budge a.
- Brisk; stirring; jocund. South. [See Budge, v.]
- went n.
- Course; way; path; journey; direction.
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- verity n.
- The quality or state of being true, or real; consonance of a statement, proposition, or other thing, with fact; truth; reality. [F. vérité, L. veritas, fr. verus true. See Very.]
- anyhow adv.
- In any way or manner whatever; at any rate; in any event.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- maybe adv.
- Perhaps; possibly; peradventure. [For it may be.]
- nowhere adv.
- Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]
- oilman n.
- One who deals in oils; formerly, one who dealt in oils and pickles.
- shabby a.
- Torn or worn to rage; poor; mean; ragged. [See Shab, n., Scabby, and Scab.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Singular Exhibition at Somerset House is in the public domain. This text is taken from The Poetical Works of Thomas Hood, Project Gutenberg ebook #15652; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hood, A Singular Exhibition at Somerset House, in The Song of the Shirt, and Other Poems (1826–1845), text of Project Gutenberg ebook #15652, Laurel, https://laurelpoetry.com/poem/hood-poetical-works/a-singular-exhibition-at-somerset-house.html, id L20155.
Form and metre
A Singular Exhibition at Somerset House is 91 lines in 6 verse paragraphs. It is in rhyming couplets, 68% of the lines: heroic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-ABB--CCDCD may · grandA · r.a · strandA · blueB · viewB · how · row · dameC · sameC · saintD · cameC · paintD
- 2 AABBCCCDD wayA · greyA · moveB · shoveB · nudgeC · budgeC · judgeC · stirD · herD
- 3 AABB twoA · throughA · onesB · onesB
- 4 ABBBACCDEED partA · becameB · flameB · exclaimB · artA · inquisitionC · conditionC · miltonD · oilE · spoilE · hiltonD
- 5 AABCCBDDEE eyesA · surpriseA · nowB · ticketC · wicketC · cowB · expeditionD · exhibitionD · verityE · celerityE
- 6 AABBCCDDEEFFGGFFHH-I--IIJJKKLLMM--NNOOPPQQRR pityA · committeeA · meB · beB · anyhowC · cowC · wardsD · cordsD · doorsE · boarsE · sowF · cowF · fameG · shameG · nowF · cowF · learnersH · turner'sH · row · cowI · creature · nature · vowI · cowI · careJ · stairJ · standK · handK · allowL · cowL · hereM · appearM · douw · cow · mealsN · heelsN · shabbyO · babbyO · redP · headP · anyhowQ · cowQ · halfR · calfR
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| On that first Saturday in May, | 8 | ···/···· |
| When Lords and Ladies, great and grand, | 8 | ···/˘··· |
| Repair to see what each R.A. | 8 | ˘/······ |
| Has done since last they sought the Strand, | 8 | ········ |
| In red, brown, yellow, green, or blue, | 8 | ···/˘··· |
| In short, what's called the private view,-- | 9 | ····˘·/˘· |
| Amongst the guests--the deuce knows how | 8 | ········ |
| She got in there without a row-- | 8 | ········ |
| There came a large and vulgar dame, | 8 | ·····/˘· |
| With arms deep red, and face the same, | 8 | ········ |
| Showing in temper not a Saint; | 8 | /˘·/˘··· |
| No one could guess for why she came, | 8 | ········ |
| Unless perchance to "scour the Paint." | 9 | ··˘/·/˘·· |
| From wall to wall she forced her way, | 9 | ······˘·· |
| Elbowed Lord Durham--poked Lord Grey-- | 10 | /·˘·/˘·˘·· |
| Stamped Stafford's toes to make him move, | 9 | ·˘/˘····· |
| And Devonshire's Duke received a shove; | 10 | ·˘/··˘/˘·· |
| The great Lord Chancellor felt her nudge, | 9 | ···/˘˘··· |
| She made the Vice, his Honor, budge, | 8 | ·····/˘· |
| And gave a pinch to Park, the judge. | 8 | ········ |
| As for the ladies in this stir, | 8 | ···/˘··· |
| The highest rank gave way to her. | 8 | ·/˘····· |
| From number one and number two, | 8 | ·/˘··/˘· |
| She searched the pictures through and through, | 9 | ··˘·/˘··· |
| On benches stood, to inspect the high ones, | 10 | ·/˘··˘/··· |
| And squatted down to see the shy ones. | 9 | ·/˘······ |
| And as she went from part to part, | 8 | ········ |
| A deeper red each cheek became, | 8 | ·/˘···˘/ |
| Her very eyes lit up in flame, | 8 | ·/˘····· |
| That made each looker-on exclaim, | 8 | ···/˘·˘/ |
| "Really an ardent love of art!" | 8 | /˘·/˘··· |
| Alas! amidst her inquisition, | 9 | ˘/˘/··˘/˘ |
| Fate brought her to a sad condition; | 9 | ······˘/˘ |
| She might have run against Lord Milton, | 9 | ·······/˘ |
| And still have stared at deeds in oil. | 9 | ····˘···· |
| But ah! her picture-joy to spoil, | 8 | ···/˘··· |
| She came full butt on Mr. Hilton. | 9 | ·····/˘/˘ |
| The Keeper mute, with staring eyes, | 8 | ·/˘··/˘· |
| Like a lay-figure for surprise, | 8 | ···/˘·˘/ |
| At last this stammered out, "How now? | 9 | ···/˘˘··· |
| Woman--where, woman, is your ticket, | 9 | /˘·/˘··/˘ |
| That ought to have let you through our wicket?" | 11 | ·······/˘/˘ |
| Says woman, "Where is David's Cow?" | 8 | ·/˘··/˘· |
| Said Mr. H---- with expedition, | 9 | ·/˘···˘/˘ |
| "There's no Cow in the Exhibition." | 9 | ······˘/˘ |
| "No Cow!"--but here her tongue in verity, | 10 | ·······/˘˘ |
| Set off with steam and rail celerity-- | 10 | ······˘/˘˘ |
| "No Cow! there ain't no Cow, then the more's the shame and pity, | 15 | ········/····/˘ |
| Hang you, and the R.A.'s, and all the Hanging Committee! | 15 | ··········/˘˘/˘ |
| No Cow--but hold your tongue--for you needn't talk to me-- | 13 | ········/˘··· |
| You can't talk up the Cow, you can't, to where it ought to be-- | 14 | ·············· |
| I haven't seen a picture high or low, or anyhow, | 14 | ·/˘··/˘····/˘· |
| Or in any of the rooms, to be compared with David's Cow! | 15 | ··/˘·····˘/·/˘· |
| You may talk of your Landseers, and of your Coopers and your Wards, | 15 | ··········/˘··· |
| Why, hanging is too good for them, and yet here they are on cords! | 15 | ·/˘············ |
| They're only fit for window frames, and shutters and street doors, | 14 | ·/˘··/˘··/˘··· |
| David will paint 'em any day at Red Lions or Blue Boars,-- | 15 | /˘···/˘···/˘··· |
| Why, Morland was a fool to him,--at a little pig or sow-- | 15 | ·/˘·······/˘··· |
| It's really hard it ain't hung up,--I could cry about the Cow! | 15 | ·/˘············ |
| But I know well what it is, and why--they're jealous of David's fame, | 16 | ··········/˘·/˘· |
| But to vent it on the Cow, poor thing, is a cruelty and a shame,-- | 16 | ···········/˘··· |
| Do you think it might hang by and by, if you cannot hang it now? | 16 | ···········/˘··· |
| David has made a party up, to come and see his Cow | 14 | /˘···/˘······· |
| If it only hung three days a week, for an example to the learners-- | 18 | ··/˘·······˘/˘··/˘ |
| Why can't it hang up, turn about, with that picture of Mr. Turner's? | 17 | ··········/˘·/˘/˘ |
| Or do you think from Mr. Etty you need apprehend a row, | 16 | ·····/˘/˘···˘/·· |
| If now and then you cut him down to hang up David's Cow! | 14 | ···········/˘· |
| I can't think where their tastes have been, to not have such a creature, | 15 | ·············/˘ |
| Although I say, that should not say, it was prettier than nature! | 15 | ··········/˘·/˘ |
| It must be hung--and shall be hung--for, Mr. H----, I vow | 14 | ·········/˘··· |
| I daren't take home the catalogue, unless it's got the Cow! | 15 | ······/˘······· |
| As we only want it to be seen, I should not so much care, | 15 | ··/˘··········· |
| If it was only round the stone man's neck, a coming up the stair. | 16 | ···/˘······/˘··· |
| Or down there in the marble room where all the figures stand, | 14 | ·····/˘····/˘· |
| Where one of them three Graces might just hold it in her hand-- | 14 | ·····/˘······· |
| Or maybe Baily's Charity the favor would allow, | 13 | ·/˘/˘/˘·/˘·˘/ |
| It would really be a charity to hang up David's Cow. | 14 | ··/˘··/˘···/˘· |
| We haven't nowhere else to go if you don't hang it here, | 14 | ·/˘/·········· |
| The Water Color place allows no oilman to appear-- | 14 | ·/˘/˘·˘/·/··˘/ |
| And the British Gallery sticks to Dutch, Teniers and Gerard Douw, | 15 | ··/˘/˘······˘/· |
| And the Suffolk Gallery will not do--it's not a Suffolk Cow: | 15 | ··/˘/˘······/˘· |
| I wish you'd seen him painting her, he hardly took his meals | 14 | ·····/˘··/˘··· |
| Till she was painted on the board, correct from head to heels: | 14 | ···/˘···˘/···· |
| His heart and soul was in his Cow, and almost made him shabby, | 15 | ·········/···/˘ |
| He hardly whipped the boys at all,--or helped to nurse the babby, | 15 | ·/˘············ |
| And when he had her all complete and painted over red, | 13 | ······˘/·/˘·· |
| He got so grand, I really thought him going off his head. | 13 | ·····/˘··/··· |
| Now hang it, Mr. Hilton, do just hang it anyhow, | 14 | ···/˘/˘····/˘· |
| Poor David, he will hang himself, unless you hang his Cow. | 14 | ·/˘···˘/······ |
| And if it's inconvenient and drawn too big by half-- | 13 | ····˘/˘······ |
| David shan't send next year except a very little calf!" | 14 | /˘·······/˘/˘· |
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