A Parthian Glance
"Sweet Memory, wafted by thy gentle gale,Oft up the stream of time I turn my sail."--ROGERS.
Come, my Crony, let's think upon far-away days,And lift up a little Oblivion's veil;Let's consider the past with a lingering gaze,Like a peacock whose eyes are inclined to his tail.
Aye, come, let us turn our attention behind,Like those critics whose heads are so heavy, I fear,That they cannot keep up with the march of the mind,And so turn face about for reviewing the rear.
Looking over Time's crupper and over his tail,Oh, what ages and pages there are to revise!And as farther our back-searching glances prevail,Like the emmets, "how little we are in our eyes!"
What a sweet pretty innocent, half-a-yard long,On a dimity lap of true nursery make!I can fancy I hear the old lullaby songThat was meant to compose me, but kept me awake.
Methinks I still suffer the infantine throes,When my flesh was a cushion for any long pin--Whilst they patted my body to comfort my woes,Oh! how little they dreamt they were driving them in!
Infant sorrows are strong--infant pleasures as weak--But no grief was allow'd to indulge in its note;Did you ever attempt a small "bubble and squeak,"Through the Dalby's Carminative down in your throat?
Did you ever go up to the roof with a bounce?Did you ever come down to the floor with the same?Oh! I can't but agree with bath ends, and pronounce"Heads or tails," with a child, an unpleasantish game!
Then an urchin--I see myself urchin indeed--With a smooth Sunday face for a mother's delight;Why should weeks have an end?--I am sure there was needOf a Sabbath, to follow each Saturday night.
Was your face ever sent to the housemaid to scrub?Have you ever felt huckaback soften'd with sand?Had you ever your nose towell'd up to a snub,And your eyes knuckled out with the back of the hand?
Then a school-boy--my tailor was nothing in fault,For an urchin will grow to a lad by degrees,--But how well I remember that "pepper-and-salt"That was down to the elbows, and up to the knees!
What a figure it cut when as Norval I spoke!With a lanky right leg duly planted before;Whilst I told of the chief that was kill'd by my stroke,And extended my arms as "the arms that he wore!"
Next a Lover--Oh! say, were you ever in love?With a lady too cold--and your bosom too hot?Have you bow'd to a shoe-tie, and knelt to a glove,Like a beau that desired to be tied in a knot?
With the Bride all in white, and your body in blue,Did you walk up the aisle--the genteelest of men?When I think of that beautiful vision anew,Oh! I seem but the biffin of what I was then!
I am withered and worn by a premature care,And wrinkles confess the decline of my days;Old Time's busy hand has made free with my hair,And I'm seeking to hide it--by writing for bays!
Words in this poem
- crupper n.
- The buttocks or rump of a horse. [F. croupi, fr. croupe. See Croup the rump of a horse.]
- dimity n.
- A cotton fabric employed for hangings and furniture coverings, and formerly used for women's under-garments. It is of many patterns, both plain and twilled, and occasionally is printed in colors. [Prob. fr. Gr. diemet, of F. dimite, démitte. Cf. Samite.]
- nursery n.
- The act of nursing. [Cf. F. nourricerie.]
- lullaby n.
- A song to quiet babes or lull them to sleep; that which quiets. [From Lull, v. t.]
- methinks v.
- It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
- infantine a.
- Infantile; childish. [Cf. F. enfantin.]
- squeak v. i.
- To utter a sharp, shrill cry, usually of short duration; to cry with an acute tone, as an animal; or, to make a sharp, disagreeable noise, as a pipe or quill, a wagon wheel, a door; to creak. [Probably of imitative origin; cf. Sw. sqväka to croak, Icel. skvakka to give a sound as of water shaken in a bottle.]
- carminative a.
- Expelling wind from the body; warning; antispasmodic. [NL. carminativus (carminare to card hence to cleanse, fr. carmen a card for freeing wool or flax from the coarser parts, and from extraneous matter: cf. F. carm]
- bounce v. i.
- To strike or thump, so as to rebound, or to make a sudden noise; a knock loudly. [OE. bunsen; cf. D. bonzen to strike, bounce, bons blow, LG. bunsen to knock; all prob. of imitative origin.]
- saturday n.
- The seventh or last day of the week; the day following Friday and preceding Sunday. [OE. Saterday, AS. Sæterdæg, Sæterndæg, Sæternesdæg, literally, Saturn's day, fr. L. Saturnus Saturn + AS. dæg day; cf. L. dies Saturni.]
- huckaback n.
- A kind of linen cloth with raised figures, used for towelings. [Perh. orig., peddler's wares; cf. LG. hukkebak pickback. Cf. Huckster.]
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- lanky a.
- Somewhat lank. Thackeray.
- biffin n.
- A sort of apple peculiar to Norfolk, Eng. [Cf. Beaufin.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Parthian Glance is in the public domain. This text is taken from The Poetical Works of Thomas Hood, Project Gutenberg ebook #15652; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hood, A Parthian Glance, in The Song of the Shirt, and Other Poems (1826–1845), text of Project Gutenberg ebook #15652, Laurel, https://laurelpoetry.com/poem/hood-poetical-works/a-parthian-glance.html, id L20194.
Form and metre
A Parthian Glance is 58 lines in 15 stanzas. The rhyme scheme is ABAB, complete in 14 of its 15 stanzas. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 93%).
See other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ABAB daysA · veilB · gazeA · tailB
- 3 ABAB behindA · fearB · mindA · rearB
- 4 ABAB tailA · reviseB · prevailA · eyesB
- 5 ABAB longA · makeB · songA · awakeB
- 6 ABAB throesA · pinB · woesA · inB
- 7 ABAB weakA · noteB · squeakA · throatB
- 8 ABAB bounceA · sameB · pronounceA · gameB
- 9 ABAB indeedA · delightB · needA · nightB
- 10 ABAB scrubA · sandB · snubA · handB
- 11 ABAB faultA · degreesB · saltA · kneesB
- 12 ABAB spokeA · beforeB · strokeA · woreB
- 13 ABAB loveA · hotB · gloveA · knotB
- 14 ABAB blueA · menB · anewA · thenB
- 15 ABAB careA · daysB · hairA · baysB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| "Sweet Memory, wafted by thy gentle gale, | 11 | ·/˘˘/˘··/˘· |
| Oft up the stream of time I turn my sail."--ROGERS. | 12 | ··········/˘ |
| Come, my Crony, let's think upon far-away days, | 12 | ··/˘·····˘/· |
| And lift up a little Oblivion's veil; | 11 | ····/˘˘/˘˘· |
| Let's consider the past with a lingering gaze, | 12 | ·˘/˘····/˘˘· |
| Like a peacock whose eyes are inclined to his tail. | 12 | ··/····˘/··· |
| Aye, come, let us turn our attention behind, | 12 | ·····/˘˘/˘·· |
| Like those critics whose heads are so heavy, I fear, | 12 | ··/˘····/˘·· |
| That they cannot keep up with the march of the mind, | 12 | ··/˘········ |
| And so turn face about for reviewing the rear. | 12 | ·······˘/˘·· |
| Looking over Time's crupper and over his tail, | 12 | /˘···/˘····· |
| Oh, what ages and pages there are to revise! | 12 | ··/˘·/˘···˘/ |
| And as farther our back-searching glances prevail, | 12 | ··/˘/·/˘/˘˘/ |
| Like the emmets, "how little we are in our eyes!" | 12 | ··/˘·/˘···/· |
| What a sweet pretty innocent, half-a-yard long, | 12 | ···/˘/˘˘···· |
| On a dimity lap of true nursery make! | 12 | ··/˘˘···/˘˘· |
| I can fancy I hear the old lullaby song | 12 | ··/˘····/˘·· |
| That was meant to compose me, but kept me awake. | 12 | ····˘/····˘/ |
| Methinks I still suffer the infantine throes, | 11 | ˘/··/˘·/˘˘· |
| When my flesh was a cushion for any long pin-- | 12 | ·····/˘·/˘·· |
| Whilst they patted my body to comfort my woes, | 12 | ··/˘·/˘·/˘·· |
| Oh! how little they dreamt they were driving them in! | 12 | ··/˘····/˘·· |
| Infant sorrows are strong--infant pleasures as weak-- | 12 | /˘/˘··/˘/˘·· |
| But no grief was allow'd to indulge in its note; | 12 | ····˘/·˘/··· |
| Did you ever attempt a small "bubble and squeak," | 12 | ··/˘˘/··/˘·· |
| Through the Dalby's Carminative down in your throat? | 11 | ··/˘˘/˘···· |
| Did you ever go up to the roof with a bounce? | 12 | ··/˘········ |
| Did you ever come down to the floor with the same? | 12 | ··/˘········ |
| Oh! I can't but agree with bath ends, and pronounce | 12 | ····˘/····˘/ |
| "Heads or tails," with a child, an unpleasantish game! | 12 | ············ |
| Then an urchin--I see myself urchin indeed-- | 12 | ··/˘···//˘˘/ |
| With a smooth Sunday face for a mother's delight; | 12 | ···/····/˘˘/ |
| Why should weeks have an end?--I am sure there was need | 12 | ············ |
| Of a Sabbath, to follow each Saturday night. | 12 | ··/˘·/˘·/··· |
| Was your face ever sent to the housemaid to scrub? | 12 | ···/˘···/˘·· |
| Have you ever felt huckaback soften'd with sand? | 12 | ··/˘·/˘˘/˘·· |
| Had you ever your nose towell'd up to a snub, | 12 | ··/˘········ |
| And your eyes knuckled out with the back of the hand? | 12 | ···/˘······· |
| Then a school-boy--my tailor was nothing in fault, | 12 | ·····/˘·/˘·· |
| For an urchin will grow to a lad by degrees,-- | 12 | ··/˘······˘/ |
| But how well I remember that "pepper-and-salt" | 12 | ····˘/˘·/˘·· |
| That was down to the elbows, and up to the knees! | 12 | ·····/······ |
| What a figure it cut when as Norval I spoke! | 12 | ··/˘········ |
| With a lanky right leg duly planted before; | 12 | ··/˘··/˘/˘·· |
| Whilst I told of the chief that was kill'd by my stroke, | 12 | ············ |
| And extended my arms as "the arms that he wore!" | 12 | ·˘/˘········ |
| Next a Lover--Oh! say, were you ever in love? | 12 | ··/˘····/˘·· |
| With a lady too cold--and your bosom too hot? | 12 | ··/˘····/˘·· |
| Have you bow'd to a shoe-tie, and knelt to a glove, | 12 | ············ |
| Like a beau that desired to be tied in a knot? | 12 | ····˘/······ |
| With the Bride all in white, and your body in blue, | 12 | ········/˘·· |
| Did you walk up the aisle--the genteelest of men? | 12 | ·······˘/˘·· |
| When I think of that beautiful vision anew, | 12 | ·····/˘˘/˘˘/ |
| Oh! I seem but the biffin of what I was then! | 12 | ·····/˘····· |
| I am withered and worn by a premature care, | 12 | ··/˘·····˘/· |
| And wrinkles confess the decline of my days; | 11 | ·/˘˘/·˘/··· |
| Old Time's busy hand has made free with my hair, | 11 | ··/˘······· |
| And I'm seeking to hide it--by writing for bays! | 12 | ··/˘····/˘·· |
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