No!

Thomas Hood (1799–1845) · 1827–1845

iambic pentameter · 24 lines · from Poems

No sun--no moon!No morn--no noon--No dawn--no dusk--no proper time of day--No sky--no earthly view--No distance looking blue--No road--no street--no “t’other side the way”--No end to any Row--No indications where the Crescents go--No top to any steeple--No recognitions of familiar people--No courtesies for showing ’em--No knowing ’em!--No travelling at all--no locomotion,No inkling of the way--no notion--“No go”--by land or ocean--No mail--no post--No news from any foreign coast--No Park--no Ring--no afternoon gentility--No company--no nobility--No warmth, no cheerfulness, no healthful ease,No comfortable feel in any member--No shade, no shine, no butterflies, no bees,No fruits, no flowers, no leaves, no birds,--November!

Words in this poem

morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
locomotion n.
The act of moving from place to place. [L. locus place + motio motion: cf. F. locomotion. See Local, and Motion.]
inkling n.
A hint; an intimation.
afternoon n.
The part of the day which follows noon, between noon and evening.
gentility n.
Good extraction; dignity of birth. [L. gentilitas the relationship of those who belong to the same clan, also, heathenism: cf. F. gentilité heathenism. See Gentile.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

No! is in the public domain. This text is taken from The Comic Poems of Thomas Hood A New and Complete Edition, Project Gutenberg ebook #56712; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hood, No!, in Poems (1827–1845), text of Project Gutenberg ebook #56712, Laurel, https://laurelpoetry.com/poem/hood-poems/no.html, id L18530.

Form and metre

No! is 24 lines in a single stanza. 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.7 syllables. 9 lines end on an unstressed syllable, a feminine ending.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCBDDEEFFGGGHH--IJI-J moonA · noonA · dayB · viewC · blueC · wayB · rowD · goD · steepleE · peopleE · emF · emF · locomotionG · notionG · oceanG · postH · coastH · gentility · nobility · easeI · memberJ · beesI · birds · novemberJ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
No sun--no moon!4····
No morn--no noon--4····
No dawn--no dusk--no proper time of day--10·····/˘···
No sky--no earthly view--6···/˘·
No distance looking blue--6·/˘/˘·
No road--no street--no “t’other side the way”--11·····˘/˘···
No end to any Row--6···/˘·
No indications where the Crescents go--10··˘/˘··/˘·
No top to any steeple--7···/˘/˘
No recognitions of familiar people--11··˘/˘·˘/˘/˘
No courtesies for showing ’em--8·/˘˘·/˘·
No knowing ’em!--4·/˘·
No travelling at all--no locomotion,10·/˘····˘/˘
No inkling of the way--no notion--9·/˘····/˘
“No go”--by land or ocean--7·····/˘
No mail--no post--4····
No news from any foreign coast--8···/˘/˘·
No Park--no Ring--no afternoon gentility--11······˘/˘/˘
No company--no nobility--9·/˘˘·˘/˘˘
No warmth, no cheerfulness, no healthful ease,10···/˘˘·/˘·
No comfortable feel in any member--9·/˘··/˘/˘
No shade, no shine, no butterflies, no bees,10·····/˘···
No fruits, no flowers, no leaves, no birds,--8···/····
November!3˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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