Her First Step

Thomas Hood (1799–1845) · 1827–1845

iambic pentameter · 42 lines · from Poems

Supposing the Trunk and Limbs of ManShared, on the allegorical plan,By the Passions that mark Humanity,Whichever might claim the head, or heart,The stomach, or any other part,The Legs would be seized by Vanity.

There’s Bardus, a six-foot column of fop,A lighthouse without any light atop,Whose height would attract beholdersIf he had not lost some inches clearBy looking down at his kerseymere,Ogling the limbs he holds so dear,Till he got a stoop in his shoulders.

Talk of Art, of Science, or Books,And down go the everlasting looks,To his crural beauties so wedded!Try him, wherever you will, you findHis mind in his legs, and his legs in his mind,All prongs and folly--in short a kindOf fork--that is fiddle-headed.

What wonder, then, if Miss Kilmansegg,With a splendid, brilliant, beautiful leg,Fit for the court of Scander-Beg,Disdain’d to hide it like Joan or Meg,In petticoats stuff’d or quilted?Not she! ’twas her convalescent whimTo dazzle the world with her precious limb,--Nay, to go a little high-kilted.

So cards were sent for that sort of mobWhere Tartars and Africans hob-and-nob,And the Cherokee talks of his cab and cobTo Polish or Lapland lovers--Cards like that hieroglyphical callTo a geographical Fancy BallOn the recent Post-Office covers.

For if Lion-hunters--and great ones too--Would mob a savage from Latakoo,Or squeeze for a glimpse of Prince Lee Boo,That unfortunate Sandwich scion--Hundreds of first-rate people, no doubt,Would gladly, madly, rush to a rout,That promised a Golden Lion!

Words in this poem

whichever pron.
Whether one or another; whether one or the other; which; that one (of two or more) which; as, whichever road you take, it will lead you to town.
atop adv.
On or at the top.
crural a.
Of or pertaining to the thigh or leg, or to any of the parts called crura; as, the crural arteries; crural arch; crural canal; crural ring. [L. cruralis, fr. crus, cruris, leg: cf. F. crural.]
wedded a.
Joined in wedlock; married.
wherever adv.
At or in whatever place; wheresoever.
convalescent a.
Recovering from siclness or debility; partially restored to health or strength. [L. convalescens, -entis, p.pr.: cf. F. convalescent.]
dazzle v. t.
To overpower with light; to confuse the sight of by brilliance of light. [Freq. of daze.]
hieroglyphical a.
Emblematic; expressive of some meaning by characters, pictures, or figures; as, hieroglyphic writing; a hieroglyphic obelisk. [L. hieroglyphicus, Gr. hiéroglyphique.]
gladly adv.
Preferably; by choice. [From Glad, a.]
madly adv.
In a mad manner; without reason or understanding; wildly. [From Mad, a.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Her First Step is in the public domain. This text is taken from The Comic Poems of Thomas Hood A New and Complete Edition, Project Gutenberg ebook #56712; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hood, Her First Step, in Poems (1827–1845), text of Project Gutenberg ebook #56712, Laurel, https://laurelpoetry.com/poem/hood-poems/her-first-step.html, id L06849.

Form and metre

Her First Step is 42 lines in 6 stanzas. The commonest rhyme scheme is AAABCCB, in 2 of the 6 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 75%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 8.9 syllables. 13 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCB manA · planA · humanityB · heartC · partC · vanityB
  2. 2 --ABBBA fop · atop · beholdersA · clearB · kerseymereB · dearB · shouldersA
  3. 3 AABCCCB booksA · looksA · weddedB · findC · mindC · kindC · headedB
  4. 4 AAAABCCB kilmanseggA · legA · begA · megA · quiltedB · whimC · limbC · kiltedB
  5. 5 AAABCCB mobA · nobA · cobA · loversB · callC · ballC · coversB
  6. 6 AAABCCB tooA · latakooA · booA · scionB · doubtC · routC · lionB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Supposing the Trunk and Limbs of Man9˘/˘······
Shared, on the allegorical plan,8····˘/˘·
By the Passions that mark Humanity,9··/˘··˘/˘
Whichever might claim the head, or heart,9˘/˘······
The stomach, or any other part,9·/˘·/˘/˘·
The Legs would be seized by Vanity.9······/˘˘
There’s Bardus, a six-foot column of fop,10······/˘··
A lighthouse without any light atop,10·/···/˘·˘/
Whose height would attract beholders8···˘/˘/˘
If he had not lost some inches clear9······/˘·
By looking down at his kerseymere,9·/˘···/˘˘
Ogling the limbs he holds so dear,8········
Till he got a stoop in his shoulders.9·······/˘
Talk of Art, of Science, or Books,8····/˘··
And down go the everlasting looks,9·····˘/˘·
To his crural beauties so wedded!9··/˘/˘·/˘
Try him, wherever you will, you find9··˘/˘····
His mind in his legs, and his legs in his mind,11···········
All prongs and folly--in short a kind9···/˘····
Of fork--that is fiddle-headed.8····/˘/˘
What wonder, then, if Miss Kilmansegg,9·/˘······
With a splendid, brilliant, beautiful leg,9··/˘/˘/˘·
Fit for the court of Scander-Beg,8········
Disdain’d to hide it like Joan or Meg,9˘/·······
In petticoats stuff’d or quilted?8·/˘···/˘
Not she! ’twas her convalescent whim9·····˘/˘·
To dazzle the world with her precious limb,--10·/˘····/˘·
Nay, to go a little high-kilted.9····/˘·/˘
So cards were sent for that sort of mob9·········
Where Tartars and Africans hob-and-nob,9·/˘·/˘···
And the Cherokee talks of his cab and cob11··/˘·······
To Polish or Lapland lovers--8·/˘·/·/˘
Cards like that hieroglyphical call9·········
To a geographical Fancy Ball9···˘/˘/˘·
On the recent Post-Office covers.9··/˘·/˘/˘
For if Lion-hunters--and great ones too--9··//˘····
Would mob a savage from Latakoo,9···/˘····
Or squeeze for a glimpse of Prince Lee Boo,9·········
That unfortunate Sandwich scion--9·˘/˘˘/˘/˘
Hundreds of first-rate people, no doubt,9/˘···/˘··
Would gladly, madly, rush to a rout,9·/˘/˘····
That promised a Golden Lion!8·/˘·/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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