Hamlet

Thomas Hood (1799–1845) · 1827–1845

iambic pentameter · 49 lines · from Poems

Well!----Monsieur Brunel,How prospers now thy mighty undertaking,To join by a hollow way the Bankside friendsOf Rotherhithe, and Wapping,--Never be stopping,But poking, groping, in the dark keep makingAn archway, underneath the Dabs and Gudgeons,For Collier men and pitchy old Curmudgeons,To cross the water in inverse proportion,Walk under steam-boats under the keel’s ridge,To keep down all extortion,And without sculls to diddle London Bridge!In a fresh hunt, a new Great Bore to worry,Thou didst to earth thy human terriers follow,Hopeful at last from Middlesex to Surrey,To give us the “View hollow.”In short it was thy aim, right north and south,To put a pipe into old Thames’s mouth;Alas! half-way thou hadst proceeded, whenOld Thames, through roof, not water-proof,Came, like “a tide in the affairs of men;”And with a mighty stormy kind of roar,Reproachful of thy wrong,Burst out in that old songOf Incledon’s, beginning “Cease, rude Bore”--Sad is it, worthy of one’s tears,Just when one seems the most successful,To find one’s self o’er head and earsIn difficulties most distressful!Other great speculations have been nursed,Till want of proceeds laid them on a shelf;But thy concern was at the worst,When it began to liquidate itself!But now Dame Fortune has her false face hidden,And languishes thy Tunnel,--so to paint,Under a slow incurable complaint,Bed-ridden!

Why, when thus Thames--bed-bother’d--why repine!Do try a spare bed at the Serpentine!Yet let none think thee daz’d, or craz’d, or stupid;And sunk beneath thy own and Thames’s craft;Let them not style thee some Mechanic CupidPining and pouting o’er a broken shaft!I’ll tell thee with thy tunnel what to do;Light up thy boxes, build a bin or two,The wine does better than such water trades:Stick up a sign--the sign of the Bore’s Head;I’ve drawn it ready for thee in black lead,And make thy cellar subterrane,--Thy Shades?

Words in this poem 17
monsieur n.
The common title of civility in France in speaking to, or of, a man; Mr. or Sir. [Represented by the abbreviation M. or Mons. in the singular, and by MM. or Messrs. in the plural.] [F., fr. mon my + Sieur, abbrev. of seigneur lord. See Monseigneur.]
bankside n.
The slope of a bank, especially of the bank of a steam.
wapping n.
Yelping. Fuller.
poking a.
Drudging; servile.
archway n.
A way or passage under an arch.
pitchy a.
Partaking of the qualities of pitch; resembling pitch. [From 1st Pitch.]
inverse a.
Opposite in order, relation, or effect; reversed; inverted; reciprocal; -- opposed to direct. [L. inversus, p. p. of invertere: cf. F. inverse. See Invert.]
diddle v. i.
To totter, as a child in walking. Quarles. [Cf. Daddle.]
didst
, the 2d pers. sing. imp. of Do.
hopeful a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
distressful a.
Full of distress; causing, indicating, or attended with, distress; as, a distressful situation.
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
repine v. i.
To fail; to wane. [Pref. re- + pine to languish.]
craft n.
Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
cupid
The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
pouting n.
Childish sullenness.
subterrane n.
A cave or room under ground. J. Bryant. [Cf. L. subterraneum, F. souterrain. See Subterranean.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Hamlet is in the public domain. This text is taken from The Comic Poems of Thomas Hood A New and Complete Edition, Project Gutenberg ebook #56712; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hood, Hamlet, in Poems (1827–1845), text of Project Gutenberg ebook #56712, Laurel, https://laurelpoetry.com/poem/hood-poems/hamlet.html, id L06877.

Form and metre

Hamlet is 49 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.3 syllables. 18 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-BBA--CDCDEFEFGGH-HIJJI-K-KLMLMNOON brunel · undertakingA · friends · wappingB · stoppingB · makingA · gudgeons · curmudgeons · proportionC · ridgeD · extortionC · bridgeD · worryE · followF · surreyE · hollowF · southG · mouthG · whenH · proof · menH · roarI · wrongJ · songJ · boreI · tears · successfulK · ears · distressfulK · nursedL · shelfM · worstL · itselfM · hiddenN · paintO · complaintO · riddenN
  2. 2 --ABABCCDEED repine · serpentine · stupidA · craftB · cupidA · shaftB · doC · twoC · tradesD · headE · leadE · shadesD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Well!----Monsieur Brunel,5·˘/··
How prospers now thy mighty undertaking,11·/˘··/˘/˘·˘
To join by a hollow way the Bankside friends11····/˘··/˘·
Of Rotherhithe, and Wapping,--7·····/˘
Never be stopping,5/˘·/˘
But poking, groping, in the dark keep making11·/˘/˘····/˘
An archway, underneath the Dabs and Gudgeons,11·/··˘/···/˘
For Collier men and pitchy old Curmudgeons,11·/˘··/˘·˘/˘
To cross the water in inverse proportion,11···/˘·˘/˘/˘
Walk under steam-boats under the keel’s ridge,10··········
To keep down all extortion,7····˘/˘
And without sculls to diddle London Bridge!10·····/˘/˘·
In a fresh hunt, a new Great Bore to worry,11·········/˘
Thou didst to earth thy human terriers follow,11·····/˘/˘/˘
Hopeful at last from Middlesex to Surrey,11/˘···/˘··/˘
To give us the “View hollow.”7·····/˘
In short it was thy aim, right north and south,10··········
To put a pipe into old Thames’s mouth;10·······/˘·
Alas! half-way thou hadst proceeded, when10˘/····˘/˘·
Old Thames, through roof, not water-proof,8·····/˘·
Came, like “a tide in the affairs of men;”10······˘/··
And with a mighty stormy kind of roar,10···/˘/˘···
Reproachful of thy wrong,6˘/˘···
Burst out in that old song6······
Of Incledon’s, beginning “Cease, rude Bore”--10····˘/˘···
Sad is it, worthy of one’s tears,8···/˘···
Just when one seems the most successful,9······˘/˘
To find one’s self o’er head and ears8········
In difficulties most distressful!9·/˘·˘·˘/˘
Other great speculations have been nursed,10/˘··˘/˘···
Till want of proceeds laid them on a shelf;10···˘/·····
But thy concern was at the worst,8··˘/····
When it began to liquidate itself!10··˘/·/˘·˘/
But now Dame Fortune has her false face hidden,11···/˘····/˘
And languishes thy Tunnel,--so to paint,9·/˘·/˘···
Under a slow incurable complaint,9····˘/˘˘/
Bed-ridden!3·/˘
Why, when thus Thames--bed-bother’d--why repine!10·····/˘·˘/
Do try a spare bed at the Serpentine!10·······/˘·
Yet let none think thee daz’d, or craz’d, or stupid;11·········/˘
And sunk beneath thy own and Thames’s craft;10·······/˘·
Let them not style thee some Mechanic Cupid11······˘/˘/˘
Pining and pouting o’er a broken shaft!10/˘·/˘··/˘·
I’ll tell thee with thy tunnel what to do;10·····/˘···
Light up thy boxes, build a bin or two,10···/˘·····
The wine does better than such water trades:10···/˘··/˘·
Stick up a sign--the sign of the Bore’s Head;10··········
I’ve drawn it ready for thee in black lead,10···/˘·····
And make thy cellar subterrane,--Thy Shades?10···/˘/˘˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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