APIG ”
Accordingly, with very great propriety,She joined the H. N. B. and double S.,That is,--Hog’s Norton Blue Stocking Society;And saving when her Pa his pigs prohibited,ContributedHer pork and poetry towards the mess.This feast, we said, one Friday was the case,When farmer Grayley--from Macbeth to quote--Screwing his courage to the “sticking place,”Stuck a large knife into a grunter’s throat;--A kind of murder that the law’s rebukeSeldom condemns by shake of its peruke,Showing the little sympathy of big-wigsWith pig-wigs!
The swine--poor wretch!--with nobody to speak for it,And beg its life, resolved to have a squeak for it;So--like the fabled swan--died singing out,And, thus, there issued from the farmer’s yardA note that notified without a card,An invitation to the evening rout.
And when the time came duly,--“At the close ofThe day,” as Beattie has it, “when the ham--”Bacon and pork were ready to dispose of,And pettitoes and chit’lings too, to cram,--Walked in the H. N. B. and double S.’s,All in appropriate and swinish dresses,For lo! it is a fact, and not a joke,Although the Muse might fairly jest upon it,They came--each “Pig-faced Lady,” in that bonnetWe call a poke.
The Members all assembled thus, a rare womanAt pork and poetry was chosen chairwoman;--In fact, the bluest of the Blues, Miss Ikey,Whose whole pronunciation was so piggy,She always named the authoress of “Psyche”--As Mrs. Tiggey!
And now arose a question of some moment,--What author for a lecture was the richer,Bacon or Hogg? there were no votes for Beaumont,But some for Flitcher;While others, with a more sagacious reasoning,Proposed another work,And thought their porkWould prove more relishing from Thomson’s Season-ing!
But practised in Shakspearian readings daily,--O! Miss Macaulay! Shakspeare at Hog’s Norton!--Miss Anne Priscilla Isabella GrayleySelected him that evening to snort on.In short, to make our story not a big tale,Just fancy her exertingHer talents, and convertingThe Winter’s Tale to something like a pig-tale!Her sister auditoryAll sitting round, with grave and learned faces,Were very plauditory,Of course, and clapped her at the proper places.
Till fanned at once by fortune and the Muse,She thought herself the blessedest of Blues.But Happiness, alas! has blights of ill,And Pleasure’s bubbles in the air explode;--There is no travelling through life but stillThe heart will meet with breakers on the road!
With that peculiar voiceHeard only from Hog’s Norton throats and noses,Miss G., with Perdita, was making choiceOf buds and blossoms for her summer posies,When coming to that line, where ProserpineLets fall her flowers from the wain of Dis;Imagine this--Uprose on his hind legs old Farmer Grayley,Grunting this question for the club’s digestion,“Do Dis’s Waggon go from the Ould Bäaley?”
Words in this poem 15
- accordingly adv.
- Agreeably; correspondingly; suitably; in a manner conformable.
- propriety n.
- Individual right to hold property; ownership by personal title; property. [F. propriété, L. proprietas, fr. proprius one's own, proper. See Property, Proper.]
- screwing
- a. & n. from Screw, v. t. Screwing machine. See Screw machine, under Screw.
- peruke n.
- A wig; a periwig. [F. perruque, It. perrucca, parrucca, fr. L. pilus hair. Cf. Periwig, Wig, Peel to strip off, Plush, Pile a hair.]
- nobody n.
- No person; no one; not anybody. [No, a. + body.]
- squeak v. i.
- To utter a sharp, shrill cry, usually of short duration; to cry with an acute tone, as an animal; or, to make a sharp, disagreeable noise, as a pipe or quill, a wagon wheel, a door; to creak. [Probably of imitative origin; cf. Sw. sqväka to croak, Icel. skvakka to give a sound as of water shaken in a bottle.]
- pettitoes n.
- The toes or feet of a pig, -- often used as food; sometimes, in contempt, the human feet. [Petty + toes.]
- swinish a.
- Of or pertaining to swine; befitting swine; like swine; hoggish; gross; beasty; as, a swinish drunkard or sot.
- fairly adv.
- In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- authoress n.
- A female author. Glover.
- psyche n.
- A lovely maiden, daughter of a king and mistress of Eros, or Cupid. She is regarded as the personification of the soul.
- isabella n.
- A brownish yellow color. [Said to be named from the Spanish princess Isabella, daughter of king Philip II., in allusion to the color assumed by her shift, which she wore without change f]
- plauditory a.
- Applauding; commending.
- wain n.
- A four-wheeled vehicle for the transportation of goods, produce, etc.; a wagon. [OE. wain, AS. wægn; akin to D. & G. wagen, OHG. wagan, Icel. & Sw. vagn, Dan. vogn, and E. way. Way, Weigh, and cf. Wagon.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
APIG ” is in the public domain. This text is taken from The Comic Poems of Thomas Hood A New and Complete Edition, Project Gutenberg ebook #56712; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hood, APIG ”, in Poems (1827–1845), text of Project Gutenberg ebook #56712, Laurel, https://laurelpoetry.com/poem/hood-poems/apig.html, id L06741.
Form and metre
APIG ” is 72 lines in 8 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 27 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABA--BCDCDEEFF proprietyA · sB · societyA · prohibited · contributed · messB · caseC · quoteD · placeC · throatD · rebukeE · perukeE · wigsF · wigsF
- 2 AABCCB itA · itA · outB · yardC · cardC · routB
- 3 ABAB--CDDC ofA · hamB · ofA · cramB · — · dresses · jokeC · itD · bonnetD · pokeC
- 4 AA---- womanA · chairwomanA · ikey · piggy · psyche · tiggey
- 5 -A-AB--B moment · richerA · beaumont · flitcherA · reasoningB · work · pork · ingB
- 6 ABABCDDCEFEF dailyA · nortonB · grayleyA · onB · taleC · exertingD · convertingD · taleC · auditoryE · facesF · plauditoryE · placesF
- 7 AABCBC museA · bluesA · illB · explodeC · stillB · roadC
- 8 A-A--BBC-C voiceA · noses · choiceA · posies · proserpine · disB · thisB · grayleyC · digestion · bäaleyC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Accordingly, with very great propriety, | 10 | ˘/˘·/˘·˘/˘ |
| She joined the H. N. B. and double S., | 10 | ·······/˘· |
| That is,--Hog’s Norton Blue Stocking Society; | 11 | ···/˘·/˘˘/˘ |
| And saving when her Pa his pigs prohibited, | 11 | ·/˘·····˘/˘ |
| Contributed | 4 | ˘/˘˘ |
| Her pork and poetry towards the mess. | 8 | ···/˘··· |
| This feast, we said, one Friday was the case, | 10 | ·····/˘··· |
| When farmer Grayley--from Macbeth to quote-- | 10 | ·/˘···˘/·· |
| Screwing his courage to the “sticking place,” | 10 | /˘·/˘··/˘· |
| Stuck a large knife into a grunter’s throat;-- | 10 | ·········· |
| A kind of murder that the law’s rebuke | 10 | ···/˘···˘/ |
| Seldom condemns by shake of its peruke, | 10 | /˘˘/····/˘ |
| Showing the little sympathy of big-wigs | 10 | /˘·/˘/˘··· |
| With pig-wigs! | 3 | ··· |
| The swine--poor wretch!--with nobody to speak for it, | 12 | ·····/······ |
| And beg its life, resolved to have a squeak for it; | 12 | ····˘/······ |
| So--like the fabled swan--died singing out, | 10 | ···/˘··/˘· |
| And, thus, there issued from the farmer’s yard | 10 | ···/˘··/˘· |
| A note that notified without a card, | 10 | ···/˘····· |
| An invitation to the evening rout. | 10 | ··˘/˘··/˘· |
| And when the time came duly,--“At the close of | 11 | ·····/˘···· |
| The day,” as Beattie has it, “when the ham--” | 10 | ···/˘····· |
| Bacon and pork were ready to dispose of, | 11 | /˘···/˘·˘/· |
| And pettitoes and chit’lings too, to cram,-- | 10 | ·/˘˘······ |
| Walked in the H. N. B. and double S.’s, | 11 | ·······/˘·· |
| All in appropriate and swinish dresses, | 10 | ··˘/˘·/˘/˘ |
| For lo! it is a fact, and not a joke, | 10 | ·········· |
| Although the Muse might fairly jest upon it, | 11 | ·····/˘···· |
| They came--each “Pig-faced Lady,” in that bonnet | 11 | ·····/˘··/˘ |
| We call a poke. | 4 | ···· |
| The Members all assembled thus, a rare woman | 12 | ·/˘·˘/˘···/˘ |
| At pork and poetry was chosen chairwoman;-- | 11 | ···/˘·/˘/·˘ |
| In fact, the bluest of the Blues, Miss Ikey, | 11 | ···/˘····/˘ |
| Whose whole pronunciation was so piggy, | 11 | ··˘·˘/˘··/˘ |
| She always named the authoress of “Psyche”-- | 11 | ·/˘··/˘˘·/˘ |
| As Mrs. Tiggey! | 5 | ·/˘·· |
| And now arose a question of some moment,-- | 11 | ··˘/·/˘··/˘ |
| What author for a lecture was the richer, | 11 | ·/˘··/˘··/˘ |
| Bacon or Hogg? there were no votes for Beaumont, | 11 | /˘·······/˘ |
| But some for Flitcher; | 5 | ····· |
| While others, with a more sagacious reasoning, | 11 | ·/˘···˘/˘/˘ |
| Proposed another work, | 7 | ˘/˘˘/˘· |
| And thought their pork | 4 | ···· |
| Would prove more relishing from Thomson’s Season-ing! | 11 | ···/˘·/˘/˘· |
| But practised in Shakspearian readings daily,-- | 11 | ·······/˘/˘ |
| O! Miss Macaulay! Shakspeare at Hog’s Norton!-- | 11 | ··˘/˘····/˘ |
| Miss Anne Priscilla Isabella Grayley | 11 | ··˘/˘·˘/˘·· |
| Selected him that evening to snort on. | 10 | ˘/˘··/˘··· |
| In short, to make our story not a big tale, | 11 | ····//˘···· |
| Just fancy her exerting | 7 | ·/˘·˘/˘ |
| Her talents, and converting | 7 | ·/˘·˘/˘ |
| The Winter’s Tale to something like a pig-tale! | 11 | ·/˘··/˘···· |
| Her sister auditory | 7 | ·/˘/˘·˘ |
| All sitting round, with grave and learned faces, | 10 | ·/˘·····/˘ |
| Were very plauditory, | 7 | ·/˘/˘˘˘ |
| Of course, and clapped her at the proper places. | 11 | ·······/˘/˘ |
| Till fanned at once by fortune and the Muse, | 10 | ·····/˘··· |
| She thought herself the blessedest of Blues. | 9 | ··˘/·/˘·· |
| But Happiness, alas! has blights of ill, | 9 | ·/˘˘/···· |
| And Pleasure’s bubbles in the air explode;-- | 10 | ·/˘/˘···˘/ |
| There is no travelling through life but still | 9 | ···/˘···· |
| The heart will meet with breakers on the road! | 10 | ·····/˘··· |
| With that peculiar voice | 6 | ··˘/˘· |
| Heard only from Hog’s Norton throats and noses, | 11 | ·/˘··/˘··/˘ |
| Miss G., with Perdita, was making choice | 10 | ···˘/˘·/˘· |
| Of buds and blossoms for her summer posies, | 10 | ···/˘··/˘· |
| When coming to that line, where Proserpine | 10 | ·/˘······· |
| Lets fall her flowers from the wain of Dis; | 9 | ···/····· |
| Imagine this-- | 4 | ˘/˘· |
| Uprose on his hind legs old Farmer Grayley, | 11 | ·······/˘·· |
| Grunting this question for the club’s digestion, | 11 | /˘·/˘···˘/˘ |
| “Do Dis’s Waggon go from the Ould Bäaley?” | 10 | ········/˘ |
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