Charon and Eucosmia
Euc. Charon, O Charon, draw thy boat to th' shore,And to thy many take in one soul more.Cha. Who calls? who calls? Euc. One overwhelm'd with ruth;Have pity either on my tears or youth,And take me in who am in deep distress;But first cast off thy wonted churlishness.Cha. I will be gentle as that air which yieldsA breath of balm along the Elysian fields.Speak, what art thou? Euc. One once that had a lover,Than which thyself ne'er wafted sweeter over.He was---- Cha. Say what? Euc. Ah me, my woes are deep.Cha. Prithee relate, while I give ear and weep.Euc. He was a Hastings; and that one name hasIn it all good that is, and ever was.He was my life, my love, my joy, but diedSome hours before I should have been his bride.Chorus. Thus, thus the gods celestial still decree,For human joy contingent misery.Euc. The hallowed tapers all prepared were,And Hymen call'd to bless the rites. Cha. Stop there.Euc. Great are my woes. Cha. And great must that grief beThat makes grim Charon thus to pity thee.But now come in. Euc. More let me yet relate.Cha. I cannot stay; more souls for waftage waitAnd I must hence. Euc. Yet let me thus much know,Departing hence, where good and bad souls go?Cha. Those souls which ne'er were drench'd in pleasure's stream,The fields of Pluto are reserv'd for them;Where, dress'd with garlands, there they walk the groundWhose blessed youth with endless flowers is crown'd.But such as have been drown'd in this wild sea,For those is kept the Gulf of Hecate,Where with their own contagion they are fed,And there do punish and are punished.This known, the rest of thy sad story tellWhen on the flood that nine times circles hell.Chorus. We sail along to visit mortals never;But there to live where love shall last for ever.
No trust to metals nor to marbles, whenThese have their fate and wear away as men;Times, titles, trophies may be lost and spent,But virtue rears the eternal monument.What more than these can tombs or tombstones pay?But here's the sunset of a tedious day:These two asleep are: I'll but be undress'dAnd so to bed: pray wish us all good rest.
Words in this poem
- charon n.
- The son of Erebus and Nox, whose office it was to ferry the souls of the dead over the Styx, a river of the infernal regions.
- ruth n.
- Sorrow for the misery of another; pity; tenderness. [From Rue, v.: cf. Icel. hryggedh, hrygedh.]
- wonted a.
- Accustomed; customary; usual.
- churlishness n.
- Rudeness of manners or temper; lack of kindness or courtesy.
- elysian a.
- Pertaining, or the abode of the blessed after death; hence, yielding the highest pleasures; exceedingly delightful; beatific. [L. Elysius, fr. Elysium.]
- prithee interj.
- A corruption of pray thee; as, I prithee; generally used without I.
- hastings n.
- Early fruit or vegetables; especially, early pease. Mortimer. [From Haste, v.]
- hymen n.
- A fold of muscous membrane often found at the orifice of the vagina; the vaginal membrane.
- waftage n.
- Conveyance on a buoyant medium, as air or water.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Charon and Eucosmia is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Herrick, Charon and Eucosmia, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/charon-and-eucosmia.html, id L06285.
Form and metre
Charon and Eucosmia is 46 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.5 syllables. 6 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD--EE--FFG---GGHHII--JJ----KKLL shoreA · moreA · ruthB · youthB · distressC · churlishnessC · yieldsD · fieldsD · lover · over · deepE · weepE · has · was · diedF · brideF · decreeG · misery · were · there · beG · theeG · relateH · waitH · knowI · goI · stream · them · groundJ · crown'dJ · sea · hecate · fed · punished · tellK · hellK · neverL · everL
- 2 AABBCCDD whenA · menA · spentB · monumentB · payC · dayC · undress'dD · restD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Euc. Charon, O Charon, draw thy boat to th' shore, | 11 | ·/˘·/˘····· |
| And to thy many take in one soul more. | 10 | ···/˘····· |
| Cha. Who calls? who calls? Euc. One overwhelm'd with ruth; | 12 | ········˘/·· |
| Have pity either on my tears or youth, | 10 | ·/˘/˘····· |
| And take me in who am in deep distress; | 10 | ········˘/ |
| But first cast off thy wonted churlishness. | 10 | ·····/˘/˘˘ |
| Cha. I will be gentle as that air which yields | 11 | ····/˘····· |
| A breath of balm along the Elysian fields. | 11 | ····˘/·˘/˘· |
| Speak, what art thou? Euc. One once that had a lover, | 12 | ··········/˘ |
| Than which thyself ne'er wafted sweeter over. | 10 | ··˘/·/˘/˘· |
| He was---- Cha. Say what? Euc. Ah me, my woes are deep. | 12 | ············ |
| Cha. Prithee relate, while I give ear and weep. | 11 | ·/˘˘/······ |
| Euc. He was a Hastings; and that one name has | 11 | ····/˘····· |
| In it all good that is, and ever was. | 10 | ·······/˘· |
| He was my life, my love, my joy, but died | 10 | ·········· |
| Some hours before I should have been his bride. | 10 | ·/········ |
| Chorus. Thus, thus the gods celestial still decree, | 12 | /˘····˘/˘·˘/ |
| For human joy contingent misery. | 10 | ·/˘·˘/˘/˘˘ |
| Euc. The hallowed tapers all prepared were, | 10 | ··/˘/˘·˘/· |
| And Hymen call'd to bless the rites. Cha. Stop there. | 11 | ·/˘········ |
| Euc. Great are my woes. Cha. And great must that grief be | 12 | ············ |
| That makes grim Charon thus to pity thee. | 10 | ···/˘··/˘· |
| But now come in. Euc. More let me yet relate. | 11 | ·········˘/ |
| Cha. I cannot stay; more souls for waftage wait | 11 | ··/˘····/˘· |
| And I must hence. Euc. Yet let me thus much know, | 11 | ··········· |
| Departing hence, where good and bad souls go? | 10 | ˘/˘······· |
| Cha. Those souls which ne'er were drench'd in pleasure's stream, | 11 | ········/˘· |
| The fields of Pluto are reserv'd for them; | 10 | ···/˘·˘/·· |
| Where, dress'd with garlands, there they walk the ground | 10 | ···/˘····· |
| Whose blessed youth with endless flowers is crown'd. | 10 | ····/˘/˘·· |
| But such as have been drown'd in this wild sea, | 10 | ·········· |
| For those is kept the Gulf of Hecate, | 9 | ········· |
| Where with their own contagion they are fed, | 10 | ····˘/˘··· |
| And there do punish and are punished. | 10 | ···/˘··/˘˘ |
| This known, the rest of thy sad story tell | 10 | ·······/˘· |
| When on the flood that nine times circles hell. | 10 | ·······/˘· |
| Chorus. We sail along to visit mortals never; | 12 | /˘··˘/·/˘/˘/ |
| But there to live where love shall last for ever. | 11 | ·········/˘ |
| No trust to metals nor to marbles, when | 10 | ···/˘··/˘· |
| These have their fate and wear away as men; | 10 | ······˘/·· |
| Times, titles, trophies may be lost and spent, | 10 | ·/˘/˘····· |
| But virtue rears the eternal monument. | 11 | ·/˘··˘/˘/˘˘ |
| What more than these can tombs or tombstones pay? | 10 | ·······/·· |
| But here's the sunset of a tedious day: | 10 | ···/···/˘· |
| These two asleep are: I'll but be undress'd | 10 | ··˘/····˘/ |
| And so to bed: pray wish us all good rest. | 10 | ·········· |
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