575. The Apparition of His Mistress Calling Him to Elysium
Come then, and like two doves with silv'ry wings,Let our souls fly to th' shades where ever springsSit smiling in the meads; where balm and oil,Roses and cassia crown the untill'd soil.Where no disease reigns, or infection comesTo blast the air, but ambergris and gumsThis, that, and ev'ry thicket doth transpire,More sweet than storax from the hallowed fire,Where ev'ry tree a wealthy issue bearsOf fragrant apples, blushing plums, or pears;And all the shrubs, with sparkling spangles, shewLike morning sunshine tinselling the dew.Here in green meadows sits eternal May,Purfling the margents, while perpetual daySo double gilds the air, as that no nightCan ever rust th' enamel of the light.Here, naked younglings, handsome striplings, runTheir goals for virgins' kisses; which when done,Then unto dancing forth the learned roundCommixed they meet, with endless roses crown'd.And here we'll sit on primrose-banks, and seeLove's chorus led by Cupid; and we'll beTwo loving followers, too, unto the groveWhere poets sing the stories of our love.There thou shalt hear divine Musæus singOf Hero and Leander; then I'll bringThee to the stand, where honour'd Homer readsHis Odysseys and his high Iliads;About whose throne the crowd of poets throngTo hear the incantation of his tongue:To Linus, then to Pindar; and that done,I'll bring thee, Herrick, to Anacreon,Quaffing his full-crown'd bowls of burning wine,And in his raptures speaking lines of thine,Like to his subject; and as his franticLooks show him truly Bacchanalian-likeBesmear'd with grapes, welcome he shall thee thither,Where both may rage, both drink and dance together.Then stately Virgil, witty Ovid, byWhom fair Corinna sits, and doth complyWith ivory wrists his laureate head, and steepsHis eye in dew of kisses while he sleeps;Then soft Catullus, sharp-fang'd Martial,And towering Lucan, Horace, Juvenal,And snaky Persius, these, and those, whom rage(Dropt for the jars of heaven) fill'd t' engageAll times unto their frenzies,--thou shalt thereBehold them in a spacious theatre.Among which glories, crowned with sacred baysAnd flatt'ring ivy, two recite their plays--Beaumont and Fletcher, swans to whom all earsListen, while they, like syrens in their spheres,Sing their Evadne; and still more for theeThere yet remains to know than thou can'st seeBy glim'ring of a fancy. Do but come,And there I'll show thee that capacious roomIn which thy father Jonson now is plac'd,As in a globe of radiant fire, and grac'dTo be in that orb crown'd, that doth includeThose prophets of the former magnitude,And he one chief; but hark, I hear the cock(The bellman of the night) proclaim the clockOf late struck one, and now I see the primeOf day break from the pregnant east: 'tis timeI vanish; more I had to say,But night determines here, away.
Words in this poem 16
- cassia n.
- A genus of leguminous plants (herbs, shrubs, or trees) of many species, most of which have purgative qualities. The leaves of several species furnish the senna used in medicine. [L. cassia and casia, Gr. qetsi\'beh, fr. qatsa' to cut off, to peel off.]
- transpire v. i.
- To pass off in the form of vapor or insensible perspiration; to exhale. [F. transpirer; L. trans across, through + spirare to breathe. See Spirit.]
- shew n.
- Show. [Obs. except in shewbread.]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- purfling n.
- Ornamentation on the border of a thing; specifically, the inlaid border of a musical instrument, as a violin.
- cupid
- The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
- shalt
- 2d per. sing. of Shall.
- pindar n.
- The peanut (Arachis hypogæa); -- so called in the West Indies. [D. piendel.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- witty a.
- Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
- laureate a.
- Crowned, or decked, with laurel. [L. laureatus, fr. laurea laurel tree, fr. laureus of laurel, fr. laurus laurel: cf. F. lauréat. Cf. Laurel.]
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- snaky a.
- Of or pertaining to a snake or snakes; resembling a snake; serpentine; winding.
- theatre n.
- An edifice in which dramatic performances or spectacles are exhibited for the amusement of spectators; anciently uncovered, except the stage, but in modern times roofed. [F. thé\'83tre, L. theatrum, Gr. dhya to meditate, think. Cf. Theory.]
- fletcher n.
- One who fletches of feathers arrows; a manufacturer of bows and arrows. Mortimer. [OF. flechier.]
- bellman n.
- A man who rings a bell, especially to give notice of anything in the streets. Formerly, also, a night watchman who called the hours.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
575. The Apparition of His Mistress Calling Him to Elysium is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Herrick, 575. The Apparition of His Mistress Calling Him to Elysium, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/575-the-apparition-of-his-mistress-calling-him-to-elysium.html, id L05542.
Form and metre
575. The Apparition of His Mistress Calling Him to Elysium is 66 lines in a single stanza. It is in rhyming couplets, 76% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 9 lines end on an unstressed syllable, a feminine ending. 53% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKK--LLMM----NNOO--PP----QQ--RRSSTT--UUVVWWXXYY wingsA · springsA · oilB · soilB · comesC · gumsC · transpireD · fireD · bearsE · pearsE · shewF · dewF · mayG · dayG · nightH · lightH · runI · doneI · roundJ · crown'dJ · seeK · beK · grove · love · singL · bringL · readsM · iliadsM · throng · tongue · done · anacreon · wineN · thineN · franticO · likeO · thither · together · byP · complyP · steeps · sleeps · martial · juvenal · rageQ · engageQ · there · theatre · baysR · playsR · earsS · spheresS · theeT · seeT · come · room · plac'dU · grac'dU · includeV · magnitudeV · cockW · clockW · primeX · timeX · sayY · awayY
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Come then, and like two doves with silv'ry wings, | 10 | ·········· |
| Let our souls fly to th' shades where ever springs | 10 | ·/·····/˘· |
| Sit smiling in the meads; where balm and oil, | 10 | ·/˘······· |
| Roses and cassia crown the untill'd soil. | 10 | /˘·/˘····· |
| Where no disease reigns, or infection comes | 10 | ··˘/··˘/˘· |
| To blast the air, but ambergris and gums | 10 | ·····/˘˘·· |
| This, that, and ev'ry thicket doth transpire, | 11 | ·····/˘·˘/˘ |
| More sweet than storax from the hallowed fire, | 11 | ···/˘··/˘/˘ |
| Where ev'ry tree a wealthy issue bears | 10 | ·····/˘/˘· |
| Of fragrant apples, blushing plums, or pears; | 10 | ·/˘/˘/˘··· |
| And all the shrubs, with sparkling spangles, shew | 10 | ·····/˘/˘· |
| Like morning sunshine tinselling the dew. | 10 | ·/˘/·/˘˘·· |
| Here in green meadows sits eternal May, | 10 | ···/··˘/˘· |
| Purfling the margents, while perpetual day | 10 | /˘····˘/˘· |
| So double gilds the air, as that no night | 10 | ·/˘······· |
| Can ever rust th' enamel of the light. | 10 | ·/˘·˘/˘··· |
| Here, naked younglings, handsome striplings, run | 10 | ·/˘··/˘/˘· |
| Their goals for virgins' kisses; which when done, | 10 | ···/˘/˘··· |
| Then unto dancing forth the learned round | 10 | ···/˘···˘· |
| Commixed they meet, with endless roses crown'd. | 10 | ·····/˘/˘· |
| And here we'll sit on primrose-banks, and see | 10 | ·····/···· |
| Love's chorus led by Cupid; and we'll be | 10 | ·/˘··/˘··· |
| Two loving followers, too, unto the grove | 10 | ·/˘/˘····· |
| Where poets sing the stories of our love. | 10 | ·/˘··/˘·/· |
| There thou shalt hear divine Musæus sing | 9 | ····˘/··· |
| Of Hero and Leander; then I'll bring | 10 | ·/˘·˘/˘··· |
| Thee to the stand, where honour'd Homer reads | 10 | ·······/˘· |
| His Odysseys and his high Iliads; | 10 | ·/˘˘···/˘˘ |
| About whose throne the crowd of poets throng | 10 | ·······/˘· |
| To hear the incantation of his tongue: | 10 | ···˘//˘··· |
| To Linus, then to Pindar; and that done, | 10 | ·/˘······· |
| I'll bring thee, Herrick, to Anacreon, | 9 | ···/˘···· |
| Quaffing his full-crown'd bowls of burning wine, | 10 | ·······/˘· |
| And in his raptures speaking lines of thine, | 10 | ···/˘/˘··· |
| Like to his subject; and as his frantic | 10 | ···˘/···/˘ |
| Looks show him truly Bacchanalian-like | 10 | ···/˘····· |
| Besmear'd with grapes, welcome he shall thee thither, | 11 | ····/˘···/˘ |
| Where both may rage, both drink and dance together. | 11 | ········˘/˘ |
| Then stately Virgil, witty Ovid, by | 10 | ·/˘/˘/˘··· |
| Whom fair Corinna sits, and doth comply | 10 | ···/˘···˘/ |
| With ivory wrists his laureate head, and steeps | 10 | ·/˘··/˘··· |
| His eye in dew of kisses while he sleeps; | 10 | ·····/˘··· |
| Then soft Catullus, sharp-fang'd Martial, | 9 | ·······/˘ |
| And towering Lucan, Horace, Juvenal, | 11 | ·/˘˘··/˘/˘˘ |
| And snaky Persius, these, and those, whom rage | 10 | ·/˘······· |
| (Dropt for the jars of heaven) fill'd t' engage | 10 | ·····/··˘/ |
| All times unto their frenzies,--thou shalt there | 10 | ·····/˘··· |
| Behold them in a spacious theatre. | 10 | ˘/···/˘/˘˘ |
| Among which glories, crowned with sacred bays | 10 | ···/˘··/˘· |
| And flatt'ring ivy, two recite their plays-- | 10 | ···/˘·˘/·· |
| Beaumont and Fletcher, swans to whom all ears | 10 | /˘·/˘····· |
| Listen, while they, like syrens in their spheres, | 10 | /˘········ |
| Sing their Evadne; and still more for thee | 10 | ··˘/˘····· |
| There yet remains to know than thou can'st see | 10 | ··˘/······ |
| By glim'ring of a fancy. Do but come, | 10 | ·····/˘··· |
| And there I'll show thee that capacious room | 10 | ······˘/˘· |
| In which thy father Jonson now is plac'd, | 10 | ···/˘/˘··· |
| As in a globe of radiant fire, and grac'd | 10 | ·····/˘/·· |
| To be in that orb crown'd, that doth include | 10 | ········˘/ |
| Those prophets of the former magnitude, | 10 | ·/˘··/˘/˘· |
| And he one chief; but hark, I hear the cock | 10 | ·········· |
| (The bellman of the night) proclaim the clock | 10 | ·/˘···˘/·· |
| Of late struck one, and now I see the prime | 10 | ·········· |
| Of day break from the pregnant east: 'tis time | 10 | ·····/˘··· |
| I vanish; more I had to say, | 8 | ·/˘····· |
| But night determines here, away. | 8 | ··˘/˘·˘/ |
Notes from the edition 1
Word-glosses from Pollard's edition (Muses' Library, 1891; Project Gutenberg #22421).
- Purfling: trimming, embroidering · Round: rustic dance · Comply: encircle · Their Evadne: the sister of Melantius in their play "The Maid's
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