263. Good Friday: Rex Tragicus; Or, Christ Going to His Cross

Robert Herrick (1591–1674) · 1648

iambic pentameter · 39 lines · from Hesperides

Put off Thy robe of purple, then go onTo the sad place of execution:Thine hour is come, and the tormentor standsReady to pierce Thy tender feet and hands.Long before this, the base, the dull, the rude,Th' inconstant and unpurged multitudeYawn for Thy coming; some ere this time cry,How He defers, how loath He is to die!Amongst this scum, the soldier with his spearAnd that sour fellow with his vinegar,His sponge, and stick, do ask why Thou dost stay;So do the scurf and bran too. Go Thy way,Thy way, Thou guiltless man, and satisfyBy Thine approach each their beholding eye.Not as a thief shalt Thou ascend the mount,But like a person of some high account;The Cross shall be Thy stage, and Thou shalt thereThe spacious field have for Thy theatre.Thou art that Roscius and that marked-out manThat must this day act the tragedianTo wonder and affrightment: Thou art HeWhom all the flux of nations comes to see,Not those poor thieves that act their parts with Thee;Those act without regard, when once a kingAnd God, as Thou art, comes to suffering.No, no; this scene from Thee takes life, and sense,And soul, and spirit, plot and excellence.Why then, begin, great King! ascend Thy throne,And thence proceed to act Thy PassionTo such an height, to such a period raised,As hell, and earth, and heav'n may stand amazed.God and good angels guide Thee; and so blessThee in Thy several parts of bitterness,That those who see Thee nail'd unto the treeMay, though they scorn Thee, praise and pity Thee.And we, Thy lovers, while we see Thee keepThe laws of action, will both sigh and weep,And bring our spices to embalm Thee dead;That done, we'll see Thee sweetly buried.

Words in this poem

tormentor n.
One who, or that which, torments; one who inflicts penal anguish or tortures. Jer. Taylor.
loath a.
Hateful; odious; disliked. [OE. looth, loth, AS. la hostile, odious; akin to OS. l, G. leid, Icel. lei, Sw. led, G. leiden to suffer, OHG. lidan to suffer, go, cf. AS. li to go, Goth. leip]
amongst prep.
Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
guiltless a.
Free from guilt; innocent.
beholding a.
Obliged; beholden.
shalt
2d per. sing. of Shall.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
theatre n.
An edifice in which dramatic performances or spectacles are exhibited for the amusement of spectators; anciently uncovered, except the stage, but in modern times roofed. [F. thé\'83tre, L. theatrum, Gr. dhya to meditate, think. Cf. Theory.]
tragedian n.
A writer of tragedy. [Cf. F. tragédien.]
affrightment n.
Affright; the state of being frightened; sudden fear or alarm.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

263. Good Friday: Rex Tragicus; Or, Christ Going to His Cross is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Herrick, 263. Good Friday: Rex Tragicus; Or, Christ Going to His Cross, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/263-good-friday-rex-tragicus-or-christ-going-to-his-cross.html, id L06274.

Form and metre

263. Good Friday: Rex Tragicus; Or, Christ Going to His Cross is 39 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 9 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD--EEFFGG----HHHIIJJKKLLMMNNOOPP onA · executionA · standsB · handsB · rudeC · multitudeC · cryD · dieD · spear · vinegar · stayE · wayE · satisfyF · eyeF · mountG · accountG · there · theatre · man · tragedian · heH · seeH · theeH · kingI · sufferingI · senseJ · excellenceJ · throneK · passionK · raisedL · amazedL · blessM · bitternessM · treeN · theeN · keepO · weepO · deadP · buriedP
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Put off Thy robe of purple, then go on10·····/˘···
To the sad place of execution:9······˘/˘
Thine hour is come, and the tormentor stands10·/····/·˘·
Ready to pierce Thy tender feet and hands.10/˘···/˘···
Long before this, the base, the dull, the rude,10··········
Th' inconstant and unpurged multitude10˘/˘···˘/˘·
Yawn for Thy coming; some ere this time cry,10···/˘·····
How He defers, how loath He is to die!10··˘/······
Amongst this scum, the soldier with his spear10·····/˘···
And that sour fellow with his vinegar,11··/˘/˘··/˘˘
His sponge, and stick, do ask why Thou dost stay;10··········
So do the scurf and bran too. Go Thy way,10··········
Thy way, Thou guiltless man, and satisfy10···/˘··/˘·
By Thine approach each their beholding eye.10··˘/··˘/˘·
Not as a thief shalt Thou ascend the mount,10······˘/··
But like a person of some high account;10···/˘···˘/
The Cross shall be Thy stage, and Thou shalt there10··········
The spacious field have for Thy theatre.10·/˘····/˘˘
Thou art that Roscius and that marked-out man10··········
That must this day act the tragedian10······˘/˘˘
To wonder and affrightment: Thou art He10·/˘·˘/˘···
Whom all the flux of nations comes to see,10·····/˘···
Not those poor thieves that act their parts with Thee;10··········
Those act without regard, when once a king10····˘/····
And God, as Thou art, comes to suffering.10·······/˘˘
No, no; this scene from Thee takes life, and sense,10··········
And soul, and spirit, plot and excellence.10···/˘··/˘˘
Why then, begin, great King! ascend Thy throne,10··˘/··˘/··
And thence proceed to act Thy Passion9··˘/···/˘
To such an height, to such a period raised,10·······/˘·
As hell, and earth, and heav'n may stand amazed.10········˘/
God and good angels guide Thee; and so bless10···/˘·····
Thee in Thy several parts of bitterness,10···/˘··/˘˘
That those who see Thee nail'd unto the tree10··········
May, though they scorn Thee, praise and pity Thee.10·······/˘·
And we, Thy lovers, while we see Thee keep10···/˘·····
The laws of action, will both sigh and weep,10···/˘·····
And bring our spices to embalm Thee dead;10··//˘·˘/··
That done, we'll see Thee sweetly buried.9·····/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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