200. Beginnings and Endings

Robert Herrick (1591–1674) · 1648

iambic tetrameter · rhyming couplets · 4 lines · from Hesperides

Paul, he began ill, but he ended well;Judas began well, but he foully fell:In godliness not the beginnings soMuch as the ends are to be look'd unto.

Words in this poem

foully v.
In a foul manner; filthily; nastily; shamefully; unfairly; dishonorably.
godliness n.
Careful observance of, or conformity to, the laws of God; the state or quality of being godly; piety. [From Godly.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

200. Beginnings and Endings is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Herrick, 200. Beginnings and Endings, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/200-beginnings-and-endings.html, id L06211.

Form and metre

200. Beginnings and Endings is 4 lines in a single stanza. It is in rhyming couplets, 50% of the lines. The lines average 10.0 syllables.

See other poems in rhyming couplets.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA-- wellA · fellA · so · unto
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Paul, he began ill, but he ended well;10··˘/···/˘·
Judas began well, but he foully fell:10/˘˘/···/˘·
In godliness not the beginnings so10·/˘˘··˘/˘·
Much as the ends are to be look'd unto.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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