To C. D. G. and A. B. W
Two ladies, not real ladies (no offence--I don’t mean “not real ladies” in that sense),But pictured fancies they--who dwelt betweenThe pages of a weekly magazine.Though often in the selfsame week they met,They were n’t exactly in the selfsame set,And could not know each other. One, I think,Was done in wash; the other, pen and ink.The wash lady (again there’s no offence--I use “wash” in its pure artistic sense)Was a brunette, vivacious, charming wholly;Neither too slim, nor yet too rolly-poly.A dazzling smile had this enchanting creature;Indeed, her most predominating featureWas a continuous show of glittering pearl;And on her forehead hung a little curl--A most distracting little curl; and last,She had a very slight Hebraic cast.Gray eyes the other had, serene and clear;A cold and distant manner; yet I fearHer looks belied her, for she oft was seenLounging about the beach, or ’mid the green,Of the conservatory’s dim retreat,Always some chappie nestling at her feet.A first-rate fellow she, and looked her bestWhen in a golf or walking costume dressed;In short, the other’s opposite in all,And fearfully and wonderfully tall.One day, by chance, each occupied a placeOn the same page, exactly face to face,In such a way ’t was possible no moreFor either one the other to ignore.Then in an instant burst into a flameThe fire that had been smouldering.
“How cameYou here?” they both exclaimed, as with one voice.(Here I use asterisks, though not from choiceBut type has limits, and must play the dunce;When two young ladies both converse at once.)I left them to their scenes.Next day I found the page in smithereens,And I reflected, “It is very sadThat two nice girls should get so awfully madAbout a thing for which, had they but known,Two artists were responsible alone.”
Words in this poem
- offence n.
- The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- selfsame a.
- Precisely the same; the very same; identical. [Self, a. + same.]
- brunette n.
- A girl or woman with a somewhat brown or dark complexion. [F. brunet, brunette, brownish, dim. of brun, brune, brown, fr. OHG. br. See Brown, a.]
- vivacious a.
- Having vigorous powers of life; tenacious of life; long-lived. [L. vívax, -acis, fr. vivere to live. See Vivid.]
- distracting a.
- Tending or serving to distract.
- hebraic a.
- Of or pertaining to the Hebrews, or to the language of the Hebrews. [L. Hebraicus, Gr. hebraïque. See Hebrew.]
- nestling n.
- A young bird which has not abandoned the nest. Piers Plowman.
- fearfully adv.
- In a fearful manner.
- ignore v. t.
- To be ignorant of or not acquainted with. [L. ignorare; pref. in- not + the root of gnarus knowing, noscere to become acquainted with. See Know, and cf. Narrate.]
- smouldering a.
- Being in a state of suppressed activity; quiet but not dead.
- smithereens n.
- Fragments; atoms; smithers. W. Black.
- awfully adv.
- In an awful manner; in a manner to fill with terror or awe; fearfully; reverently.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To C. D. G. and A. B. W is in the public domain. This text is taken from The Bashful Earthquake, & Other Fables and Verses, Project Gutenberg ebook #56765; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Herford, To C. D. G. and A. B. W, in The Bashful Earthquake, and Other Fables and Verses (1898), text of Project Gutenberg ebook #56765, Laurel, https://laurelpoetry.com/poem/herford-bashful-earthquake/to-c-d-g-and-a-b-w.html, id L22131.
Form and metre
To C. D. G. and A. B. W is 45 lines in 2 verse paragraphs. It is in rhyming couplets, 84% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEE--FFGGHHIIJJKKLLMMNNOO-- offenceA · senseA · betweenB · magazineB · metC · setC · thinkD · inkD · offenceE · senseE · wholly · poly · creatureF · featureF · pearlG · curlG · lastH · castH · clearI · fearI · seenJ · greenJ · retreatK · feetK · bestL · dressedL · allM · tallM · placeN · faceN · moreO · ignoreO · flame · smouldering
- 2 -AA--BBCCDD came · voiceA · choiceA · dunce · once · scenesB · smithereensB · sadC · madC · knownD · aloneD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Two ladies, not real ladies (no offence-- | 10 | ·/˘··/˘·˘/ |
| I don’t mean “not real ladies” in that sense), | 10 | ·····/˘··· |
| But pictured fancies they--who dwelt between | 10 | ·/˘/˘····· |
| The pages of a weekly magazine. | 10 | ·/˘··/˘/˘· |
| Though often in the selfsame week they met, | 10 | ·/˘··/˘··· |
| They were n’t exactly in the selfsame set, | 11 | ···˘/˘··/˘· |
| And could not know each other. One, I think, | 10 | ·····/˘··· |
| Was done in wash; the other, pen and ink. | 10 | ·····/˘··· |
| The wash lady (again there’s no offence-- | 10 | ··/˘˘/··˘/ |
| I use “wash” in its pure artistic sense) | 10 | ······˘/˘· |
| Was a brunette, vivacious, charming wholly; | 11 | ··˘/˘/˘/˘/˘ |
| Neither too slim, nor yet too rolly-poly. | 11 | /˘·····/˘/˘ |
| A dazzling smile had this enchanting creature; | 11 | ·/˘···˘/˘/˘ |
| Indeed, her most predominating feature | 11 | ˘/··˘/˘·˘/˘ |
| Was a continuous show of glittering pearl; | 10 | ··˘/˘··/˘· |
| And on her forehead hung a little curl-- | 10 | ···/˘··/˘· |
| A most distracting little curl; and last, | 10 | ··˘/˘/˘··· |
| She had a very slight Hebraic cast. | 10 | ···/˘·/˘˘· |
| Gray eyes the other had, serene and clear; | 10 | ···/˘·˘/·· |
| A cold and distant manner; yet I fear | 10 | ···/˘/˘··· |
| Her looks belied her, for she oft was seen | 10 | ··˘/······ |
| Lounging about the beach, or ’mid the green, | 10 | /˘········ |
| Of the conservatory’s dim retreat, | 10 | ··˘/˘˘˘·˘/ |
| Always some chappie nestling at her feet. | 10 | /··/˘/˘··· |
| A first-rate fellow she, and looked her best | 10 | ···/˘····· |
| When in a golf or walking costume dressed; | 10 | ·····/˘/˘· |
| In short, the other’s opposite in all, | 10 | ···/˘/˘˘·· |
| And fearfully and wonderfully tall. | 10 | ·/˘˘·/˘˘˘· |
| One day, by chance, each occupied a place | 10 | ·····/˘··· |
| On the same page, exactly face to face, | 10 | ····˘/˘··· |
| In such a way ’t was possible no more | 10 | ······/˘·· |
| For either one the other to ignore. | 10 | ·/˘··/˘·˘/ |
| Then in an instant burst into a flame | 10 | ···/˘····· |
| The fire that had been smouldering. | 9 | ·/˘······ |
| “How came | 2 | ·· |
| You here?” they both exclaimed, as with one voice. | 10 | ····˘/···· |
| (Here I use asterisks, though not from choice | 10 | ···/˘˘···· |
| But type has limits, and must play the dunce; | 10 | ···/˘····· |
| When two young ladies both converse at once.) | 10 | ···/˘·˘/·· |
| I left them to their scenes. | 6 | ······ |
| Next day I found the page in smithereens, | 10 | ········˘/ |
| And I reflected, “It is very sad | 10 | ··˘/˘··/˘· |
| That two nice girls should get so awfully mad | 10 | ·······/˘· |
| About a thing for which, had they but known, | 10 | ·········· |
| Two artists were responsible alone.” | 10 | ·/˘·˘/˘˘˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.