To C. D. G. and A. B. W

Oliver Herford (1863–1935) · 1898

iambic pentameter · heroic couplets · 45 lines · from The Bashful Earthquake, and Other Fables and Verses

Two ladies, not real ladies (no offence--I don’t mean “not real ladies” in that sense),But pictured fancies they--who dwelt betweenThe pages of a weekly magazine.Though often in the selfsame week they met,They were n’t exactly in the selfsame set,And could not know each other. One, I think,Was done in wash; the other, pen and ink.The wash lady (again there’s no offence--I use “wash” in its pure artistic sense)Was a brunette, vivacious, charming wholly;Neither too slim, nor yet too rolly-poly.A dazzling smile had this enchanting creature;Indeed, her most predominating featureWas a continuous show of glittering pearl;And on her forehead hung a little curl--A most distracting little curl; and last,She had a very slight Hebraic cast.Gray eyes the other had, serene and clear;A cold and distant manner; yet I fearHer looks belied her, for she oft was seenLounging about the beach, or ’mid the green,Of the conservatory’s dim retreat,Always some chappie nestling at her feet.A first-rate fellow she, and looked her bestWhen in a golf or walking costume dressed;In short, the other’s opposite in all,And fearfully and wonderfully tall.One day, by chance, each occupied a placeOn the same page, exactly face to face,In such a way ’t was possible no moreFor either one the other to ignore.Then in an instant burst into a flameThe fire that had been smouldering.

“How cameYou here?” they both exclaimed, as with one voice.(Here I use asterisks, though not from choiceBut type has limits, and must play the dunce;When two young ladies both converse at once.)I left them to their scenes.Next day I found the page in smithereens,And I reflected, “It is very sadThat two nice girls should get so awfully madAbout a thing for which, had they but known,Two artists were responsible alone.”

Words in this poem

offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
pictured a.
Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
selfsame a.
Precisely the same; the very same; identical. [Self, a. + same.]
brunette n.
A girl or woman with a somewhat brown or dark complexion. [F. brunet, brunette, brownish, dim. of brun, brune, brown, fr. OHG. br. See Brown, a.]
vivacious a.
Having vigorous powers of life; tenacious of life; long-lived. [L. vívax, -acis, fr. vivere to live. See Vivid.]
distracting a.
Tending or serving to distract.
hebraic a.
Of or pertaining to the Hebrews, or to the language of the Hebrews. [L. Hebraicus, Gr. hebraïque. See Hebrew.]
nestling n.
A young bird which has not abandoned the nest. Piers Plowman.
fearfully adv.
In a fearful manner.
ignore v. t.
To be ignorant of or not acquainted with. [L. ignorare; pref. in- not + the root of gnarus knowing, noscere to become acquainted with. See Know, and cf. Narrate.]
smouldering a.
Being in a state of suppressed activity; quiet but not dead.
smithereens n.
Fragments; atoms; smithers. W. Black.
awfully adv.
In an awful manner; in a manner to fill with terror or awe; fearfully; reverently.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To C. D. G. and A. B. W is in the public domain. This text is taken from The Bashful Earthquake, & Other Fables and Verses, Project Gutenberg ebook #56765; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Oliver Herford, To C. D. G. and A. B. W, in The Bashful Earthquake, and Other Fables and Verses (1898), text of Project Gutenberg ebook #56765, Laurel, https://laurelpoetry.com/poem/herford-bashful-earthquake/to-c-d-g-and-a-b-w.html, id L22131.

Form and metre

To C. D. G. and A. B. W is 45 lines in 2 verse paragraphs. It is in rhyming couplets, 84% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE--FFGGHHIIJJKKLLMMNNOO-- offenceA · senseA · betweenB · magazineB · metC · setC · thinkD · inkD · offenceE · senseE · wholly · poly · creatureF · featureF · pearlG · curlG · lastH · castH · clearI · fearI · seenJ · greenJ · retreatK · feetK · bestL · dressedL · allM · tallM · placeN · faceN · moreO · ignoreO · flame · smouldering
  2. 2 -AA--BBCCDD came · voiceA · choiceA · dunce · once · scenesB · smithereensB · sadC · madC · knownD · aloneD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Two ladies, not real ladies (no offence--10·/˘··/˘·˘/
I don’t mean “not real ladies” in that sense),10·····/˘···
But pictured fancies they--who dwelt between10·/˘/˘·····
The pages of a weekly magazine.10·/˘··/˘/˘·
Though often in the selfsame week they met,10·/˘··/˘···
They were n’t exactly in the selfsame set,11···˘/˘··/˘·
And could not know each other. One, I think,10·····/˘···
Was done in wash; the other, pen and ink.10·····/˘···
The wash lady (again there’s no offence--10··/˘˘/··˘/
I use “wash” in its pure artistic sense)10······˘/˘·
Was a brunette, vivacious, charming wholly;11··˘/˘/˘/˘/˘
Neither too slim, nor yet too rolly-poly.11/˘·····/˘/˘
A dazzling smile had this enchanting creature;11·/˘···˘/˘/˘
Indeed, her most predominating feature11˘/··˘/˘·˘/˘
Was a continuous show of glittering pearl;10··˘/˘··/˘·
And on her forehead hung a little curl--10···/˘··/˘·
A most distracting little curl; and last,10··˘/˘/˘···
She had a very slight Hebraic cast.10···/˘·/˘˘·
Gray eyes the other had, serene and clear;10···/˘·˘/··
A cold and distant manner; yet I fear10···/˘/˘···
Her looks belied her, for she oft was seen10··˘/······
Lounging about the beach, or ’mid the green,10/˘········
Of the conservatory’s dim retreat,10··˘/˘˘˘·˘/
Always some chappie nestling at her feet.10/··/˘/˘···
A first-rate fellow she, and looked her best10···/˘·····
When in a golf or walking costume dressed;10·····/˘/˘·
In short, the other’s opposite in all,10···/˘/˘˘··
And fearfully and wonderfully tall.10·/˘˘·/˘˘˘·
One day, by chance, each occupied a place10·····/˘···
On the same page, exactly face to face,10····˘/˘···
In such a way ’t was possible no more10······/˘··
For either one the other to ignore.10·/˘··/˘·˘/
Then in an instant burst into a flame10···/˘·····
The fire that had been smouldering.9·/˘······
“How came2··
You here?” they both exclaimed, as with one voice.10····˘/····
(Here I use asterisks, though not from choice10···/˘˘····
But type has limits, and must play the dunce;10···/˘·····
When two young ladies both converse at once.)10···/˘·˘/··
I left them to their scenes.6······
Next day I found the page in smithereens,10········˘/
And I reflected, “It is very sad10··˘/˘··/˘·
That two nice girls should get so awfully mad10·······/˘·
About a thing for which, had they but known,10··········
Two artists were responsible alone.”10·/˘·˘/˘˘˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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