Sappho
Am I blind alas,am I blind?I too have followedher path.I too have bent at her feet.I too have wakened to pluckamaranth in the straight shaft,amaranth purple in the cup,scorched at the edge to white.
Am I blind?am I the less ready for her sacrifice?am I the less eager to givewhat she asks,she the shameless and radiant?
Am I quite lost,I towering above you and her glance,walking with swifter pace,with clearer sight,with intensitybeside which you twoare as spent ash?
Nay, I give back to the goddess the giftshe tendered me in a momentof great bounty.I return it. I lay it againon the white slab of her house,the beauty she cast outone moment, careless.
Nor do I cry out:“why did I stoop?why did I turn asideone moment from the rocksmarking the sea-path?Aphrodite, shameless and radiant,have pity, turn, answer us.”
Ah no--though I stumble towardher altar-step,though my flesh is scorched and rent,shattered, cut apart,slashed open;though my heels press my own wet lifeblack, dark to purple,on the smooth, rose-streakedthreshold of her pavement.
Am I blind alas, deaf toothat my ears lost all this?nay, O my lover,shameless and still radiant,I tell you this:
I was not asleep,I did not lie asleep on those hot rockswhile you waited.I was not unaware when I glancedout toward the seawatching the purple ships.
I was not blind when I turned.I was not indifferent when I strayed asideor loitered as we three wentor seemed to turn a moment from the pathfor that same amaranth.
I was not dull and dead when I fellback on our couch at night.I was not indifferent when I turnedand lay quiet.I was not dead in my sleep.
Lady of all beauty,I give you this:say I have offered small sacrifice,say I am unworthy your touch,but say not:“she turned to some cold, calm god,silent, pitiful, in preference.”
Lady of all beauty,I give you this:say not:“she deserted my altar-step,the fire on my white hearthwas too great,she fell back at my first glance.”
Lady, radiant and shameless,I have brought small wreaths,(they were a child’s gift,)I have offered myrrh-leaf,crisp lentisk,I have laid rose-petaland white rock-rose from the beach.
But I give now a greater,I give life and spirit with this.I render a graceno one has dared to speak,lest men at your altar greet himas slave, callous to your art;I dare more than the singeroffering her lute,the girl her stained veils,the woman her swathes of birth,or pencil and chalk,mirror and unguent box.
I offer more than the ladsinging at your steps,praise of himself,his mirror his friend’s face,more than any girl,I offer you this:(grant only strengththat I withdraw not my gift,)I give you my praise and this:the love of my loverfor his mistress.
Words in this poem
- amaranth n.
- An imaginary flower supposed never to fade.
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- swifter v. t.
- To tighten, as slack standing rigging, by bringing the opposite shrouds nearer.
- clearer n.
- One who, or that which, clears.
- bounty n.
- Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
- aphrodite n.
- The Greek goddess of love, corresponding to the Venus of the Romans.
- slashed a.
- Marked or cut with a slash or slashes; deeply gashed; especially, having long, narrow openings, as a sleeve or other part of a garment, to show rich lining or under vesture.
- unaware a.
- Not aware; not noticing; giving no heed; thoughtless; inattentive.
- went n.
- Course; way; path; journey; direction.
- lentisk n.
- A tree; the mastic. See Mastic. [L. lentiscus, lentiscum: cf. F. lentisque.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sappho is in the public domain. This text is taken from Heliodora, and Other Poems, Project Gutenberg ebook #62456; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: H.D., Sappho, in Heliodora, and Other Poems (1924), text of Project Gutenberg ebook #62456, Laurel, https://laurelpoetry.com/poem/hd-heliodora/sappho-3.html, id L24316.
Form and metre
Sappho is 109 lines in 15 stanzas. The metre is trochaic trimeter, measured from the stress the words themselves fix (confidence 76%).
See other poems in trochaic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 4 ----A-A gift · moment · bounty · again · houseA · out · carelessA
- 7 -A--A too · thisA · lover · radiant · thisA
- 10 -A-A- fell · nightA · turned · quietA · sleep
- 15 -----A--A-A lad · steps · himself · face · girl · thisA · strength · gift · thisA · lover · mistressA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Am I blind alas, | 5 | ···˘/ |
| am I blind? | 3 | ··· |
| I too have followed | 5 | ···/˘ |
| her path. | 2 | ·· |
| I too have bent at her feet. | 7 | ······· |
| I too have wakened to pluck | 7 | ···/˘·· |
| amaranth in the straight shaft, | 7 | /˘····· |
| amaranth purple in the cup, | 8 | /˘·/˘··· |
| scorched at the edge to white. | 6 | ······ |
| Am I blind? | 3 | ··· |
| am I the less ready for her sacrifice? | 11 | ····/˘··/˘· |
| am I the less eager to give | 8 | ····/˘·· |
| what she asks, | 3 | ··· |
| she the shameless and radiant? | 8 | ··/˘·/˘˘ |
| Am I quite lost, | 4 | ···· |
| I towering above you and her glance, | 10 | ·/˘˘······ |
| walking with swifter pace, | 6 | /˘·/˘· |
| with clearer sight, | 4 | ·/˘· |
| with intensity | 5 | ·˘/˘˘ |
| beside which you two | 5 | ˘/··· |
| are as spent ash? | 4 | ···· |
| Nay, I give back to the goddess the gift | 10 | ······/˘·· |
| she tendered me in a moment | 8 | ·/˘···/˘ |
| of great bounty. | 4 | ··/˘ |
| I return it. I lay it again | 9 | ·˘/····˘/ |
| on the white slab of her house, | 7 | ······· |
| the beauty she cast out | 6 | ·/˘··· |
| one moment, careless. | 5 | ·/˘/˘ |
| Nor do I cry out: | 5 | ····· |
| “why did I stoop? | 4 | ···· |
| why did I turn aside | 6 | ····˘/ |
| one moment from the rocks | 6 | ·/˘··· |
| marking the sea-path? | 5 | /˘··· |
| Aphrodite, shameless and radiant, | 10 | ·˘/˘/˘·/˘˘ |
| have pity, turn, answer us.” | 7 | ·/˘·/˘· |
| Ah no--though I stumble toward | 8 | ····/˘·· |
| her altar-step, | 4 | ·/˘· |
| though my flesh is scorched and rent, | 7 | ······· |
| shattered, cut apart, | 5 | /˘·˘/ |
| slashed open; | 3 | ·/˘ |
| though my heels press my own wet life | 8 | ········ |
| black, dark to purple, | 5 | ···/˘ |
| on the smooth, rose-streaked | 5 | ····· |
| threshold of her pavement. | 6 | /···/˘ |
| Am I blind alas, deaf too | 7 | ···˘/·· |
| that my ears lost all this? | 6 | ······ |
| nay, O my lover, | 5 | ···/˘ |
| shameless and still radiant, | 7 | /˘··/˘˘ |
| I tell you this: | 4 | ···· |
| I was not asleep, | 5 | ···˘/ |
| I did not lie asleep on those hot rocks | 10 | ····˘/···· |
| while you waited. | 4 | ··/˘ |
| I was not unaware when I glanced | 9 | ····˘/··· |
| out toward the sea | 5 | ····· |
| watching the purple ships. | 6 | /˘·/˘· |
| I was not blind when I turned. | 7 | ······· |
| I was not indifferent when I strayed aside | 11 | ···˘/˘···˘/ |
| or loitered as we three went | 7 | ·/˘···· |
| or seemed to turn a moment from the path | 10 | ·····/˘··· |
| for that same amaranth. | 6 | ···/˘· |
| I was not dull and dead when I fell | 9 | ········· |
| back on our couch at night. | 7 | ··/˘··· |
| I was not indifferent when I turned | 9 | ···˘/˘··· |
| and lay quiet. | 4 | ··/˘ |
| I was not dead in my sleep. | 7 | ······· |
| Lady of all beauty, | 6 | /˘··/˘ |
| I give you this: | 4 | ···· |
| say I have offered small sacrifice, | 9 | ···/˘·/˘· |
| say I am unworthy your touch, | 8 | ···˘/˘·· |
| but say not: | 3 | ··· |
| “she turned to some cold, calm god, | 7 | ······· |
| silent, pitiful, in preference.” | 9 | /˘/˘˘·/˘˘ |
| Lady of all beauty, | 6 | /˘··/˘ |
| I give you this: | 4 | ···· |
| say not: | 2 | ·· |
| “she deserted my altar-step, | 8 | ·˘/˘·/˘· |
| the fire on my white hearth | 7 | ·/˘···· |
| was too great, | 3 | ··· |
| she fell back at my first glance.” | 7 | ······· |
| Lady, radiant and shameless, | 8 | /˘/˘˘·/˘ |
| I have brought small wreaths, | 5 | ····· |
| (they were a child’s gift,) | 5 | ····· |
| I have offered myrrh-leaf, | 6 | ··/˘·· |
| crisp lentisk, | 3 | ··· |
| I have laid rose-petal | 6 | ····/˘ |
| and white rock-rose from the beach. | 7 | ······· |
| But I give now a greater, | 7 | ·····/˘ |
| I give life and spirit with this. | 8 | ····/˘·· |
| I render a grace | 5 | ·/˘·· |
| no one has dared to speak, | 6 | ······ |
| lest men at your altar greet him | 8 | ····/˘·· |
| as slave, callous to your art; | 7 | ··/˘··· |
| I dare more than the singer | 7 | ·····/˘ |
| offering her lute, | 5 | /˘˘·· |
| the girl her stained veils, | 5 | ····· |
| the woman her swathes of birth, | 7 | ·/˘···· |
| or pencil and chalk, | 5 | ·/˘·· |
| mirror and unguent box. | 6 | /˘·/˘· |
| I offer more than the lad | 7 | ·/˘···· |
| singing at your steps, | 5 | /˘··· |
| praise of himself, | 4 | ··˘/ |
| his mirror his friend’s face, | 6 | ·/˘··· |
| more than any girl, | 5 | ··/˘· |
| I offer you this: | 5 | ·/˘·· |
| (grant only strength | 4 | ·/˘· |
| that I withdraw not my gift,) | 7 | ··˘/··· |
| I give you my praise and this: | 7 | ······· |
| the love of my lover | 6 | ····/˘ |
| for his mistress. | 4 | ··/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.