Sappho

H.D. (1886–1961) · 1924

trochaic trimeter · 109 lines · from Heliodora, and Other Poems

Am I blind alas,am I blind?I too have followedher path.I too have bent at her feet.I too have wakened to pluckamaranth in the straight shaft,amaranth purple in the cup,scorched at the edge to white.

Am I blind?am I the less ready for her sacrifice?am I the less eager to givewhat she asks,she the shameless and radiant?

Am I quite lost,I towering above you and her glance,walking with swifter pace,with clearer sight,with intensitybeside which you twoare as spent ash?

Nay, I give back to the goddess the giftshe tendered me in a momentof great bounty.I return it. I lay it againon the white slab of her house,the beauty she cast outone moment, careless.

Nor do I cry out:“why did I stoop?why did I turn asideone moment from the rocksmarking the sea-path?Aphrodite, shameless and radiant,have pity, turn, answer us.”

Ah no--though I stumble towardher altar-step,though my flesh is scorched and rent,shattered, cut apart,slashed open;though my heels press my own wet lifeblack, dark to purple,on the smooth, rose-streakedthreshold of her pavement.

Am I blind alas, deaf toothat my ears lost all this?nay, O my lover,shameless and still radiant,I tell you this:

I was not asleep,I did not lie asleep on those hot rockswhile you waited.I was not unaware when I glancedout toward the seawatching the purple ships.

I was not blind when I turned.I was not indifferent when I strayed asideor loitered as we three wentor seemed to turn a moment from the pathfor that same amaranth.

I was not dull and dead when I fellback on our couch at night.I was not indifferent when I turnedand lay quiet.I was not dead in my sleep.

Lady of all beauty,I give you this:say I have offered small sacrifice,say I am unworthy your touch,but say not:“she turned to some cold, calm god,silent, pitiful, in preference.”

Lady of all beauty,I give you this:say not:“she deserted my altar-step,the fire on my white hearthwas too great,she fell back at my first glance.”

Lady, radiant and shameless,I have brought small wreaths,(they were a child’s gift,)I have offered myrrh-leaf,crisp lentisk,I have laid rose-petaland white rock-rose from the beach.

But I give now a greater,I give life and spirit with this.I render a graceno one has dared to speak,lest men at your altar greet himas slave, callous to your art;I dare more than the singeroffering her lute,the girl her stained veils,the woman her swathes of birth,or pencil and chalk,mirror and unguent box.

I offer more than the ladsinging at your steps,praise of himself,his mirror his friend’s face,more than any girl,I offer you this:(grant only strengththat I withdraw not my gift,)I give you my praise and this:the love of my loverfor his mistress.

Words in this poem

amaranth n.
An imaginary flower supposed never to fade.
towering a.
Very high; elevated; rising aloft; as, a towering height.
swifter v. t.
To tighten, as slack standing rigging, by bringing the opposite shrouds nearer.
clearer n.
One who, or that which, clears.
bounty n.
Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
aphrodite n.
The Greek goddess of love, corresponding to the Venus of the Romans.
slashed a.
Marked or cut with a slash or slashes; deeply gashed; especially, having long, narrow openings, as a sleeve or other part of a garment, to show rich lining or under vesture.
unaware a.
Not aware; not noticing; giving no heed; thoughtless; inattentive.
went n.
Course; way; path; journey; direction.
lentisk n.
A tree; the mastic. See Mastic. [L. lentiscus, lentiscum: cf. F. lentisque.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Sappho is in the public domain. This text is taken from Heliodora, and Other Poems, Project Gutenberg ebook #62456; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: H.D., Sappho, in Heliodora, and Other Poems (1924), text of Project Gutenberg ebook #62456, Laurel, https://laurelpoetry.com/poem/hd-heliodora/sappho-3.html, id L24316.

Form and metre

Sappho is 109 lines in 15 stanzas. The metre is trochaic trimeter, measured from the stress the words themselves fix (confidence 76%).

See other poems in trochaic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 4 ----A-A gift · moment · bounty · again · houseA · out · carelessA
  2. 7 -A--A too · thisA · lover · radiant · thisA
  3. 10 -A-A- fell · nightA · turned · quietA · sleep
  4. 15 -----A--A-A lad · steps · himself · face · girl · thisA · strength · gift · thisA · lover · mistressA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic trimeter. How this is done.

LineSyl.Stress
Am I blind alas,5···˘/
am I blind?3···
I too have followed5···/˘
her path.2··
I too have bent at her feet.7·······
I too have wakened to pluck7···/˘··
amaranth in the straight shaft,7/˘·····
amaranth purple in the cup,8/˘·/˘···
scorched at the edge to white.6······
Am I blind?3···
am I the less ready for her sacrifice?11····/˘··/˘·
am I the less eager to give8····/˘··
what she asks,3···
she the shameless and radiant?8··/˘·/˘˘
Am I quite lost,4····
I towering above you and her glance,10·/˘˘······
walking with swifter pace,6/˘·/˘·
with clearer sight,4·/˘·
with intensity5·˘/˘˘
beside which you two5˘/···
are as spent ash?4····
Nay, I give back to the goddess the gift10······/˘··
she tendered me in a moment8·/˘···/˘
of great bounty.4··/˘
I return it. I lay it again9·˘/····˘/
on the white slab of her house,7·······
the beauty she cast out6·/˘···
one moment, careless.5·/˘/˘
Nor do I cry out:5·····
“why did I stoop?4····
why did I turn aside6····˘/
one moment from the rocks6·/˘···
marking the sea-path?5/˘···
Aphrodite, shameless and radiant,10·˘/˘/˘·/˘˘
have pity, turn, answer us.”7·/˘·/˘·
Ah no--though I stumble toward8····/˘··
her altar-step,4·/˘·
though my flesh is scorched and rent,7·······
shattered, cut apart,5/˘·˘/
slashed open;3·/˘
though my heels press my own wet life8········
black, dark to purple,5···/˘
on the smooth, rose-streaked5·····
threshold of her pavement.6/···/˘
Am I blind alas, deaf too7···˘/··
that my ears lost all this?6······
nay, O my lover,5···/˘
shameless and still radiant,7/˘··/˘˘
I tell you this:4····
I was not asleep,5···˘/
I did not lie asleep on those hot rocks10····˘/····
while you waited.4··/˘
I was not unaware when I glanced9····˘/···
out toward the sea5·····
watching the purple ships.6/˘·/˘·
I was not blind when I turned.7·······
I was not indifferent when I strayed aside11···˘/˘···˘/
or loitered as we three went7·/˘····
or seemed to turn a moment from the path10·····/˘···
for that same amaranth.6···/˘·
I was not dull and dead when I fell9·········
back on our couch at night.7··/˘···
I was not indifferent when I turned9···˘/˘···
and lay quiet.4··/˘
I was not dead in my sleep.7·······
Lady of all beauty,6/˘··/˘
I give you this:4····
say I have offered small sacrifice,9···/˘·/˘·
say I am unworthy your touch,8···˘/˘··
but say not:3···
“she turned to some cold, calm god,7·······
silent, pitiful, in preference.”9/˘/˘˘·/˘˘
Lady of all beauty,6/˘··/˘
I give you this:4····
say not:2··
“she deserted my altar-step,8·˘/˘·/˘·
the fire on my white hearth7·/˘····
was too great,3···
she fell back at my first glance.”7·······
Lady, radiant and shameless,8/˘/˘˘·/˘
I have brought small wreaths,5·····
(they were a child’s gift,)5·····
I have offered myrrh-leaf,6··/˘··
crisp lentisk,3···
I have laid rose-petal6····/˘
and white rock-rose from the beach.7·······
But I give now a greater,7·····/˘
I give life and spirit with this.8····/˘··
I render a grace5·/˘··
no one has dared to speak,6······
lest men at your altar greet him8····/˘··
as slave, callous to your art;7··/˘···
I dare more than the singer7·····/˘
offering her lute,5/˘˘··
the girl her stained veils,5·····
the woman her swathes of birth,7·/˘····
or pencil and chalk,5·/˘··
mirror and unguent box.6/˘·/˘·
I offer more than the lad7·/˘····
singing at your steps,5/˘···
praise of himself,4··˘/
his mirror his friend’s face,6·/˘···
more than any girl,5··/˘·
I offer you this:5·/˘··
(grant only strength4·/˘·
that I withdraw not my gift,)7··˘/···
I give you my praise and this:7·······
the love of my lover6····/˘
for his mistress.4··/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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