Nossis
I thought to hear him speakthe girl might riseand make the garden silver,as the white moon breaks,“Nossis,” he cried, “a flame.”
I said:“a girl that’s deadsome hundred years;a poet--what of that?for in the islands,in the haunts of Greek Ionia,Rhodes and Cyprus,girls are cheap.”
I said, to test his mood,to make him rage or laugh or sing or weep,“in Greek Ionia and in Cyprus,many girls are foundwith wreaths and apple-branches.”
“Only a hundred years or two or three,has she lain deadyet men forget;”he said,“I want a garden,”and I thoughthe wished to make a terrace on the hill,bend the stream to it,set out daffodils,plant Phrygian violets,such was his will and whim,I thought,to name and watch each flower.
His was no gardenbright with Tyrian violets,his was a shelterwrought of flame and spirit,and as he flung her nameagainst the dark,I thought the iris-flowersthat lined the pathmust be the ghost of Nossis.
“Who made the wreath,for what man was it wrought?speak, fashioned all of fruit-buds,song, my loveliest,say Meleager brought to Diodes,(a gift for that enchanting friend)memories with names of poets.
He sought for Moero, lilies,and those many,red-lilies for Anyte,for Sappho, roses,with those few, he caughtthat breath of the sweet-scentedleaf of iris,the myrrh-iris,to set beside the tabletand the waxwhich Love had burnt,when scarred across by Nossis.”
“I Nossis stand by this:I state that love is sweet:if you think otherwiseassert what beautyor what charmafter the charm of love,retains its grace?
“Honey” you say:honey? I say “I spithoney out of my mouth:nothing is second-bestafter the sweet of Eros.”
I Nossis stand and statethat he whom Love neglectshas naught, no flower, no grace,who lacks that rose, her kiss.”
I thought to hear him speakthe girl might riseand make the garden silveras the white moon breaks,“Nossis,” he cried, “a flame.”
Words in this poem
- cyprus n.
- A thin, transparent stuff, the same as, or corresponding to, crape. It was either white or black, the latter being most common, and used for mourning. [OE. cipres, cypirs; perh. so named as being first manufactured in Cyprus. Cf. Cipers.]
- tyrian a.
- Of or pertaining to Tyre or its people.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- sappho n.
- Any one of several species of brilliant South American humming birds of the genus Sappho, having very bright-colored and deeply forked tails; -- called also firetail. [See Sapphic.]
- eros n.
- Love; the god of love; -- by earlier writers represented as one of the first and creative gods, by later writers as the son of Aphrodite, equivalent to the Latin god Cupid.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Nossis is in the public domain. This text is taken from Heliodora, and Other Poems, Project Gutenberg ebook #62456; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: H.D., Nossis, in Heliodora, and Other Poems (1924), text of Project Gutenberg ebook #62456, Laurel, https://laurelpoetry.com/poem/hd-heliodora/nossis.html, id L24300.
Form and metre
Nossis is 80 lines in 11 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 89%).
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 AA------ saidA · deadA · years · that · islands · ionia · cyprus · cheap
- 4 -A-A-B-----B- three · deadA · forget · saidA · garden · thoughtB · hill · it · daffodils · violets · whim · thoughtB · flower
- 7 ----A-BBA--- lilies · many · anyte · roses · caughtA · scented · irisB · irisB · tabletA · wax · burnt · nossis
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I thought to hear him speak | 6 | ······ |
| the girl might rise | 4 | ···· |
| and make the garden silver, | 7 | ···/˘/˘ |
| as the white moon breaks, | 5 | ····· |
| “Nossis,” he cried, “a flame.” | 6 | ······ |
| I said: | 2 | ·· |
| “a girl that’s dead | 4 | ···· |
| some hundred years; | 4 | ·/˘· |
| a poet--what of that? | 6 | ·/˘··· |
| for in the islands, | 5 | ···/˘ |
| in the haunts of Greek Ionia, | 7 | ······· |
| Rhodes and Cyprus, | 4 | ··/˘ |
| girls are cheap.” | 3 | ··· |
| I said, to test his mood, | 6 | ······ |
| to make him rage or laugh or sing or weep, | 10 | ·········· |
| “in Greek Ionia and in Cyprus, | 8 | ······/˘ |
| many girls are found | 5 | /˘··· |
| with wreaths and apple-branches.” | 7 | ···/˘/˘ |
| “Only a hundred years or two or three, | 10 | /˘·/˘····· |
| has she lain dead | 4 | ···· |
| yet men forget;” | 4 | ··˘/ |
| he said, | 2 | ·· |
| “I want a garden,” | 5 | ···/˘ |
| and I thought | 3 | ··· |
| he wished to make a terrace on the hill, | 10 | ·····/˘··· |
| bend the stream to it, | 5 | ····· |
| set out daffodils, | 5 | ··/˘· |
| plant Phrygian violets, | 7 | ·/˘˘/˘˘ |
| such was his will and whim, | 6 | ······ |
| I thought, | 2 | ·· |
| to name and watch each flower. | 7 | ·····/˘ |
| His was no garden | 5 | ···/˘ |
| bright with Tyrian violets, | 8 | ··/˘˘/˘˘ |
| his was a shelter | 5 | ···/˘ |
| wrought of flame and spirit, | 6 | ····/˘ |
| and as he flung her name | 6 | ······ |
| against the dark, | 4 | ···· |
| I thought the iris-flowers | 7 | ···/˘/˘ |
| that lined the path | 4 | ···· |
| must be the ghost of Nossis. | 7 | ······· |
| “Who made the wreath, | 4 | ···· |
| for what man was it wrought? | 6 | ······ |
| speak, fashioned all of fruit-buds, | 7 | ·/˘···· |
| song, my loveliest, | 5 | ····· |
| say Meleager brought to Diodes, | 8 | ······/· |
| (a gift for that enchanting friend) | 8 | ····˘/˘· |
| memories with names of poets. | 8 | /˘˘···/˘ |
| He sought for Moero, lilies, | 7 | ·····/˘ |
| and those many, | 4 | ··/˘ |
| red-lilies for Anyte, | 6 | ·/˘··· |
| for Sappho, roses, | 5 | ·/˘/˘ |
| with those few, he caught | 5 | ····· |
| that breath of the sweet-scented | 7 | ·····/˘ |
| leaf of iris, | 4 | ··/˘ |
| the myrrh-iris, | 4 | ··/˘ |
| to set beside the tablet | 7 | ··˘/·/˘ |
| and the wax | 3 | ··· |
| which Love had burnt, | 4 | ···· |
| when scarred across by Nossis.” | 7 | ··˘/··· |
| “I Nossis stand by this: | 6 | ······ |
| I state that love is sweet: | 6 | ······ |
| if you think otherwise | 6 | ···/˘· |
| assert what beauty | 5 | ˘/·/˘ |
| or what charm | 3 | ··· |
| after the charm of love, | 6 | ······ |
| retains its grace? | 4 | ˘/·· |
| “Honey” you say: | 4 | /˘·· |
| honey? I say “I spit | 6 | /˘···· |
| honey out of my mouth: | 6 | /˘···· |
| nothing is second-best | 6 | /˘·/˘· |
| after the sweet of Eros.” | 7 | ·····/˘ |
| I Nossis stand and state | 6 | ······ |
| that he whom Love neglects | 6 | ····˘/ |
| has naught, no flower, no grace, | 7 | ···/˘·· |
| who lacks that rose, her kiss.” | 6 | ······ |
| I thought to hear him speak | 6 | ······ |
| the girl might rise | 4 | ···· |
| and make the garden silver | 7 | ···/˘/˘ |
| as the white moon breaks, | 5 | ····· |
| “Nossis,” he cried, “a flame.” | 6 | ······ |
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