The Coronation
AT Westminster, hid from the light of day,Many who once had shone as monarchs lay.
Edward the Pious, and two Edwards more,The second Richard, Henrys three or four;
That is to say, those who were called the Third,Fifth, Seventh, and Eighth (the much self-widowered),
And James the Scot, and near him Charles the Second,And, too, the second George could there be reckoned.
Of women, Mary and Queen Elizabeth,And Anne, all silent in a musing death;
And William’s Mary, and Mary, Queen of Scots,And consort-queens whose names oblivion blots;
And several more whose chronicle one seesAdorning ancient royal pedigrees.
Said one: “What means this throbbing thudding soundThat reaches to us here from overground;
“A sound of chisels, augers, planes, and saws,Infringing all ecclesiastic laws?
“And these tons-weight of timber on us pressed,Unfelt here since we entered into rest?
“Surely, at least to us, being corpses royal,A meet repose is owing by the loyal?”
“—Perhaps a scaffold!” Mary Stuart sighed,“If such still be. It was that way I died.”
“—Ods! Far more like,” said he the many-wived,“That for a wedding ’tis this work’s contrived.
“Ha-ha! I never would bow down to Rimmon,But I had a rare time with those six women!”
“Not all at once?” gasped he who loved confession.“Nay, nay!” said Hal. “That would have been transgression.”
“—They build a catafalque here, black and tall,Perhaps,” mused Richard, “for some funeral?”
And Anne chimed in: “Ah, yes: it maybe so!”“Nay!” squeaked Eliza. “Little you seem to know—
“Clearly ’tis for some crowning here in state,As they crowned us at our long bygone date;
“Though we’d no such a power of carpentry,But let the ancient architecture be;
“If I were up there where the parsons sit,In one of my gold robes, I’d see to it!”
“But you are not,” Charles chuckled. “You are here,And never will know the sun again, my dear!”
“Yea,” whispered those whom no one had addressed;“With slow, sad march, amid a folk distressed,We were brought here, to take our dusty rest.
“And here, alas, in darkness laid below,We’ll wait and listen, and endure the show . . .Clamour dogs kingship; afterwards not so!”
Words in this poem
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- overground a.
- Situated over or above ground; as, the overground portion of a plant.
- catafalque n.
- A temporary structure sometimes used in the funeral solemnities of eminent persons, for the public exhibition of the remains, or their conveyance to the place of burial. [F., fr. It. catafalco, scaffold, funeral canopy; of uncertain origin; cf. Sp. catafalso, cadahalso, cadalso, Pr. casafalc, OF. chafaut. Cf. Scaffold.]
- maybe adv.
- Perhaps; possibly; peradventure. [For it may be.]
- bygone n.
- Something gone by or past; a past event.
- carpentry n.
- The art of cutting, framing, and joining timber, as in the construction of buildings. [F. charpenterie, OF. also carpenterie. See Carpenter.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- clamour n.
- A great outcry or vociferation; loud and continued shouting or exclamation. [OF. clamour, clamur, F. clameur, fr. L. clamor, fr. clamare to cry out. See Claim.]
- kingship n.
- The state, office, or dignity of a king; royalty. Landor.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Coronation is in the public domain. This text is taken from Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces, Project Gutenberg ebook #2863; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, The Coronation, in Satires of Circumstance, Lyrics and Reveries (1914), text of Project Gutenberg ebook #2863, Laurel, https://laurelpoetry.com/poem/hardy-satires/the-coronation.html, id L24070.
Form and metre
The Coronation is 48 lines in 23 verse paragraphs. It is in rhyming couplets, 92% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA dayA · layA
- 2 AA moreA · fourA
- 3 AA thirdA · widoweredA
- 4 AA secondA · reckonedA
- 5 AA elizabethA · deathA
- 6 AA scotsA · blotsA
- 7 AA seesA · pedigreesA
- 8 AA soundA · overgroundA
- 9 AA sawsA · lawsA
- 10 AA pressedA · restA
- 11 AA royalA · loyalA
- 12 AA sighedA · diedA
- 13 AA wivedA · contrivedA
- 14 AA rimmonA · womenA
- 15 AA confessionA · transgressionA
- 16 AA tallA · funeralA
- 17 AA soA · knowA
- 18 AA stateA · dateA
- 20 AA sitA · itA
- 21 AA hereA · dearA
- 22 AAA addressedA · distressedA · restA
- 23 AAA belowA · showA · soA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| AT Westminster, hid from the light of day, | 10 | ··/˘······ |
| Many who once had shone as monarchs lay. | 10 | /˘·····/·· |
| Edward the Pious, and two Edwards more, | 10 | /˘·/˘··/˘· |
| The second Richard, Henrys three or four; | 10 | ·/˘/˘/˘··· |
| That is to say, those who were called the Third, | 10 | ·········· |
| Fifth, Seventh, and Eighth (the much self-widowered), | 11 | ·/˘·····/˘˘ |
| And James the Scot, and near him Charles the Second, | 11 | ·········/˘ |
| And, too, the second George could there be reckoned. | 11 | ···/˘····/˘ |
| Of women, Mary and Queen Elizabeth, | 11 | ·/˘/˘··˘/˘˘ |
| And Anne, all silent in a musing death; | 10 | ···/˘··/˘· |
| And William’s Mary, and Mary, Queen of Scots, | 11 | ·/˘/˘·/˘··· |
| And consort-queens whose names oblivion blots; | 10 | ·˘/···˘/˘· |
| And several more whose chronicle one sees | 10 | ·/˘··/˘˘·· |
| Adorning ancient royal pedigrees. | 10 | ˘/˘/˘/˘/˘˘ |
| Said one: “What means this throbbing thudding sound | 10 | ·····/˘/˘· |
| That reaches to us here from overground; | 10 | ·/˘····/˘˘ |
| “A sound of chisels, augers, planes, and saws, | 10 | ···/˘/˘··· |
| Infringing all ecclesiastic laws? | 10 | ˘/˘·˘·˘/˘· |
| “And these tons-weight of timber on us pressed, | 10 | ·····/˘··· |
| Unfelt here since we entered into rest? | 10 | ·····/˘··· |
| “Surely, at least to us, being corpses royal, | 11 | /˘····//˘/˘ |
| A meet repose is owing by the loyal?” | 11 | ··˘/·/˘··/˘ |
| “—Perhaps a scaffold!” Mary Stuart sighed, | 10 | ˘/·/˘/˘/˘· |
| “If such still be. It was that way I died.” | 10 | ·········· |
| “—Ods! Far more like,” said he the many-wived, | 10 | ·······/˘· |
| “That for a wedding ’tis this work’s contrived. | 10 | ···/˘···˘/ |
| “Ha-ha! I never would bow down to Rimmon, | 10 | ···/······ |
| But I had a rare time with those six women!” | 11 | ·········/˘ |
| “Not all at once?” gasped he who loved confession. | 11 | ········˘/˘ |
| “Nay, nay!” said Hal. “That would have been transgression.” | 11 | ········˘/˘ |
| “—They build a catafalque here, black and tall, | 10 | ···/˘˘···· |
| Perhaps,” mused Richard, “for some funeral?” | 10 | ˘/·/˘··/˘˘ |
| And Anne chimed in: “Ah, yes: it maybe so!” | 10 | ·······/˘· |
| “Nay!” squeaked Eliza. “Little you seem to know— | 11 | ··˘/˘/˘···· |
| “Clearly ’tis for some crowning here in state, | 10 | /˘···/˘··· |
| As they crowned us at our long bygone date; | 10 | ·····/·/·· |
| “Though we’d no such a power of carpentry, | 11 | ·····/˘·/˘˘ |
| But let the ancient architecture be; | 10 | ···/˘/˘·˘· |
| “If I were up there where the parsons sit, | 10 | ·······/˘· |
| In one of my gold robes, I’d see to it!” | 10 | ·········· |
| “But you are not,” Charles chuckled. “You are here, | 10 | ·····/˘··· |
| And never will know the sun again, my dear!” | 10 | ·/····˘/·· |
| “Yea,” whispered those whom no one had addressed; | 10 | ·/˘·····˘/ |
| “With slow, sad march, amid a folk distressed, | 10 | ····˘/··˘/ |
| We were brought here, to take our dusty rest. | 10 | ······//˘· |
| “And here, alas, in darkness laid below, | 10 | ··˘/·/˘··· |
| We’ll wait and listen, and endure the show . . . | 10 | ···/˘·˘/·· |
| Clamour dogs kingship; afterwards not so!” | 10 | /˘·/˘/˘˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.