On a Midsummer Eve
I IDLY cut a parsley stalk,And blew therein towards the moon;I had not thought what ghosts would walkWith shivering footsteps to my tune.
I went, and knelt, and scooped my handAs if to drink, into the brook,And a faint figure seemed to standAbove me, with the bygone look.
I lipped rough rhymes of chance, not choice,I thought not what my words might be;There came into my ear a voiceThat turned a tenderer verse for me.
(Written to an old folk-tune)
LALAGE’S coming:Where is she now, O?Turning to bow, O,And smile, is she,Just at parting,Parting, parting,As she is startingTo come to me?
Where is she now, O,Now, and now, O,Shadowing a bough, O,Of hedge or treeAs she is rushing,Rushing, rushing,Gossamers brushingTo come to me?
Lalage’s coming;Where is she now, O;Climbing the brow, O,Of hills I see?Yes, she is nearing,Nearing, nearing,Weather unfearingTo come to me.
Near is she now, O,Now, and now, O;Milk the rich cow, O,Forward the tea;Shake the down bed for her,Linen sheets spread for her,Drape round the head for herComing to me.
Lalage’s coming,She’s nearer now, O,End anyhow, O,To-day’s husbandry!Would a gilt chair were mine,Slippers of vair were mine,Brushes for hair were mineOf ivory!
What will she think, O,She who’s so comely,Viewing how homelyA sort are we!Nothing resplendent,No prompt attendant,Not one dependentPertaining to me!
Lalage’s coming;Where is she now, O?Fain I’d avow, O,Full honestlyNought here’s enough for her,All is too rough for her,Even my love for herPoor in degree.
She’s nearer now, O,Still nearer now, O,She ’tis, I vow, O,Passing the lea.Rush down to meet her there,Call out and greet her there,Never a sweeter thereCrossed to me!
Lalage’s come; aye,Come is she now, O! . . .Does Heaven allow, O,A meeting to be?Yes, she is here now,Here now, here now,Nothing to fear now,Here’s Lalage!
Words in this poem
- went n.
- Course; way; path; journey; direction.
- bygone n.
- Something gone by or past; a past event.
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- shadowing n.
- Shade, or gradation of light and color; shading. Feltham.
- brushing a.
- Constructed or used to brush with; as a brushing machine.
- drape v. t.
- To cover or adorn with drapery or folds of cloth, or as with drapery; as, to drape a bust, a building, etc. [F. draper, fr. drap cloth. See 3d Drab.]
- anyhow adv.
- In any way or manner whatever; at any rate; in any event.
- homely a.
- Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
- fain v. t.
- To be glad ; to wish or desire.
- avow v. t.
- To bind, or to devote, by a vow. Wyclif. [OF. avouer, fr. LL. votare to vow, fr. L. votun. See Vote, n.]
- honestly adv.
- Honorably; becomingly; decently.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
On a Midsummer Eve is in the public domain. This text is taken from Moments of Vision and Miscellaneous Verses, Project Gutenberg ebook #3255; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, On a Midsummer Eve, in Moments of Vision and Miscellaneous Verses (1917), text of Project Gutenberg ebook #3255, Laurel, https://laurelpoetry.com/poem/hardy-moments-of-vision/on-a-midsummer-eve.html, id L24118.
Form and metre
On a Midsummer Eve is 85 lines in 13 stanzas. The metre is trochaic trimeter, measured from the stress the words themselves fix (confidence 77%).
See other poems in trochaic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB stalkA · moonB · walkA · tuneB
- 2 ABAB handA · brookB · standA · lookB
- 3 ABAB choiceA · beB · voiceA · meB
- 5 -AABCCCB coming · oA · oA · sheB · partingC · partingC · startingC · meB
- 6 AAABCCCB oA · oA · oA · treeB · rushingC · rushingC · brushingC · meB
- 7 -AABCCCB coming · oA · oA · seeB · nearingC · nearingC · unfearingC · meB
- 8 AAABCCCB oA · oA · oA · teaB · herC · herC · herC · meB
- 9 -AA-BBB- coming · oA · oA · husbandry · mineB · mineB · mineB · ivory
- 10 ---ABBBA o · comely · homely · weA · resplendentB · attendantB · dependentB · meA
- 11 -AA-BBB- coming · oA · oA · honestly · herB · herB · herB · degree
- 12 AAABCCCB oA · oA · oA · leaB · thereC · thereC · thereC · meB
- 13 ABBACCC- ayeA · oB · oB · beA · nowC · nowC · nowC · lalage
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I IDLY cut a parsley stalk, | 8 | ·/˘··/˘· |
| And blew therein towards the moon; | 7 | ······· |
| I had not thought what ghosts would walk | 8 | ········ |
| With shivering footsteps to my tune. | 8 | ·/˘/···· |
| I went, and knelt, and scooped my hand | 8 | ········ |
| As if to drink, into the brook, | 8 | ········ |
| And a faint figure seemed to stand | 8 | ···/˘··· |
| Above me, with the bygone look. | 8 | ·····/·· |
| I lipped rough rhymes of chance, not choice, | 8 | ········ |
| I thought not what my words might be; | 8 | ········ |
| There came into my ear a voice | 8 | ········ |
| That turned a tenderer verse for me. | 9 | ········· |
| (Written to an old folk-tune) | 7 | /˘····· |
| LALAGE’S coming: | 5 | ···/˘ |
| Where is she now, O? | 5 | ····· |
| Turning to bow, O, | 5 | /˘··· |
| And smile, is she, | 4 | ···· |
| Just at parting, | 4 | ··/˘ |
| Parting, parting, | 4 | /˘/˘ |
| As she is starting | 5 | ···/˘ |
| To come to me? | 4 | ···· |
| Where is she now, O, | 5 | ····· |
| Now, and now, O, | 4 | ···· |
| Shadowing a bough, O, | 5 | /˘··· |
| Of hedge or tree | 4 | ···· |
| As she is rushing, | 5 | ···/˘ |
| Rushing, rushing, | 4 | /˘/˘ |
| Gossamers brushing | 5 | /˘˘/˘ |
| To come to me? | 4 | ···· |
| Lalage’s coming; | 5 | ···/˘ |
| Where is she now, O; | 5 | ····· |
| Climbing the brow, O, | 5 | /˘··· |
| Of hills I see? | 4 | ···· |
| Yes, she is nearing, | 5 | ···/˘ |
| Nearing, nearing, | 4 | /˘/˘ |
| Weather unfearing | 5 | /˘··· |
| To come to me. | 4 | ···· |
| Near is she now, O, | 5 | ····· |
| Now, and now, O; | 4 | ···· |
| Milk the rich cow, O, | 5 | ····· |
| Forward the tea; | 4 | /˘·· |
| Shake the down bed for her, | 6 | ······ |
| Linen sheets spread for her, | 6 | /˘···· |
| Drape round the head for her | 6 | ······ |
| Coming to me. | 4 | /˘·· |
| Lalage’s coming, | 5 | ···/˘ |
| She’s nearer now, O, | 5 | ·/˘·· |
| End anyhow, O, | 5 | ·/˘·· |
| To-day’s husbandry! | 5 | ··/˘˘ |
| Would a gilt chair were mine, | 6 | ······ |
| Slippers of vair were mine, | 6 | /˘···· |
| Brushes for hair were mine | 6 | /˘···· |
| Of ivory! | 4 | ·/˘˘ |
| What will she think, O, | 5 | ····· |
| She who’s so comely, | 5 | ···/˘ |
| Viewing how homely | 5 | /˘·/˘ |
| A sort are we! | 4 | ···· |
| Nothing resplendent, | 5 | /˘˘/˘ |
| No prompt attendant, | 5 | ··˘/˘ |
| Not one dependent | 5 | ··˘/˘ |
| Pertaining to me! | 5 | ˘/˘·· |
| Lalage’s coming; | 5 | ···/˘ |
| Where is she now, O? | 5 | ····· |
| Fain I’d avow, O, | 5 | ··˘/· |
| Full honestly | 4 | ·/˘˘ |
| Nought here’s enough for her, | 6 | ··˘/·· |
| All is too rough for her, | 6 | ······ |
| Even my love for her | 5 | /···· |
| Poor in degree. | 4 | ··˘/ |
| She’s nearer now, O, | 5 | ·/˘·· |
| Still nearer now, O, | 5 | ·/˘·· |
| She ’tis, I vow, O, | 5 | ····· |
| Passing the lea. | 4 | /˘·· |
| Rush down to meet her there, | 6 | ······ |
| Call out and greet her there, | 6 | ······ |
| Never a sweeter there | 5 | /·/˘· |
| Crossed to me! | 4 | ·˘·· |
| Lalage’s come; aye, | 5 | ····· |
| Come is she now, O! . . . | 5 | ····· |
| Does Heaven allow, O, | 5 | ·/˘/· |
| A meeting to be? | 5 | ·/˘·· |
| Yes, she is here now, | 5 | ····· |
| Here now, here now, | 4 | ···· |
| Nothing to fear now, | 5 | /˘··· |
| Here’s Lalage! | 3 | ··· |
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