Old Furniture
I KNOW not how it may be with othersWho sit amid relics of householdryThat date from the days of their mothers’ mothers,But well I know how it is with meContinually.
I see the hands of the generationsThat owned each shiny familiar thingIn play on its knobs and indentations,And with its ancient fashioningStill dallying:
Hands behind hands, growing paler and paler,As in a mirror a candle-flameShows images of itself, each frailerAs it recedes, though the eye may frameIts shape the same.
On the clock’s dull dial a foggy finger,Moving to set the minutes rightWith tentative touches that lift and lingerIn the wont of a moth on a summer night,Creeps to my sight.
On this old viol, too, fingers are dancing—As whilom—just over the strings by the nut,The tip of a bow receding, advancingIn airy quivers, as if it would cutThe plaintive gut.
And I see a face by that box for tinder,Glowing forth in fits from the dark,And fading again, as the linten cinderKindles to red at the flinty spark,Or goes out stark.
Well, well. It is best to be up and doing,The world has no use for one to-dayWho eyes things thus—no aim pursuing!He should not continue in this stay,But sink away.
Words in this poem
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- shiny a.
- Bright; luminous; clear; unclouded.
- tentative a.
- Of or pertaining to a trial or trials; essaying; experimental. [L. tentare to try: cf. F. tentatif. See Tempt.]
- whilom adv.
- Formerly; once; of old; erewhile; at times. [AS. hwilum, properly, at times, dative pl. of hwil; akin to G. weiland formerly, OHG. hwilm, See While, n.]
- fading n.
- An Irish dance; also, the burden of a song.
- cinder n.
- Partly burned or vitrified coal, or other combustible, in which fire is extinct. [AS. sinder slag, dross; akin to Icel. sindr dross, Sw. sinder, G. sinter, D. sintel; perh. influenced by F. cendre ashes, fr. L. cinis. Cf. Sinter.]
- stark adv.
- Wholly; entirely; absolutely; quite; as, stark mind.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Old Furniture is in the public domain. This text is taken from Moments of Vision and Miscellaneous Verses, Project Gutenberg ebook #3255; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, Old Furniture, in Moments of Vision and Miscellaneous Verses (1917), text of Project Gutenberg ebook #3255, Laurel, https://laurelpoetry.com/poem/hardy-moments-of-vision/old-furniture.html, id L24170.
Form and metre
Old Furniture is 35 lines in 7 stanzas of 5 lines each. The rhyme scheme is ABABB, complete in 6 of its 7 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 77%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A-- othersA · householdry · mothersA · me · continually
- 2 ABABB generationsA · thingB · indentationsA · fashioningB · dallyingB
- 3 ABABB palerA · flameB · frailerA · frameB · sameB
- 4 ABABB fingerA · rightB · lingerA · nightB · sightB
- 5 ABABB dancingA · nutB · advancingA · cutB · gutB
- 6 ABABB tinderA · darkB · cinderA · sparkB · starkB
- 7 ABABB doingA · dayB · pursuingA · stayB · awayB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I KNOW not how it may be with others | 10 | ········/˘ |
| Who sit amid relics of householdry | 11 | ··˘//˘····· |
| That date from the days of their mothers’ mothers, | 11 | ·······/˘/˘ |
| But well I know how it is with me | 9 | ········· |
| Continually. | 5 | ˘/˘˘˘ |
| I see the hands of the generations | 10 | ·······˘/˘ |
| That owned each shiny familiar thing | 9 | ···/˘˘/˘· |
| In play on its knobs and indentations, | 10 | ······˘·/˘ |
| And with its ancient fashioning | 8 | ···/˘/˘˘ |
| Still dallying: | 4 | ·/˘˘ |
| Hands behind hands, growing paler and paler, | 10 | ····/····· |
| As in a mirror a candle-flame | 9 | ···/˘·/˘· |
| Shows images of itself, each frailer | 9 | ·/˘·˘/··· |
| As it recedes, though the eye may frame | 9 | ··˘/····· |
| Its shape the same. | 4 | ···· |
| On the clock’s dull dial a foggy finger, | 11 | ····/˘·/˘/˘ |
| Moving to set the minutes right | 8 | /˘···/˘· |
| With tentative touches that lift and linger | 10 | ·/˘/˘···/˘ |
| In the wont of a moth on a summer night, | 11 | ········/˘· |
| Creeps to my sight. | 4 | ···· |
| On this old viol, too, fingers are dancing— | 11 | ···/˘·/˘·/˘ |
| As whilom—just over the strings by the nut, | 10 | ·/˘······· |
| The tip of a bow receding, advancing | 11 | ·····˘/˘˘/˘ |
| In airy quivers, as if it would cut | 10 | ·/˘/˘····· |
| The plaintive gut. | 4 | ·/˘· |
| And I see a face by that box for tinder, | 11 | ·········/˘ |
| Glowing forth in fits from the dark, | 8 | /˘······ |
| And fading again, as the linten cinder | 11 | ·/˘˘/····/˘ |
| Kindles to red at the flinty spark, | 9 | /˘····/˘· |
| Or goes out stark. | 4 | ···· |
| Well, well. It is best to be up and doing, | 10 | ·········/ |
| The world has no use for one to-day | 9 | ········· |
| Who eyes things thus—no aim pursuing! | 9 | ······˘/˘ |
| He should not continue in this stay, | 9 | ···˘/˘··· |
| But sink away. | 4 | ··˘/ |
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